Back on October 4, 1983, Black Sabbath released their eleventh studio album – Born Again. I was serving time in high school as a senior in 1983, I also became a born again Metalhead that same year, thanks to this most underrated Black Sabbath album. I am not kidding or trying to sound like a yahoo by stating that. Born Again was a match made in Metal heaven for me… the prolific vocals of Ian Gillan uniting with the ultra legendary Black Sabbath. I have to admit, with Ozzy Osbourne and Ronnie James Dio not fronting Black Sabbath, it was common place for professionally paid Rock Music critics to easily overlook the other lead singers this Rock And Roll Hall of Fame band has bestowed over the decades. I never overlooked a damned thing Black Sabbath had done, especially when they joined forces with Ian Gillan. From the front album cover artwork of the demon baby, to the down right eerie and chilling Metal Music heard on Born Again, this album is a must listen and own in Metal Music 101.
When I first listened to Born Again, back in good ol’ 1983, the synthetic instrumentals of Stonehenge and The Dark left a Metal imprint on my subconscious like none other… all I could think back then and now is this is the soundtrack of doom… all hail Black Sabbath. The guitar riffs, leads and solo on Zero The Hero sound as if I am listening to a descent to the darkest depths of inner Earth… I love that descent. Trashed is not just an amazing song lyrically, this is an early introduction of Heavy Metal making the transition to pure… Metal. Comparing Born Again to other Heavy Metal albums of that time is what separates the Heavy Metal label from Black Sabbath, thus anointing this iconic band to true masters of Metal Music.
The Metal of Born Again is not Thrash, yet it is not Accept, Quiet Riot or Saxon of that time period either. With Born Again, a black album was unintentionally or intentionally created, (both with album artwork and the Metal Music within), while Black Metal itself was simultaneously being born into a genre, courtesy of Venom, Bathory and Hellhammer . I can’t compare this Black Sabbath album to their earlier albums with Ozzy. Nor can I make a comparison of Born Again to the Dio led Black Sabbath either. The song Born Again alone is a study in just how far Tony Iommi would go in making a unique Black Sabbath album, one that would stand apart from the entire Black Sabbath catalog… forever. Listening to Ian Gillan’s vocals on this song honestly takes my Metal breathe away. Ian Gillan is beyond unreal great on Born Again – all one needs to do is open their Metal mind to the song Hot Line and thou shall understand and realize why. Seriously, the vocals of Ian Gillan on Hot Line makes me imagine what life would have been like for this Metalhead, if more Black Sabbath albums were created with his legendary voice. I guess it is obvious by now, that I revere Ian Gillan.
Digital Bitch may have been the most popular song from Born Again, the song that advertised their Born Again Tour on FM Radio back in 1983-84. Despite the fondness that commercial FM radio had for this song, it blazed with Metal fury like no other song back then. Disturbing The Priest, this song title alone made for my own personal battle cry for serving eight long years of time – in a parochial school. Trust me on that one. In Metal hindsight, maybe the professionally paid Rock Music critics of the world were never ready for the dark Metal Music that Born Again was about. This was not the Deep Purple version of Ian Gillan, nor was this the Children of the Sea version of Black Sabbath. Keep It Warm actually grounded this Born Again album, keeping it from being a non-stop onslaught of apocalyptic, melancholy and dark sided themes.
In a Metal nutshell, this Born Again album was forged by the union of Ian Gillan joining the legends of Tony Iommi, Geezer Butler and Bill ward. This version of Black Sabbath has suffered through too many years of comparisons to the Ozzy and Dio fronted bands of the same name. All too often, the ignorance of professionally paid Rock Music critics can water down the integrity of a great album from an elite band. Such is the case here with this incredible Born Again album from Black Sabbath. I never saw this Black Sabbath lineup as anything other than Black Sabbath, only with a different lead singer in Ian Gillan who rose to the Metal occasion with unparalleled pipes.
