Archive for the 1980’s metal music Category

The Heavy Metal song of the day, September 1, 2009 is…

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's hair metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, classic heavy metal albums, classic metal, essential heavy metal albums, essential heavy metal songs, Hair Metal, hair metal music, Heavy Metal, heavy metal albums, heavy metal albums 1986, heavy metal music, Metal, Music, old school hair metal bands, old school heavy metal with tags , , , , , , , , , , , , , , , on September 1, 2009 by Metal Odyssey

Cinderella "Night Songs" album cover small picMan, is it just me or does the world, national and even local news stink? Not just lately but for quite awhile now too. I was foolish in watching more news than usual on the television last night… ugh. Ugh again. The norm for me in obtaining any type of news has been to grab a sound bite or headline and be done with it. This is my own filtering process… it works for me. Certainly I will read many a news article, it is just that the messenger(s) of these news articles need to know the meaning of redundant. There is plenty of cool and inspiring news out there to be reported, however, feel good news stories don’t sell. What a shame. So, I have picked a Heavy Metal Song of the Day, for September 1, 2009! This Heavy Metal song is as righteous a statement, regarding the nature of the news as any song I have ever heard. “Somebody Save Me” by the Heavy Metal band – Cinderella. This cool and heavy song is found on the Cinderella album “Night Songs”. The “NIght Songs” album was released in June of 1986. “Somebody Save Me” was released on February 10, 1987… peaking at #66 on the Billboard Hot 100 Chart. (The “Night Songs” album peaked at #3 back in 1986… not too shabby). Not only does this song ROCK, the lyrics are right on the Metal money when it comes to the bull crap/hot air that is thrown at us from every direction, courtesy of the mainstream television news networks and/or outlets.

This is why Heavy Metal Music means so Metal much to me… it lifts me up when I get down and it lifts me even higher when I am already up too. This great Heavy Metal song exists to cheer on or pump up anyone out there who needs the Metal inspiration. This song is not telling anyone that things are going to be cheery, instead it is quite the sarcastic picture of what is almost always heard on the sacred network and cable television news. My Metal suggestion is to search out “Somebody Save Me” and really listen to the lyrics. You just might be glad you did, I know I am. Here is my favorite portion of the lyrics to “Somebody Save Me”:

Everybody’s got opinions 
But nobody’s got the answers 
And that shit you ate for breakfast 
Well it’ll only give you cancer 

We’re runnin’ in a circle 
Runnin’ to the morning light 
And if ya ain’t quite workable 
It’s been one hell of a night 

Somebody get the doctor 
I think i’m gonna crash 
Never paid the bill 
Because i ain’t got the cash

Cinderella "Somebody Save Me" large pic of single

“Frankenstein” – The Edgar Winter Group Rock Classic, an Over Kill Thrash Metal cover song

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's thrash metal music, 1980's metal music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's thrash metal albums, 1990's thrash metal bands, 1990's thrash metal songs, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock albums, classic rock bands, classic rock cover songs, classic rock instrumentals, classic rock music, classic rock music 1972, classic rock songs, cool album covers, essential classic rock albums, essential thrash metal albums, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal cover songs, Metal, metal music, metal odyssey, Music, old school hard rock, old school thrash metal music, Over Kill, Rock, rock music, Thrash Metal, thrash metal albums 1991, thrash metal cover songs, thrash metal music, thrash metal music 1991, thrash metal music instrumental songs, thrash metal music reviews, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 31, 2009 by Metal Odyssey

The Edgar Winter Group "They Only Come Out At Night" small picIf I had to choose one of my favorite Rock instrumental songs of all time, there is no doubt “Frankenstein” comes to mind. The Edgar Winter Group released “They Only Come Out At Night” in November of 1972, this is the album you will find this original song on. Written by Edgar Winter, how ahead of it’s time was this song? Realistically, this now Classic Rock masterpiece of an instrumental song was as diversified as it was heavy. The multi talented musicianship of Edgar Winter is standout on “Frankenstein”, with the keyboards creating enough spookiness to validate the song’s title. The saxophone, in my Metal opinion, has always had a macabre sounding affect on me, only adding to the overall eerie coolness that “Frankenstein” erupts. I fell Metal head over heels for this song decades ago… I still slap this song on very frequently, especially around Halloween. Seriously, this song just goes perfect when Autumn arrives… once October hits, I have plenty of scary and heavy songs to bust out and revel in their dark side glory, “Frankenstein” leads the pack. No Halloween season can ever get by me, without listening to this song on a consistent basis. The Edgar Winter Group released a mammoth of a Rock album with “They Only Come Out At Night”, “Frankenstein” just made this release immensely complete, with it’s inclusion.

Now, step in… Over Kill. “Horrorscope” was released on September 3, 1991 and on this album, Over Kill includes the cover version of “Frankenstein”. The running time of this Over Kill  cover version comes in at 3:29, compared to The Edgar Winter Group’s original version of 4:44. Despite the shortened length of time, Over Kill demonstrated a monstrous Thrash Metal approach to honoring such a legendary Rock instrumental classic. Yes, I bought this Over Kill album within the first week of it’s release back in 1991, (I still have it on cassette too). When I first listened to Over Kill’s Thrash Metal burn on “Frankenstein”, I was stunned, all I felt was the immediate power force of guitar, bass and drums all coming together like a Metal typhoon. The only word that I honestly can remember saying aloud, listening for the first time to Over Kill’s cover version was… whoa. I also dropped plenty of complimentary f-bombs alongside the adjectives of great, incredible and insane. I still do, when talking about this Over Kill cover of “Frankenstein”. I will not lie, I look upon Over Kill, past and present, as if they were and still are the Thrash Metal kings of the entire universe. That type of Metal bias has no persuasion whatsoever, when I tell the entire planet that this cover by Over Kill is one for the Metal record books. As for the “Horrorscope” album itself… Thrash Metal of profound intensity.

I will succumb by stating, I honestly without a Metal doubt, cannot choose one version of “Frankenstein” over the other. This is a wicked example of how an original Rock Classic can be so legendary and inspiring, yet the cover version with all of it’s grand Thrash Metal bite and might, results in my saying it is a Metal tie. September is just around the corner… October shall be upon us very soon… “Frankenstein” will be played very loud by me very many times starting now… my home stereo speakers are going to get a Metal workout like they never experienced before.

Over Kill "Horrorscope" album large pic

GIRLSCHOOL – “Play Dirty”, a Heavy Metal song from 1983 revisited

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's classic rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, classic rock music, classic rock songs, collecting music, cool album covers, essential heavy metal songs, Heavy Metal, heavy metal album covers, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, heavy metal songs 1983, Metal, metal music, metal odyssey, Music, old school heavy metal, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , on August 30, 2009 by Metal Odyssey

Girlschool is a female and British Heavy Metal band that formed back in 1977. The first time I ever heard a song from Girlschool was back in 1983… on the infamous “Metal Shop” Heavy Metal – FM radio show. The early 1980’s were my Metal Music nurturing years, so many bands, songs and albums to digest as a hungry teen Metalhead. I would not trade in those Metal Music learning years for anything. There are bands that I revisit from time to time, that have perhaps just a few songs that I really listen to over the decades. Girlschool is one such band, they have one particular song that, man, I just can never forget about… “Play Dirty”, from their “Play Dirty” album, (released in 1983). “Play Dirty” was the fourth studio album from Girlschool. Over the years, I realized from reading many an article and collecting enough Metal Music, that the great Lemmy Kilmister of (the legendary) Motorhead, has his Metal ties to Girlschool. (This always made me feel that Girlschool was ordained with Metal integrity).

When I first heard “Play Dirty” back in 1983, I was blown away by the fact that this song was not just cool, it really rocked the roof off for me. I probably should have delved deeper into the Girlschool catalog of albums over the years… there still is time to do so. This song has stayed with me ever since my first time hearing it… I continue to make certain that this Heavy Metal classic of a song is always at the ready to be cranked up – whenever I get the Metal itch for it. I even bought this song off of itunes this past Winter, while buying up a bunch of Heavy Metal songs… just to make certain I had an extra copy of it. (Yeah, I really like this song a lot). Simply put, it is a high powered, melodic driven, heavy chorus laden, 1980’s Heavy Metal song. I surmise that it is the way this song all came together, with everything just seeming to click for me, that makes it so unreal memorable to my Metal senses.

