In 1974 I was only eight years old. In 1974 KISS released their Hotter Than Hell album on Casablanca Records. I had not a clue as to who or what KISS was back in ’74. The heaviest bands I was listening to that year, was my mother’s Everly Brothers album and Josie And The Pussycats, (a Hanna-Barbera cartoon of a female Rock Band). It wasn’t until 1978 that I owned my very first KISS album, KISS Double Platinum, so I was only four years away from becoming a member of the KISS Army. I eventually traded for the vinyl/album copy of Hotter Than Hell, I was in High School at the time, now I can’t even recall the dude’s name who traded it to me. In later years, (sometime in the early to mid 1990’s), I sold this same Hotter Than Hell album to a crusty and shady record dealer. I regret that move… for a good number of years I went without replacing Hotter Than Hell in my Heavy Metal Music collection. Now, it is Metal safe to say, that I do own Hotter Than Hell on CD… and I am not parting with it – not a Metal chance. This is arguably, one of the greatest KISS albums ever created, a 1970’s Vintage Heavy Metal gem. Am I going too far or thick with the accolades here? Not a Metal chance again… just compare this album to a wide array of Hard Rock or Heavy Metal releases, just in the past decade alone, I am then convinced Hotter Than Hell is still just that in 2010 – Hotter Than Hell.
I will not lie to the fact, that this album does sound like it was recorded back in the early 1970’s. Dated? Alright, sure, only how much of a negative impact does that have on Hotter Than Hell as a whole? Not every song on Hotter Than Hell can be construed as dated either. I really can’t stomach the word dated when it comes to Rock, Hard Rock or Heavy Metal Music, it is a word that only should be used by archaeologists, who dig up ancient relics and/or artifacts underneath some pyramids or rain forest. Besides, the word dated has been politely replaced with two words that are more Metal politically correct… they are… Classic Rock. Whoever the dude or dudette is out there, that came up with the idea of creating the music genre – Classic Rock, is in my Metal mind… a very cool genius.
Excuse my going off on sort of a Metal tangent in the last paragraph, it has been awhile since my last one, plus it felt really, really good. It did.
When you listen to Strange Ways, the very last song on Hotter Than Hell, I cannot ignore the fact that Ace Frehley plays some unreal licks, all the while the repeated riff is decades worth of relevance. Comin’ Home is a KISS song that easily could have been on any KISS album up to and including their Unmasked album from 1980. Mainline is as authentic of a Hard Rock song from the 1970’s as I can ever point out. This is, (probably), my favorite Peter Criss sung KISS tune ever. Yes, that means I like Peter Criss singing Mainline a whole lot more than the ultra classic ballad… Beth. Hotter Than Hell and Let Me Go, Rock ‘n’ Roll are the two most famous songs from this album, they honestly are the top two tracks, only there are the other eight songs that truly shouldn’t take a back seat to them.
This vintage KISS album flows along like a Hard Rock meets Heavy Metal dream gone wild… 1974 style. Goin’ Blind is Gene Simmons at his extreme best vocally, (in my Metal opinion), just an amazing KISS song that in Metal hindsight, is a pioneering power ballad. I can listen to Goin’ Blind 20 times in a row and still feel the need to hear it again… and again. No, I am not kidding about that. Regardless if you are a KISS fan or not, Hotter Than Hell belongs in any Hard Rock or Heavy Metal album collection… it’s that genuine.
Hotter Than Hell is an album to uphold, play loud and enjoy for a lifetime. Long Live KISS.
KISS On Hotter Than Hell:
Gene Simmons – bass guitar, vocals
Paul Stanley – rhythm guitar, vocals
Ace Frehley – lead guitar
Peter Criss – drums, percussion & vocals
Hey, cut me some Metal slack… I was only 8 years old when I was into Josie And The Pussycats.
I was a toddler… Gee Metal whiz.
Thank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.
Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.
U.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.
