Archive for the metal music Category

STRYPER – “EXTENDED VERSIONS” IS A LIVE AND ROCKIN’ GOOD TIME CD

Posted in christian heavy metal bands, christian metal, christian rock, classic rock, hair metal music, Hard Rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, metal music, Music, rock music, rock music news with tags , , , , , on November 29, 2009 by Metal Odyssey

I could not resist the urge to buy this Stryper Extended Versions CD, (Sony/BMG). Two reasons I needed this Stryper Extended Versions: it being a live CD, coupled with the fact I was fortunate enough to see Stryper live, back in the ’80’s on their To Hell With The Devil Tour. Yup, I made up my Metal mind a long time ago, that Stryper is my favorite Christian Heavy Metal Band. Let’s face it, Stryper back in the 1980’s were easily part of the Hair Metal invasion as well. I like the accessibility of Stryper’s songs, they are inspiring and motivating for certain, combined with all of the dynamics and elements of 1980’s Heavy Metal. This Extended Versions CD was recorded back on November 11, 2003, at Earthlink Live in Atlanta, Georgia. The release year for this CD was 2006. The overall production of this live CD sits just fine with me. I will admit, after 12 years of Stryper not touring before this concert was recorded, they sound pretty darned good. (Michael Sweet actually remarks about their return after 12 years to the audience, during the opening song Makes Me Wanna Sing).

As with any live album, there are those – as they happen moments, such as Michael Sweet talking to the audience and an over excited crowd of fans shouting, screaming and singing along. Those aspects have always been what I find most refreshing about a live album… especially when the band plays as tight and good as Stryper does here. Free is and always has been a tremendously favorite Stryper song of mine, hearing Michael Sweet sing this song as the audience sings along sends chills up and down my arms. Oz Fox on guitar sounds unreal good in this 2003 concert recording, just as he did when I saw him for myself so many years ago. You Won’t Be Lonely is a great up tempo ballad for my Metal tastes… it makes for a nice fit into this live set list. Calling On You, being one of the more famous Stryper songs ever, has all of the melodic power and harmony as the original studio version, a fantastic song from this band.

Reach Out is a sure-fire crowd sing-along, yet, what Stryper song isn’t? The Way is arguably one of the fastest and heaviest Stryper song on this live Extended Versions, Oz Fox energizes this song with his stealth guitar leads and hot solo. Soldiers Under Command plays out in the same fast and heavy fashion as The Way, a Stryper song that is a necessity in any of their live gigs. Again, Oz Fox stimulates my Metal senses with his guitar brilliance on Soldiers Under Command – oh yeah. Timothy Gaines on bass and backing vocals along with Robert Sweet on drums are the Heavy Metal nuts and bolts that keeps this live album rhythmically astounding. Brent Jeffers is on keyboards and backing vocals, making for a nice addition to this Stryper concert.

Another favorite Stryper classic of mine is To Hell With The Devil, it is song #9 in the set list and it flat out rocks this Extended Versions into a Christian Heavy Metal winner. Stryper plays this song live quite powerfully, based on my remembrance of actually seeing them live and hearing it on this CD. Honestly closes out this Stryper Extended Versions CD. The live version of Honestly is not any heavier than the studio version, this ballad has its rightful place in any Stryper concert. Before this song even begins, Michael Sweet tells the audience, Honestly is the song that took them out of the clubs and put them into the arenas. I will not disagree with Michael Sweet on that evaluation whatsoever.

I bought this Stryper Extended Versions CD over this past Summer of 2009, I’m glad for it. I am also happy to know that Stryper is still around and making their brand of Heavy Metal Music, their new album Murder By Pride is an enormous album of songs. Sometime in the future I will blab about how much I enjoy the newest Stryper album. I am a fan of all Heavy Metal genres, Stryper is and always will be a mainstay band of mine.

MOTORHEAD – “THE ONE TO SING THE BLUES” WAS MY 1991 RECORD CONVENTION FIND

Posted in 1970's heavy metal bands, 1980's heavy metal bands, 1990's heavy metal bands, 1990's heavy metal songs, 1990's heavy metal music, classic hard rock music, classic heavy metal, collecting heavy metal albums, collecting music, collecting rock music, essential heavy metal songs, everyday experiences, feel good stories, hard rock music, Heavy Metal, heavy metal 45 rpm records, heavy metal bands, heavy metal memorabilia, heavy metal music, heavy metal music 1991, heavy metal on vinyl, heavy metal record finds, heavy metal records, metal music, metal odyssey, Music, old school heavy metal, personal stories, rare heavy metal albums, rare vinyl record imports, record conventions, rock & roll, rock and roll, rock music, shopping for rock music, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 26, 2009 by Metal Odyssey

Back in the early Spring of 1991, my girlfriend, (now my wife), and I ventured down to the New Haven Coliseum in New Haven, Connecticut… to frolic through a record convention. Record conventions are the best. I am guilty of not going to enough of these glorious events in my lifetime. Regardless, this record convention was chock full of vinyl, CD’s and all things Rock memorabilia that I could ever wish for. Oh yeah, there was Heavy Metal aplenty at this record convention back then… tons of it. The only parameter I needed to follow at this show was to narrow down my search, (I was not loaded with cash back then and I’m still not). Motorhead was at the top of my search list, going to this record convention. There was quite the choice of Motorhead vinyl, cassettes and CD’s to buy there… I settled on the 7″ vinyl, (45 rpm), The One To Sing The Blues. Even though I can’t remember what I actually paid for this Motorhead record, compared to purchasing a 12″ album import at the time, it was a good deal. Seven dollars keeps coming back to me, as to the purchase price though.

We left that record convention that day with just a couple of purchases. The other purchase I will save for a future post, (it was a cool piece of vinyl as well). I still own this Motorhead 45 rpm, rediscovering it recently as it was hidden away in my collection. Am I psyched that I still have it after 19 years? You betcha. I would safely guess this Motorhead record is kinda rare. The backside cover to this record sleeve has the header – Motorhead On Tour, it lists the U.K. concert dates for February 1991. There are 14 concert dates listed. Also on this backside record sleeve cover, are the complete lyrics to The One To Sing The Blues. Sure, I look back and wish I gobbled up every Motorhead vinyl treasure there was at that record convention, nonetheless, I am content with what I do have. This little record has it’s rightful place in my record collection, it being a Motorhead collectible and finding it with my wife, (then girlfriend), makes for a great memento.

Here is additional info on this Motorhead 45 rpm, The One To Sing The Blues:

Side A: The One To Sing The Blues

Side B: Dead Man’s Hand

* This record being bought in the U.S., is an import… with a Made In The U.K. sticker on the front sleeve of my copy I own.

* The One To Sing The Blues later appears on the Motorhead 1991 album – 1916. The backside record sleeve states this song as: Taken from the forthcoming LP/MC/CD “1916”

* The record label(s) as designated on the backside of the record sleeve and record: WTG Records and Epic

Motorhead, as they appeared on The One To Sing The Blues and Dead Man’s Hand:

Lemmy Kilmister – bass and lead vocals

Wurzel – guitar

Phil Campbell – guitar

Philthy Animal Taylor – drums

HEAVY METAL 101: GREATEST HITS CD’S WORTH OWNING

Posted in 1970's heavy metal albums, 1970's heavy metal music, 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1990's heavy metal bands, 1990's heavy metal music, Album Review, cool album covers, essential heavy metal albums, guitar legends, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands, heavy metal guitarists, heavy metal music, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, progressive metal music, rock music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2009 by Metal Odyssey

In striving to make the world a better place, by spreading the blissful two words of Heavy Metal (and any and all Extreme Music), here is a cool list of Greatest Hits CD’s from some very worthy bands and musicians. This list may quite possibly trigger a mad dash to itunes or your nearest record/CD store upon your review. Greatest Hits or Best Of CD’s are sometimes the perfect fix if you do not have any of the respective band’s albums/CD’s already. If you are like me, (a collector and sometimes over excited fan), you may like some or many bands so much, you just need to own everything that is available by such bands, including Greatest Hits. If this list of incredible Greatest Hits CD’s recruits even one new fan to the Heavy/Extreme Music genres, then I have done a fine Metal deed. Please note, I own each Greatest Hits or so named CD on this list… I could never recommend an album/CD without listening to it’s entirety and/or having ownership of. Integrity in Heavy Metal Music recommendations is an ethical must.

The Best Of Ted NugentGreat Gonzos! – Absolutely a Hard Rock meets Heavy Metal fusion with The Motor City Madman. Cat Scratch Fever, Stranglehold, Wango Tango, Free For All and Dog Eat Dog are late 1970’s into early 1980’s FM radio Classics. Old School and not a lick here that isn’t memorable for Metal life. Plus, the reissue has 3 bonus tracks too.

IRON MAIDEN – Somewhere Back In Time/The Best Of 1980 – 1989 – An undeniably great assortment of Iron Maiden classics, spanning the unreal Metal ’80’s. 2 Minutes To Midnight and The Trooper are enough to get me psyched out of my Metal mind for at least an hour. In my Metal opinion, Iron Maiden could have/should have released a 2 – disc greatest hits, they have that many incredible songs in their Metal catalog. Yes they do.