Girlschool "Play Dirty" album cover large pic

MANOWAR – “Battle Hyms” 1982 album is required Heavy Metal Music

Posted in 1980's heavy metal albums, 1980's power metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1982, heavy metal bands this decade, heavy metal guitarists, heavy metal music, heavy metal music 1982, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, Power Metal, power metal music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 21, 2009 by Metal Odyssey

14727432Manowar plays Heavy Metal, their name screams Heavy Metal and they are Heavy Metal with a hundred exclamation points. “Battle Hymns” (released in 1982), was the first album from this prolific and what I consider historic Heavy Metal band. Why historic? Well, the last time I checked, Manowar held the Guinness Book of World Records title for having the loudest live performance. (I always disliked the word performance, especially when it relates to Heavy Metal). Besides being extremely loud, Manowar presented upon the world of Heavy Metal a gloriously lean, mean and heavy album with “Battle Hymns.” All eight songs on this album are laced with forcefully driven guitar leads, riffs and all things sacred to Heavy Metal. The first two song titles say it all – “Death Tone” and “Metal Daze”. What I like most about this album is that there is absolutely not one second of waste to be heard… from start to finish this is muscular, Old School, 500% – Heavy Metal. Of course, this Metal adulation I have for Manowar and “Battle Hymns” is all my Metal opinion, however, this is an album that needs to be heard by todays younger generation of Heavy Metal fans.

Manowar never complicated anything with their brand of Heavy Metal, no smoke and mirrors to be found. What can be so difficult about embracing heavy, loud and melodic music? In my Metal opinion, the Heavy Metal of Manowar is just as essential as any of the basic food groups. I could thrive just fine, on the Metal of Manowar, if it was to be the only music left on earth. “Death Tone” opens this initial album as if it is unleashing Manowar onto the universe, with their sole purpose to spread the word of Heavy Metal on every living being in existence. “Metal Daze” is my favorite song from “Battle Hymns”, it is the musical personification of Heavy Metal. What would a Manowar album be like without a battle song? It would be like having a peanut butter and jelly sandwich without the bread. “Battle Hymn” takes care of the need for listening to a Manowar call to battle… Heavy Metal style. “Dark Avenger” is another standout song on an album of standout songs, plus the narration found in the midst of this powerful and heavy music, by the late Orson Welles, adds to the mythical ambiance. 

I find the lead vocals of Eric Adams to be very reminiscent of early and legendary Judas Priest vocalist , Rob Halford. Ross The Boss without any doubt in my mind, exhibits some of the finest Heavy Metal guitar licks I have ever heard… a guitarist that commands and justifiably earns my Heavy Metal respect. “Fast Taker” is a song that sounds better each time I listen to it, even if it has been a zillion listens. “Shell Shock” is a Heavy Metal song that I always wanted to crank up extremely loud in my car, with the windows down, while at a crowded intersection of uptight people. (Maybe that wish will come through for me one of these days). “Manowar” is a Heavy Metal call to conquer, this song is not just named after the band, it signifies their tenacity and perseverance as a leader of the Heavy Metal genre. No matter how loud I play this album, there is the thought that this Heavy Metal has been played louder… rightfully so. If Heavy Metal 101 really did exist, as a college course, I would feel confident that “Battle Hymns” would be a required listen and study as to just how Heavy Metal was molded, American style, courtesy of the great Manowar.

Manowar, as they appeared on their first album, “Battle Hymns” from 1982: Eric Adams on lead vocals, Ross “The Boss” Friedman on guitars & keyboards, Joey DeMaio on four & eight string bass & bass pedals and Donnie Hamzik on drums & percussion.

ManowarBattlehymns

SAVATAGE – “Day After Day” cover song was in my head today

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal cover songs, 1980's live heavy metal albums, 1980's popular rock bands, 1980's rock music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, Album Review, classic heavy metal albums, classic metal, essential hard rock albums, essential heavy metal albums, Hard Rock, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1986, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal on vinyl, Heavy Metal Reviews, heavy metal vocalists, Metal, metal odyssey, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2009 by Metal Odyssey

16375You know those moments or days when  you experience a song that just seems to arrive or enter your mind, without being invited? It is subconscious for certain, something triggers a particular song to begin playing in my brain, be it secondary thoughts, reflections, images and/or events that happen in the course of a day’s routine. Today, I had the Savatage cover song of “Day After Day” playing repeat in my head. I honestly do not know why. I have not listened to this song from Savatage for many years, possibly a couple of decades. “Day After Day” is a song from the Savatage album “Fight For The Rock”, (released back in 1986). It is a cool song, without doubt  a Hard Rock, borderline Heavy Metal cover version, compared to the original 1971 Rock version from Badfinger. I used to have this original “Fight For The Rock” vinyl, heck, I bought it back when it first came out. Over the years, I sold it for some oddball reason or another.

“Fight For The Rock” was not an album representing the Progressive Metal that Savatage is now so well known for. This is a unique album out of the Savatage  Metal catalog. Personally, I cannot look down on this album just because it was a detour from the Metal sound that Savatage was creating, up to the point of it’s release. Savatage certainly powered back mightily with future albums that bestowed their heaviness and Progressive Metal songs. As I see it, I bought this album back in 1986 for a reason… I liked it, I liked Savatage and their brand of Metal, still do. I have always been an admirer of the vocals of Jon Oliva and the guitar play of his brother Criss Oliva. This album must have made an impression on me many years ago for “Day After Day” to suddenly play over inside of my head today.

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Y&T – “In Rock We Trust” is ’80’s Heavy Metal I trust

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock albums, classic rock music, cool album covers, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1984, heavy metal guitarists, heavy metal music, heavy metal music 1984, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , on August 18, 2009 by Metal Odyssey

7723902I received in the mail today, a package from my best buddy, Scott. In this package was a CD, “In Rock We Trust” by Y&T. Now, this is the kind of mail that I like receiving… not bills or junk mail, just pure 1980’s vintage Heavy Metal. Talk about a solid Metal reminder of how power grooved this Y&T band was back in the ’80’s. This album was released way back in 1984, (the year I was supposed to graduate High School). I opted for an extra half year of High School back then, yet that is Metal history now. I listened to “In Rock We Trust” in it’s Metal entirety, just minutes after it was unleashed from the bubble mailer that brought it to my Metal safe haven. Every song on this album is a Heavy Metal winner, for me. From the Heavy Metal chorus to the riffs and leads and everything else heavy in between, makes this album ripple with thunderous Metal might. I just have recently been listening to the Y&T album “Contagious”, take my Metal word on this… “In Rock We Trust” out heavies “Contagious”. I have never been a strong advocate for comparisons within a Metal band’s music catalog, I feel each album that is created is unique. There are those times, where exceptions are made on Metal Odyssey. Seriously, if anyone out there is considering to buy some Heavy Metal from the ’80’s, this album I undoubtedly recommend.

My best buddy Scott made my Metal day today… little did I know that this CD was coming my way, I guess I did not realize I needed a vintage fix, of some heavy duty Y&T Heavy Metal, either. Man, these ten songs hit me in all of the right ways today. Like Scott said to me on the phone today… “this Y&T album is just darn good Summer Heavy Metal”. I could not agree with him more… only I will take it one Metal step further, “In Rock We Trust” is one darn good year long Heavy Metal album. I see Scott’s point however, these songs make you feel like you are packing up the car, heading to the beach or one big time keg party… and it is the late ’80’s, where your only worries are having cash for gas, chips and beer. Ahhh, the stuff that vintage Heavy Metal makes you think about… Metal really is worry free music after all. If making a feel good Heavy Metal album back in 1984 was considered a crime, then Y&T is guilty on all Metal charges.

“Lipstick And Leather” and “Don’t Stop Runnin'” are the two hits that made their way on FM radio and MTV back in ’84.  Both songs are heavy rockin’ through and through. I really have taken a liking to the first song – “Rock And Roll’s Gonna Save The World”, it starts off rather slow and steady, yet it gives every indication that this is just the prelude to the pumped up Heavy Metal that engulfs my Metal senses. “Breakout Tonight!” and “She’s A Liar” are two songs that exemplify the signature 1980’s vibe of Heavy Metal. “In Rock We Trust” should come with a sticker of recommendation on the front CD cover… that reads: Play these songs loud – it will serve you right. Y&T with “In Rock We Trust” served me right today. I just cannot fathom as to why I never owned this Y&T album until today… I guess that no longer matters, this Heavy Metal gem is in my Metal possession now. This is just another reason why I can never take Metal Music or my best buddy Scott for granted. 

Y&T as they appeared on “In Rock We Trust”: Dave Meniketti on lead guitar & lead vocals, Phil Kennemore on bass guitar & backing vocals, Joey Alves on rhythm guitar & backing vocals and Leonard Haze on drums & backing vocals.

