Archive for the classic metal Category

Helix “No Rest For The Wicked” – a cool 1983 album and Heavy Metal Band

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, cool album covers, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, Metal, old school heavy metal, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on July 20, 2009 by Metal Odyssey

main-150-1Helix is a Heavy Metal band, (originating from Canada), one that I got the biggest Metal kick out of, back in the 1980’s. Released in 1983, “No Rest For The Wicked” is in my Metal opinion, one really cool Heavy Metal album… period. Helix has two very memorable songs off of this album, these songs are melodic and heavy, (yes, that is what the majority of 1980’s Heavy Metal was about… melodic and heavy. These two adjectives do coexist in song, no matter what any other professionally paid Rock Music critics may think. The two songs I am pointing out are: “Heavy Metal Love” and “White Lace and Black Leather”. Helix was – still is, a Heavy Metal band that came out of the same Metal Music mold as Krokus, (just to make a Metal comparison). “Heavy Metal Love”  and “White Lace and Black Leather” are two songs that trudge along with that vintage 1980’s, Heavy Metal style of power. The entire album is a vintage trip of early 1980’s Heavy Metal, “Dirty Dog” and “Don’t Get Mad, Get Even” are two more notable tracks. As I reflect back, Helix did indeed get their FM radio play, especially on “Metal Shop”, (a Heavy Metal radio show back in… guess when? Ahhh, the 1980’s. 

Did Helix get swallowed up in the Heavy Metal crowd eventually? Probably, the 1980’s had a ton of bands, so many cool Heavy Metal bands too. Think of how difficult it had to be, to be a Heavy Metal band back in the 1980’s… it was not as easy as you would probably think. You had Motley Crue, Ratt, Van Halen, and Ozzy Osbourne garnering all the attention – (trust me, you can name off a whole bunch of bands like these, I am just using these names to make my point). Plus, you had the Thrash Metal movement being born and then taking the Metal world by storm. The 1980’s if anything, was very competitive with Heavy Metal music, that was electrifying for Metal fans like me. Metalheads reaped the harvest back then, (and we still do). A Heavy Metal band like Helix may not have been the household name in the past, yet still they are making music.

main-150Helix did a redo of “Heavy Metal Love”, it can be found on their 2007 studio release – “The Power Of Rock And Roll”. I like the 2007 version just as much as the 1983 version, albeit the new version of “Heavy Metal Love” Rocks along a tad faster. I wound up meeting my Heavy Metal Love, I eventually married her. (Please excuse me if that sounded a sliver corny, yet it is true). As a Heavy Metal fan, I always have attached good memories to my favorite bands, songs and concerts. Helix brings to the Metal table, a brand of Heavy Metal that makes me feel like it’s party time again and I don’t have to pay my bills. (Wishful thinking on the bill paying). That is what music does, it carries me off into my land of Metal… courtesy of terrific bands like Helix. Helix was all about Heavy Metal with their songs, lyrics and attitude. I am Metal cheery that they are still around to this very day. When you are a quality Heavy Metal band, that writes cool and memorable songs, Metal fans never will never forget you. Obviously, I have never forgotten about Helix.

As goes with so many Heavy Metal bands, lineups change over the years and decades. Here is the Helix band members as they appeared on “No Rest For The Wicked”: Brian Vollmer on lead vocals, Brent “The Doctor” Doerner on guitar, Paul Hackman on guitar, Mike Uzelac on bass and Greg “Fritz” Hinz on drums.

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Motorhead and Anthrax both covered “God Save The Queen”

Posted in 1970's punk rock, 1980's heavy metal albums, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, classic heavy metal albums, classic metal, classic punk rock, cool album covers, cover songs, essential heavy metal albums, extreme music, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, legends of punk rock, Metal, metal music, Motorhead, Music, old school heavy metal, old school punk rock, punk rock cover songs, punk rock music, punk rock songs, Thrash Metal, vintage heavy metal albums, vintage punk rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 28, 2009 by Metal Odyssey

main-150Motorhead and Anthrax. Each band is a prominent member in the Metal Music world. Motorhead and Anthrax have always hinted, albeit with Metal stylings, their musical taste for Punk Rock Music. Both of these legendary Metal bands covered the Sex Pistols classic “God Save The Queen” from the “Never Mind The Bollocks, Here’s the Sex Pistols” album, (released in October of 1977). This song was written of course, by Paul Cook, Steve Jones, John Lydon (Johnny Rotten) and Glen Matlock. Both cover versions are really cool and heavy, with Motorhead having their unmistakable, heavy coated vocals and bass guitar of Lemmy Kilmister leading the way. You know it’s Motorhead when you hear their cover of this prolific song… no pretensions, no frills, no sugar coating. The Motorhead cover version of “God Save The Queen” can be found on the “We Are Motorhead” album, (released on May 16, 2000). The Anthrax cover version is found on the EP – “Armed And Dangerous”, (released in February of 1985). In my Metal opinion, Anthrax covers “God Save The Queen” with convincing Punk Rock attitude, the reasons for this lays in the lead vocals of Joey Belladonna as well as the backing vocals. Musically, Anthrax is right on the Punk Rock bulls eye, which always led me to believe this particular lineup could have experimented even more with Punk Rock songs.

Anthrax has been a diverse band throughout their career, the same can be said about Motorhead too. Therefore, it is only fitting that these two bands picked up “God Save The Queen” to cover – and cover it well, both of these bands did. Of course, I repeatedly state that there is nothing like the original. I would be hallucinating, if I were to say that there is any cover song of “God Save The Queen” out there, that blows away the Sex Pistols original. Regardless of that mindset, both Motorhead and Anthrax honestly pay tribute to this song and the Sex Pistols with the upmost Metal respect. The proof is in the cover songs themselves, they both pulsate with the Punk Rock angst and anti-establishment message that the Sex Pistols originally created in the first place. I always felt this message in the song’s music, while hearing it of course, in the lyrics. 

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My favorite AC/DC song of all time is…

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's hard rock, 1970's heavy metal, 1970's Rock, classic hard rock, classic hard rock music, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock music, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock drummers, hard rock guitarists, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, Rock, rock and roll hall of fame inductees, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2009 by Metal Odyssey

main-150AC/DC – they are not just Rock and Roll Hall of Famers, this band is an elite institution of heavy music. I always pondered throughout the years… which song from the extensive catalog of AC/DC albums, is my favorite of all time? Is my favorite song from the Bon Scott era? Man, the late Bon Scott was unique, his vocals were and always will be legendary. The Brian Johnson era is power packed with amazing songs, could I take the easy route and pull my favorite tune off of the “Back In Black” album? That would be way too easy for me, it seems like choosing “Hells Bells”, “Back In Black” or “Have A Drink On Me” as my favorite AC/DC song, would be particularly predictable. I will not argue the fact it is a historical album, “Back In Black” surely paved the way for Heavy Metal commercial acceptance. Besides, I personally am forever grateful for AC/DC appointing Brian Johnson to succeed the late Bon Scott. “Back In Black” will forever be on my all time favorite album list.