Over the years it has been amusing to me, to even read that Ian Gillan himself was never satisfied, actually displeased, with the music and demon baby artwork of Born Again. (The liner notes of this Born Again CD detail this, as written by writer Hugh Gilmour). If only Ian Gillan knew, just how much this Born Again album has meant to me, as a lifetime fan of his prominent vocals. Black Sabbath fans who appreciate the music created by Tony Iommi, (guitar), Geezer Butler, (bass) and Bill Ward, (drums), know that the Ozzy, Dio and Ian Gillan versions of this band carry their own Metal identity that captivates with it’s own powerful mystique. Born Again by Black Sabbath is more than a vintage Metal album that I recommend, it is a vintage Metal necessity, that should be embraced and heralded as an important contribution and moment – to the history of Metal Music.
To my best Metal buddy Scott… thank you for buying me this hard to find CD. Having owned a copy of Born Again on cassette, spanning three decades, deserved a righteous Metal upgrade. I truly wish I kept the vinyl album of Born Again that once was in my collection.
I, being a devoted Slayer fan, bought their new CD – World Painted Blood this week. An unreal great album and I will be raving about it on a future post – that’s a Metal guarantee. What makes me laugh, however, is the lame Parental Advisory/Explicit Content sticker that stares at you on the front cover wrapping of this CD. This silly little sticker also reads: strong language, sexual + violent content. If this sticker with it’s various warnings is mandated to be on the new Slayer CD, why then, is there not the same warning, for the following:
I really get a kick out of Alexi Laiho, his lead vocals and lead guitar play are extreme to the Metal maximum. I know that sounds rather yahoo, only there is no other way to really explain it. I like this guys style, he is hell bent on playing some of the fastest Thrash Metal Music out there. On the new Children Of Bodom album, Skeletons in the Closet, (released on September 22, 2009), there are seventeen cover songs. Of the bands and musicians that are covered here, there is one song that I simply cannot get into or simply stomach. Hey, one lousy song out of seventeen isn’t too shabby. Consider the fact, that I really like the other sixteen songs on Skeletons in the Closet and I declare this album a Metal winner. Let’s cut to the Metal chase here and I’ll just state that the cover of the Britney Spears song, Oops… I Did It Again is equally lame as it is annoying. I have never been intrigued by Britney Spears, nor do I give her even one millionth of an ounce of respect for any music she has done in her life.
I am a Slayer fan. Have been since I first held onto the Show No Mercy album and stared at the artwork in frozen awe. I bought that Slayer album back in 1984, back when I was picked on for the music I liked by the kids wearing turtle necks, with a stupid alligator on them. The Izod kids… they were so convinced that Slayer was not going to be around in five years. That same Izod crowd all were convinced that Metal Music was for the troubled kids, listening to Slayer is what made us trouble. Really, that junk was thrown at me about Slayer and I never flinched. It’s funny now as I look back on those ridiculous high school years, the hurtful remarks and snotty attitude that I put up with from so many of my peers are now a humorous memory for me. I’ve turned out alright for myself since 1984, I am proud of my life’s accomplishments thus far. I’m not about to reveal every good deed I have done throughout my life, it really would be boring to read. Being a Slayer fan and fan of Metal Music is a part of me, take it or leave it.
Contrary to so many of the Izod kids, the religious right and the PMRC, (The Parents Music Resource Center), I and countless other Slayer fans never became Satanists or serial killers. Nope, the Thrash Metal of Slayer never made me commit a crime. I know this probably disappoints some of the Izod crowd out there, yet Slayer never influenced me to become a lifetime criminal. To compare Metal Music to violent behavior is such a waste of time, there is no correlation. Drugs and/or mental illness is the obvious incubus for violent behavior. How do I know, you may ask? Well, for one, Charles Manson was a Beach Boys fan… Thrash, Death and Black Metal never existed when Charles Manson was roaming the streets. Anyone would be wrong to connect The Beach Boys to violent behavior as well. To say that even The Beach Boys provokes violent behavior is ludicrous and/or irrational. What type of Metal Music did Al Capone listen to? How about Napoleon Bonaparte? I have made my Metal point here… feels good too.