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DIO “The Last In Line” will last my Metal Music lifetime

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, cool album covers, creepy album covers, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1984, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal odyssey, Music, old school heavy metal, power metal music, ronnie james dio, scary album covers, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , on August 12, 2009 by Metal Odyssey

main-150DIO, Ronnie James Dio, my Heavy Metal vocal savior, when I served time in High School, back in the 1980’s. (I know I use that punch line about High School often, regardless, it is just the plain truth). The lyrics of DIO’s songs were motivating, captivating and always exhilarating for me while I was growing up in my late teen years. For Metal sake, DIO’s lyrics were influential to me while I was in my early twenties as well. What I took from the lyrical creativity of Ronnie James Dio so many years ago, I no longer take hold of as strong. As I grew up, (well, I think I matured somewhat since the ’80’s), the lyrics of DIO seemed to take on a more entertaining feeling… lyrical interpretation has changed for me over the years, based on life experiences. Seriously, when I used to listen to the song “The Last In Line”, back in High School, well, I equated the lyrics to my being the last in line. I was a typical authority hating – know it all as a teenager, therefore, totally normal for a Metalhead back in the 1980’s. Fast forward to 2009, I equate the lyrics as inspiring still, only I do not dwell on myself and always being the victim, (as I did as a teenager). Plus, being a middle aged Metalhead, I now respect or tolerate authority, depending on the situation. The Heavy Metal of DIO and many, many other Metal bands from decades past encouraged and instilled a strong feeling of hope for me, when I was young… I shall never forget this. The escapism of DIO’s Heavy Metal was the elixir that worked for me years ago… this escapism still works for me now. That is why this 1984 album from DIO “The Last In Line”, will last my Metal Music lifetime.

“Mystery” is another song from the “Last In Line” album that is in my Metal opinion, untouchable. This is one song, that lyrically, I can still relate to. Life is a mystery, plain and simple. There really is nothing more to scrutinize… no one really knows where they are going to be tomorrow. Heck, back in High School, the guidance counselors used to waste their time with us kids, asking us where we want to be, what we want to do when we grow up. These guidance counselors all had a job to do, with fine intentions. The truth is, the paths I took to get where I am now were filled with detours, delays, trauma, luck of the draw, misfortune and certainly fortunate opportunities. In other words… mystery. They don’t teach this in school. I never knew when I was going to get married, plus I never knew how many children my wife and I would have. Mystery.

This is by far and large, the single most influential Heavy Metal song I have ever listened to in my life. Now, the next time you are on a dreaded job interview and the interviewer asks you – “where do you want to be in five years, ten years from now”?… look at this fool straight in the face and tell he or she, as Ronnie James Dio so eloquently put it, “it’s always a mystery, not what it seems to be, it’s always a mystery,  just like you and me”. 

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IRON MAIDEN – “Cross Eyed Mary” 1983 cover song is a rare Metal Music treasure

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, cool album covers, cover songs, essential heavy metal albums, essential metal music albums, essential progressive metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal cover songs, heavy metal guitarists, heavy metal memorabilia, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music ep's, metal odyssey, Metal Reviews, Music, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal music eps, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 5, 2009 by Metal Odyssey

Iron Maiden "The Trooper"  EP album artworkIron Maiden released their fourth studio album, “Piece Of Mind” in 1983. An amazing Heavy Metal album it was and forever will be. I bought that album back in ’83… stared at the front cover for hours, which in fact, probably equals out to actual days. I have always been mesmerized by artist Derek Riggs artwork of mascot Eddie. This album does not contain the cover song of “Cross Eyed Mary”, instead, it was released as a “b” side to the single “The Trooper”, taken from the “Piece Of Mind” album. To the best of my Metal research, “The Trooper” single was released on June 20, 1983. I frequented a small and independent record store on an almost daily basis back in the ’80’s, (I won’t divulge the name of this store for personal reasons), upon a daily stop there… there it was… Iron Maiden “The Trooper” Maxi Single on vinyl no less!! My Metal memory is very vivid about this moment… I stared this beautiful Iron Maiden rarity down, bought it and have kept it pristine ever since. Plus, this was the only copy this store had, I never saw this Iron Maiden single on vinyl again. (Certainly, there has to be more out there in collections or online today, I just never happened to come across one in person). This Iron Maiden Maxi Single as it is called, again, is on vinyl that is the actual size of an album -(an EP if you will), it plays at 45 rpm.

As for “The Trooper” it is and always will be an amazing work of Metal Music, this song no Metalhead could ever possibly tire from. An unreal great Metal song is “The Trooper”. Now, for the Metal juicy part of this important single… “Cross Eyed Mary”. I always have and will continue to give Jethro Tull a listen now and again… they are cool by me, despite what Metallica may think of them. The original Jethro Tull version of “Cross Eyed Mary” does not even come remotely close, to the prolific Metal power of Iron Maiden’s cover version though. I am talking extremely Metal prolific, when I mention this Iron Maiden cover of “Cross Eyed Mary”. Whoa, man, this Iron Maiden cover sends Metal chills up and down my spine. I am not sugar coating a thing… this Iron Maiden cover is the real thing, hands down it is my most favorite and cherished Metal cover song that has ever been recorded. Not to sound cheesy or lame here, the opening guitar leads sends me into Metal orbit… really. Bruce Dickinson is outstanding on vocals with this song, Iron Maiden took hold of “Cross Eyed Mary” and turned it into a Metal masterpiece. NO flutes or piano are on this Iron Maiden cover version of “Cross Eyed Mary”, no sir.

My copy of “The Trooper” vinyl single looks just like the above image, with the exception that my copy has “Maxi Single – super sound version” printed on the front cover, inside a red outlined circle. The bottom image shows what the Japanese import version of “The Trooper” looks like on CD, however, “Cross Eyed Mary” is NOT on this CD single!? The two songs on this Japanese import are: “The Trooper Live (2003)” and “The Trooper” (album version). Go figure that out, the same artwork, it is “The Trooper” single, yet “Cross Eyed Mary” is not included anymore. It would have been Metal genius, if Iron Maiden included “Cross Eyed Mary” on their “Somewhere Back In Time: The Best Of 1980-1989″ album, that would have been a perfect song to add into the historical Metal mix. I am just psyched that I still have this vinyl single of Iron Maiden, this is one Metal treasure I just will not part with – no way.

Some Metal extra notes about this Iron Maiden single, to benefit, guide and nourish your Metal mind: 

Iron Maiden, as they appeared on “The Trooper” and “Cross Eyed Mary”: Bruce Dickinson on lead vocals, Dave Murray on guitar, Adrian Smith on guitar, Steve Harris on bass guitar and Nicko McBrain on drums. * This 1983 “The Trooper” single was originally released on EMI records.

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Skid Row – 1989 debut album still boasts a Heavy Metal variety

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's hair metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1989 heavy metal music, 1990's heavy metal albums, 1990's heavy metal music, Album Review, classic heavy metal albums, essential heavy metal albums, Hair Metal, hair metal music, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Music, old school hair metal bands, old school heavy metal, rock music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2009 by Metal Odyssey

main-150Skid Row released their debut album, “Skid Row” on Atlantic Records, on January 24, 1989. The timing for this Heavy Metal band proved to be a successful one, for this “Skid Row” album sold in excess of five million copies, (going five times platinum in the U.S.A.). The time line of Skid Row becoming so popular, with their first two albums proves to be quite an accomplishment, (their sophomore album “Slave To The Grind”, (released in 1991), sold two million copies and hit #1 on the album charts in the U.S.A.).  1989 was the beginning of the Grunge Music era, with Nirvana and  Soundgarden already in the marketplace. Pearl Jam and Stone Temple Pilots later garnered massive commercial media attention and a strong following of fans in 1991. Regardless of the changing landscape in the Heavy Music culture, Skid Row made a major mark in Heavy Metal history between 1989 – 1991, with their first two albums. It is a tremendous Heavy Metal achievement for Skid Row to sell seven million albums after their first two releases in the United States. Fast forward to 2009, I still will listen to the debut Skid Row album and continue to revel in it’s variety of Heavy Metal songs.