Well, after all these years, probably since around 1979, (in which I was first aware that AC/DC existed and heard the classic “Highway To Hell” single on FM radio), my personal choice, for favorite AC/DC song ever is… “Touch Too Much” – from the “Highway To Hell” album, (released in 1979). Whew, do I get the AC/DC fever when I hear this song. I do not care how many times I have listened to this classic, this song rocks. Even after so many years have passed by, I still feel that certain rush go straight through my face each time “Touch Too Much” is cranked up. Yeah, you know, that psyched out feeling that engulfs your whole body, like you just drank a 2 liter bottle of happy sauce. This song does it for me – thank you very much. This song hits me from the opening note… I do not believe there is one nano second that is not cool on this song. Sure, the single “Highway To Hell” received all of the attention from this sacred AC/DC album, yet in my Metal opinion, “Touch Too Much” is a song that embodied a core heaviness that signified of continuous great things to come from this band. 

I am certainly not alone in saying that I revere both the Bon Scott and Brian Johnson eras of AC/DC. Choosing a single favorite song from this band, is like choosing which day of the week is my favorite… I am just happy to be alive and be in the position to enjoy each day of the week, for Metal sakes. Going back to “Touch Too Much”, as the old saying goes… the more things change, the more they stay the same… really listen closely the next time you hear this song, then imagine if it were to be released for the first time in 2009. “Touch Too Much” is a song that blows away at least half of the newly released Hard Rock or Heavy Metal songs that do get commercial FM or satellite radio play. Angus Young on guitar, Malcolm Young on rhythm guitar, Cliff Williams on bass guitar and Phil Rudd on drums and of course, Bon Scott on vocals, made this song happen and groove in a way that has affected me for life. This is my Metal opinion – long live AC/DC and this enormous song.

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Dee Snider – Widowmaker “Blood And Bullets” is 100% Metal Music

Posted in 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, classic heavy metal albums, classic metal, essential heavy metal albums, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums, Vocals, W.A.S.P. with tags , , , , , , , , , , , , , , , , , , on June 24, 2009 by Metal Odyssey

708Dee Snider is and forever will be a real Heavy Metal icon. (I have said this time and again, this is just how I feel). This man needs no introduction to Metalheads worldwide… he has flown the flag for Metal with unmistakable pride. Dee Snider had another kick to the face Heavy Metal Band during his illustrious career – Widowmaker. My best buddy in the universe introduced me to Widowmaker just a week ago. You heard that right, just one week ago. Let’s face it, there is an infinite amount of Hard Rock and Metal music out there to be heard and enjoyed. I could never fathom the task or have the time, to listen to everything ever created in Metal Music. Widowmaker just so happened to be a band I was always aware of, yet I never heard more than a couple of tracks from them throughout the years. Having my buddy give me a copy of “Blood And Bullets” was a great surprise, like a Heavy Metal bonus falling from the sky and into my lap.

Dee Snider sounds quite simply, awesome, as the front man for Widowmaker, on “Blood And Bullets”. In my Metal opinion, this album ranks right up there with Twisted Sister’s “Under The Blade” and “You Can’t Stop Rock and Roll” albums. I use the Twisted Sister albums as comparisons for obvious reasons, plus the full throttle Heavy Metal power is all over “Blood And Bullets”. This album is just like mixing in the old school sound of these Twisted Sister albums I mentioned, while adding a major dose of extra confidence and Metal attitude from Dee Snider’s lead vocals. The way in which I interpret Dee Snider’s vocals, is that of a man who was set out on a mission, a mission to prove to the Metal world that Dee Snider had no intention on making a commercial Metal album. Instead, this was a Metal release that was infused with dynamic song writing and musicianship – Metal musicianship.

Granted, this album was released in the early 1990’s but do not let this fool you for one Metal second. There are throngs of Metal bands out there today, that could only wish to have created an album this good. I think of another steadfast favorite Metal band of mine, while listening to “Blood And Bullets”… W.A.S.P.. Why you may ask? It’s all about the grooves, the uncanny and powerful feeling I get when listening to this brand of Metal. W.A.S.P. is a band that I can pinpoint with accuracy, as having released albums containing great Metal songs, no fillers. There are no fillers to be found from Widowmaker here as well. “Blue For You” is the one song that had me smirk upon my first listen, for I anticipated that maybe it would inherit some Blues quality, judging by the song title. This song does rip with a bluesy guitar sound from the get go… the Metal Blues that is. “Emaheeval”, “The Widowmaker”, “Evil” and “The Lonely Ones” are the first four tracks on this album… I cannot put into words the Metal excitement these songs carry.

My buddy set off for a trip to Lebanon, accompanied by his wife and son, after I received this Widowmaker album from him.  I wish him and his family the safest and happiest trip they could possibly wish for. I also cannot wait for him to get back to the States, then I can rant and rave his ears off about what a Metal trip “Blood And Bullets” has been for me. Yes, without a doubt, I am beating the Dee Snider – Metal drum very loudly here. I felt the sense of urgency to get the word out and remind those who love Metal, that Widowmaker’s “Blood And Bullets” is damn good music. I am forever being Metal schooled, it is a profound and exhilarating experience each time it happens. It only serves me right, that this time around, it is the legendary Dee Snider and his other band Widowmaker.

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HAMMERFALL “No Sacrifice, No Victory” – Power Metal on high

Posted in 1970's Rock, 1980's power metal music, 1980's heavy metal music, 1990's power metal music, 1990's heavy metal music, 2009 power metal music, Album Review, classic metal, cool album covers, cover songs, current heavy metal albums, current metal albums, european power metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, power metal from sweden, power metal music today, speed metal, symphonic metal, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on June 20, 2009 by Metal Odyssey

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HAMMERFALL has done it again. This Power Metal outfit wasn’t about to release a sound scape of easy listening, calming, ocean waves… no way. “No Sacrifice, No Victory” (released March 24, 2009), is Power Metal with several exclamation points after it. For anyone new to Hammerfall, they are similar in musical style to that of Helloween, a long standing originator of this Power Metal genre. With approximately 15 studio albums behind them, (not counting EP’s, Greatest Hits or Singles), Hammerfall on this new release, sound as if they are hell bent on dominating the world with their Power Metal brand. I am not about to get in their way, if anything I will raise my Metal fist into the air and cry out the lyrics to “Hallowed Be My Name” and be glad I did. If you are totally into Power Metal and cannot become inspired by “No Sacrifice, No Victory”, well, then you are not into Power Metal music at all.

In my Metal opinion, I find beauty to be an attribute of the musical sound of Power Metal. (Yeah, I did say beauty… let’s not get carried away here). On “Something For The Ages”, if one cannot hear the beauty in the melodic guitar leads and solos, then I will stand alone with my belief. (From this day forward, I shall call it Metal beauty). How many Metal bands can make a church organ sound cool in any song? Hammerfall can… on “Between Two Worlds”, courtesy of Power Metal veteran Jens Johansson. Now, do not hesitate to think for one Metal second, that Hammerfall does not hand unto us a heavy, Power Metal album… they do hammer down the heavy, the power… the Power Metal. The background vocals throughout are trademark and at the upmost heightened level throughout “No Sacrifice, No Victory”. Without these backing vocals on high, it would not be Power Metal. If I was to choose one track off this album that carries each crucial characteristic of Hammerfall’s Power Metal, it is “One Of A Kind”. The sweeping and confident lead vocals of Joacim Cans coupled with the musical totality of this band make this song a signature example, for me.