Jimi Hendrix Experience Hendrix: The Best of Jimi Hendrix – A Hard Rock evolving into Heavy Metal history lesson is heard here on this album. This album of Jimi Hendrix songs are beyond great… their damn sacred. Purple Haze, The Wind Cries Mary, Hey Joe, Foxy Lady, All Along The Watchtower and the Rock historical – Star Spangled Banner… c’mon, these songs are the Metal building blocks of every Heavy Metal and/or Hard Rock genre out there today. 20 songs total on this masterful collection, not a must have… a no brainer must own.

DIO – The Very Beast Of DIORonnie James Dio is a living Metal legend. His vocals for me, are the epitome of what Heavy Metal singing is all about. Dio’s solo career takes center stage on this amazing collection of greatest hits. Holy Diver, Rainbow In The Dark, Rock and Roll Children, Mystery and The Last In Line are DIO songs that pack the same potent Metal punch to my ears and senses… as they did back in the 1980’s. 16 songs total on this DIO disc. Metal masterpieces only sound better with age.

Black Sabbath – The Dio Years – I find this collection of Black Sabbath songs to be uncannily irresistible. These are the Black Sabbath songs from the Ronnie James Dio era, with the Heaven and Hell, Mob Rules, Live Evil and Dehumanizer albums all represented. This same Black Sabbath lineup may be called Heaven and Hell in 2009, yet does it really matter? Their still Black Sabbath to me.

Twisted Sister – Big Hits and Nasty Cuts – Dee Snider made Heavy Metal all the more visible on MTV with the Twisted Sister video We’re Not Gonna Take It, back in 1984. This Twisted Sister greatest hits album is loaded with 6 live bonus tracks as well. This is another band that could easily fill up more than one disc of great songs from their Heavy Metal catalog. Under The Blade and The Kids Are Back are my two favorites on this one.

KISS – Double Platinum – I have proudly owned this album since it’s release back in 1978. I was in seventh grade back then and this was my very first KISS album. My Double Platinum album is still in beautiful condition too. A 2 record set, opening up as a gatefold, this album also included a platinum record certificate to the fan who purchased it. (I wish I kept this piece of KISS memorabilia, it was just made of paper and it hung on my bedroom wall for several years, when I was a kid of course). The important thing is I still have Double Platinum on vinyl… plus I upgraded Double Platinum by buying the CD many years ago too. (It is not a double CD, all the songs are on just one… I don’t know if this ever changed over to a double CD over the years). Just about every important and cool KISS song from the 1970’s is on Double Platinum, with Hard Luck Woman and Calling Dr. Love being my two vintage KISS favorites.

Queensryche – Sign of the Times, The Best Of QueensrycheBuying this CD suited me well since many of my Queensryche “albums” were purchased on cassette years ago. Queensryche has always been a favorite of mine, a high powered – progressive Metal Band that crossed over into Rock and Hard Rock too. Musical diversity is no stranger to Queensryche. My two favorites are Queen of the Reich and Jet City Woman. Yes, those two songs are tops on my list.

Alice Cooper – Alice Coopers Greatest Hits – This album was released back in 1974, it is the Greatest Hits of Alice Cooper (The Band). Man, this is Old School Heavy Metal. Sure, some may argue it is comprised of Old School Hard Rock as well… that is fine by me. The Metal bottom line is this: Alice Cooper (The Band), was just as much as important to the creation of Heavy Metal as any other band of their time or before them. That is my Metal opinion and I have to tell it to the world. Oh, yeah, my favorite songs from this Greatest Hits are – No More Mr. Nice Guy, Under My Wheels and well, just every song on this Greatest Hits is great.

Motorhead – The Best Of Motorhead – This is one great and comprehensive double disc, greatest hits of Motorhead. I bought this Motorhead disc due to my needing any and all of their releases, regardless if I already have the songs. This Best Of was released in 2000, with two live bonus tracks included. There are 40 songs total on this double disc Motorhead bounty! Also found on The Best Of Motorhead are: Hawkwind playing Motorhead, Girlschool covers Bomber and Headgirl covering Please Don’t Touch. The history of Motorhead is covered up to the year 2000, from Ace of Spades to the Motorhead cover version of God Save The Queen. Plus, my favorite Motorhead song of all time is on here too – Killed By Death, from the No Remorse (Greatest Hits album). Long live Lemmy and Motorhead.

I could go on and on with this list of Heavy Metal Greatest Hits CD’s worth owning. Showing and quipping about some of the Greatest Hits CD’s I own, can maybe help out someone who is on the fence about one of these bands or musicians. These CD’s above are all consistently listened to by me, they are perfect for when I’m in the mood to hear the choice songs from these bands/musicians. As Dee Snider has sung, with Heavy Metal pride: You can’t stop Rock and Roll!

EXODUS “LET THERE BE BLOOD” – A TRIBUTE TO THEIR VERY OWN THRASH METAL LEGACY

Posted in 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal music, 1980's metal bands, 1980's metal music, 1985 thrash metal music, Album Review, cover songs, current thrash metal music, essential thrash metal albums, extreme metal music, guitar legends, heavy metal albums, heavy metal music, metal music, metal music albums, metal odyssey, Music, old school thrash metal music, spooky album covers, thrash metal album review, thrash metal albums, thrash metal bands, thrash metal legends, thrash metal music, thrash metal music 2008, thrash metal today, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , on November 21, 2009 by Metal Odyssey

The Exodus album Let There Be Blood, (released on October 28, 2008), is a complete cover album of their very own debut release from 1985 – Bonded By Blood. Exodus is from a select group of Thrash Metal Bands, considered by me to be one of the originals who were instrumental in shaping and defining the Thrash Metal genre. I have been listening to Exodus since their debut, this band has had their share of ups and downs, just knowing they are still around making music is a great feeling for me. Let There Be Blood is dedicated to Paul Baloff, the original lead singer for Exodus, who passed away from a stroke in 2002. Gary Holt, the life long guitarist and leader for Exodus, states very clearly in the liner notes of this CD as to why Bonded By Blood was covered in it’s entirety with Let There Be Blood. To paraphrase Gary Holt, he states these songs are his lifetime connection to Paul Baloff. He also states “no way can you replace Bonded By Blood.” As Gary Holt sees it, people can discover the original Exodus lineup from 1985 and their Classic Thrash Metal debut album, by listening to Let There Be Blood.

I never needed to be convinced that covering Bonded By Blood was a great idea by the current Exodus lineup, many bands have recently been doing the same thing lately as well. Foreigner and Journey are perfect examples, both of these Hard Rock titans have issued a full greatest hits CD recently, that spotlights their current lead singer and lineup. Exodus has paid a tribute to not just an album of songs, Bonded By Blood was and still is an important Thrash Metal album, one that represents a time period of the birth and creation of the prolific Thrash Metal genre. Paul Baloff was not the run of the pack Thrash Metal vocalist either, he was unique in keeping his voice from overpowering the song… I have never heard another singer like him since, truly irreplaceable.

Rob Dukes, the vocalist for Exodus on Let There Be Blood also is quoted in the liner notes, “this (Let There Be Blood) was recorded for fun, not to replace the original. The origninal (Bonded By Blood) will always be there and will always stand the test of time.” Plus, Rob Dukes refers to Paul Baloff in the most sincerest and reverent way. True class acts are Gary Holt and Rob Dukes, for the way they expressed themselves through these statements, found in the liner notes of Let There Be Blood. With Tom Hunting on drums, Exodus has two original members playing on Let There Be Blood.

I have read some pretty despicable and mean spirited album reviews over the years… from guess who? Answer: professional overpaid music critics who do not listen to the albums they review! Instead, their idea of “listening” to an album is “sampling” and/or they are jealous they are not famous Rock musicians themselves. Exodus, in my Metal opinion, DID NOT ATTEMPT TO CASH-IN ON THE LEGACY OF BONDED BY BLOOD. The Old School Thrash Metal Bands have their core following, while enlisting younger and new fans along the way. This album was never going to hit #1 on any damned and useless music chart to begin with. Old School Thrash Metal is about pride… something that the lame mainstream Rock music critics no nothing about. Grubby politicians cash-in everyday on tax payers… Exodus is too busy kicking ass with their Thrash Metal legacy and credibility, rather than cashing in on any of their fans.

In my Metal opinion, sure this is a heavier version than the original. Yes, Rob Dukes sings with a much more aggressive and angered tone than the late and legendary Paul Baloff. Rob Dukes is a powerhouse Thrash Metal vocalist – period. He is his own persona, just as Paul Baloff once was. The end result is, for me, a quality driven, Thrash Metal celebration of one of the greatest albums of it’s genre. Gary Holt made a great point in the liner notes, that these same songs are performed live by Exodus to this day. As I see it, this is Exodus, regardless if this is a 2008 version of this band or a listen to the 1985 original Bonded By Blood. I cannot deny or condemn any Thrash Metal Music that Gary Holt and Tom Hunting want to recapture or create with their band. All I can do is be thankful that they are still alive and capable of keeping the Exodus Thrash Metal machine forging ahead. I appreciate my favorite bands and never have or ever will… take them for granted.

Exodus, as they appear on the 2008 album Let There Be Blood:

Gary Holt – guitars

Tom Hunting – drums

Jack Gibson – bass

Rob Dukes – vocals

Lee Altus – guitars

Here is the original cover artwork for the 1985 Bonded By Blood album:

W.A.S.P. COVERS CHUCK BERRY CLASSIC – “PROMISED LAND” ON “BABYLON” ALBUM

Posted in 1960's rock and roll albums, 1960's vintage rock albums, 1960's rock & roll, 1960's rock music, 1980's heavy metal bands, 1990's heavy metal bands, collecting rock music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, essential rock and roll albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal cover songs, heavy metal music, heavy metal music 2009, heavy metal songs 2009, heavy metal vocalists, independent metal music record labels, metal music, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock & roll, rock & roll hall of fame inductees, rock and roll, rock music, scary album covers, vintage rock and roll songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on November 14, 2009 by Metal Odyssey

Chuck Berry "St. Louis to Liverpool" small album picW.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.