Skid Row is a band that I always referred to as Heavy Metal… Hair Metal can be a justified label for this band as well, with their look and the 1989 breakout release of “Skid Row”, this puts them in the correct time period for that genre. Sebastian Bach in my Metal opinion, bestowed some real flamboyant, powerful, Arena Rock, style of vocals on “Skid Row”. Sebastian Bach did not introduce anything brand new to Heavy Metal with his vocals, yet I always felt he could carry a note and sing with the best of this genre. What had always stood out with Sebastian Bach’s vocals, for me, was his undeniable enthusiasm and cocky confidence. (Two necessary characteristics to have, especially for a Heavy Metal front man). As a total Heavy Metal band, Skid Row certainly never lacked any of the pertinent skills necessary to get the job done. This original Skid Row lineup on “Skid Row” combined their musicianship to create eleven top tier Heavy Metal songs. Not a bad tune in the bunch, in my Metal opinion.

“Here I Am” is probably my favorite song on this album, it just flat out Rocks. This song was not one of the hits that made it to FM radio or MTV back in the day, still, this is my hit pick. “Makin’ A Mess” is another pick of mine that scorches with speed, without question the fastest Heavy Metal song on this album. As for the hits… “Youth Gone Wild” is the most memorable and pumped up – heavy song that I point out here. Even though I may not belong to any youth generation anymore, I still get psyched out of my Metal mind when this song is cranked up. Yeah!! “18 And Life” is another major single that received it’s just due on FM radio and MTV as well… the lyrics make sense, the song Rocks heavy, the combination of these two descriptions makes this song a winner for me. “Midnight/Tornado” is as good as it gets with 1980’s Heavy Metal… the guitar solo, it just brings it man. The lyrics are tidy, the song is heavy, the Heavy Metal power is on high… “Midnight/Tornado” does it for me. O.K., there is a ballad on this album, “I Remember You”. Now, I can make a list of Heavy Metal ballads that stretches from Boston to Lancaster, Pennsylvania, that I cannot stomach… “I Remember You” is not one of them. Sebastian Bach sings it… Skid Row brings it. I have spoken my Metal mind on that one.

In Metal summary, “Skid Row” delivered the heavy, at times fast, a ballad and some extremely popular and powerful hits. “Big Guns”, “Sweet Little Sister”, “Can’t Stand The Heartache” and “Piece Of Me” are the four opening songs that are best described as a Heavy Metal continuum of solid songs. “Rattlesnake Shake” is no pushover song either. Heavy album, 1980’s heavy and by today’s Old School Heavy Metal standards… a Heavy Metal album worth passing along to the youthful Metalheads of 2009. Let the youth of today listen to this Skid Row album and they should go wild.

Here is the original Skid Row, as they appeared on “Skid Row”… useful information for a well balanced Metal Music diet: Sebastian Bach on lead vocals, Dave “The Snake” Sabo on rhythm, lead guitars & backing vocals, Rachel Bolan on bass guitar & backing vocals, Rob Affuso on drums & percussion and Scotti Hill on lead and rhythm guitars.

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U.D.O. “Nailed To Metal” is live, world class Heavy Metal

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, classic heavy metal albums, classic metal, classic rock, cool album covers, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands this decade, heavy metal drum solos, heavy metal from germany, heavy metal guitarists, heavy metal music, heavy metal music 1982, heavy metal music 1983, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal this decade, heavy metal vocalists, live heavy metal albums, Metal, metal music, metal music this decade, metal odyssey, Metal Reviews, old school heavy metal, rock music, vintage heavy metal albums, vintage heavy metal bands, vintage live heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 1, 2009 by Metal Odyssey

U.D.O. "Nailed To Metal" large picAccept is a legendary Heavy Metal Band from Germany, blazing through the late 1970’s and releasing crushing Old School Heavy Metal right up until 1996. U.D.O. is the Heavy Metal brainchild from the iconic lead singer from Accept… Udo Dirkschneider. U.D.O. released their first studio album in 1987, with “Animal House”… in 1988 their second studio album released, titled “Mean Machine”. U.D.O. has released many albums over the years, with their latest studio effort being “Mastercutor”, released in 2007. I have and always will be a huge fan of Udo Dirkschneider, Accept was an incredible Heavy Metal band, they never wavered or catered to any musical flavor of the day, just 100% Heavy Metal albums they released back in the day. With Udo carrying on his grand Heavy Metal career with U.D.O., it only makes me psyched – knowing this legend is still around. Udo may not receive the glamourous adulation from the mainstream Rock press like Rob Halford, Ronnie James Dio, Brian Johnson or Ozzy, however, he is just as important to the history of Heavy Metal as any of these lead singers are.

“Nailed To Metal” (subtitled “the missing tracks”), is a live, eleven song album, released back in 2003. The liner notes state that the songs were “recorded during the European Tour 2001”. Let me just say that… this live U.D.O. album does not just exemplify Heavy Metal, it is Heavy Metal. Hail U.D.O.! Thank you Germany! Udo Dirkschneider sounds just as prolific with his vocals on “Nailed To Metal” as he did on his Accept album “Breaker”… or any of his Accept albums for that matter. What I always anticipate from U.D.O. is that powerful, thunderous, monster of a sound from their Heavy Metal… “Nailed To Metal” brings it all and with the excitement of the live ambience. The Heavy Metal barometer explodes with the first two opening songs – “Holy” and “Raiders Of Beyond”. Both of these U.D.O. tracks are nothing short of Heavy Metal liberation, capturing the very essence of what Heavy Metal 101 is all about. The “Drum Solo” comes in at 4:26… (this is a Heavy Metal drum solo, not a Thrash or Death Metal drum solo), my point being, just as I am enamored by Extreme Metal, I embrace a cool, traditional, Heavy Metal drum solo in the spotlight, any day of the week. Lorenzo Milani on drums, is not out to compete with Neil Peart (of Rush), he is only out to play some solid drumming the Old School Heavy Metal way. In my Metal opinion, “Holy” and “Raiders Of Beyond” hold their own against classic Accept songs… and classic Accept songs are here.

The vintage “Fast As A Shark” and “Restless & Wild”, (from 1982), are unmistakably Heavy Metal defining, two throwback songs from the Accept catalog that have never lost their ability to supercharge me. “Metal Heart”, (from 1985), is an Accept song that careens into this live set like a long lost Heavy Metal friend. The closer of this live album is none other than… “Balls To The Wall”. At 8:48 long, I wish this Heavy Metal anthem would carry on for an hour… raising my fist to the air and banging my head never felt so good. Accept found their FM radio acceptance back in 1984 with “Balls To The Wall”, a trip down Heavy Metal lane “Nailed To Metal” is. Udo Dirkschneider was and always will be the voice of Accept, therefore U.D.O. does not just cover these legendary Accept songs, they celebrate them. With the combination of live U.D.O. and Accept Heavy Metal on “Nailed To Metal”, this album easily, hands down, gets five out of five beer kegs from me. Keep bringing the Heavy Metal U.D.O. and I will forever listen.

U.D.O. as they appear on “Nailed To Metal”: Udo Dirkschneider on vocals, Stefan Kaufmann on guitar, Igor Gianola on guitar, Fitty Wienhold on bass guitar and Lorenzo Milani on drums.

*As a Metal side note, the only Accept album that Udo Dirkschneider was not the lead singer on, was “Eat The Heat”, released in 1989. David Reece was the lead singer for this Accept album.

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Scorpions “World Wide Live” – 1985 album revisited

Posted in 1980's heavy metal albums, 1980's heavy metal ballads, 1980's live heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1985, heavy metal from germany, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Music, old school heavy metal, Scorpions, vintage heavy metal bands, vintage live heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , on July 29, 2009 by Metal Odyssey

main-150In 1985, I received a really cool Christmas present… the Scorpions “World Wide Live” double LP. That is what I am talking about when memorable Christmas gifts come to mind. My Mom, she certainly knew the bands I liked back then. I could always feel confident she would have a decent Heavy Metal album on her Christmas shopping list, just for me. My Mom would wrap and hide the album she bought each Christmas, making certain it was secured from my finding it. Not a chance. Each year, I would find that album, heck, I would actually smell where that album was hidden, like a Heavy Metal bloodhound. In 1985, “World Wide Live” was wrapped and supposedly hidden, until I unwrapped it and gazed away at the album cover – front to back. I was in Metal glee, knowing that on Christmas morning I would be able to crank up the Scorpions “World Wide Live”, a double live album no less. Each year, my Mom always knew I would find and unwrap the album she had bought for me, it was a cool and funny joke that I always was able to share with my Mom.