I found it to be a cool surprise, that Hammerfall added the cover version of “My Sharona” to this new album. (Not that Hammerfall is new to cover songs, their “Masterpieces” album is nothing but Vintage Metal cover tunes). The Knack originally released this song on their “Get The Knack” album, (circa 1979), a band and album I always felt was at least a decade ahead of their time. (I found this vintage album at a thrift store a couple months ago… mint condition and 50 cents too). Not to get stranded here, I really do admire Hammerfall for covering “My Sharona” and recognizing a true classic, a song that bordered and teetered on Punk, New Wave and Rock – an interwoven treat of a band is celebrated here by Hammerfall, The Knack should feel great about now. As for the cover version by Hammerfall? It Rocks, very well indeed. I have made a new rule about this “My Sharona” cover song… I must always play it extremely loud for maximum listening pleasure. Will Hammerfall resurrect “My Sharona” and once again make it a #1 hit single? Of course not, yet who cares? This song, being the last track on the album, is a grand way to end “No Sacrifice, No Victory”.

From the high, all enveloping lead and backing vocals, to the searing and soaring guitar leads, numerous and melodic solos, combined with the groove and thump of the rhythm section – add the keyboards and organ for the sensory surround sound that gives Power Metal it’s name… you will have ventured into the Metal world of Hammerfall’s “No Sacrifice, No Victory”.

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My favorite Ozzy Osbourne album is…

Posted in 1980's heavy metal albums, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock, classic rock music, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, ozzy, Ozzy Osbourne, rock and roll hall of fame inductees, rock keyboard musicians, rock vocalists, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 18, 2009 by Metal Odyssey

I would like to take this opportunity, to let the entire world know, which Ozzy Osbourne album is my favorite of all time. Oops, it is a tie. “Blizzard Of Ozz”, (1980) and “Diary of a Madman”, (1981). Why, you may query? These first two Ozzy albums to me, represent the real, original, building block, style of Heavy Metal sound, that energized the 1980’s into the powerhouse Metal decade it was. Plus, lest we never forget, the greatness of the late Randy Rhoads on lead guitar, on both of these essential Heavy Metal albums.

It is very important to note that on the reissue version of “Blizzard Of Ozz”, during the re-mastering process, Mike Bordin is now on drums and percussion with Robert Trujillo on bass. The original drummer, on the original album, was Lee Kerslake and on bass was Bob Daisley. They are all fabulous musicians, I am not swayed either way. Don Airey is on keyboards for the original album. The key is that the legendary, late Randy Rhoads is the guitarist! Just to hear Randy play his signature sound on “I Don’t Know”, “Crazy Train” and “Mr. Crowley” still sends chills 28 years after this release. Randy Rhoads and his unique guitar sound and style truly helped shape the evolution of Heavy Metal and it’s many prominent guitarists for decades. This album is not just a turning point for Ozzy, it is a focal point of reference and reverence for so many Heavy Metal musicians and fans alike. A bonus track is added into this reissue, “You Lookin’ At Me Lookin’ At You”. This song is similar in structure to “Rock & Roll Rebel” from Ozzy Osbourne’s “Bark At The Moon”. It is a song that is a welcomed addition to this classic album, any song is – that has Randy Rhoads playing. This album has stood the test of time, it feels strange for me to now say that the lyrics, song structure and arrangements with Randy Rhoads leads and riffs are powerhouse. Yet, with the new generation of Ozzy, Randy Rhoads and Heavy Metal fans, getting the word out after all these years is worth every second if it means passing this Heavy Metal jewel on to new listeners.

I know that I do reflect a couple of decades back, (quite often), in my posts… the reason is simple, this incredible Heavy Metal music was created and released decades ago! That is my point of relevance for me, so much of the Heavy Metal that I was into in the late 70’s onward, I still listen to this very day and is now considered classic and vintage. I can remember having the coolest algebra teacher back in High School, Mr. Z. was his name. Mr. Z. allowed his students to bring into class – albums to play on his stereo. How cool is that? It is not too often, with any generation, to reflect on any Algebra teacher from High School as being cool. Well, one of my buddies back then, brought into our class one day, the “Diary Of A Madman” album. This was really the first time I gave this Ozzy gem a thorough listen. I was ecstatic, thrilled beyond Metal belief upon hearing these tunes on this album. (Mr. Z. seemed to dig this Ozzy album too, I can still remember seeing his face showing the appreciation, while the Metal blared). Needless to say, my grades in Mr. Z.’s Algebra class were very respectable, due in part to the cool nonconventional way of teaching, using Heavy Metal as an inspiring teaching tool. Mr. Z. rocked back then, I hope he is still as cool today, wherever he may be.

With tracks such as “Over The Mountain”, “Believer”, “Little Dolls”, “You Can’t Kill Rock and Roll”, “Flying High Again” and “S.A.T.O.”, the odds of ever hearing such amazing Heavy Metal songs this potent and on one album again, are pretty slim. Back in 1982, after listening to this Ozzy album, I was set Metal straight – for a lifetime.

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IRON MAIDEN “FLIGHT 666” is now boarding Metalheads!

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, concerts, cool album covers, current heavy metal albums, current heavy metal music, current live heavy metal albums, current metal albums, current prog metal albums, current prog metal music, current progressive metal albums, essential heavy metal albums, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 11, 2009 by Metal Odyssey

fullsizeYou bet your Metal memory I picked up the new and live double CD “Flight 666” from Iron Maiden, (released June 9, 2009). How could I possibly pass it up? This is Iron Maiden we are talking about… Metal icons… Metal elite. I first saw this new Iron Maiden CD, yesterday, at f.y.e., they were asking $16.99… I knew I could do better than that. So, I went to good ol’ Super Walmart to pick up necessities, like… food, then my body was on automatic pilot and went straight to the CD aisles. Iron Maiden is a necessity in my Metal life, therefore, I purchased “Flight 666” along with various food items from Walmart. I embarked for my car, with my daughters by my side and I am one happy dude. The Walmart price? I paid $13.88 for “Flight 666”, if I continued to search for a cheaper price than that, I would be wasting gas in my tank. Plus, I was able to save $3.23… sounds like chump change, yet it adds up throughout the years when you shop around a tad. I am going to put the DVD version of “Flight 666” on my want list for now… I listen to Metal light years more often than I watch Metal.

Now, for the Metal music on “Flight 666″… again, this is Iron Maiden! What in the Metal world could I possibly find fault with here? This live double CD is juiced up with many prime Metal tunes from the expansive Iron Maiden catalog of albums. Quality, quality and more quality. That is what you hear from the production, sound and of course, the Metal from this Iron Maiden live CD. No Iron Maiden and/or Metal fan could possibly expect any less from this band. When I listen to “Flight 666”, I truly realize how I have never grown weary of any Iron Maiden tunes. If anything, listening to this CD makes me appreciate this band all the more, Iron Maiden is still cranking out Metal across the world… and doing so with their trademark, brilliant musicianship. These guys have not missed a step going on three decades. “Flight 666” is proof of this. The Progressive Metal exuberance of Iron Maiden, with their multi-layered triple guitar attack are in a Metal class all their own. Being a live CD, the nuances and ambiance of the musicianship and the thousands of screaming Iron Maiden fans make for an exciting listen. Not everyone is into live albums… I never fell in love with every live Metal album I have listened to either – “Flight 666” is a live Metal album that I will boast about forever.