Nothing is overdone with W.A.S.P. covering Promised Land. This is not a cover song that is a filler for this Babylon album. I always feel, that if you are going to cover a Rock and Roll Classic, there better be plenty of emotional integrity with the music and vocals combined. A cover song has to really convey the original song’s essence and fire. Blackie Lawless does live up to my expectations with covering Promised Land vocally, he really sings the lyrics as if he penned them himself. Blackie Lawless sings the lyrics of Promised Land as if he truly was the poor boy, (in this song), traveling across the country to California. To camouflage oneself within a song’s lyrics, to make the song sound so believable as Blackie Lawless does with his vocals, is worth taking a bow. In my Metal opinion, listening to Blackie Lawless sing Promised Land makes me believe that he would have owned an enormous crowd of frenzied Rock and Roll fans back in 1964. This same sentiment goes to the entire W.A.S.P. band here, based on how authentic Promised Land plays out on Babylon. W.A.S.P. would have torn the roof down, (literally), at any given theater that catered to Rock and Roll concerts – back in the early 1960’s.

Anytime a band of any Rock or Heavy Metal genre pays tribute to such an icon such as Chuck Berry, it makes for quite the Rock and Roll history lesson. Younger bands should take notice, saluting a Rock and Roll originator such as Chuck Berry, through a high quality cover song such as W.A.S.P. has done, is of the highest compliment to this Rock and Roll legend. This cover version of Promised Land had me hooked from the opening note, it is the Heavy Metal of W.A.S.P. taking over a soda hop from 1964 and bringing it into 2009.

W.A.S.P. is not the first band in Rock and Roll history to cover Promised Land. This song is too great for it not to have been previously covered. The late and unreal legendary Elvis Presley covered this song, found on his 1975 album Promised Land. Rock icon The Grateful Dead have covered this song, (it was a staple in their live sets), plus other Rock luminaries such as Meat Loaf, James Taylor and Dave Edmunds have covered Promised Land on album too.

W.A.S.P. "Babylon" large album pic #2

MASTERPLAN – “MK ll” ALBUM IS 100% MELODIC POWER METAL

Posted in Album Review, cool album covers, current power metal bands, essential heavy metal albums, essential power metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands, heavy metal bands this decade, heavy metal drummers, heavy metal guitarists, heavy metal vocalists, melodic power metal bands, melodic power metal music, metal music, metal odyssey, Music, old school power metal music, Power Metal, power metal albums, power metal bands, power metal guitarists, power metal music, power metal music today, power metal songs, power metal vocalists, rock music, symphonic metal with tags , , , , , , , , , , , , , , , , , , , , , , , , , on November 12, 2009 by Metal Odyssey

Masterplan "MK ll" small album picMasterplan released the MK ll album back on February 23, 2007. I have never regretted with catching onto Masterplan. Half the fun of being into Heavy Metal, is knowing there are so many bands from so many genres to sink your ears into… ah, the world of Metal is a good thing. For those not familiar, Masterplan is a Power Metal Band, 100% through and through with no gimmicks. Melodic Metal and Symphonic Metal are two other labels that are just as fitting for Masterplan, the three genres I attribute to this band are adequately interlocking. Masterplan is led by former Helloween guitarist, Roland Grapow, he takes on the roles of guitarist, composer and producer. I gravitate very often to the Power Metal genre, finding this form of Metal Music to be inspiring and ultra credible. I find the Power Metal songs from Masterplan MK ll to be like a Metal soundtrack for my mind… uplifting and scenic thoughts appear for me, reflective thoughts too. Getting revved up is not difficult while listening to Masterplan either, there are plenty of psyche out moments in their songs. Masterplan goes full throttle with their Power Metal, there never seems to be a dull moment, for me.

MK ll has been a CD of choice for me, going back to last weekend. Every so often, I need to expand my Metal horizons and listen to another genre that isn’t extremely fast, hard and heavy. Masterplan are a heavy band in their own Melodic Power Metal right, only it is the symphonic side of this band that really keeps me grounded… and I like that. Diversity in the Heavy Metal universe is what makes this music so worthwhile. The longer I stop to look, listen and read, the better acquainted I get with the vastness of the Heavy Metal family tree. Discovering Masterplan on the Heavy Metal family tree is like finding and picking that almost perfect pear, you just know it’s good and juicy.

As for the songs on MK ll, there are no loafers to be found. This album has a cool, consistent flow about it, making MK ll one of those albums I can listen to from start to finish, no leap frogging is necessary! My two favorite songs on MK ll are: I’m Gonna Win and Watching The World. These two songs are #6 and #7, respectively on the track list. Both of these songs project this majestic high that just wraps around my senses and psyches me out. Mike DiMeo is everything you could expect from a Power Metal vocalist, he surely can hit the high notes and harmonizes effortlessly throughout MK ll. Mike Terrana on drums is darn great to listen to, there are moments when his playing is the focal point. Jan S. Eckert keeps the rhythm solid with Terrana, a very tight unit. The keyboards are a major musical ingredient with this Power Metal outfit, Axel Mackenrott makes his presence known by providing the atmospheric and symphonic environment within the songs. I look forward to a brand new Masterplan album in 2010, Roland Grapow has some Power Metal momentum going for him, with Masterplan.

The momentum of Masterplan will be getting even stronger, now that news has been broken, of Jorn Lande returning as lead vocalist. (You can read the official news of Jorn Lande returning by going on the official Masterplan website at http://www.master-plan.net). I will always appreciate the vocals that Mike DiMeo brought to Masterplan, honestly, he is very good, in my Metal opinion. Jorn Lande is a premier Heavy Metal vocalist period. Jorn’s solo career and vocal contribution to Avantasia, coupled with his past Masterplan albums is proof positive he is at the top of the Power Metal pyramid. Welcome back to Masterplan Jorn!

Masterplan "MK ll" large album pic

W.A.S.P. “CRAZY” FROM “BABYLON” ALBUM IS WOVEN WITH HEAVY METAL MATURITY

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1990's heavy metal bands, 1990's metal bands, Album Review, classic heavy metal, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1985, heavy metal albums 2009, heavy metal bands, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, independent record labels, Metal, metal music, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, spooky album covers, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on November 11, 2009 by Metal Odyssey

W.A.S.P. Babylon small album picThank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.

As I mentioned in my previous post, I will be writing a series of reviews on the new W.A.S.P. studio album, Babylon. Concentrating on individual songs, musical elements and lyrics from Babylon makes for a more enlightening Metal experience for me, hopefully visitors to Metal Odyssey will agree. When an album of Heavy Metal has such a powerful impact on me, as does Babylon, a generalized review is about as fulfilling as a stale beer sitting in the hot sun. Could I have predicted Babylon would have impacted me in such a fantastic way? Of course not, yet the surprise is more expected than unexpected.

W.A.S.P. "The Last Command" small album pic #1Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.

The vocals of Blackie Lawless during Crazy extends maturity, not a voice that needs a stretcher… Blackie Lawless is not fooling anyone or pulling any high tech tricks. Doug Blair on lead guitar sounds like a rising star that Ozzy Osbourne would have plucked out of the bushel to call his own, decades ago. Instead, Blackie Lawless has a guitarist that doesn’t just play… emotion is emanated from the guitar of Doug Blair. Listening to the guitar solo on Crazy reminds me as to why I love Heavy Metal in the first place. Crazy is as commercially viable as any song from the storied Heavy Metal history of W.A.S.P., (only it has never been about accessibility with this band)… thank God for that. This is absolutely not an accusation that Blackie Lawless has set out to make a hit single, rather it is a Heavy Metal song that is so melodically driven that it is awe inspiring.

Lyrics, as with music itself, is art. One persons interpretation of a songs lyrics will differ far and wide against another’s. My interpretation of the lyrics for Crazy is – don’t fall in love with anyone or anything that cannot love you back. The symbolic person or thing that won’t accept love in Crazy sends a deep message of steering clear from personal hurt. Human emotion is a very volatile subject and Blackie Lawless has penned some intriguing lyrics with this song. You cannot draw love from drugs, alcohol or hate. These are things that will make anyone look crazy for loving. Inanimate objects are never going to love anyone. A tremendous Heavy Metal song is Crazy, this is the one song I have listened to the most from Babylon thus far… isn’t that crazy?

W.A.S.P. "Babylon" large album pic #2

W.A.S.P. COVERS THE DEEP PURPLE CLASSIC “BURN” WITH HEAVY METAL PRIDE ON BABYLON ALBUM!

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's classic rock music, 1980's heavy metal bands, 1980's metal bands, 1990's heavy metal bands, Album Review, classic rock cover songs, cool album covers, creepy album covers, current heavy metal albums, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, metal music, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, spooky album covers, spooky metal album covers, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 10, 2009 by Metal Odyssey

Blackie Lawless Image #1W.A.S.P. has me burning up with an extreme Heavy Metal fever. Their new studio album, Babylon, is the total Old School Heavy Metal package. I am so excited about this new W.A.S.P. album, I need to calm down. Alright, if you have never purchased a W.A.S.P. album in your life and you are into Metal, do the right thing and buy Babylon. Veteran W.A.S.P. fans should understand why I am pumped up about Babylon… it is the quintessential Heavy Metal album for 2009. Am I saying it is the best Heavy Metal album of 2009? I am sure leaning in that direction for certain. Remember, this is Heavy Metal, no strings attached. Blackie Lawless has proven once again he is not about to back down, cow tow or change for anyone. Blackie Lawless has my total Metal support and praise for his convictions, which he so eloquently states within the liner notes of Babylon.