It is experiences like this, while growing up, where you actually bond with your music and albums, due to the personal stories that are attached to them. My Mom is now in Heaven, thus these memories mean all the more to me now than ever before. It is the memories that are the most valuable of course, not the actual albums. As for the Scorpions and “World Wide Live” – powerful, live, Heavy Metal to the max. This is one unbelievable live album, based on the overall sound quality, song selection, production and of course… the Heavy Metal Music. Vintage, live Scorpions this “World Wide Live” is. Hearing the fans screaming for the Scorpions throughout this album makes it real, with a live album it is always a key ingredient to capture the atmosphere of the concert crowd. My original album of “World Wide Live”, well, I either sold it or gave it away years ago. The kicker is… I found this double live beauty at a thrift store this past Winter… for fifty cents. Each time I find one of my favorite albums from the past, in second hand shops like this, I feel the vindication and relief of being able to replenish my Heavy Metal collection… to where it once was. Why I sold or gave away so many Heavy Metal albums long ago is still an uncanny period of my life. Regardless, I have what I consider, a perfect album specimen of “World Wide Live” now, safely tucked away into my Heavy Metal collection.

My favorite song from this album is “Big City Nights”. The in your face power of this song has always grabbed me with a psyched out feeling. “Countdown”, the instrumental and intro to this double live, Scorpions feast of Heavy Metal, never ceases to rev me up, it sets the table for “Coming Home”“The Zoo” and “No One Like You” are just as great as their studio counterparts, the live versions only add more intensity to the music. The live version of “Rock You Like A Hurricane” with it’s commercial breakthrough from the “Love At First Sting” album, makes me forget that it was overplayed on FM radio and MTV during it’s chart existence. Klaus Meine joined the pack of Heavy Metal ballad crooners, with his praise worthy vocal accomplishment – “Still Loving You”. I will take the live version of this song over the studio cut, (it’s a personal preference). If there ever was any tweaking or over dubbing during the mixing of this album, frankly I could care in the least. The end result for me has always been, “World Wide Live” is a must live Heavy Metal album to own and a Scorpions achievement.

*”World Wide Live” was released on June 20, 1985. The Scorpions, as they appeared on “World Wide Live”: Klaus Meine on lead vocals, Matthias Jabs on lead guitar & backing vocals, Rudolf Schenker on rhythm guitar & backing vocals, Francis Buchholz on bass guitar & backing vocals and Herman Rarebell on drums, percussion & backing vocals.

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My favorite KISS album of all time is…

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 1982, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, rock music, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , on July 27, 2009 by Metal Odyssey

main-150I am a lifelong Kiss fan, guilty of admiring a Heavy Metal band that has influenced the genre of Metal both musically, theatrically and of course… commercially. Out of the entire Kiss catalog of Heavy Metal, there has to be my favorite album of all time… my choice of favorite Kiss album seems to change yearly. (Oh well, that is my Metal dilemma I have to live with). As of today, Sunday, July 26, 2009, my favorite Kiss album of all time is “Creatures Of The Night”, (released in 1982). This Kiss album came out after “The Elder” album, making for quite the triumphant, Heavy Metal return. When I first heard the song “I Love It Loud”, man, was I ever psyched out of my Metal mind! I was serving time in High School when this album released, having this Kiss song to play loud back then was true innocent rebellion. Playing this song and the entire “Creatures Of The Night” album loud today, well, is just because I want to and can. (No more rebellion is left in my system… I think). 

In my Metal opinion, this Kiss album is arguably their heaviest studio album ever created. (The live albums are darned heavy too, however, I am comparing the studio albums). “War Machine” is definitely my favorite song off of this prestigious album. Gene Simmons on lead vocals is classic – I can hear the anger flow from his voice and the lyrics only add credence to this interpretation. “Danger” is one tough and heavy Kiss song that Paul Stanley sings lead vocals on. For a Paul Stanley sung tune, this is as fast and furious as it ever gets. “Saint and Sinner” is a bass lovers dream of a Heavy Metal song, with Gene Simmons giving what I consider, one of his best lead vocal efforts ever. “Creatures Of The Night” is melodic as it is heavy, a Kiss song that without hesitation, is my favorite Paul Stanley – on lead vocals, song. I say this until it hurts, that I have never been the biggest fan of ballads in Heavy Metal. There are always my exceptions to this personal rule. “I Still Love You” is one damned cool and heavy ballad that Paul Stanley sings. Paul Stanley turns some sappy lyrics into a song that I can still crank up, to this day.

“Keep Me Comin'” is the one song off of this album that I have liked the least. This song is not terrible, I won’t skip over it while playing the entire album… yet it never seemed to get my Metal adrenaline perking over the years. “Rock and Roll Hell” and “Killer” round out the rest of the songs from “Creatures Of The Night”, making for nine Kiss songs total, that are now considered by me, vintage Kiss. Metal truth be told, if you are embarking on building your first Kiss music collection, making “Creatures Of The Night” your initial purchase is a profoundly wise choice. The overall Heavy Metal power is in my Metal mind, abundant on this album.

As a side note, the articles and stories I have read and/or heard over the years is that both Ace Frehley and Vinnie Vincent receive guitar credit for this album. Frankly, it does not stir me either way, as to who actually played lead guitar and on which songs, this album is too great for such controversy to hinder the end result. Whichever guitarist did play, they played excellent. Ace Frehley does appear on the front cover of the album, therefore I shall close my eyes each time I listen to this album and picture Space Ace as the lead axe man. The late Eric Carr played some top notch and cool Heavy Metal drums for Kiss… the proof is in the music found on this album. I always considered “Creatures Of The Night” to be the Kiss album that launched them into the decade of the ’80’s. This is an album that will launch any new fan into a believer.

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Armored Saint – “Revelation” brings forth Heavy Metal intensity

Posted in 1980's heavy metal bands, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music this decade, Metal Reviews, Music, old school heavy metal, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , on July 24, 2009 by Metal Odyssey

Armored Saint "Revelation" small picArmored Saint is an Old School Heavy Metal band, a band that proved to me years ago, they were all about Metal. One listen to any album from the Armored Saint catalog and one will understand what I mean about all Metal. One album in particular, that really drives the message home as to the serious Heavy Metal Music that Armored Saint delivers is “Revelation”, (released on March 7, 2000, on Metal Blade Records). I bought this album as exactly such… on vinyl. This album is a twelve song, two record set, with three songs per side of each album. There still is a cool Metal rush I experience when holding onto an actual record, placing it on a turntable, then letting the Heavy Metal roar. Armored Saint does exactly that, they storm out of the Heavy Metal gates on “Revelation”, this album sets me on the Metal path I belong on. It is going on ten years since this album was released, yet the Heavy Metal that blasts from “Revelation”, is just as exhilarating as any new Metal music releases I have heard lately.

“Revelation” is one of those rare albums where I flat out tell my fellow Metal peers… buy it and be glad you did. You are getting more than you expect with Armored Saint, no songs are watered down, the musicianship is Metal superior and lead vocalist John Bush is one of the greats at fronting a Heavy Metal band. Armored Saint may not be Thrash Metal, nor are they Death Metal… they are bona fide Heavy Metal with an extra dosage of heavy. “Tension”, “Creepy Feelings” and “Damaged”  really showcase the vocals of John Bush, he never over reaches on any notes, he only defines how Heavy Metal is supposed to be sung. “Tension” is a song that is extremely relevant, lyrically, to what is currently taking place in corporate America. On “After Me, The Flood”, sure, John Bush lets out a scream or two, he mixes it up vocally with potent Metal fervor. “Revelation” seems to rupture at the seams with non-stop, great songs. If only every Metal album could be like this… skipping over tracks is totally unnecessary here.

“Den Of Thieves” is a heavy song that demonstrates the guitar brilliance of Phil Sandoval on lead guitar and Jeff Duncan on rhythm & lead guitar. This guitar duo erupts with melodic leads and contagious riffs that make my Metal day complete. “Control Issues” is arguably the heaviest song on this album, lyrically making quite the impact that the music itself intends. “No Me Digas” is the bonus track included on this album… it is sung in Spanish, the lyrics inside the album gatefold are in Spanish as well. I am not too fluent with my Spanish, however, I will say that this song rocks along well just the same. This song is proof to me, that Heavy Metal Music is without question, a universal language and expression – for us all to pump our fists in the air to. In the end, I have been Metal schooled again, this time by “No Me Digas” and Armored Saint.

As for the rhythm section of Joey Vera on bass and Gonzo Sandoval on drums, they play as tight and effective as any in Heavy Metal. The focal point of this band for me, is the all encompassing power of the music, without sacrificing a melodic moment here or there. I usually try not to spill over, too excessively, with Metal glee, in regards to a Heavy Metal album or band. “Revelation” is one Heavy Metal album that I want to put out to the world, to spread the Metal message that these songs need to be heard. Armored Saint deserves my admiration, every time I listen to this band and/or “Revelation”, it makes me Metal proud. Long live this Heavy Metal band they call – Armored Saint.