There are six tracks on “Flight 666” that are post “Powerslave” era Iron Maiden. “Wasted Years” and “Heaven Can Wait” are from the “Somewhere In Time” album. “Heaven Can Wait” is my favorite post “Powerslave” Iron Maiden tune, it is played live in incredible Metal fashion here. “Fear Of The Dark” is from, of course, the “Fear Of The Dark” album. “The Clairvoyant”, “Moonchild” and “Can I Play With Madness” are off of the “Seventh Son of a Seventh Son” album. The remaining eleven tracks are just killer, vintage and monumental Iron Maiden from the debut “Iron Maiden” album up to and including, the “Powerslave” album. The opening live trademark of “Churchill’s Speech” gets the Metal juices flowing for what is about to come… “Aces High”… pure Iron Maiden, pure Metal intensified! “2 Minutes To Midnight” and “The Number Of The Beast” roar with Iron Maiden – Metal history. I am glad to see that “Rime Of The Ancient Mariner”, from the “Powerslave” album, is added to this amazing set of Iron Maiden classics… at almost 14 minutes long, Iron Maiden makes an epic story turn to epic Metal greatness. My favorite Iron Maiden tune ever is found on “Flight 666” as well and I am ecstatic… “Revelations” from the “Piece Of Mind” album.

I guess you may have figured out by now, that I am a life long fan of Iron Maiden. I am obviously not alone with my Metal allegiance towards this band. I could go on forever about how much I dig this band and “Flight 666”, however, all great Metal posts must come to an end. If you are already an Iron Maiden fan, you know you will own this album, (if you not already have it). For new fans of Metal or Iron Maiden, it is time to get on board for “Flight 666”!!

Iron Maiden are: Bruce Dickinson on lead vocals, Dave Murray on lead & rhythm guitars, Adrian Smith on lead & rhythm guitars, Janick Gers on lead & rhythm guitars, Steve Harris on bass and Nicko Mcbrain on drums. If these guys are not legitimate Rock & Roll Hall of Famers, then nobody is. Iron Maiden is in my Rock & Roll Hall of Fame and they epitomize what the word Metal means.

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Heavy Metal cassettes are still useful to me

Posted in 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's heavy metal music, classic metal, classic rock, collecting music, everyday experiences, everyday social experiences, glam metal music, Hair Metal, hair metal music, Hard Rock, Heavy Metal, Metal, metal music, Music, music collections, old school heavy metal, progressive rock, Punk rock, rock music, shopping for music, southern rock, thrash metal music with tags , , , , , , , , , , , , on June 5, 2009 by Metal Odyssey

MetalOdysseyYou know something… I am sick and tired of the throw away mentality that surfaces about, in regards to the media in which we listen to music. Turntables are still being sold and so are cassette tape decks. I can understand if younger generations are not at all interested in vinyl records, cassette tapes or (gulp) – 8-track tapes. The younger dudes did not have record or tape collections to replace with CD’s… a very costly endeavor at that, which can take a lifetime to rebuild with CD’s, depending on how large your music collection wasHowever, in the last three years alone, I have purchased two “brand new” combination stereo systems for my daughters and guess what? Both of these combination stereos have built-in cassette decks!! Both stereos were purchased at Target, a major upscale department store that is supposedly in the know – on the cutting edge of having the latest home electronics technology! So, if cassette tapes are supposed to be so archaic, so outdated and symbolic of poor taste in music listening enjoyment, then why are they still being manufactured? To pacify us older dudes who have still hung on to our cassette collections? Out of sympathy for us nostalgic Metalheads?

My number one music genre, is of course, Heavy Metal and all related Heavy and Extreme Music genres. With that appreciation I have for my music, I still covet the Heavy Metal cassettes that I, to this very day… hunt down and find at thrift stores and yard sales. Hey, I have the means to still play them! As a bonus for me… my model year 2000 Ford Tauras has a built-in… you guessed it… cassette deck! Therefore, I am not wasting my loot when I purchase these Heavy Metal cassettes from yesteryear. No matter what thrift store I frequent, the standard price for each cassette tape is only fifty cents. Fifty cents!! C’mon, let’s be real, that is nothing compared to the sticker prices for the newly released, Heavy Metal CD’s you find today. My recent CD purchases, of the newest releases of Metal bands, have ranged in price from $9.99 upwards to $17.99… and we are not talking about any one of them being a double CD either! These CD prices will never thwart my addiction to Heavy Metal and frequent purchasing. The point I am making is simple… for fifty cents, I am still getting the same enjoyment from the music I listen to, albeit the sound quality of a CD versus the cassette tape equates to the CD wins. (I will not argue about the sound quality)

There are dozens of Heavy Metal cassettes that I find that are currently not available on CD. The cassettes I buy must have the original liner notes intact, in near mint to mint condition. Take my word for it, these liner notes are a piece of Heavy Metal nostalgia for the respective band on the cassette… I still get a kick out of reading the cool liner notes that have full lyrics and interesting credits. You would be surprised at what one may learn from reading the liner notes of these old cassettes… especially the ones that are currently not available on CD. I have posted in the past, the last laugh the turntable and record albums are currently having on the music marketplace… it is the Heavy Metal cassette tape that is silently having the last laugh as well.

Ronny Munroe “The Fire Within” – Metal Church vocalist roars on solo debut

Posted in Album Review, Century Media, century media records, classic metal, cover songs, current heavy metal albums, current heavy metal music, dio, essential heavy metal albums, Guitar, guitar solos, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal vocalists, Metal, Metal Church, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, rainbow heavy metal band, ronnie james dio, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 2, 2009 by Metal Odyssey

30649First of all, I am a fan of Ronny Munroe, the current lead vocalist for Metal Church. I just happen to gravitate towards the Old School Metal sound, both vocally and musically. Ronny Munroe in my Metal opinion, has the unmistakable Old School Heavy Metal vocals… and in no way do I subscribe to the opinion that this sound is dated. This brand of Old School Heavy Metal has been proven successful for decades now. For me, it is another Metal genre that lives on. With that said, I have obtained a copy of the new Ronny Munroe debut CD… The Fire Within, (released 2009), I am impressed by the total package of music here. This is Heavy Metal made the old school way, no frills, bells or whistles get in the way of the straight ahead approach that Ronny Munroe has taken on with “The Fire Within”. Honestly, Ronny Munroe comes with his Metal Church – front man credentials… he delivers a mightily solid twelve tunes alongside some talented friends. Rick Van Zandt of Metal Church, plays lead and rhythm guitars superbly throughout, with Michael Wilton of Queensryche delivering a solo on two tracks I will mention.

“Across The Sea Of Souls” is the song I feel Ronny Munroe is at his finest, his vocals sound sharp, as if he has been singing this song his entire life. The Michael Wilton solo on this song is cool, I cannot ignore or resist his guitar talent. “Ivory Towers” and “Evil Genius” are tracks that showcase moments of the higher extreme of Ronny’s vocal range, (yes, think of Rob Halford), these songs are groove laden with images of 1980’s Arena Metal concerts in my mind! “Ride Me” is a Metal-macho tune that rocks heavy, the lyrics are tailor made for a Hair Metal band… Ronny makes this song work, Randy Cooper kicks in with a lean & mean solo, a Heavy Metal tune with plenty of swagger. “What You Choose To Call Hell (I Call Home)” comes across to me, as the signature track for Ronny on this album. It is dark, heavy, moody and effectively bridges the gap between Metal Church and Ronny Munroe’s solo career. Michael Wilton appears again here, providing another memorable solo.