In a perfect Heavy Metal world, Blackie Lawless would be my choice for President and Chief Commanding Officer. For now, I can live with Blackie Lawless being the living Heavy Metal legend he is. I now hereby declare, that it is very difficult to hide my appreciation for the Heavy Metal of W.A.S.P., I am damn proud of it too. I have been listening to and enjoying the Heavy Metal of  W.A.S.P. for too many years now, to give a hoot about what anyone thinks of my admitting my adoration for Blackie Lawless and his band. Hey, it is light years better than admitting to being a follower of an uptight dude, named Keith Olberman, who whines all night on MSNBC.

Get ready – for this will be the first in a series of rave Metal reviews I will be doing regarding this W.A.S.P. Babylon album. It is that unreal great. Oh well, I have to listen to the boss at Metal Odyssey and he says I have to do it this way… that boss is me. Isolating songs from a great Heavy Metal album like Babylon and writing about them, is more of a deserving tribute to a Metal accomplishment by Blackie Lawless and W.A.S.P., in my Metal opinion. The only song I will comment on, in this first edition of W.A.S.P. Babylon reviews, is the cover song Burn. This 1974 Classic Hard Rock song from the ultra incredible Deep Purple, is now also an unbelievable Heavy Metal classic, courtesy of Blackie Lawless and his band. I listened to this W.A.S.P. cover of Burn at least six times repeatedly… it blew my Metal mind. Blackie Lawless on vocals is Metal mesmerizing, I can hear the love and passion he truly has for this song… very loud and very clear. W.A.S.P. signs, seals and delivers Burn in powerful Heavy Metal style, nothing formal, no black tie required.

Deep Purple "Burn" small album picI will always believe, that it is extremely hard to cover a song of this magnitude, without tripping up somewhere along the way. Nothing beats a Hard Rock Classic, especially one from Deep Purple. David Coverdale will forever have the notoriety of originally vocalizing Burn with Deep Purple. David Coverdale’s  vocal signature on the original version of Burn, plus his historical importance to Heavy Metal is immeasurable, in my most honest Metal opinion. Fast forward to 2009 and Burn is resurrected from the archives of Hard Rock history, thanks to W.A.S.P.. Blackie Lawless maintains the signature keyboards of Burn, reestablishing the importance this instrument has within this song. Doug Blair on lead guitar, cements himself as an asset, to the Heavy Metal identity that is W.A.S.P., on this amazing cover song. Burn returns and rises like a flaming phoenix, with Blackie Lawless unleashing this song’s power and exposing it’s grandeur for all Heavy Metal time.

W.A.S.P. "Babylon" large album pic #2

The Rough Guide To Heavy Metal – A Very Resourceful Metal Music Book

Posted in 1970's punk rock, 1970's heavy metal music, 1980's hair metal bands, 1980's heavy metal bands, 1980's metal bands, 1980's punk rock music, 1980's thrash metal, 1990's heavy metal bands, 1990's heavy metal music, 1990's thrash metal music, black metal roots, book reviews, classic rock music, death metal music, doom metal music, extreme metal music, hair metal music, heavy metal book reviews, heavy metal guitarists, heavy metal music, heavy metal music books, heavy metal music guides, heavy metal music reference, heavy metal vocalists, horror punk rock bands, Metal, metal music, metal odyssey, Music, old school hard rock, old school metal bands, old school thrash metal music, punk rock bands, rock music, sludge metal bands, southern hard rock, thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 9, 2009 by Metal Odyssey

Ozzy small picI’m always looking for good deals on my Heavy Metal Music purchases, from albums, CD’s to memorabilia and books. Upon one of my recent stops into a local thrift store, I happened upon quite the Heavy Metal find indeed, for the ripe price of fifty cents. Yes, fifty cents. The find you ask? Well, none other than The Rough Guide To Heavy Metal – and it is quite the book for me. (This book is a 1st printing, printed in 2005 by Rough Guides). While perusing the book aisle at this thrift store, the image of none other than Ozzy Osbourne caught my eye. What is this? I could not believe what I had found! Knowing immediately too, that any book in this thrift store is only fifty cents… I was Metal stoked. As a bonus, this book stared right at me in gem mint condition as well. As I picked it up and browsed through it’s Heavy Metal filled pages, it was obvious to me that the previous owner of this book never bothered to read it. As crisp of a new book you will find. Life is a sweet journey sometimes, especially when you can stumble on a 410 page book, when you least expect it, that is dedicated to your favorite music genre… Heavy Metal.

Alright, enough about how I found The Rough Guide To Heavy Metal and onward with it’s review. This richly factual book is written by Essi Berelian, with a foreward by the legendary front man for Iron MaidenBruce Dickinson himself. There are over 300 bands and/or musicians that are covered in this book. (Hey, to make a definitive book of Heavy Metal bands would not only be a task of the ages, the page count would reach a bizarre number as well). Therefore, there are going to be bands that are missing, (I am disappointed that Enslaved did not get aknowledged), plus there is that band here and there where I can’t exactly label as Heavy Metal, (Asia has a write-up in this book). I like Asia, yet I do not see the connection here. I will bend and say Foreigner has a loose connection to the genre of Heavy Metal, they are represented in The Rough Guide To Heavy Metal. Diversity is shown in the representation of bands, The Rough Guide To Heavy Metal even acknowledges Lynyrd Skynyrd and their link to heavy music.

From Ozzy Osbourne and Kiss to King Diamond and Magnum, with the likes of Venom and UFO in between, a fabulous smorgasbord of movers and shakers are touched upon with factual integrity and reverence. I am smitten that Slayer, Motorhead, W.A.S.P., Red Hot Chili Peppers and Kreator are well covered here too. Something that Essi Berelian did here, that impresses me most, is the inclusion of legendary Punk Rock Bands such as the Misfits and Ramones. Still, where are the Sex Pistols? C’mon, if you include Punk Rock into a voluminous book such as this, it is not a bright move to ignore the Sex Pistols! Plus, whenever writers refer to the 1970’s Hard Rock band Sweet as “The Sweet”, it drives me crazy. Anyone familiar with this band knows them as Sweet… period. The only album I am aware of, that has the moniker of “The Sweet” is their very first album, which was titled Funny How Sweet Co-Co Can Be back in 1971. Give me a Metal break.

Essi Berelian deserves much praise and credit, despite the few flaws mentioned, that in reality, I can overlook. Each band or musician represented in The Rough Guide To Heavy Metal has it’s history and discography touched upon in enough detail that suffices for me. Interesting anecdotes and facts are also provided throughout this entire book, making for a very resourceful guide on the history of Heavy Metal. The genres of Heavy Metal are explained very well too, giving the reader an in depth explanation to it’s respective origin and impact on the world of music. From Christian Metal to Black Metal, the genres of Heavy Metal are given their own spotlight. The Rough Guide To Heavy Metal is also loaded with plenty of black and white photographs, (group and individual shots, album covers and concert photos), giving this book that much more appeal.

At the end of the Metal day, The Rough Guide To Heavy Metal makes for an extensive and detailed read into the bands that started, shaped and expanded the world of Heavy Metal Music. Whether you are a life long fan of this incredible genre of music or a brand new fan, this book is rather difficult to put down. I most highly recommend The Rough Guide To Heavy Metal to all, it really isn’t that rough at all. Hey, for the fifty cents it set me back, this book is worth every penny. I cannot shake the Metal grin on my face each time I pick this book up to read.

Ozzy large pic

Heavy Metal And Punk Rock Listening Suggestions For The Weekend And Beyond

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's punk rock, 1970's classic rock music, 1970's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal albums, 1990's heavy metal bands, american punk rock bands, classic heavy metal, classic punk rock, classic rock music, collecting rock music, cool album covers, current punk rock music, essential heavy metal albums, essential punk rock albums, hard rock music, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, lists, Metal, metal music, metal odyssey, Music, new punk rock music, old school heavy metal, old school punk rock, punk rock album covers, punk rock albums, punk rock bands, punk rock music, rock & roll, rock and roll, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 8, 2009 by Metal Odyssey

MetalOdysseyAh, the weekend is here. Time to clean up the house, tidy the garage, finish some yard work and maybe wash and vacuum the car. Watch some College and/or NFL Football this weekend too. What are some music listening suggestions I may have for the weekend? Thank you for asking. Heavy Metal and/or all the other Metal Music genres that exist is first and foremost. Oh, may I also suggest some Punk Rock as well? Thank you for allowing me to do so. What was that? Did someone just ask me to name specifically which bands and/or albums to delve into this weekend? Gee, I feel rather honored to be suggesting to the entire world , a tidy list of great heavy bands and/or albums to choose from… uh, here it is:

The first Heavy Metal suggestion to maximize your listening enjoyment is –

W.A.S.P. GROUP PHOTO #1

LONG LIVE BLACKIE LAWLESS

Here is a Hard Rock favorite of mine, Ritchie Blackmore’s Rainbow.  Man On The Silver Mountain is an unreal great song, it never fails to give me the psyched out chills each time I listen to it. Released back in 1975, Ronnie James Dio on lead vocals makes this album a standout for Rainbow… with Ritchie Blackmore on guitar you cannot go wrong here.

