My favorite Heavy Metal album cover, (of my entire Metalhead life), is… IRON MAIDEN’S debut from 1980 – IRON MAIDEN.Why? It’s Heavy Metal art, in all of it’s glorious Metal infancy. This was 1980 for Metal sakes, well before the multi-thousands of “other” Heavy Metal album covers came forth. Artist Derek Riggs made Eddie into this haunting and nightmarish creature of all things horrible. This mascot called Eddie symbolized an enormous turning point, in the way Heavy Metal was to be portrayed visually, for decades to come. The Metal of Iron Maiden on their debut album coincides with the album artwork with precision… melancholy and haunting are both. It’s probably best summed up this way… the Eddie artwork of Derek Riggs and the Metal of Iron Maiden, on this initial album, was always for me, a match made in Metal heaven.
Don’t get me wrong, the ensuing Iron Maiden album covers of Killers, The Number of the Beast, Piece of Mind and Live After Death are ultra legendary. I choose the debut Iron Maiden album cover for it is just that… the first appearance of not just a mascot and symbol of Iron Maiden, arguably Eddie was then and still is now, a mascot and symbol for all of Heavy Metal as well. Back in 1980, who would have predicted the rise and Metal proliferation of Iron Maiden? With Eddie being a prominent and symbolic fixture of the band spanning four decades now? It all had to start somewhere, commercially, for Iron Maiden. It started with their influential debut 1980 album and this cover, with Eddie as the macabre centerpiece, with those demonic eyes, standing underneath a moonlit creepy sky, amongst eerie street lamps.
Back in 1980, (when my Mom forbid me to have this album for its “bad news” cover), I would still seek it out at the Caldor Department Store… and stare at it in sheer bewilderment, (when my Mom wasn’t looking). The shock and awe this cover instilled in me back then, still gets my shock and awe meter ticking now. Sometime around 1985, my Mom was much more schooled on Heavy Metal… she bought me the Iron Maiden debut album one day, on a whim!
It’s funny how times have changed over the years and decades. Back in 1980, I’m certain there were a ton load of nervous parents out there, who fixed their eyes upon this Iron Maiden debut album… only to be handing down parental mandates to their sons and daughters, stating that this was the second coming of the anti-christ. It’s weird now, looking back on 1980, as a much more “innocent” time. As a parent of ten-year old twin daughters in 2010, there are many times I want to “shield” them from seeing and/or hearing what I deem inappropriate. They are only ten years old after all!
I witness for myself, the over sexed and gory album covers of today, with the infinite number of television, print and movie media’s sexual and violence laced appeal. I guess, after all this time, I can sympathize with my Mom’s feelings back then, in 1980. Regardless, I am anti-censorship when it comes to artistic freedom, our freedom of speech and to assemble as well!!
Picking out one’s favorite Heavy Metal album cover of all time can be difficult, I found this to be quite easy. Sure, Judas Priest and KISS, (just to name a credible twosome), had some incredible album covers in the 1970’s… before this Iron Maiden album was released, yet the visual impact, that this Iron Maiden cover had on me since I was straight out of eighth grade has never wavered. Oh… and every song on this Iron Maiden album, made just as equal an impact on me too. What is your favorite Heavy Metal album cover?
LONG LIVE IRON MAIDEN!
LONG LIVE EDDIE!
LONG LIVE DEREK RIGGS!
* My favorite song on this Iron Maiden debut album is – Remember Tomorrow. This song seems to drift along in such a dreamscape and melancholy way. A true chameleon of a song, if there ever was one… the mellowness and somber mood, changes over to heaviness… and then repeats itself all over again.
I could go on and on about this Iron Maiden album cover… the pleasure I derive from looking at this artwork is worth its weight in Metal gold.
Stone.




















































Today, my wife, myself and twin daughters all decided on adopting a homeless cat. He already comes with a name… Del. Del has only one eye, the other is shut closed. He is currently living in a shelter and is in great health. The shelter he is in now rescued him from a “kill” shelter. The poor guy has also been de-clawed, yet that is alright, Del will be our house cat. Yup, Del will be able to have full reign of the house, (within reason of course). Being a four year old cat, he probably has some stories to tell… if he could only talk. We pick up Del on Sunday, November 15th. Del is a silver tiger, with white and gray stripes. (No, he is not a real tiger). I and my family cannot wait to get this dude, he will fit right in for sure.







W.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.


You must be logged in to post a comment.