After listening to “The Fire Within”, it is my Metal opinion, that Ronny Munroe places Old School Heavy Metal high on a pedestal. I hear while listening to this album, the influences of Judas Priest, Dio and Dio era Rainbow. My opinion could not be better solidified, after listening to “Man On The Silver Mountain” (a vintage Rainbow song), covered by Ronny Munroe. This being the last track, it fittingly closes out a fine Heavy Metal album of creative tunes. Ronny does a terrific cover of this song, I really enjoy this version a whole bunch. This cover version found here, is a fine tribute to an everlasting, Heavy Metal classic of a song. Ronny’s vocals at times, do have comparisons to the legendary Ronnie James Dio, especially on this classic Rainbow cover. I will say, my favorite will always be the original “Man On The Silver Mountain” as sung by Dio himself. In summary, “The Fire Within” will be an album that I will tune in to on a regular basis, it is what I like. I was looking forward to this solo album from Ronny, I have not been disappointed. I recommend Ronny Munroe’s debut solo effort to any fan of Old School Heavy Metal, 1980’s Heavy Metal, Rainbow and of course, Metal Church. New fans should just dive in… this brand of Metal needs to be passed on!

Upon searching for “The Fire Within”, I did locate this CD on the worlds greatest online record store… Century Media Records… aka… CM Distro.com. (I highly recommend CM Distro.com). “The Fire Within” is on an independent record label called Ratpak Records. *Not to leave out the cool musicianship of the following on this album: Izzy Rehaume on bass guitar, Rick Pierce on rhythm guitar, Johnny Ringo and David Van Zandt on drums.

Ronny Munroe "The Fire Within"

Saxon continues to Rock with Old School Heavy Metal

Posted in 1970's heavy metal, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, classic metal, cool album covers, current heavy metal albums, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, Power Metal with tags , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2009 by Metal Odyssey

7670060929Saxon – the words durable, old school, enduring and still excellent at their Metal craft, come to my mind. Let’s be honest, this is not the same Saxon from their “Denim and Leather” days, yet they are Saxon 2009 – that is Metal-good enough for me. Saxon was an essential part of “the new wave of British Heavy Metal”, going back to the late 1970’s into the early 1980’s. When I first heard Saxon back then, I felt like I found a band no one else knew about… I had a cool Metal secret. Well, the secret was already out, as I later found. Saxon was justifiable a favorite of legions of Metalheads, therefore I was not alone with my new found Heavy Metal band after all. 

568497a3ad“into the Labyrinth” is the newest album from Saxon, released on January 13, 2009. “Battalions Of Steel” and “Valley Of The Kings” have an almost majestic Power Metal sound, complete with keyboards and what sounds to me like an enlightened choir. For me, Saxon pulls it off extremely well when they go the Power Metal route. “Live To Rock” is the single being pushed off of this album, it is bona fide Old School Heavy Metal with a cool, vintage, anthemic delivery to it. This is the fist raising – head banging tune that will stir up plenty of 80’s Heavy Metal memories for many. “Slow Lane Blues” is another fine example of how Saxon holds onto the Classic Metal approach, a fun tune that tells the complete story of a dude being pulled over by a cop for speeding. “Crime Of Passion” is heavy, heavy, Metal. Nigel Glockler punishes the drum kit on this song, again, head banging can and may occur when listening to this song too. If there is to be a song on this album that is considered a ballad, well, “Voice” is it. However, this is a heavy ballad – staunch Metalheads need not worry – Saxon does not get sappy here at all. “Hellcat” is my favorite track on this album, it is fast, furious and heavy. The three key Metal music ingredients I always embrace! “Come Rock Of Ages (The Circle Is Complete)” is a Heavy Metal exclamation point for Saxon on this album, man this song is good. “Coming Home (Bottleneck Version)” is a back woods – lets stomp in the swamp – foot stomping tune. It is a cool way to come down after the previous 12 tracks of fired up Heavy Metal.

Biff Byford on lead vocals sounds fabulous throughout “into the Labyrinth”, he is what I consider truly underrated, as a Heavy Metal front man. Biff Byford is like the silent elder Metal statesman – compared to the press the other more popular lead vocalists of Old School Heavy Metal receive. Doug Scarratt and Paul Quinn are a cool and talented guitar duo to listen to, I have sincere Metal admiration for both. Nibbs Carter on bass hooks up with Nigel Glockler on drums to provide a top tier rhythm section of crushing Heavy Metal. Overall, long time Saxon fans should gobble up this new album, new fans should be easily recruited. When you have 13 songs this good, with tunes that Rock this heavy, I feel you have a Metal winner. 

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Heavy Metal 101: 10 (or more) most underrated Metal albums you need to know

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's heavy metal music, Album Review, Black Metal, Black Sabbath, classic metal, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, horror metal, king diamond, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Over Kill, Power Metal, speed metal, Thrash Metal, thrash metal album review, thrash metal music, thrash metal music reviews, tony iommi heavy metal guitarist, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2009 by Metal Odyssey

 

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If you are a veteran Metalhead, these ten (or more) Metal albums that I consider underrated may not surprise you. Heck, you may already have owned them for several years or even decades. In the Metal event you are a new recruit to the dynamic world of Heavy Metal, welcome aboard and go out and BUY THESE METAL ALBUMS for they will serve you right! Oh, what do I mean by underrated? Well, for starters, these are Classic/Vintage Metal albums that do not seem to get enough attention these days – as I surf around the world wide web, these are the albums that tend to go unnoticed for some oddball reason or another. It is my goal to surround the readers of Metal Odyssey with the knowledge necessary, to make prudent Metal album buying decisions too. These ten Metal albums, in my Metal opinion, have most definitively stood the test of Metal time. Enjoy and absorb this list, please note that these Metal albums are not in any specific order. (These Metal albums are my own personal choices for most underrated, I am sure many knowledgeable Metalheads out there will have differing opinions).

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MERCYFUL FATE – “MELISSA” – King Diamond, plus, absolutely NO radio friendly tunes found here. This band laid down a whole bunch of Black Metal groundwork for others to learn from.

TWISTED SISTER – “YOU CAN’T STOP ROCK ‘N’ ROLL” – Just before Dee Snider & the boys became really famous. I find this album to be just as inspiring today as it was in 1983. My favorite Twisted Sister album.

BLACK SABBATH – “BORN AGAIN” – Ian Gillian on vocals, ’nuff said. O.K., this is one tough album or CD to find. “Trashed” is very heavy stuff, a very fast Black Sabbath tune. This version of Black Sabbath is incredibly good. Bev Bevan of Electric Light Orchestra fame actually was the drummer on the “Born Again” Tour during 1984/85. That is correct. You did read this right. Now that is cool, having an ELO and Black Sabbath connection. 

MOTORHEAD – “ANOTHER PERFECT DAY” –  Of all the Motorhead albums, this one deserves more respect. The tune “One Track Mind” is reason alone to own this vintage Motorhead release, plus the album cover artwork and liner notes are extremely diabolical and cool. 

GRIM REAPER – “See You In Hell” – The album title says it all… the title track “See You In Hell” is for me, a Heavy Metal anthem that brings back memories to my Metal heart. This was one heavy duty band for me… worth every Metal second of listening enjoyment. Overall, great band, great album, I wish they could have done twenty albums.

EXODUS – “FABULOUS DISASTER” – Gary Holt is such an important guitar player in Thrash Metal history. Exodus is always grouped in with the Thrash Metal originators. In my Metal opinion, each original Bay Area Thrash Band is just as important as the next… I am giving Exodus their just due here and “Fabulous Disaster” is just that, fabulous Thrash Metal.