Rainbow 1st Album - large pic

Alright, since I feel like it, I will suggest an Old School Punk Rock Band and just one current Punk Rock Band. However, that is it. Then I’m done. Either take it or be uncool and don’t.

Ramones. Enough said about that. Man, if you do not own any Ramones by now… BUY SOME RAMONES THIS WEEKEND!!! Any greatest hits will suffice for the beginner Ramones fan – heck, I have a greatest hits from them… this one:

Ramones "Their Toughest Hits" large album pic

Now, I cannot get enough of this new album from The Casualties. we are all we have was released on August 25, 2009. The Casualties know their Punk roots and it comes out loud and Punk clear through their Punk songs. Yeah it does. Give ’em a listen this weekend.

The Casualties "we are all we have" large pic

O.k., here is one more Heavy Metal suggestion for your listening enjoyment, guaranteed to Rock your weekend! If this album doesn’t do it for you… go listen to some Jim Nabors, (you know, the Gomer Pyle dude who actually sang and made records).

Motorhead "March Or Die" large album pic

The two cover songs of Cat Scratch Fever and Hellraiser are enormously incredible on this March Or Die album. Motorhead is the elixir of all great things about Rock and Roll.

Now, as I stated a few sentences ago… if this Motorhead album or any other suggestions on this Heavy Metal and Punk Rock list are of no interest to you and/or bother you in any sort of way, this is what you should be listening to instead –

Jim Nabors

WARNING: LISTENING TO JIM NABORS MAY CAUSE SEVERE CONSTIPATION


BLACK SABBATH – 1983 “BORN AGAIN” ALBUM IS METAL OF PROFOUND IMPORTANCE

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1980's metal music, Album Review, black metal roots, classic heavy metal, classic metal, collecting metal music, cool album covers, creepy album covers, doom metal music, essential heavy metal albums, essential metal music albums, guitar legends, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal music, heavy metal vocalists, Metal, metal album review, metal music, metal music albums, metal odyssey, Music, old school heavy metal, old school metal bands, rock music, scary album covers, spooky album covers, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 7, 2009 by Metal Odyssey

Black Sabbath "Born Again"Back on October 4, 1983, Black Sabbath released their eleventh studio album – Born Again. I was serving time in high school as a senior in 1983, I also became a born again Metalhead that same year, thanks to this most underrated Black Sabbath album. I am not kidding or trying to sound like a yahoo by stating that. Born Again was a match made in Metal heaven for me… the prolific vocals of Ian Gillan uniting with the ultra legendary Black Sabbath. I have to admit, with Ozzy Osbourne and Ronnie James Dio not fronting Black Sabbath, it was common place for professionally paid Rock Music critics to easily overlook the other lead singers this Rock And Roll Hall of Fame band has bestowed over the decades. I never overlooked a damned thing Black Sabbath had done, especially when they joined forces with Ian Gillan. From the front album cover artwork of the demon baby, to the down right eerie and chilling Metal Music heard on Born Again, this album is a must listen and own in Metal Music 101.

When I first listened to Born Again, back in good ol’ 1983, the synthetic instrumentals of Stonehenge and The Dark left a Metal imprint on my subconscious like none other… all I could think back then and now is this is the soundtrack of doom… all hail Black Sabbath. The guitar riffs, leads and solo on Zero The Hero sound as if I am listening to a descent to the darkest depths of inner Earth… I love that descent. Trashed is not just an amazing song lyrically, this is an early introduction of Heavy Metal making the transition to pure… Metal. Comparing Born Again to other Heavy Metal albums of that time is what separates the Heavy Metal label from Black Sabbath, thus anointing this iconic band to true masters of Metal Music.

The Metal of Born Again is not Thrash, yet it is not Accept, Quiet Riot or Saxon of that time period either. With Born Again, a black album was unintentionally or intentionally created, (both with album artwork and the Metal Music within), while Black Metal itself was simultaneously being born into a genre, courtesy of Venom, Bathory and Hellhammer . I can’t compare this Black Sabbath album to their earlier albums with Ozzy. Nor can I make a comparison of Born Again to the Dio led Black Sabbath either. The song Born Again alone is a study in just how far Tony Iommi would go in making a unique Black Sabbath album, one that would stand apart from the entire Black Sabbath catalog… forever. Listening to Ian Gillan’s vocals on this song honestly takes my Metal breathe away. Ian Gillan is beyond unreal great on Born Again – all one needs to do is open their Metal mind to the song Hot Line and thou shall understand and realize why. Seriously, the vocals of Ian Gillan on Hot Line makes me imagine what life would have been like for this Metalhead, if more Black Sabbath albums were created with his legendary voice. I guess it is obvious by now, that I revere Ian Gillan.

Digital Bitch may have been the most popular song from Born Again, the song that advertised their Born Again Tour on FM Radio back in 1983-84. Despite the fondness that commercial FM radio had for this song, it blazed with Metal fury like no other song back then. Disturbing The Priest, this song title alone made for my own personal battle cry for serving eight long years of time – in a parochial school. Trust me on that one. In Metal hindsight, maybe the professionally paid Rock Music critics of the world were never ready for the dark Metal Music that Born Again was about. This was not the Deep Purple version of Ian Gillan, nor was this the Children of the Sea version of Black Sabbath. Keep It Warm actually grounded this Born Again album, keeping it from being a non-stop onslaught of apocalyptic, melancholy and dark sided themes.

In a Metal nutshell, this Born Again album was forged by the union of Ian Gillan joining the legends of Tony Iommi, Geezer Butler and Bill ward. This version of Black Sabbath has suffered through too many years of comparisons to the Ozzy and Dio fronted bands of the same name. All too often, the ignorance of professionally paid Rock Music critics can water down the integrity of a great album from an elite band. Such is the case here with this incredible Born Again album from Black Sabbath. I never saw this Black Sabbath lineup as anything other than Black Sabbath, only with a different lead singer in Ian Gillan who rose to the Metal occasion with unparalleled pipes.

Over the years it has been amusing to me, to even read that Ian Gillan himself was never satisfied, actually displeased, with the music and demon baby artwork of Born Again. (The liner notes of this Born Again CD detail this, as written by writer Hugh Gilmour). If only Ian Gillan knew, just how much this Born Again album has meant to me, as a lifetime fan of his prominent vocals. Black Sabbath fans who appreciate the music created by Tony Iommi, (guitar), Geezer Butler, (bass) and Bill Ward, (drums), know that the Ozzy, Dio and Ian Gillan versions of this band carry their own Metal identity that captivates with it’s own powerful mystique. Born Again by Black Sabbath is more than a vintage Metal album that I recommend, it is a vintage Metal necessity, that should be embraced and heralded as an important contribution and moment – to the history of Metal Music.

To my best Metal buddy Scott… thank you for buying me this hard to find CD. Having owned a copy of Born Again on cassette, spanning three decades, deserved a righteous Metal upgrade. I truly wish I kept the vinyl album of Born Again that once was in my collection.

Black Sabbath "Born Again"

ADVISORY STICKER ON SLAYER “WORLD PAINTED BLOOD” CD MAKES ME LAUGH

Posted in censorship issues, current heavy metal albums, current heavy metal bands, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, grocery store experiences, heavy metal music, hypocrisy, metal music, metal odyssey, Music, new thrash metal albums, old school thrash metal music, parental advisory issues, parental advisory sticker issue, rock music, thrash metal bands, thrash metal music with tags , , , , , , , , , , , , , , , , , , on November 6, 2009 by Metal Odyssey

Slayer "World Painted Blood" small pic #1I, being a devoted Slayer fan, bought their new CD – World Painted Blood this week. An unreal great album and I will be raving about it on a future post – that’s a Metal guarantee. What makes me laugh, however, is the lame Parental Advisory/Explicit Content sticker that stares at you on the front cover wrapping of this CD. This silly little sticker also reads: strong language, sexual + violent content. If this sticker with it’s various warnings is mandated to be on the new Slayer CD, why then, is there not the same warning, for the following:

Cosmopolitan Magazine – this soft porn magazine is out in the open for toddlers and youngsters to see at every checkout in every major supermarket and retail store everywhere. The words – orgasm and sex are the monthly norm on the front cover and never out of eye sight.

All Network News and Cable News Networks – my God almighty, if there ever was a warning needed, it is for the constant news footage of war, murder, rape, violence and crimes against humanity and society. This stuff is reality and it is constantly available around the clock, every day of the year. NEVER A WARNING or Parental Advisory for when gruesome, morbid, violent and sexual images and or footage is shown by network news, at a split seconds notice… never.

Political Campaign Commercials – backstabbing, hate, lying, rumors and more hate. Those are reasons enough for me to cry out for the Parental Advisory Warning!

All Tabloid Publications – just like Cosmopolitan Magazine, these publications are fully shown, out in the open, at every checkout, at every supermarket, retail store and gasoline quick mart everywhere… for toddlers to see. No warnings to be found. Just 3/4 naked celebrities adorning the front covers with sexual headlines galore.

Day Time Soaps, (Soap Operas) – do I really need to explain why this is on the list? Again, NO WARNINGS or Parental Advisory before any soap opera that I have ever seen, in my ADULT life.