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Helix “No Rest For The Wicked” – a cool 1983 album and Heavy Metal Band

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, cool album covers, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, Metal, old school heavy metal, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on July 20, 2009 by Metal Odyssey

main-150-1Helix is a Heavy Metal band, (originating from Canada), one that I got the biggest Metal kick out of, back in the 1980’s. Released in 1983, “No Rest For The Wicked” is in my Metal opinion, one really cool Heavy Metal album… period. Helix has two very memorable songs off of this album, these songs are melodic and heavy, (yes, that is what the majority of 1980’s Heavy Metal was about… melodic and heavy. These two adjectives do coexist in song, no matter what any other professionally paid Rock Music critics may think. The two songs I am pointing out are: “Heavy Metal Love” and “White Lace and Black Leather”. Helix was – still is, a Heavy Metal band that came out of the same Metal Music mold as Krokus, (just to make a Metal comparison). “Heavy Metal Love”  and “White Lace and Black Leather” are two songs that trudge along with that vintage 1980’s, Heavy Metal style of power. The entire album is a vintage trip of early 1980’s Heavy Metal, “Dirty Dog” and “Don’t Get Mad, Get Even” are two more notable tracks. As I reflect back, Helix did indeed get their FM radio play, especially on “Metal Shop”, (a Heavy Metal radio show back in… guess when? Ahhh, the 1980’s. 

Did Helix get swallowed up in the Heavy Metal crowd eventually? Probably, the 1980’s had a ton of bands, so many cool Heavy Metal bands too. Think of how difficult it had to be, to be a Heavy Metal band back in the 1980’s… it was not as easy as you would probably think. You had Motley Crue, Ratt, Van Halen, and Ozzy Osbourne garnering all the attention – (trust me, you can name off a whole bunch of bands like these, I am just using these names to make my point). Plus, you had the Thrash Metal movement being born and then taking the Metal world by storm. The 1980’s if anything, was very competitive with Heavy Metal music, that was electrifying for Metal fans like me. Metalheads reaped the harvest back then, (and we still do). A Heavy Metal band like Helix may not have been the household name in the past, yet still they are making music.

main-150Helix did a redo of “Heavy Metal Love”, it can be found on their 2007 studio release – “The Power Of Rock And Roll”. I like the 2007 version just as much as the 1983 version, albeit the new version of “Heavy Metal Love” Rocks along a tad faster. I wound up meeting my Heavy Metal Love, I eventually married her. (Please excuse me if that sounded a sliver corny, yet it is true). As a Heavy Metal fan, I always have attached good memories to my favorite bands, songs and concerts. Helix brings to the Metal table, a brand of Heavy Metal that makes me feel like it’s party time again and I don’t have to pay my bills. (Wishful thinking on the bill paying). That is what music does, it carries me off into my land of Metal… courtesy of terrific bands like Helix. Helix was all about Heavy Metal with their songs, lyrics and attitude. I am Metal cheery that they are still around to this very day. When you are a quality Heavy Metal band, that writes cool and memorable songs, Metal fans never will never forget you. Obviously, I have never forgotten about Helix.

As goes with so many Heavy Metal bands, lineups change over the years and decades. Here is the Helix band members as they appeared on “No Rest For The Wicked”: Brian Vollmer on lead vocals, Brent “The Doctor” Doerner on guitar, Paul Hackman on guitar, Mike Uzelac on bass and Greg “Fritz” Hinz on drums.

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Motorhead and Anthrax both covered “God Save The Queen”

Posted in 1970's punk rock, 1980's heavy metal albums, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, classic heavy metal albums, classic metal, classic punk rock, cool album covers, cover songs, essential heavy metal albums, extreme music, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, legends of punk rock, Metal, metal music, Motorhead, Music, old school heavy metal, old school punk rock, punk rock cover songs, punk rock music, punk rock songs, Thrash Metal, vintage heavy metal albums, vintage punk rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 28, 2009 by Metal Odyssey

main-150Motorhead and Anthrax. Each band is a prominent member in the Metal Music world. Motorhead and Anthrax have always hinted, albeit with Metal stylings, their musical taste for Punk Rock Music. Both of these legendary Metal bands covered the Sex Pistols classic “God Save The Queen” from the “Never Mind The Bollocks, Here’s the Sex Pistols” album, (released in October of 1977). This song was written of course, by Paul Cook, Steve Jones, John Lydon (Johnny Rotten) and Glen Matlock. Both cover versions are really cool and heavy, with Motorhead having their unmistakable, heavy coated vocals and bass guitar of Lemmy Kilmister leading the way. You know it’s Motorhead when you hear their cover of this prolific song… no pretensions, no frills, no sugar coating. The Motorhead cover version of “God Save The Queen” can be found on the “We Are Motorhead” album, (released on May 16, 2000). The Anthrax cover version is found on the EP – “Armed And Dangerous”, (released in February of 1985). In my Metal opinion, Anthrax covers “God Save The Queen” with convincing Punk Rock attitude, the reasons for this lays in the lead vocals of Joey Belladonna as well as the backing vocals. Musically, Anthrax is right on the Punk Rock bulls eye, which always led me to believe this particular lineup could have experimented even more with Punk Rock songs.

Anthrax has been a diverse band throughout their career, the same can be said about Motorhead too. Therefore, it is only fitting that these two bands picked up “God Save The Queen” to cover – and cover it well, both of these bands did. Of course, I repeatedly state that there is nothing like the original. I would be hallucinating, if I were to say that there is any cover song of “God Save The Queen” out there, that blows away the Sex Pistols original. Regardless of that mindset, both Motorhead and Anthrax honestly pay tribute to this song and the Sex Pistols with the upmost Metal respect. The proof is in the cover songs themselves, they both pulsate with the Punk Rock angst and anti-establishment message that the Sex Pistols originally created in the first place. I always felt this message in the song’s music, while hearing it of course, in the lyrics. 

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Dee Snider – Widowmaker “Blood And Bullets” is 100% Metal Music

Posted in 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, classic heavy metal albums, classic metal, essential heavy metal albums, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums, Vocals, W.A.S.P. with tags , , , , , , , , , , , , , , , , , , on June 24, 2009 by Metal Odyssey

708Dee Snider is and forever will be a real Heavy Metal icon. (I have said this time and again, this is just how I feel). This man needs no introduction to Metalheads worldwide… he has flown the flag for Metal with unmistakable pride. Dee Snider had another kick to the face Heavy Metal Band during his illustrious career – Widowmaker. My best buddy in the universe introduced me to Widowmaker just a week ago. You heard that right, just one week ago. Let’s face it, there is an infinite amount of Hard Rock and Metal music out there to be heard and enjoyed. I could never fathom the task or have the time, to listen to everything ever created in Metal Music. Widowmaker just so happened to be a band I was always aware of, yet I never heard more than a couple of tracks from them throughout the years. Having my buddy give me a copy of “Blood And Bullets” was a great surprise, like a Heavy Metal bonus falling from the sky and into my lap.

Dee Snider sounds quite simply, awesome, as the front man for Widowmaker, on “Blood And Bullets”. In my Metal opinion, this album ranks right up there with Twisted Sister’s “Under The Blade” and “You Can’t Stop Rock and Roll” albums. I use the Twisted Sister albums as comparisons for obvious reasons, plus the full throttle Heavy Metal power is all over “Blood And Bullets”. This album is just like mixing in the old school sound of these Twisted Sister albums I mentioned, while adding a major dose of extra confidence and Metal attitude from Dee Snider’s lead vocals. The way in which I interpret Dee Snider’s vocals, is that of a man who was set out on a mission, a mission to prove to the Metal world that Dee Snider had no intention on making a commercial Metal album. Instead, this was a Metal release that was infused with dynamic song writing and musicianship – Metal musicianship.

Granted, this album was released in the early 1990’s but do not let this fool you for one Metal second. There are throngs of Metal bands out there today, that could only wish to have created an album this good. I think of another steadfast favorite Metal band of mine, while listening to “Blood And Bullets”… W.A.S.P.. Why you may ask? It’s all about the grooves, the uncanny and powerful feeling I get when listening to this brand of Metal. W.A.S.P. is a band that I can pinpoint with accuracy, as having released albums containing great Metal songs, no fillers. There are no fillers to be found from Widowmaker here as well. “Blue For You” is the one song that had me smirk upon my first listen, for I anticipated that maybe it would inherit some Blues quality, judging by the song title. This song does rip with a bluesy guitar sound from the get go… the Metal Blues that is. “Emaheeval”, “The Widowmaker”, “Evil” and “The Lonely Ones” are the first four tracks on this album… I cannot put into words the Metal excitement these songs carry.