VINNIE MOORE – “MINDS EYE” – Hey, this guy can play guitar. Heavy Metal guitar too. An all Metal instrumental album could never hurt no one, especially a Metalhead. Listening to Vinnie Moore in college helped me get unreal grades in fine arts, I am not kidding. I drew some of my best stuff listening to Vinnie Moore – thanks Vinnie.

MANOWAR – “HAIL TO ENGLAND” – Very loud and Old School Metal. This album has all the Metal attitude and heavy music you could ever ask for, plus, as a bonus, these guys are quality Metal musicians too! There are those times, when I need a cool Power Metal band that is Old School, that I can sing along to. They very well might be… “The Kings of Metal” as they advertise… heck, I would never think of telling them they are not.

OVER KILLEvery album they have ever made. Yeah, this sounds crazy, yet these guys are that great at playing Thrash Metal. Over Kill always seems to have been the hardest working Thrash band on the planet, with no star status or star treatment from the wide world of professionally paid critics. Different lineups throughout the years has not affected my loyalty… as long as there is Bobby “Blitz” Ellsworth and D.D. Verni leading this potent Thrash attack, I am Metal happy.

W.A.S.P. – “K.F.D.” – This is one heavy, monster of a W.A.S.P. album. Extremely heavy W.A.S.P. – Blackie Lawless was not fooling around with this album… I listen to “K.F.D.” when I have both good and bad days, the end affect is still just like opening up a can of Metal whoop ass and getting straightened out – Blackie Lawless style. Thanks Blackie Lawless.

KROKUS – “HEADHUNTER” – O.K., sure, there is some commercial appeal here with the tune “Screaming In The Night”, yet it is a far cry from any of the heavy ballads that blitzed us all in the 1980’s. Factor in the raging track “Headhunter” and the Metal grooviness of “Stayed Awake All Night” and you have served up yourself some decent party tunes.

Black Sabbath "Born Again"

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Danzig – debut album from 1988 is all Metal muscle

Posted in 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, cool album covers, Danzig, essential hard rock albums, essential heavy metal albums, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, Metal, metal music, Metal Reviews, Misfits, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2009 by Metal Odyssey

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Listening to the debut album from Danzig, (titled “Danzig”), is always a refresher course in what smash mouth Metal is about. Released in 1988, this album in my Metal opinion, has all the ingredients necessary to be looked upon as a muscular Metal Classic. I will admit, that this is one of my favorite Metal albums ever and Danzig does hold high rank in my Metal universe. Before Glenn Danzig went the all Metal route with his music, well, was there anyone else in Metal that sounded like him? My answer is nope. I liken Danzig’s vocals to be of profound Metal uniqueness, where he will clearly deliver the spoken word, then sing and/or belt out vocally with real conviction.  Sure, I even agree that Danzig’s vocals sound a tad like Jim Morrison at times… not a bad dude to be compared to for vocals. The ten tracks on “Danzig” are laced with the lyrical darkness that are open for interpretation. Musically, Glenn Danzig is a Metal mastermind at combining the straight up and anti-commercial approach to these songs, while not over complicating any of the songs structure. “Mother” is the closest you will get to ever seeing a Danzig tune dabble with mainstream popularity.

I can recall how the great Danzig song “Mother” gave me an unexpected surprise that actually made my day. My best buddy in the Galaxy, well, he is a steadfast and loyal Boston Red Sox fan, (I am not). He took me along to Fenway Park a couple of times, (paid for my tickets too) and we both took in two fine games. I will always appreciate his generosity. Well, at one of these Red Sox games, the relief pitcher – closer was called in to the game, his name was Keith Foulke. I did not realize that this pitchers theme song and/or warm-up song to get pumped up to – was none other than Danzig’s “Mother”. Here I am, innocently sitting in the historical Fenway Park, by the historical “Pesky Pole”, within a sea of Red Sox fans and I am taken by Metal surprise to the electrifying and heavy loudness of Danzig’s “Mother” coming over the stadium speakers! I felt so proud to be a Danzig fan at that moment. Let me tell you, that song lit up the thousands of Red Sox fans at Fenway Park that day. 

Now, back to this Danzig album, my favorite four tunes, (not in any specific order), are: “Twist Of Cain” – which has the sandpaper tough, do not mess with me attitude oozing from the lyrics and music, “She Rides” – a track that has that slowly driven, heavy beat that gives me an instant, devious, Metal grin, “End Of Time” – which is melancholy and spooky lyrically and rocks heavy with thick Metal grooves, leads & riffs, then of course, “Mother”. I will say that in my Metal opinion, all ten songs on “Danzig” are fully loaded for maximum heavy musical enjoyment. The Danzig lineup for this debut album was: Glenn Danzig on vocals, Eerie Von on bass, John Christ on lead guitar and Chuck Biscuits on drums. Not that Glenn Danzig needed any introduction to the Rock universe back in 1988, he did arrive with storied and musically historical careers with the Misfits and Samhain behind him. However, I firmly believe that this debut album was built to last, succeeding in launching the Metal legacy that Danzig has so brilliantly created.

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Fastway – revisiting one cool, Heavy Metal debut album

Posted in 1980's heavy metal albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Rock, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 26, 2009 by Metal Odyssey

main-150In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).

Let’s go back in time now, to a wonderful department store named Caldor. You see, where I grew up, back in the 1980’s, Caldor was the biggest Hard Rock and Heavy Metal album supplier in my town. (It was the greatest place for a Metalhead teenager to go to for tunes, living in expensive nowhere Connecticut). I used to fantasize about Caldor while I was serving time in Parochial School and later High School. My thoughts strayed right into that glorious Caldor, envisioning the very long record aisles, lined with Yes, Iron Maiden, Bad Company, Ted Nugent, Black Sabbath… and then one day, in 1983, I remembered that the new Fastway album was to be released. Oh, the surefire Metal joy I would experience if that Fastway album was to be at Caldor! Minutes after I was released from being imprisoned in that High School, I was there… at Caldor. Fastway was also there. You betcha. With my Metal heart beating quickly, I reached for this precious new vinyl pressing, had it in my hands…  what is this? Located on the back of this Fastway debut album was a strange looking little mini record, it was not a 45 rpm, (it was the size of a 45 rpm and had a tiny album hole in the center), nor was it anything that I really saw before. It was supposed to be with this album, for it was the single for the song “Far Far From Home” – this song never made it on the actual album itself, therefore, the record company added it on as a separate single bonus! Man, at this moment, this teenage Metalhead was on Metal cloud nine.

Alright, as for the actual Metal found on this Fastway debut album, it rocked me straight into Heavy Metal bliss for an entire Summer – and Fall and Winter too. The tunes were so catchy, guitar driven and groove laden (courtesy of “Fast” Eddie Clarke), that it was one difficult album for me to put down for a lengthy period of time. “Say What You Will” was the most notoriously recognizable track off of this album. The opening guitar lead by “Fast” Eddie Clarke repeats throughout the entire song, instead of being repetitious, it was (and still is) Metal delicious. The vocals of the underrated Dave King were reminiscent of Robert Plant upon my initial listen to this album. However, back in the ’80’s it seemed to be the trend to point the finger at too many Hard Rock and Metal vocalists – accusing them of ripping off the legendary Robert Plant. “Easy Livin'” is definitely my favorite track on this debut, it is fast, slick and the guitar play of “Fast” Eddie Clarke shines. “You Got Me Runnin'” and “Give It All You Got” are heavy, fast paced – melody makers, providing the maximum Heavy Metal grooves you can possibly get out of three minute songs. 