I could go on with a fantastically long list here. It is not my intention to ever censor any of the above, I am against censorship in America – period. The Metal Music and lyrics of Slayer can’t possibly be interpreted as any more offensive, as the list of examples above. My only question is, where is the fairness in placing warning stickers on Heavy Metal CD’s, (or any music genre), when other forms of media are not subject to the same advisory standards? Hypocrisy is the only answer I can find.

This sticker as shown at the bottom, also included more warnings on the Slayer CD as I stated above. Not to sound redundant, yet, if the RIAA, (Recording Industry Association of America), deems it necessary to establish this type of warning on music, why then are other media industries and/or entities exempt from using such a warning? Again, hypocrisy is the only answer I can find.

For those who may have never seen this ridiculous sticker attached onto CD’s that span many music genres, here it is in it’s most gruesome glory. By the way, this annoying little sticker only enhances a CD’s taboo mystique, in turn helping to sell more copies of the CD it’s on. In it’s own morbid way, maybe this sticker has become something of a Pop Culture symbol of cool… that’s just my Metal opinion.

Parental Advisory Sticker - large image

Children Of Bodom – “Skeletons In The Closet” Album Of Cover Songs Is Metal Thrashing Good

Posted in Album Review, cool album covers, cover songs, creepy album covers, current extreme metal albums, current extreme metal music, current thrash metal albums, current thrash metal music, extreme metal bands, extreme metal music, guitar legends, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal odyssey, Music, new thrash metal albums, scary album covers, spooky album covers, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal albums, thrash metal albums 2009, thrash metal bands, thrash metal cover songs, thrash metal from finland, thrash metal guitarists, thrash metal music, thrash metal music reviews, thrash metal songs, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 5, 2009 by Metal Odyssey

Children Of Bodom "Skeletons in the Closet" small album pic!I really get a kick out of Alexi Laiho, his lead vocals and lead guitar play are extreme to the Metal maximum. I know that sounds rather yahoo, only there is no other way to really explain it. I like this guys style, he is hell bent on playing some of the fastest Thrash Metal Music out there. On the new Children Of Bodom album, Skeletons in the Closet, (released on September 22, 2009), there are seventeen cover songs. Of the bands and musicians that are covered here, there is one song that I simply cannot get into or simply stomach. Hey, one lousy song out of seventeen isn’t too shabby. Consider the fact, that I really like the other sixteen songs on Skeletons in the Closet and I declare this album a Metal winner. Let’s cut to the Metal chase here and I’ll just state that the cover of the Britney Spears song, Oops… I Did It Again is equally lame as it is annoying. I have never been intrigued by Britney Spears, nor do I give her even one millionth of an ounce of respect for any music she has done in her life.

I don’t hold anything against Alexi Laiho and Children of Bodom for doing this crappy cover song, the liner notes spell out clearly as to why this song was covered in the first place. I will paraphrase the explanation found in the liner notes  – apparently, Children Of Bodom, during a night of heavy drinking, were listening to a party CD they made and this crap song was looping over and over. The members of Children Of Bodom made a pact that someday they would cover this crap song, obviously they did, on Skeletons in the Closet. The explanation, (in the liner notes) for this crap cover song goes on to finish: “… and pissed a lot of people off! That’s just what we do”. In the Metal end, sure, after listening to this crap cover of Britney Spears, I felt pissed off – now I think it is damn funny, a song intended to be a joke, not to be taken seriously like it’s original artist Britney Spears.

As I stated, the remaining sixteen cover songs I like a great deal. The Thrash Metal representation of these songs explode with the power and aggression that I have always admired with Children Of Bodom. Many of my favorite Metal bands are covered extremely hard and heavy on this album: Silent Scream from SlayerAces High from Iron Maiden, Hellion from W.A.S.P., Don’t Stop At The Top from Scorpions, Mass Hypnosis from Sepultura and Waiting from King Diamond. Children Of Bodom give these songs their stylistic Thrash Metal stamp on them, I find myself appreciating their versions a whole lot. Whenever it comes to covering Slayer, man, that is a tough Metal task to take on.

Other cover songs on Skeletons in the Closet that are powerful Thrash Metal listens are: Rebel Yell from Billy Idol, Hell Is For Children from Pat Benatar and Talk Dirty To Me from Poison. These three songs standout for I like them a great deal more than the original versions. Ghost Riders In The Sky appears on this album too, (it appears on the Children Of Bodom album Blooddrunk as an unlisted ghost song, excuse the pun). Somebody Put Something In My Drink from the Ramones is excellent! Alexi Laiho sounds like he is really enjoying this song as I listen to him sing it. Still, nothing can ever top the original version of this song by the unreal great and legendary Ramones. Trust me, you will NEVER know that the song Just Dropped In (To See What Condition My Condition Was In) is from Kenny Rogers. NO WAY, am I ever interested in hearing the original version either… especially since this cover version Thrashes like there is no tomorrow.

Overall, the Metal verdict is Skeletons in the Closet is loaded with fiery Thrash Metal passion from Children Of Bodom, with their trademark keyboards only enhancing the experience. I will listen to this covers album for years, hopefully decades to come. I am soon going to use the “F” word… watch out… here it comes… Children Of Bodom made a darn fun album here. Thankfully the crap song is the very last on the track list, making it easier to just end the album at song #16. I recommend Skeletons in the Closet and always highly recommend Children Of Bodom to all.

Children Of Bodom "Skeletons in the Closet" large pic #2


On The Eve Of Slayer’s “World Painted Blood” Release, Some Metal Thoughts…

Posted in 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1990's metal bands, 1990's thrash metal bands, 1990's thrash metal music, current heavy metal music, current thrash metal albums, current thrash metal music, essential thrash metal albums, extreme metal bands, extreme metal music, extreme music, heavy metal music, Metal, metal music, metal music today, metal odyssey, Music, new thrash metal albums, old school thrash metal music, thrash metal 2009, thrash metal albums, thrash metal albums 2009, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal music, thrash metal today, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , on November 3, 2009 by Metal Odyssey

Slayer small logoI am a Slayer fan. Have been since I first held onto the Show No Mercy album and stared at the artwork in frozen awe. I bought that Slayer album back in 1984, back when I was picked on for the music I liked by the kids wearing turtle necks, with a stupid alligator on them. The Izod kids… they were so convinced that Slayer was not going to be around in five years. That same Izod crowd all were convinced that Metal Music was for the troubled kids, listening to Slayer is what made us trouble. Really, that junk was thrown at me about Slayer and I never flinched. It’s funny now as I look back on those ridiculous high school years, the hurtful remarks and snotty attitude that I put up with from so many of my peers are now a humorous memory for me. I’ve turned out alright for myself since 1984, I am proud of my life’s accomplishments thus far. I’m not about to reveal every good deed I have done throughout my life, it really would be boring to read. Being a Slayer fan and fan of Metal Music is a part of me, take it or leave it.

Slayer small logoContrary to so many of the Izod kids, the religious right and the PMRC, (The Parents Music Resource Center), I and countless other Slayer fans never became Satanists or serial killers. Nope, the Thrash Metal of Slayer never made me commit a crime. I know this probably disappoints some of the Izod crowd out there, yet Slayer never influenced me to become a lifetime criminal. To compare Metal Music to violent behavior is such a waste of time, there is no correlation. Drugs and/or mental illness is the obvious incubus for violent behavior. How do I know, you may ask? Well, for one, Charles Manson was a Beach Boys fan… Thrash, Death and Black Metal never existed when Charles Manson was roaming the streets. Anyone would be wrong to connect The Beach Boys to violent behavior as well. To say that even The Beach Boys provokes violent behavior is ludicrous and/or irrational. What type of Metal Music did Al Capone listen to? How about Napoleon Bonaparte? I have made my Metal point here… feels good too.

Slayer small logoI always express just how thankful I am that so many veteran Metal bands are still around making music. Slayer is the Thrash Metal cream of the crop for three decades running. On the eve of their new album releasing on November 3, 2009, I am excited to say the least. I have deliberately not listened to any of their new songs from World Painted Blood… I want to be surprised and psyched – the old school way. Back in the early ’80’s, unless you worked for IBM, the internet was a foreign word, hearing a new album meant listening to it once the purchase was made on release day. I did listen to Megadeth Endgame on their MySpace Music page before I bought it on the respective release date… I don’t regret that move, still some of the fun was taken away for me, once I had the Endgame CD in my hands. (I already knew what I was going to here, nonetheless, Endgame is a Thrash Metal powerhouse of an album).

Slayer small logoSo, tomorrow I will make my Metal journey to most likely… f.y.e. and make that Slayer World Painted Blood purchase. I will then go to my car, unwrap the annoying plastic wrap and NASA glued anti-theft sticker off of the CD and crank it louder than all hell. I will smirk all the while, knowing that I am a proud middle aged Metalhead, doing alright and still following Slayer in the year 2009. SLAYER RULES and Metal Music Lives.

HAPPY HALLOWEEN FELLOW HEAVY METAL FANS WORLDWIDE!!

Posted in collecting metal music, creepy album covers, current death metal albums, current death metal music, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal music, essential death metal albums, essential thrash metal albums, extreme metal music, halloween, Heavy Metal, heavy metal album covers, heavy metal music, heavy metal music 2009, Metal, metal music, metal music today, metal odyssey, Music, old school death metal music, old school thrash metal music, thrash metal 2009, thrash metal albums, thrash metal bands, thrash metal legends, thrash metal music, thrash metal today, vintage death metal bands, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

HAPPY HALLOWEEN! To all of the visitors both past and present to Metal Odyssey, may this Halloween of 2009 be the spookiest, creepiest and darn right darkest it has ever been in your entire life. Halloween is also a time to celebrate the greatest music that exists… METAL. Pick your Metal genre and blast it louder than HELL this Halloween. So to all of my fellow Metalheads worldwide – horns up!