I always express just how thankful I am that so many veteran Metal
So, tomorrow I will make my 
Metal Odyssey’s Metal Album Recommendation For Your Halloween Listening Enjoyment: OBITUARY – DARKEST DAY – These Death Metal Legends are not fooling around with their June 30th, 2009 release. Darkest Day is without Metal hesitation, one of my top three albums of 2009… spanning all the Metal genres.
Plus, the Grim Reaper wants to warn you all… the brand new SLAYER album World Painted Blood gets released on Tuesday, November 3rd. I am counting down the minutes in my Metal mind to this great moment in Slayer history.
U.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.
Slayer. Thrash Metal Legends without any doubt in my Metal mind. I caught onto Slayer from the very beginning. I ordered Slayer’s first album, Show No Mercy, through mail order – direct from Metal Blade Records, back in 1984. Since then, Slayer has been a band that I uphold as one of the greatest Thrash Metal Bands ever, (if not the greatest).I have seen Slayer live in a small club setting back in the late 1980’s, a fortunate Metal experience that I will never forget. Yes, Slayer is a core favorite of mine and that will never change.
The Book Of Slayer covers the band from it’s infancy in 1981 to present day. Anecdotes, interviews, tons of photos and details abound and it is 100% Slayer. Plus there are four feature articles included about Slayer, from past issues of Revolver. Revolver documents Slayer throughout their entire career in excellent Metal fashion. Kerry King, Tom Araya, Jeff Hanneman, Dave Lombardo and Paul Bostaph are all included in the story telling and interviews. This is one Slayer collectible worth picking up – the content within it’s pages and Slayer knowledge you will gain is well worth the $5.99 cover price. New fans can catch up on some great Slayer history and veteran fans should find it hard to put down. I know I will be taking it with me just about everywhere.
Ozzy Osbourne, the Heavy Metal Prince of Darkness. Ozzy Osbourne – Rock and Roll Hall of Fame inductee with Black Sabbath. Honestly, I revere the living hell out of this Heavy Metal legend. I did get to see Ozzy Osbourne live in concert twice during my lifetime. For me, those two concerts were unbelievable, with Metallica opening up for Ozzy in New Haven Connecticut, (at the spooky New Haven Coliseum) – it was The Ultimate Sin Tour for Ozzy and Metallica was promoting their legendary Master of Puppets album. The other Ozzy concert I saw had Queensryche open for Ozzy in Springfield, Massachusetts, (at the Springfield Civic Center), on this same Ultimate Sin Tour. Alright, so it is obvious I think the Metal world of Ozzy Osbourne… fine. However, by process of elimination, there has to be my least favorite Ozzy Osbourne song out there and there is one. I do not think much of the song, uh, ballad So Tired from Ozzy’s Bark At The Moon album. This song, ugh, ballad is responsible for my distaste of most Heavy Metal ballads ever released since, by any band. This album was released on December 10, 1983. Don’t get me wrong here, the Bark At The Moon album as a whole, is unreal good. Three songs on this album are incredible for me… Rock ‘n’ Roll Rebel, You’re No Different and of course – Bark At The Moon. These three Ozzy songs I can hold up on a Metal pedestal forever. Plus, Jake E. Lee on guitar is a Metal bonus to listen to.