In a Metal nutshell, the overall enjoyment that this Fastway debut album has provided me, sincerely has lasted a lifetime. This is one of those albums that I bought on CD as quickly as it was available. The efficiency of this album is what makes it a winner, for me. The efficiency of the songs structures, both musically and time wise, coupled with “Fast” Eddie Clarke on guitar, Dave King on vocals, Jerry Shirley on drums and Mickey Feat on bass, makes the debut Fastway album a Heavy Metal treat for me – to reach for to this very day.

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Happy Metal Birthday, Klaus Meine – Scorpions vocalist

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal from germany, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, Scorpions, vintage hard rock albums, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

fullsizeIt is May 25th, 2009, Memorial Day in the United States. Today is also… the 61st birthday for Klaus Meine, lead vocalist for the incredible, dynamic and legendary Scorpions. Metal Odyssey gives out a loud, Metal filled, Happy Birthday to Klaus Meine! I can go on for days as to how much Metal joy that Klaus Meine and the Scorpions have given me, with their Heavy Metal, throughout my life. My favorite Scorpions album ever, is “In Trance” – this album showcased an up and coming Heavy Metal band that was filled with the Metal hunger and talent needed to sustain such a long standing, unbelievable career. Released in 1975, the third album, this is a Scorpions release unlike their “Animal Magnetism”, “Blackout” or “Love At First Sting” albums. This is Scorpions Metal that was raw, rough and edgy, in other Metal words – great tunes without the Arena Rock flamboyancy. Do not get me wrong, I support and revere every album ever released by the Scorpions. Only this is a Scorpions band in their Metal infancy, the dynamics are clearly heard on this album, which makes me choose “In Trance” as my favorite Scorpions release. This vinyl Metal Classic still exists in my collection today, after so many plays on the turntable. I am still amazed that I was able to keep this album, in such incredible condition, for this long!

“Top of the Bill” is my favorite track on “In Trance”, this song exemplifies what true old school Heavy Metal sounds like. The Scorpions musicians over the decades are stand alone – top of their Metal game players. Klaus Meine is realistically, for me, a top ten, all-time Heavy Metal vocalist. You can argue that Klaus Meine is a top ten, all-time Hard Rock vocalist as well. (Take your pick or pick both). “In Trance” does not lack in quality of musicianship or song writing, in my Metal opinion. This was an album that really represented this time period well, representing what Heavy Metal from Germany sounded like. (Thank you Germany). I am confident in saying that the world of Metal has embraced and revered the Scorpions to this very day. Thank you Klaus Meine for sharing your unique and unbelievable vocals with us, you and the Scorpions are in a Metal class all your own!

Scorpions as they appeared on “In Trance” in 1975: Klaus Meine on lead vocals, Ulrich Roth on lead guitar & backing vocals and lead vocals on “Dark Lady” & “Sun In My Hand”, Rudolf Schenker on rhythm guitar & backing vocals, Francis Buchholz on bass guitar & backing vocals and Rudy Lenners on drums & percussion.

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Nazareth “Hair Of The Dog” still has the heavy bite

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, Album Review, classic metal, classic rock, cool album covers, cover songs, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, rock & roll, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

Nazareth “Hair Of The Dog” has always been a monumental standout Hard Rock album for me. This is what I consider a real album with no pretensions, no fancy gimmicks. What you hear on “Hair Of The Dog” is true Classic Hard Rock, no tunes found here are subdued or watered down. Nazareth came up the Hard Rock ladder during the 1970’s, surrounded by Hard Rock icons such as: Bad Company, Queen, Boston, Foreigner, SweetStyx and Cheap Trick. What a fabulous time it was for Hard Rock music! For the Metal record, I always considered Nazareth to be a Hard Rock band, albeit they do have their Heavy Metal musical tendencies. “Hair Of The Dog”, lyrically, is for me, a true stick it to the man – heavy song. “Now your messin’ with a son of a bitch” – these lyrics say it all, my fellow citizens. I can remember so many moments, in my life, where this song has benefited me. Sure, I have been slighted and backstabbed, so have trillions of other people on this planet have as well. “Hair Of The Dog”, when played LOUD, especially after you know you have been jerked around by someone, well, it is the sure fire remedy for feeling vindication.

I remember, uh, reflect, on my High School days… early ’80’s… it was homeroom at 7:45 in the morning, for my first four years of serving time there, “Love Hurts” was played on the school’s radio station, every single day. Yup, every single day. Did I ever grow tired of this song? Nope. It is Nazareth for Metal sakes. I only used to wonder why “Hair Of The Dog” was not played… probably due to it’s lyrical content, the sacred & self righteous school administrators did not want to stir up the masses. I will delve more into the “Love Hurts” tune in the upcoming paragraph, uh, review.

If you are looking for a great, Classic Hard Rock album to buy and cherish, “Hair Of The Dog” should be an easy choice. This album is saturated with Hard Rock. Oozing with bluesy, Hard Rock music and attitude, “Hair Of The Dog” has so much more to offer, with the title track “Hair Of The Dog” being as close of an example to 1970’s Heavy Metal as you can possibly hear. This song revs it up into high gear, kicking off this album on a real high note. “Miss Misery” is a melancholy song that thumps along with a denim and leather flavor, highlighting the raspy vocals of Dan McCafferty. “Love Hurts” is the ballad, the big radio hit for Nazareth then and now. This song is a cover from the Everly Brothers, only this version is hardened around the edges and overflows with pure Rock emotion. “Whiskey Drinkin’ Woman” is a song with a grooving coolness happening, it has that American Southern Rock sound and atmosphere. “Hair Of The Dog” is in my opinion, quite diversified musically. The opening track being very Metal, another track having Southern Rock flavor and a classic 1950’s ballad cover song. “Please Don’t Judas Me” is a lengthy rocker at nearly ten minutes long. I appreciate this song for it’s jamming, it also exemplifies how albums years ago were geared more to the music than to releasing instant commercial hits. Nazareth released a memorable album back in 1975, it should be enjoyed and passed along for all Rock and Hard Rock fans. Heavy Metal fans should embrace this album for its quality musical content and ground floor sound. “Hair Of The Dog” helped shape Heavy Metal in the 1970’s and beyond. This is an album that can never, ever, be forgotten.

Nazareth on “Hair Of The Dog”: Dan McCafferty on vocals, Manny Charlton on guitars & synthesizer, Pete Agnew on bass guitar & backing vocals and Darrell Sweet on drums, percussion & backing vocals. The liner notes do not contain lyrics, it is a fold out with an enlarged scale of the album cover artwork.

Nazareth "Hair Of The Dog"

Having a lousy day? Then listen to W.A.S.P. “Live… In The Raw”

Posted in 1980's live heavy metal albums, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, horror metal, live rock albums, Metal, metal concerts, metal music, Metal Reviews, Music, vintage heavy metal albums, vintage live heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

W.A.S.P. released “Live… In The Raw” on November 27, 1987. I always thank the Metal Gods for W.A.S.P. existing. Blackie Lawless is one of my Metal heroes. This live album/CD is one heck of a Metal ride, an outstanding set of vintage W.A.S.P. tunes that are monstrously power driven. My best buddy in the entire Metal galaxy introduced me to W.A.S.P. back in the mid 1980’s, it was the greatest gift I have ever received from him. I know this line has been used millions of times before, however, being introduced to W.A.S.P. back then is the Metal gift that keeps on giving. Look, if you are in need of some legitimate Metal music that will pick you up, power you up and make you flip off your enemies and/or antagonists, well, “Live… In The Raw” is all the Metal fuel you need. There has always been something about the in your face and straight up brand of Heavy Metal that W.A.S.P. provides, it has been a Metal elixir for me going on three decades now. The legendary W.A.S.P. lineup on this live album was: Blackie Lawless on lead vocals & rhythm guitar, Chris Holmes on lead & rhythm guitar, Johnny Rod on bass & backing vocals and Steve Riley on drums & backing vocals.