Obituary "Darkest Day" little album picMetal Odyssey’s Metal Album Recommendation For Your Halloween Listening Enjoyment: OBITUARY – DARKEST DAY – These Death Metal Legends are not fooling around with their June 30th, 2009 release. Darkest Day is without Metal hesitation, one of my top three albums of 2009… spanning all the Metal genres.

 

Slayer small logoPlus, the Grim Reaper wants to warn you all… the brand new SLAYER album World Painted Blood gets released on Tuesday, November 3rd. I am counting down the minutes in my Metal mind to this great moment in Slayer history.

Grim Reaper x-large image!!

U.D.O. – “DOMINATOR” Unleashes Potent Heavy Metal

Posted in 1970's heavy metal music, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal, collecting metal music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from germany, heavy metal music, heavy metal music 2009, heavy metal solo vocalists, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music today, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

U.D.O. "Dominator" small album picU.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.

Listening to Udo sing on Infected, I imagine him atop a high mountain, looking down upon a land of chaos and condemning all to hell. Udo’s vocals are more than steely and mean streaked, they encompass Heavy Metal theater. Cast me off into damnation for having imaginary thoughts while I listen to Heavy Metal Music, that is how my mind reacts and I’m damn proud. Anyone who says they do not create their own mental imagery to music is either a liar or a cyborg. Doom Ride takes the more consistent approach of Old School Heavy Metal, no real blazing guitar licks or profound moments. Still, Doom Ride gets it’s doom message across and that is Metal enough for me. Stillness of Time is a (gulp), U.D.O. ballad. Well, a fast paced ballad it is. Udo has his unique vocals for sure, he pulls me into Stillness of Time, like a glazed over Old School loyalist that I am. Having a piano included into any U.D.O. song is quite the diverse moment and I admire that. Stillness of Time just might be the best kept secret on Dominator.

Devil’s Rendezvous has me itching to get up off my butt and… do some wacky dance. You know, the kind of dance that drunk people do at weddings. Or, the kind of spastic dance that you can only do in the privacy of your own home… with the blinds shut. Quite the Metal surprise is Devil’s Rendezvous, U.D.O. put some fun into this Dominator album. Crap, did I just use the “F” word? This is starting to become a semi-habit of mine… I must be be too happy or something. Speed Demon is the fastest song on Dominator. No, no, no, it is not because the word speed is in the song title. Speed Demon really does crank up the Metal meter a few bars and it kicks. To sum up my Metal feelings on this U.D.O. Dominator album, it rightfully cements all things great about Heavy Metal… Old School Heavy Metal that is. Dominator is a standout Heavy Metal album for 2009, no Metal questions asked. I thank my best Metal buddy Scott for steering me to Dominator… a Metal referral that is incredibly appreciated.

U.D.O. "Dominator" large album pic

SLAYER – Revolver Magazine Salutes Thrash Metal Legends With The Book Of Slayer

Posted in 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's metal music, 1990's heavy metal bands, 1990's metal bands, 1990's thrash metal bands, collecting metal music, current thrash metal music, extreme metal music, guitar legends, heavy metal magazines, heavy metal music, Metal, metal music, metal odyssey, Music, old school thrash metal music, shopping for music, Thrash Metal, thrash metal 2009, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal magazines, thrash metal music, thrash metal music books, thrash metal today, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , , , on October 30, 2009 by Metal Odyssey

Slayer small logoSlayer. Thrash Metal Legends without any doubt in my Metal mind. I caught onto Slayer from the very beginning. I ordered Slayer’s first album, Show No Mercy, through mail order – direct from Metal Blade Records, back in 1984. Since then, Slayer has been a band that I uphold as one of the greatest Thrash Metal Bands ever, (if not the greatest).I have seen Slayer live in a small club setting back in the late 1980’s, a fortunate Metal experience that I will never forget. Yes, Slayer is a core favorite of mine and that will never change.

Revolver Magazine has recently devoted a special issue to just Slayer. This special issue aptly called The Book Of Slayer, should be quite easy to locate at newsstands or large book stores. I actually found my Revolver Book Of Slayer at a Weis Grocery Store, this week of October 25th. I have been a subscriber to Revolver for several years now, this is a magazine that delves into all of the Metal Music genres. Revolver, in my Metal opinion, is the best mainstream Metal Music magazine out there today – based on it’s writing, reviews, content and interviews.

Slayer small logoThe Book Of Slayer covers the band from it’s infancy in 1981 to present day. Anecdotes, interviews, tons of photos and details abound and it is 100% Slayer. Plus there are four feature articles included about Slayer, from past issues of Revolver. Revolver documents Slayer throughout their entire career in excellent Metal fashion. Kerry King, Tom Araya, Jeff Hanneman, Dave Lombardo and Paul Bostaph are all included in the story telling and interviews. This is one Slayer collectible worth picking up – the content within it’s pages and Slayer knowledge you will gain is well worth the $5.99 cover price. New fans can catch up on some great Slayer history and veteran fans should find it hard to put down. I know I will be taking it with me just about everywhere.

You can also purchase The Book Of Slayer by going to http://www.revolvermag.com

The Book of Slayer - Revolver Magazine - large pic 2009

My Least Favorite Ozzy Osbourne Song Ever Is…

Posted in 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, classic heavy metal, classic heavy metal albums, classic rock music, cool album covers, creepy album covers, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal guitarists, heavy metal music, heavy metal music 1983, heavy metal solo vocalists, heavy metal songs 1983, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, rock music, scary album covers, spooky metal album covers, vintage heavy metal albums, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2009 by Metal Odyssey

MetalOdysseyOzzy Osbourne, the Heavy Metal Prince of Darkness. Ozzy Osbourne – Rock and Roll Hall of Fame inductee with Black Sabbath. Honestly, I revere the living hell out of this Heavy Metal legend. I did get to see Ozzy Osbourne live in concert twice during my lifetime. For me, those two concerts were unbelievable, with Metallica opening up for Ozzy in New Haven Connecticut, (at the spooky New Haven Coliseum) – it was The Ultimate Sin Tour for Ozzy and Metallica was promoting their legendary Master of Puppets album. The other Ozzy concert I saw had Queensryche open for Ozzy in Springfield, Massachusetts, (at the Springfield Civic Center), on this same Ultimate Sin Tour. Alright, so it is obvious I think the Metal world of Ozzy Osbourne… fine. However, by process of elimination, there has to be my least favorite Ozzy Osbourne song out there and there is one. I do not think much of the song, uh, ballad So Tired from Ozzy’s Bark At The Moon album. This song, ugh, ballad is responsible for my distaste of most Heavy Metal ballads ever released since, by any band. This album was released on December 10, 1983. Don’t get me wrong here, the Bark At The Moon album as a whole, is unreal good. Three songs on this album are incredible for me… Rock ‘n’ Roll Rebel, You’re No Different and of course – Bark At The Moon. These three Ozzy songs I can hold up on a Metal pedestal forever. Plus, Jake E. Lee on guitar is a Metal bonus to listen to.

So Tired is a song that in my Metal opinion, is overwhelmingly dull and depressing and does absolutely nothing but annoy me beyond belief. Who exactly is supposed to be so tired in this song? Is it Ozzy himself? Someone that Ozzy knows? I really do not care in the darn least who is tired. I get tired too, yet I never whine about it like Ozzy did in this song. Sure, maybe the tired theme was about waiting around for a love lost… who cares. So Tired is a perfect example of what happens when a Heavy Metal icon decides to go the Pop and Bubble Gum Music route with a song. Sappy city is open for tourists with So Tired. Get out the kleenex, So Tired is now playing… sniffle, sniffle, I am so moved. The orchestration in this song only annoys me more.

To me, So Tired just never seemed to fit in with the Bark At The Moon album. So Tired is a downer in the midst of some riveting Heavy Metal songs, a huge let down, like the depressed dude at a party trying to bring everyone else down with him. The video for So Tired, (which was on MTV too often back in the day), was so ridiculous that even I felt embarrassed for Ozzy. When the Bark At The Moon album was reissued, So Tired should have been omitted from the track list… it is that lousy – for me. In my Metal opinion, So Tired is the lowest moment of Ozzy Osbournes unparalleled and ultra legendary Heavy Metal career.