Exodus… a Thrash Metal originator. Exodus… Old School Thrash Metal. Exodus… Bonded By Blood, was the first album released by this very important Thrash Metal Band, (back in 1985). Why I feel Exodus is a very important Thrash Metal Band is due to their being one of the first Metal Bands to introduce this genre to the world. Back in 1985, there were not the hundreds of thousands of Thrash Metal Bands there are now… you can thank Exodus for influencing countless musicians and bands alike for embarking on their careers in Metal… Thrash Metal. Just seek out and read some interviews of past and current Thrash Metal musicians, you discover after awhile, that Exodus and especially their initial album Bonded By Blood is ultra revered. Yes, I am an Exodus fan, since 1985 until this very day. Lineup changes within Exodus has not made me wince one Metal bit. Guitarist Gary Holt and drummer Tom Hunting have held the Thrash Metal fort for Exodus over the past three decades, serving Exodus and their fans well… extremely well. (Note: Paul Bostaph has stepped in on drums for Exodus, he is an unreal great Metal drummer at large).
Listening to the late and unreal great – Paul Baloff on lead vocals is as inspiring to me as all damn hell. His vocals were not your stereotypical Thrash Metal type… he resonated with the influence of early Rob Halford of Judas Priest… in my Metal opinion, still exuding his very own style that to this day is untouched. I reached for my CD jewel case of Bonded By Blood, (my copy is the reissue by Combat Records, it also has the alternate cover that is shown at the left and bottom of this post). The original front cover artwork is damn more cool than the alternate version, just look at it at the top of this post for proof. On the back cover of Bonded By Blood, it has a group photo of Exodus… Paul Baloff is shown wearing a Pipers Pit sleeveless t-shirt. Rowdy Roddy Piper… Paul Baloff… man, that is as fitting a shirt as any for him to wear back then. I used to be the f’n biggest Rowdy Roddy Piper fan around, imitating his wrestling moves and voice too… silly and cool memories, all courtesy of one photo of Exodus.
Reign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.
Crowbar was my Metal band of choice today. Sludge Metal with a healthy slice of Doom Metal at it’s very best is Crowbar. I gave another listen to Sonic Excess In It’s Purest Form and have walked away with the same Metal satisfaction as always – ultra Sludge Metal satisfaction that is. The slow trudging and heavy duty guitar riffs combined with the slow paced rhythm section, makes me scream in Metal glee that Crowbar has taken Old School Heavy Metal to a more dark and doom ridden place. The lyrics heard in the songs on Sonic Excess In It’s Purest Form are gloomy, mournful and visits the realms of self suffering, doubt and infliction. Well, that is what Doom Metal delves into, topics too touchy for the faint at heart mainstream. These lyrics explore what it must feel like when one is truly suffering from extreme mental anguish. Now, if you are to look past the psychologically driven lyrics, the Metal Music is an ear crushing experience and/or escape that seems to come at me from all sides. Crowbar plays their Sludge Metal like it surrounds me, repeatedly encircling my space like a slow marching invasion of Metal giants from a far away and spooky place. Cool.
SKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.
Today I found myself in another one of those funks, where the melancholy feelings just won’t subside. So, earlier tonight, I turned to music, Metal Music, to settle my thoughts, nerves and soul. I chose to listen to Entombed, Wolverine Blues. Released back in 1993, on Earache/Columbia Records, I find it startling that this album is around seventeen years old already. An excellent listening choice I made, Entombed was the Metal elixir and their album Wolverine Blues was the Metal prescription that served me right tonight. Entombed delivers their original style of Death Metal or Death N’ Roll with Wolverine Blues, it is as groove charged as it is sinister. With each listen, I can still hear some Thrash Metal being fused within Entombed’s songs on this album. In a Metal nutshell, Entombed covers some ground with Extreme Metal genres. This is one hell of a heavy and hard album, the righteous Metal remedy for curing my blues – let me tell you. Lyrically, there is no bashfulness to be found when it comes to topics and imagery on Wolverine Blues. The combination of the aggressive lyrics and Death N’ Roll charge makes this album sound like it belongs on top of the Metal heap in 2009.
ANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.