Badlands was a Heavy Metal band that I caught onto the instant they released their debut/self titled album – Badlands
Motorhead is and always will be a core favorite Heavy Metal Band of mine, (a top 3 band without a doubt). I was first introduced to this prolific band back around 1983, a friend of mine in high school gave me an 8-track of a live Motorhead bootleg. (This dudes name was Rich, I am glad we had crossed paths back then). The sound was enormously awful, (the actual 8-track didn’t help), the lead vocals were beyond raspy and unclear and the Heavy Metal Music being played was raw, uncommercial and unlike anything I had ever heard before in my young life. I loved it. I was beyond thrilled at listening to this Motorhead 8-track. I was enamored by every unpolished intricacy that my rookie Metalhead ears heard. Here is this band, on a beat up 8-track, recorded as a live bootleg somewhere far away in the world, that only a dozen or so dudes in my high school even knew about at that time in 1983. All that was written on the blank white sticker on this 8-track was a barely legible – Motorhead Live. I’ll never forget that… an Old School Metal memory at it’s most innocent. I was awe struck by the unnatural vocals of Lemmy Kilmister and his bass was over powering to boot. Gimme some more Motorhead is what I said.
When I listen to 
King Diamond, the legendary Metal front man for Mercyful Fate and Horror Metal/Heavy Metal icon. King Diamond and his band have left more than a mark on Heavy Metal history, a chunk of Heavy Metal history is King Diamond. On October 13, 2009, the infamous Metal Blade Records will reissue two King Diamond Classics… The Graveyard and The Spider’s Lullabye. Very cool. Just in time for Halloween… very cool again. Both albums have been re-mastered by King Diamond guitarist Andy LaRocque. The Spider’s Lullabye was originally released in 1995, with The Graveyard originally released in 1996. Bonus live bootleg footage will be available for download, for those who purchase either of these two reissues. The bonus footage for download will be these three King Diamond songs: The Spider’s Lullabye, Trick Or Treat and Up From The Grave. Reissue’s are always great, especially when they include new songs and/or videos – downloading the bonus content for these albums is fine with me, especially when King Diamond is looking at giving the fans the highest quality in sound and video. Man, I better start saving up some spare change or my Christmas want list is going to be very long with all of the new Metal CD’s that are coming out next month! Metal rules. King Diamond is a big reason why. King Diamond is delivering a Happy Halloween to his fans and all fans of Metal on October 13, 2009.
Skid Row released their debut album, “Skid Row” on Atlantic Records, on January 24, 1989. The timing for this Heavy Metal band proved to be a successful one, for this “Skid Row” album sold in excess of five million copies, (going five times platinum in the U.S.A.). The time line of Skid Row becoming so popular, with their first two albums proves to be quite an accomplishment, (their sophomore album “Slave To The Grind”, (released in 1991), sold two million copies and hit #1 on the album charts in the U.S.A.). 1989 was the beginning of the Grunge Music era, with Nirvana and Soundgarden already in the marketplace. Pearl Jam and Stone Temple Pilots later garnered massive commercial media attention and a strong following of fans in 1991. Regardless of the changing landscape in the Heavy Music culture, Skid Row made a major mark in Heavy Metal history between 1989 – 1991, with their first two albums. It is a tremendous Heavy Metal achievement for Skid Row to sell seven million albums after their first two releases in the United States. Fast forward to 2009, I still will listen to the debut Skid Row album and continue to revel in it’s variety of Heavy Metal songs.
Accept is a legendary Heavy Metal Band from Germany, blazing through the late 1970’s and releasing crushing Old School Heavy Metal right up until 1996. U.D.O. is the Heavy Metal brainchild from the iconic lead singer from Accept… Udo Dirkschneider. U.D.O. released their first studio album in 1987, with “Animal House”… in 1988 their second studio album released, titled “Mean Machine”. U.D.O. has released many albums over the years, with their latest studio effort being “Mastercutor”, released in 2007. I have and always will be a huge fan of Udo Dirkschneider, Accept was an incredible Heavy Metal band, they never wavered or catered to any musical flavor of the day, just 100% Heavy Metal albums they released back in the day. With Udo carrying on his grand Heavy Metal career with U.D.O., it only makes me psyched – knowing this legend is still around. Udo may not receive the glamourous adulation from the mainstream Rock press like Rob Halford, Ronnie James Dio, Brian Johnson or Ozzy, however, he is just as important to the history of Heavy Metal as any of these lead singers are.
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