My buddy set off for a trip to Lebanon, accompanied by his wife and son, after I received this Widowmaker album from him.  I wish him and his family the safest and happiest trip they could possibly wish for. I also cannot wait for him to get back to the States, then I can rant and rave his ears off about what a Metal trip “Blood And Bullets” has been for me. Yes, without a doubt, I am beating the Dee Snider – Metal drum very loudly here. I felt the sense of urgency to get the word out and remind those who love Metal, that Widowmaker’s “Blood And Bullets” is damn good music. I am forever being Metal schooled, it is a profound and exhilarating experience each time it happens. It only serves me right, that this time around, it is the legendary Dee Snider and his other band Widowmaker.

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My favorite Ozzy Osbourne album is…

Posted in 1980's heavy metal albums, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock, classic rock music, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, ozzy, Ozzy Osbourne, rock and roll hall of fame inductees, rock keyboard musicians, rock vocalists, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 18, 2009 by Metal Odyssey

I would like to take this opportunity, to let the entire world know, which Ozzy Osbourne album is my favorite of all time. Oops, it is a tie. “Blizzard Of Ozz”, (1980) and “Diary of a Madman”, (1981). Why, you may query? These first two Ozzy albums to me, represent the real, original, building block, style of Heavy Metal sound, that energized the 1980’s into the powerhouse Metal decade it was. Plus, lest we never forget, the greatness of the late Randy Rhoads on lead guitar, on both of these essential Heavy Metal albums.

It is very important to note that on the reissue version of “Blizzard Of Ozz”, during the re-mastering process, Mike Bordin is now on drums and percussion with Robert Trujillo on bass. The original drummer, on the original album, was Lee Kerslake and on bass was Bob Daisley. They are all fabulous musicians, I am not swayed either way. Don Airey is on keyboards for the original album. The key is that the legendary, late Randy Rhoads is the guitarist! Just to hear Randy play his signature sound on “I Don’t Know”, “Crazy Train” and “Mr. Crowley” still sends chills 28 years after this release. Randy Rhoads and his unique guitar sound and style truly helped shape the evolution of Heavy Metal and it’s many prominent guitarists for decades. This album is not just a turning point for Ozzy, it is a focal point of reference and reverence for so many Heavy Metal musicians and fans alike. A bonus track is added into this reissue, “You Lookin’ At Me Lookin’ At You”. This song is similar in structure to “Rock & Roll Rebel” from Ozzy Osbourne’s “Bark At The Moon”. It is a song that is a welcomed addition to this classic album, any song is – that has Randy Rhoads playing. This album has stood the test of time, it feels strange for me to now say that the lyrics, song structure and arrangements with Randy Rhoads leads and riffs are powerhouse. Yet, with the new generation of Ozzy, Randy Rhoads and Heavy Metal fans, getting the word out after all these years is worth every second if it means passing this Heavy Metal jewel on to new listeners.

I know that I do reflect a couple of decades back, (quite often), in my posts… the reason is simple, this incredible Heavy Metal music was created and released decades ago! That is my point of relevance for me, so much of the Heavy Metal that I was into in the late 70’s onward, I still listen to this very day and is now considered classic and vintage. I can remember having the coolest algebra teacher back in High School, Mr. Z. was his name. Mr. Z. allowed his students to bring into class – albums to play on his stereo. How cool is that? It is not too often, with any generation, to reflect on any Algebra teacher from High School as being cool. Well, one of my buddies back then, brought into our class one day, the “Diary Of A Madman” album. This was really the first time I gave this Ozzy gem a thorough listen. I was ecstatic, thrilled beyond Metal belief upon hearing these tunes on this album. (Mr. Z. seemed to dig this Ozzy album too, I can still remember seeing his face showing the appreciation, while the Metal blared). Needless to say, my grades in Mr. Z.’s Algebra class were very respectable, due in part to the cool nonconventional way of teaching, using Heavy Metal as an inspiring teaching tool. Mr. Z. rocked back then, I hope he is still as cool today, wherever he may be.

With tracks such as “Over The Mountain”, “Believer”, “Little Dolls”, “You Can’t Kill Rock and Roll”, “Flying High Again” and “S.A.T.O.”, the odds of ever hearing such amazing Heavy Metal songs this potent and on one album again, are pretty slim. Back in 1982, after listening to this Ozzy album, I was set Metal straight – for a lifetime.

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Paul Dianno “The Living Dead” is very much alive with Metal Music

Posted in 1980's heavy metal music, 1980's metal music, Album Review, cool album covers, essential heavy metal albums, Extreme Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, recent heavy metal albums, spooky metal album covers, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2009 by Metal Odyssey

main-150Paul Dianno “The Living Dead” was released on May 16, 2006. Why I lead with this, is due to my impatience for waiting on this album… I counted the days leading up to it’s release. It was like I was eight years old again, waiting for Christmas morning to come. For the few who may not know, Paul Dianno was the original lead singer for Iron Maiden. Paul Dianno was lead vocalist on the debut “Iron Maiden” album and the “Killers” album. Of course you can count bootlegs and the “Maiden Japan” EP as well, with having Dianno as lead vocalist. If it wasn’t for Bruce Dickinson taking over as lead vocalist for Iron Maiden, starting with the “666 The Number of the Beast” album, I would say that Paul Dianno could never be replaced as lead vocalist. However, It is my Metal opinion that comparing Paul Dianno to Bruce Dickinson is apples to oranges. Why compare? They are both completely different vocalists, both in style and range. The Paul Dianno fronted version of Iron Maiden, with the first two studio albums, (mentioned above), are undisputed Metal classics, that are revered and influential to countless Metal fans and/or Metal musicians. I feel Paul Dianno shares the same equal glory among the other original members of Iron Maiden for these albums being so iconic. (Phew, I got that off my chest, now I can blab about the actual album – “The Living Dead”).

The opening track “The Living Dead” is sung with power and emotion from Dianno – yeah, you can have emotion in Metal music. Lyrically, this song tackles loneliness, hunger and human despair. (Nope, this song is not about the cult horror film classic). This tune is a heavy – very heavy ballad if you will. For every song I mention on “The Living Dead”, bear in Metal mind, that this is a very, very heavy album. Dianno sounds more hungrier, angrier and confident than ever. (That is what my Metal ears are telling me anyways). “Mad Man In The Attic” has Dianno doing a little exploring, into the world of Death Metal vocals. These growling vocals are not constant throughout, Dianno apparently was looking for some vocal horror texture and he succeeds here, in my Metal opinion. I find Dianno to be a touch reminiscent of the legendary Alice Cooper on this song. “War Machine” is a tune built on speed and dark heaviness. “Brothers Of The Tomb” has Dianno hitting the extreme high notes vocally, with some angry gang vocals added into the mix as well. “P.O.V. 2005” is a down right Thrash Metal tune… excellent riffs and a very cool solo as well.

Dianno does a cover of the Megadeth classic “Symphony Of Destruction” – it is structured and arranged differently than the original version. The biggest difference is the vocals, plus this version is not nearly as fast overall, as to what Megadeth delivers. I like this cover for it’s diverse Metal approach though, the Megadeth original will always be the best. Two legendary Paul Dianno era – Iron Maiden tracks are included as live bonus tracks: “Wrathchild” and “Phantom Of The Opera”, the liner notes do not suggest that these live recordings were done with Iron Maiden, rather with Paul Dianno’s band. Dianno is all over these two tunes… the quality, musicianship and vocals of Dianno make these bonus tracks a worthwhile addition to “The Living Dead”.

The copy of “The Living Dead” I picked up back in 2006, has a bonus DVD that includes the video for the song “The Living Dead” and an interview with Paul Dianno. The video is dark, almost haunting with it’s imagery. Paul Dianno is shown alone, singing against the backdrop of images of strife, humanity and despair. The interview with Paul Dianno is very interesting, with really no details as to why he and Iron Maiden split ways decades ago. One neat bit of info that Dianno shared is that he feels Max Cavalera (of Sepultura & Soulfly fame) is currently the best lead vocalist in Metal today. Hey, I really like everything that Max Cavalera has done with Sepultura and Soulfly myself. I definitely recommend “The Living Dead” to any fan of Metal, especially Iron Maiden fans who want to hear some recent Paul Dianno, he did a fabulous Metal job with this album.