I always dig the live concert albums that make me feel like I am/was there to experience it. “Live… In The Raw” is one of those albums for me. From the opening track of “Inside The Electric Circus” to “The Manimal” in the middle of the set, to “Blind In Texas” – this is full throttle, old school Heavy Metal, that makes me forget about all the morons that try to make my life miserable. I recommend with full Metal pride, this album/CD to anyone just getting interested in discovering what W.A.S.P. is all about. “Harder Faster” and “9.5 – N.A.S.T.Y.” are two incredible live tracks, I envision Blackie Lawless actually singing these songs with his trademark crazed look about his face as I listen. (Hey, what else would anyone be envisioning while listening to live W.A.S.P.? Huh? Daisy and floral gardens? Cute little chipmunks? I do not think so). This live album is an all Metal feel-good experience, courtesy of one of the most commercially unacceptable bands in the world… the PMRC’s worst nightmare, the undeniable W.A.S.P.. 

W.A.S.P. "Live... In The Raw"

 

 

 

 

 

 

 

 

 

 

 

 

Black Sabbath – “Mob Rules” still rules the Metal world

Posted in 1980's heavy metal music, 1980's metal music, Album Review, Black Sabbath, classic metal, classic rock, cool album covers, dio, essential heavy metal albums, heaven and hell heavy metal band, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, ronnie james dio with tags , , , , , , , , , , , , , , , , , , , , , , on May 23, 2009 by Metal Odyssey

In my Metal opinion, this is such a tremendous album, a true Metal mainstay for so many years. Released in 1981, this is Old School, Black Sabbath that time cannot age. I highly endorse “Mob Rules” to be in every Metal fans music collection. Every song is enormous, with the prolific riffs and leads from Tony Iommi on guitar, I so admire this musician. Geezer Butler on bass and Vinny Appice on drums make for what I consider one of the greatest rhythm sections in Metal history. Ronnie James Dio is pure Metal perfection on vocals. Between the music and Dio’s voice, this Black Sabbath lineup takes a back seat to no one. “Voodoo”, “Turn Up The Night”, “Slipping Away” and “Mob Rules” are songs that have that unrelenting Metal energy that does not subside. Unbelievable Metal Classics, in my Metal opinion. “E5150” is an instrumental that has the eerie Black Sabbath ambiance flowing over, a perfect fit for this album. The real sleeper tune on this album, for me, is “Country Girl” – this song has a really cool groove going on, a real Heavy Metal song that doesn’t get the same attention as the previous tracks I mentioned.

“Mob Rules” is, as I see it, one of the most complete Metal albums ever made, it has the songs, vocals, Metal and lyrics. The album artwork definitely gets a Metal thumbs up! This macabre artwork definitely fits in with the song “Mob Rules”. I remember the very first time I heard the opening riff to “Voodoo”, I still get the same Metal rush from it now as I did back in 1981. I distinctly remember when this Metalhead buddy of mine, back then, held this album jacket in his hands, put the vinyl on the turntable, turned to me and said: “Dude, wait ’till you here this song “Voodoo” “. I knew at that moment, it was some special Metal awaiting me. It is an amazing Metal accomplishment, for these four musicians to still be creating new music together in 2009, as Heaven & Hell. Do not skip over this Metal gem for too long, you could be enjoying it right now!

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I refuse to be a closet KISS fan

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, 1980's hair metal music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, classic metal, classic rock, concerts, cool album covers, Gene Simmons, Hair Metal, hair metal music, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal guitarists, heavy metal memorabilia, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal concerts, metal music, Music, old school heavy metal, Rock, rock and roll memorabilia, rock music, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2009 by Metal Odyssey

main-150KISS. The makeup, the attitude, the stage show, the costumes, the KISS trading cards from the 1970’s, the marketing machine which throws the KISS logo on just about anything. Wait a minute, there is of course… the music, uh, I mean the Heavy Metal. Since about 5th grade, (a long time ago, in a parochial school, far, far, away), I have been a KISS fan. You betcha. I am not a closet KISS fan either. No way will I disregard to anyone, a lifetime love I have for such a behemoth of a Heavy Metal icon, which is KISS. I will not part with my unopened wax box of KISS trading cards from 1978. No sir. What in the world is there to be ashamed of? KISS is the epitome of Heavy Metal success, both commercially and musically, in my Metal opinion.

I have had the opportunity to see KISS live, albeit without makeup. I unfortunately, never had an opportunity to see them live with makeup. Quite honestly, the only drawback about seeing KISS live was… the venue where the concert was. The New Haven Coliseum, (which no longer exists), was by far, the creepiest, most decrepit, armpit of an arena, ever to exist on planet Earth. I mean, this building was not even cool creepy, it was just a plain nightmare gone wrong. This arena was located in New Haven, Connecticut, of course. Alright, enough about that incompetent structure. The KISS concert was loud, bright, festive, loud again and darn right good. I have seen better live shows in my day, yet I am not complaining about anything that KISS did on that stage. It was a night to celebrate Heavy Metal, with a band that carried the flag for Heavy Music since their introduction to the world. This was the KISS “Asylum” Tour, back in good ol’ 1985. I will tell you this, it is a real Metal treat, to see my daughters revel in the KISS tunes, to know and see how much the music of KISS means to them, as it always has for me. My daughters were extremely excited when they saw KISS on television the other night, (I absolutely refuse to discuss this show on Metal Odyssey, let’s just say it is on the Fox Network and is a Pop music show). Hey, anytime KISS can get exposure to a new generation of fans is fine with me.

I remember being in High School, when all of a sudden, it was uncool to like KISS anymore. Well, that was what was happening in the penitentiary like High School I attended. Metalheads  were abundant, yet KISS became almost taboo to talk about. So, I took advantage of this situation. I asked all the super cool know-it-alls that no longer liked KISS, if they were willing to sell their KISS albums and anything KISS. I made out like a bandit. I had more KISS posters, albums and fanzines than I knew what to do with. Plus, I acquired it all dirt cheap. Then, one day, in 1982, KISS made a loud and triumphant return with their release “Creatures Of The Night”… all of a sudden, these fair weather KISS fans are asking me, if I would sell them any of my extra KISS memorabilia and/or albums. Go figure. Since the mid ’70’s up until present day, I have embraced the Heavy Metal that KISS has created. Even the ballads and Gene Simmons dating Cher I have accepted. Yes, the made for television movie “KISS Meets The Phantom In The Park” I have always accepted too. The changes in the KISS lineup never has made me flinch either, any KISS fan knows that the original four are the best. I am not ashamed to say this, for once a KISS fan, always a KISS fan. What other reason was there not to believe this, back in the day when I joined the “KISS Army”? I enlisted into the KISS Army decades ago, I have never gone awol since.

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