Ozzy Osbourne "Bark At The Moon" Large album picture

EXODUS – “Bonded By Blood” I Still Bond To For Old School Thrash Metal

Posted in 1980's heavy metal albums, 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's thrash metal music, Album Review, classic metal, collecting metal music, cool album covers, creepy album covers, current thrash metal music, essential heavy metal albums, essential metal music albums, essential thrash metal albums, extreme metal music, heavy metal album covers, heavy metal album reissued, heavy metal albums, heavy metal albums 1985, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal vocalists, independent record labels, Metal, metal music, metal music albums, metal music today, metal odyssey, Music, old school heavy metal, old school thrash metal music, scary album covers, spooky album covers, Thrash Metal, thrash metal album review, thrash metal albums, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal music, thrash metal music reviews, thrash metal songs, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2009 by Metal Odyssey

EXODUS "Bonded By Blood" original album cover large picExodus… a Thrash Metal originator. Exodus… Old School Thrash Metal. Exodus… Bonded By Blood, was the first album released by this very important Thrash Metal Band, (back in 1985). Why I feel Exodus is a very important Thrash Metal Band is due to their being one of the first Metal Bands to introduce this genre to the world. Back in 1985, there were not the hundreds of thousands of Thrash Metal Bands there are now… you can thank Exodus for influencing countless musicians and bands alike for embarking on their careers in Metal… Thrash Metal. Just seek out and read some interviews of past and current Thrash Metal musicians, you discover after awhile, that Exodus and especially their initial album Bonded By Blood is ultra revered. Yes, I am an Exodus fan, since 1985 until this very day. Lineup changes within Exodus has not made me wince one Metal bit. Guitarist Gary Holt and drummer Tom Hunting have held the Thrash Metal fort for Exodus over the past three decades, serving Exodus and their fans well… extremely well. (Note: Paul Bostaph has stepped in on drums for Exodus, he is an unreal great Metal drummer at large).

Last night, I watched my beloved New York Yankees lose to the Angels… ugh. A great game, yet I was anticipating the Yankees to close things out and head to the World Series to beat down the Phillies. Not feeling the cheeriest, I headed down to the basement… to my Metal oasis. Once I began staring at my CD racks, I decided I needed a lift-me-up, some Metal to clear my senses and put me back in the game of life. Exodus Bonded By Blood caught my eye… this CD was just aching to get heard – once again. I put this CD on, sat back and let the Thrash Metal of Exodus infiltrate my senses. Well, it was only halfway into the first song – Bonded By Blood, that I then got off of my butt and began to stalk around my basement like the fiendish Metalhead that I have been my entire life. I raised and pumped my fists into the air, played air guitar and bass, then did some pummeling air drums like there was no freaking tomorrow. Yes, life is not good, it is great when I can turn to Metal… turn to vintage Exodus, to whip my mood into the positive realm where it belongs.

Exodus "Bonded By Blood" alternate cover small picListening to the late and unreal great – Paul Baloff on lead vocals is as inspiring to me as all damn hell. His vocals were not your stereotypical Thrash Metal type… he resonated with the influence of early Rob Halford of Judas Priest… in my Metal opinion, still exuding his very own style that to this day is untouched. I reached for my CD jewel case of Bonded By Blood, (my copy is the reissue by Combat Records, it also has the alternate cover that is shown at the left and bottom of this post). The original front cover artwork is damn more cool than the alternate version, just look at it at the top of this post for proof. On the back cover of Bonded By Blood, it has a group photo of Exodus… Paul Baloff is shown wearing a Pipers Pit sleeveless t-shirt. Rowdy Roddy Piper… Paul Baloff… man, that is as fitting a shirt as any for him to wear back then. I used to be the f’n biggest Rowdy Roddy Piper fan around, imitating his wrestling moves and voice too… silly and cool memories, all courtesy of one photo of Exodus.

This Bonded By Blood album kicked my butt last night, just as it did back in the day. Having the private freedom to go bonkers to the Old School Thrash Metal of Exodus last night exhilarated me into feeling tired enough to finally go to sleep. Exodus was a friend to me last night, their music strikes that Metal chord with me. No Love and Deliver Us To Evil are my two extra favorite tracks on Bonded By Blood… holy crap, does the psyche out meter catch on fire for me when these songs are cranked up. I can’t use the word recommend to prospective fans when discussing Bonded By Blood, instead the words I will use are: get this album if you have not already – otherwise you are missing out on a Thrash Metal achievement that catapulted Thrash Metal into what it is today.

Exodus as they appeared on their first album Bonded By Blood:

Gary Holt on guitar

Rick Hunolt on guitar

Paul Baloff on lead vocals

Tom Hunting on drums

Rob McKillop on bass

Track Listing for Bonded By Blood:

Bonded By Blood

Exodus

And Then There Were None

A Lesson In Violence

Metal Commando

Piranha

No Love

Deliver Us To Evil

Strike Up The Beast

* Two bonus tracks are found on the Combat Records reissue that I own… they are both live recordings of: And Then There Were None and A Lesson In Violence. Steve Souza is the lead vocalist on these live tracks… yeah, I think Steve Souza is really cool too… convict me of being an Exodus fan boy already, that is just the damn way it is. I am a Metal fan that has been around the Metal block a few times, paid my Metal fan dues and could give a rats rotting and infected butt if anyone out there considers me a fan boy of any band.

* Exodus under the leadership of Gary Holt, covered the entire Bonded By Blood album, with the current Exodus lineup and released it on October 28, 2008. Yeah, I own that version too and I have nothing but Metal praise for Rob Dukes, the guy is the real deal for Exodus. Again, see my fan boy explanation above in regards to my being enthralled by Exodus’s Rob Dukes. I am quite Metal certain, that I am not alone in my reverence for this band… both past and present. Exodus does not need any stinking Guitar Hero game named after them or useless strolls down any damed red carpet to be considered unreal great by me. I have spoken my Metal mind and it feels really, really, good.

Exodus "Bonded By Blood" alternate cover large pic

RAVAGE – “The End Of Tomorrow” – A Monster Of A Heavy Metal Album

Posted in Album Review, classic heavy metal, classic heavy metal albums, classic metal, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, cover songs, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, essential heavy metal songs, essential metal music albums, halloween songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from boston, heavy metal cover songs, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal music today, metal odyssey, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, speed metal, spooky album covers, spooky metal album covers, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2009 by Metal Odyssey

Ravage - Banner group photo  2009

Ravage is a Heavy Metal Band from Boston, (actually Malden), Massachusetts and is hell bent on keeping Classic Metal Music alive, loud and damn proud. Every song on this second album from Ravage, The End Of Tomorrow, (their Metal Blade Records debut, released on August 18, 2009), is writhing with Old School Heavy Metal influence. Ravage does a credible job at flexing their Metal muscles on each song, heavy, hard and speed are irreversible elements that dominate The End Of Tomorrow. No where is the Old School Heavy Metal influence more evident than in the cover of the Judas Priest classic – Nightcrawler. Ravage shows Judas Priest their deserved Metal respect by not ripping Nightcrawler to pieces with any unnecessary fills or excessiveness. A fabulous cover Ravage does with this song, Nightcrawler is a genius choice to add to their track list on this album, based on it’s creepy and dark theme.

I have found that, the more I listen to The End Of Tomorrow, the more I am being convinced that this album was released back around 1985. Alas, that is not such the Metal case… Ravage brings forth to 2009 the Heavy Metal song structures and ambiance of what I have come to expect from vintage Metal Church and early Judas Priest and Armored Saint albums, to name just a few Old Schoolers. After each listen to this album, it is very obvious that the members of Ravage have done their Classic Heavy Metal homework. Knowing and creating all of the heavy nuances of their influences only catapults quality and integrity, on an upmost consistent level throughout The End Of Tomorrow. The Halls Of Madness not only has a vintage Metal title, it also is quite the convincing Heavy Metal instrumental intro that brings back memories of early Helloween and Savatage, for me. There really is not a scapegoat song to point out on The End Of Tomorrow, all twelve songs have their own distinctive Metal bite, an album that I can hit play and let the Heavy Metal assault take it’s natural course. Excuse me for a Metal second as I proclaim The End Of Tomorrow as being a top favorite Heavy Metal album for me in 2009, in my Metal opinion. Ravage can play Heavy Metal… their original brand too… I would not tell a Metal lie.

Ravage "The End Of Tomorrow" tiny picReign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of MetalThe End Of Tomorrow is an unleashed monster of what I am talking about here.

My other favorite songs on this album are: The Grapes Of Wrath, which takes a Heavy Metal swipe at all the idiot talking heads on television, these plastic morons get called out on the Metal carpet by Al Ravage here rather eloquently. Plus, The Grapes Of Wrath is authentically memorable for my Metal mind, I just cannot shake this song out of my senses. The Shredder is another manifestation of early Judas Priest influence, only it takes on it’s own Ravage originality… reminding me of the Judas Priest classic – The Ripper, only The Shredder is absolutely not a knock off or copy cat by any means. The End Of Tomorrow is one powerful way to conclude this album, fittingly the title song… lyrically doom laden, the end result is a reality check on the life we are leading and living now. The End Of Tomorrow has a Power Metal approach that echos of great Heavy Metal triumphs to come in the future for this killer “new” band they call Ravage.

Ravage, as they appear on The End Of Tomorrow:

Al Ravage on lead vocals

Eli Firicano on lead and rhythm guitars

Nick Izzo on lead and rhythm guitars

G.T.B. on drums

Howie Snow on bass

Track Listing for The End Of Tomorrow:

The Halls Of Madness

Reign Fall

Freedom Fighter

Damn Nation

The Shredder

Into The Shackles

In Shattered Dreams

The Nightmare’s Hold: Part One

Nightcrawler

The Nightmare’s Hold: Part Two

Grapes Of Wrath

The End Of Tomorrow

C’mon, is this album cover OLD SCHOOL HEAVY METAL or what? Not only does the Heavy Metal of Ravage stand on it’s own, (they could have issued a plain blue cover and that would not change the quality of Metal songs heard inside one bit), yet man, this is cool throwback artwork happening here. I cry out a huge Metal bravo! – to artist Edward J. Repka for creating a REAL Heavy Metal album cover for Ravage.

Ravage - "The End Of Tomorrow" x-large pic