Metallica is synonymous with Thrash Metal elite. They are one of the originators of the Thrash Metal genre. Who can argue about their legacy or status within the world of Metal? My favorite Metallica albums are the first three, Kill ‘Em All (1983), Ride The Lightning (1984) and Master of Puppets, (1986). I was in high school from 1980 to 1985. I had to serve out an extra half year in high school, due to being a half credit shy of graduating in 1984. (Long and boring story). During my high school years in the early ’80’s – Metallica was enormously huge, a focal point of Metal period. I bought any oddball import, EP and picture disc I could get my hands on back then… especially if it was Metallica. Granted, Metallica may not be my favorite Thrash Metal Band ever, (Slayer takes that Metal prize), still they are a band that has given me tons of unreal great, Metal memories.
So many of these great oddball items and albums of Vintage Metal I have either sold, gave away or misplaced?! over the decades. I actually put a stop to this madness several years ago, now I keep unreal Metal tabs on my music collection. Recently, I was going through a real sweet stash of Heavy Metal albums that I have fortunately kept and put away for some years. These are all vinyl man! I have only about a dozen or so real gems when it comes to picture discs, I immensely appreciate each one of them. This past week I posted a Motorhead picture disc – Beer Drinkers, which I found in this unreal cool, bounty of albums. Now, I present to the world, my newest discovery. A Metallica picture disc that I have owned since 1983, it has never left my possession, yet for some years I did not think I had it still. Making a Metal discovery like this, in your own music collection, is one exhilarating feeling. To be reunited with this Metallica Jump In The Fire picture disc, is worth a thousand Metal smiles for me. This little demon dude is a real Metal kick – I list the specs on this rare gem below.
Metallica – Jump In The Fire:
* Picture Disc – Die Cut
* Release Date – 1983
* Two Songs: Studio Side – Jump In The Fire, Live Side – Phantom Lord
* 1st Pressing – no barcode
* U.K. Import
* PKUT 105 – this is the designation found on the back of this picture disc. It is the designation of being the first pressing with no barcode.
* “Issued under license from Megaforce Records Inc.” is printed on the backside of this picture disc.
* A “Music For Nations” logo is also found on the backside.
* “Music For Nations 8 Carnaby Street London W1V 1PG” is printed on the backside.
I did my research on this Jump In The Fire picture disc, using several internet record sites as sources. This version/first pressing – non-barcoded example that I own, is referred to as rare. I’m a happy Metalhead.
Today, my wife, myself and twin daughters all decided on adopting a homeless cat. He already comes with a name… Del. Del has only one eye, the other is shut closed. He is currently living in a shelter and is in great health. The shelter he is in now rescued him from a “kill” shelter. The poor guy has also been de-clawed, yet that is alright, Del will be our house cat. Yup, Del will be able to have full reign of the house, (within reason of course). Being a four year old cat, he probably has some stories to tell… if he could only talk. We pick up Del on Sunday, November 15th. Del is a silver tiger, with white and gray stripes. (No, he is not a real tiger). I and my family cannot wait to get this dude, he will fit right in for sure.
W.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.
Tonight I was going through a stash of Heavy Metal albums I own. This particular pile I have not looked at for about three years, since my family and I escaped from expensive Connecticut. Honestly, I don’t recall really looking
Masterplan released the MK ll album back on February 23, 2007. I have never regretted with catching onto Masterplan. Half the fun of being into Heavy Metal, is knowing there are so many bands from so many genres to sink your ears into… ah, the world of Metal is a good thing. For those not familiar, Masterplan is a Power Metal Band, 100% through and through with no gimmicks. Melodic Metal and Symphonic Metal are two other labels that are just as fitting for Masterplan, the three genres I attribute to this band are adequately interlocking. Masterplan is led by former Helloween guitarist, Roland Grapow, he takes on the roles of guitarist, composer and producer. I gravitate very often to the Power Metal genre, finding this form of Metal Music to be inspiring and ultra credible. I find the Power Metal songs from Masterplan MK ll to be like a Metal soundtrack for my mind… uplifting and scenic thoughts appear for me, reflective thoughts too. Getting revved up is not difficult while listening to Masterplan either, there are plenty of psyche out moments in their songs. Masterplan goes full throttle with their Power Metal, there never seems to be a dull moment, for me.
Thank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.
Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.
W.A.S.P. has me burning up with an extreme Heavy Metal fever. Their new studio album, Babylon, is the total Old School Heavy Metal package. I am so excited about this new W.A.S.P. album, I need to calm down. Alright, if you have never purchased a W.A.S.P. album in your life and you are into Metal, do the right thing and buy Babylon. Veteran W.A.S.P. fans should understand why I am pumped up about Babylon… it is the quintessential Heavy Metal album for 2009. Am I saying it is the best Heavy Metal album of 2009? I am sure leaning in that direction for certain. Remember, this is Heavy Metal, no strings attached. Blackie Lawless has proven once again he is not about to back down, cow tow or change for anyone. Blackie Lawless has my total Metal support and praise for his convictions, which he so eloquently states within the liner notes of Babylon.
I will always believe, that it is extremely hard to cover a song of this magnitude, without tripping up somewhere along the way. Nothing beats a Hard Rock Classic, especially one from Deep Purple. David Coverdale will forever have the notoriety of originally vocalizing Burn with Deep Purple. David Coverdale’s vocal signature on the original version of Burn, plus his historical importance to Heavy Metal is immeasurable, in my most honest Metal opinion. Fast forward to 2009 and Burn is resurrected from the archives of Hard Rock history, thanks to W.A.S.P.. Blackie Lawless maintains the signature keyboards of Burn, reestablishing the importance this instrument has within this song. Doug Blair on lead guitar, cements himself as an asset, to the Heavy Metal identity that is W.A.S.P., on this amazing cover song. Burn returns and rises like a flaming phoenix, with Blackie Lawless unleashing this song’s power and exposing it’s grandeur for all Heavy Metal time.
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