The Metal musicians behind Paul Dianno on “The Living Dead” are: Paulo Turin, Chico Dehira, Javier Cuevas and Claudio Duliba on guitars * Felipe Andreoli & Marcelo Bracalente on bass * Aquiles Prieser & German Rodriguez on drums.

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IRON MAIDEN “FLIGHT 666” is now boarding Metalheads!

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, concerts, cool album covers, current heavy metal albums, current heavy metal music, current live heavy metal albums, current metal albums, current prog metal albums, current prog metal music, current progressive metal albums, essential heavy metal albums, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 11, 2009 by Metal Odyssey

fullsizeYou bet your Metal memory I picked up the new and live double CD “Flight 666” from Iron Maiden, (released June 9, 2009). How could I possibly pass it up? This is Iron Maiden we are talking about… Metal icons… Metal elite. I first saw this new Iron Maiden CD, yesterday, at f.y.e., they were asking $16.99… I knew I could do better than that. So, I went to good ol’ Super Walmart to pick up necessities, like… food, then my body was on automatic pilot and went straight to the CD aisles. Iron Maiden is a necessity in my Metal life, therefore, I purchased “Flight 666” along with various food items from Walmart. I embarked for my car, with my daughters by my side and I am one happy dude. The Walmart price? I paid $13.88 for “Flight 666”, if I continued to search for a cheaper price than that, I would be wasting gas in my tank. Plus, I was able to save $3.23… sounds like chump change, yet it adds up throughout the years when you shop around a tad. I am going to put the DVD version of “Flight 666” on my want list for now… I listen to Metal light years more often than I watch Metal.

Now, for the Metal music on “Flight 666″… again, this is Iron Maiden! What in the Metal world could I possibly find fault with here? This live double CD is juiced up with many prime Metal tunes from the expansive Iron Maiden catalog of albums. Quality, quality and more quality. That is what you hear from the production, sound and of course, the Metal from this Iron Maiden live CD. No Iron Maiden and/or Metal fan could possibly expect any less from this band. When I listen to “Flight 666”, I truly realize how I have never grown weary of any Iron Maiden tunes. If anything, listening to this CD makes me appreciate this band all the more, Iron Maiden is still cranking out Metal across the world… and doing so with their trademark, brilliant musicianship. These guys have not missed a step going on three decades. “Flight 666” is proof of this. The Progressive Metal exuberance of Iron Maiden, with their multi-layered triple guitar attack are in a Metal class all their own. Being a live CD, the nuances and ambiance of the musicianship and the thousands of screaming Iron Maiden fans make for an exciting listen. Not everyone is into live albums… I never fell in love with every live Metal album I have listened to either – “Flight 666” is a live Metal album that I will boast about forever.

There are six tracks on “Flight 666” that are post “Powerslave” era Iron Maiden. “Wasted Years” and “Heaven Can Wait” are from the “Somewhere In Time” album. “Heaven Can Wait” is my favorite post “Powerslave” Iron Maiden tune, it is played live in incredible Metal fashion here. “Fear Of The Dark” is from, of course, the “Fear Of The Dark” album. “The Clairvoyant”, “Moonchild” and “Can I Play With Madness” are off of the “Seventh Son of a Seventh Son” album. The remaining eleven tracks are just killer, vintage and monumental Iron Maiden from the debut “Iron Maiden” album up to and including, the “Powerslave” album. The opening live trademark of “Churchill’s Speech” gets the Metal juices flowing for what is about to come… “Aces High”… pure Iron Maiden, pure Metal intensified! “2 Minutes To Midnight” and “The Number Of The Beast” roar with Iron Maiden – Metal history. I am glad to see that “Rime Of The Ancient Mariner”, from the “Powerslave” album, is added to this amazing set of Iron Maiden classics… at almost 14 minutes long, Iron Maiden makes an epic story turn to epic Metal greatness. My favorite Iron Maiden tune ever is found on “Flight 666” as well and I am ecstatic… “Revelations” from the “Piece Of Mind” album.

I guess you may have figured out by now, that I am a life long fan of Iron Maiden. I am obviously not alone with my Metal allegiance towards this band. I could go on forever about how much I dig this band and “Flight 666”, however, all great Metal posts must come to an end. If you are already an Iron Maiden fan, you know you will own this album, (if you not already have it). For new fans of Metal or Iron Maiden, it is time to get on board for “Flight 666”!!

Iron Maiden are: Bruce Dickinson on lead vocals, Dave Murray on lead & rhythm guitars, Adrian Smith on lead & rhythm guitars, Janick Gers on lead & rhythm guitars, Steve Harris on bass and Nicko Mcbrain on drums. If these guys are not legitimate Rock & Roll Hall of Famers, then nobody is. Iron Maiden is in my Rock & Roll Hall of Fame and they epitomize what the word Metal means.

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Great White “Rising” rises to the top with A+ Hard Rock

Posted in 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, cool album covers, current hard rock albums, current hard rock songs, current heavy metal albums, current heavy metal music, essential hard rock albums, Great White, great white 2009, Hair Metal, hair metal music, Hard Rock, hard rock album review, hard rock albums 2009, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, independent record labels, Metal, Music, Rock, rock music, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , on June 8, 2009 by Metal Odyssey

Great White “Rising” for me, is a retrospective listen, and it is not Heavy Metal. This is some inspiring, well written and high quality – Hard Rock. I can even go as far to say that “Rising” can be defined as a Rock album. You are not going to hear the 1980’s flamboyant, grandiose, guitar riff – infused Heavy Metal tunes here. No insanely – Metal driven solos either, some tastefully crafted solo’s do appear however, (“Danger Zone”), so do not despair. What I do hear on “Rising”, is a band that has clearly found themselves creating music straight from the heart. I am not trying to sound sappy here, sappy is not allowed on Metal Odyssey. What I am trying to convey is that Great White has proven to us Metalheads years ago, that they can play heavy and light up an Arena or two. I am convinced, after listening to “Rising”, that Great White is just as enthusiastic and talented as ever. Great White are real musicians… they do not need to carbon copy their past albums onto a 2009 release. “Rising” has some really addicting Old School Hard Rock flavor throughout.

Jack Russell on lead and background vocals has close to no resemblance of the Hair Metal heyday of his 1980’s voice. Forget the comparisons anymore to the legendary Robert Plant! (It started to get very old, even though Great White is what I consider the greatest Led Zeppelin cover band in the world). It is refreshing to hear Jack Russell not sound like a 1980’s retread. His vocals are absolutely superb on this album. “Danger Zone” and “Down On The Level” are two of the more hardest rockers on “Rising”, giving way to some of Jack Russell’s vocal past. “My Sanctuary” exemplifies what the Hard Rock ballads sound like on this album… free flowing with plenty of catchy grooves. “Situation” and “Shine” are songs that are similar, being heavy enough that they are very far removed from being mellow meltdowns. “All Or Nothin” is laden with enough grooves, hooks and foot stomping moments to make this my favorite track. Loveless” is a real retrospective visit to late ’70’s early ’80’s Hard Rock sound- only it is a really good visit at that. Great White in my Metal opinion, has found the perfect balance of melody and harmonious vocals with just enough heavy guitar and rhythm section to make “Rising” a legitimate Hard Rock keeper.

I cannot possibly compare Great White of the ’80’s to Great White of 2009. I dig the music from both Great White eras. I find it cool when a band, especially one that is renowned for Heavy Metal, digs a little deeper into their musical souls and delivers a knock out of an album, filled with tunes you were not really expecting. Great White “Rising” should appeal to a very vast audience of genres… Hard Rock, Rock and Heavy/Hair Metal fans should find what they like on this album, I know I have. With all of my mentioning of retrospective on this review of “Rising”, I am steadfast against the labeling of music as being dated. Just because music brings back memories of other decades or sounds like music from the past, does not make it uncool. Look at how many CD’s and albums that the immortal Elvis and legendary Beatles sell on a weekly basis… if dated music does exist, then I guess dated music is in. Great White of 2009 is happening for me. I have spoken my Metal point.

“Rising” was released on April 21, 2009, on Shrapnel Records. And now, a Metal Odyssey roll call of the members of Great White, as they appear on “Rising”: Jack Russell – lead and background vocals, Mark Kendall – guitar and background vocals, Audie Desbrow – drums, Michael Lardie – guitar, keyboards, mandolin, sitar, harmonica, percussion and background vocals, Scott Snyder – bass and background vocals.

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