At the end of the day, I thank my lucky Metal stars that Krokus has existed – and still exists as a Heavy Metal Band. I have listened to Krokus since the early ’80’s, with Headhunter
Phew, now that this Krokus introduction is out of my Metal system, I can get excited now about telling the world about their 2003 album – Rock The Block 
Slaughter – Stick It To Ya 
I have owned for some time, the CD – The Best Of by Slaughter, the ten songs on this disc are great, only Fly To The Angels and Spend My Life are missing from the song selection. Not cool. So, I promised myself to add the real Slaughter albums to my CD collection over time, starting with Stick It To Ya. About one week ago, I found the used copy of Stick It To Ya at my local f.y.e., the astounding Metal price of $4.49 is all it took for me to claim this CD as my own. Man, I cannot get enough of this album… every single song too. Going back to 1990 for just a 
The Heavy Metal genre and all of it’s mind bending sub genres can be quite the vast musical Universe to explore. There are countless bands that make these Heavy Music genres quake and explode with excitement at every turn. For me to say I have listened to every band out there would be an outright Metal lie… I have stated this before. Come forward please, Loudness and their 1986 album Shadows of War. Whoa. Whoa again. Why on Metal Earth, did it take me 23 years to finally listen to Loudness and Shadows of War? (See previous explanation within this paragraph for the Metal answer). Man, the outright powerful, Heavy Metal thunder of Loudness, is overwhelmingly great on Shadows of War. This album is the Japanese version with a different album/CD cover of it’s twin – American release Lightning Strikes. The only differences between Shadows of War and Lightning Strikes are: the order of the track listing, slight differences in the vocal melodies and Ashes In The Sky (from Lightning Strikes) and Shadows of War (from Shadows of War) are the same song. Buying one version over the other is basically an identical listen of Loudness Heavy Metal here. In this Metal situation, recommending either version is the way to go.
Yes Virginia, there is a Metal Santa Claus and his name is my best buddy Scott. You see, Scott gets quite giddy about sending CD’s of Metal through the mail to me… especially CD’s of Metal Bands that I have never delved into with unrestrained Metal abandon. Loudness Shadows of War came in the mail last week, courtesy of my buddy. This album is so damn cool, the songs on Shadows of War is yet another reminder to me, that 1986 was an incredible year, from an amazing decade for Heavy Metal album releases. Loudness could have easily named this album – psyche you out of your Heavy Metal mind – for all nine songs encompass a continuous and momentous listen in electrifying Heavy Metal power. Believe me, the last thing I want to come across as doing here is being rah, rah, rah, about Loudness and this album. I could never be more Metal serious by stating… Loudness and their 1986 album, Shadows of War, is one fine Heavy Metal blast from the past.
This is the Shadows of War cover! (Japanese version)
As a life long Metalhead, whenever you see a Heavy Metal Band crack the Billboard Top 200 Album Chart it is cause for Metal celebration. With that said, whenever I witness an Extreme Metal Band crack this same album chart, well, the world suddenly becomes a better place indeed. Step in The Black Dahlia Murder… please. Their newest album – Deflorate, (Metal Blade Records), debuted at #43 on the Billboard Top 200 Album Chart the week of September 15, 2009. (12,000 units were sold in the first week of this albums release). YEAH! In the midst of dozens of bubble gum – Pop Music new releases, there arises… The Black Dahlia Murder. Let this debut week showing of this incredible band and album, be a Metal reminder to the commercial Pop/Elevator Music world, that Extreme Music lurks around every corner, back road, corn field, city street and CD aisle. Earlier this year, Cannibal Corpse cracked this same Billboard Top 200 Album Chart as well, I see an Extreme Metal pattern of awareness starting to develop here in 2009. Metal Odyssey is Extreme Metal proud of The Black Dahlia Murder, (and still damn Metal proud of Cannibal Corpse too). Real music… Metal Music. All of us Metalheads and the Metal Bands we follow are not going away anytime soon… METAL RULES.
Metal Odyssey > Heavy Metal Music Blog 
You must be logged in to post a comment.