Archive for classic rock albums

KISS “Sonic Boom” album cover & track listings!

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal music, 1970's Rock, 1980's classic rock bands, 1980's heavy metal hits, 1980's popular rock bands, 1980's classic rock, 1980's classic rock music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1990's heavy metal bands, 1990's heavy metal music, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal, classic heavy metal albums, classic rock, classic rock bands, classic rock music, classic rock songs, collecting music, cool album covers, current hard rock albums, current hard rock music, current hard rock songs, current heavy metal albums, current heavy metal music, current rock albums 2009, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential heavy metal songs, essential rock albums, Hard Rock, hard rock albums 2009, hard rock music 2009, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal favorites, heavy metal music, heavy metal music 2009, heavy metal songs 2009, heavy metal this decade, Metal, metal odyssey, Music, new hard rock album, new heavy metal album, old school hard rock, old school heavy metal, recent heavy metal albums, rock & roll, rock and roll, rock music, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 20, 2009 by Metal Odyssey

KISS Sonic Boom will be released on October 6, 2009, in the U.S., exclusively at Walmart, Walmart.com and Sam’s Club. Sonic Boom is a 3 – disc set: a CD of 11 new KISS songs, a 15 song newly re-recorded KISS Klassics CD and 1 KISS Bonus Live DVD. Cool. I will be buying my copy of Sonic Boom first thing on October 6th, (right after I bring my daughters to school). Admitting that I am stoked about KISS returning with Sonic Boom is a Metal understatement! The wait is coming to an end… a new KISS album is upon us, for me it will be Christmas in October, uh, Kissmas in October that is. Long live KISS Rock and Roll!

The Bonus Live DVD is footage from the KISS 2009 South American Tour in Buenos Aires, Argentina. A 20 page booklet will be included inside Sonic Boom as well. Sonic Boom will come as a DigiPak.

 

KISS "Sonic Boom" x-large album pic 2009

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track Listing for KISS Sonic Boom:

  1. Modern Day Delilah

  2. Russian Roulette

  3. Never Enough

  4. Yes I Know (Nobody’s Perfect)

  5. Stand

  6. Hot And Cold

  7. All For The Glory

  8. Danger Us

  9. I’m An Animal

10. When Lightning Strikes

11. Say Yeah

Track Listing for the KISS Klassics CD:

  1. Deuce

  2. Detroit Rock City

  3. Shout It Out Loud

  4. Hotter Than Hell

  5. Calling Dr. Love

  6. Love Gun

  7. I Was Made For Lovin’ You

  8. Heaven’s On Fire

  9. Lick It Up

10. I Love It Loud

11. Forever

12. Christine Sixteen

13. Do You Love Me

14. Black Diamond

15. Rock And Roll All Nite

KISS Bonus Live DVD Track Listing:

  1. Deuce

  2. Hotter Than Hell

  3. C’mon And Love Me

  4. Watchin’ You

  5. 100,000 Years

  6. Rock And Roll All Nite

HELIX – “Rock You” is my Heavy Metal Song for this weekend

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's classic rock, 1980's classic rock music, 1980's hair metal music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, classic heavy metal, classic rock music, cool album covers, essential heavy metal songs, hair metal music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1984, heavy metal music, heavy metal music 1984, heavy metal on vinyl, Music, old school hair metal bands, old school heavy metal, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , on September 13, 2009 by Metal Odyssey

Helix "Walkin' The Razors Edge" small picOn July 7th, 1984, Helix released Walkin’ the Razor’s Edge, (their 4th album/on Capitol Records). I was very much the fan of Helix back then… still am. You see, Helix is one of those Heavy Metal Bands that always liked to put the (gasp) fun into Heavy Metal Music. I used to own this album… on vinyl too. This Helix album is another one I would like to find again on vinyl, (yup, I got rid of this album for some insane reason years ago), only I want an original pressing from 1984 and at a thrift store price too. I will find this album again on one of my Metal hunts… I can feel it. For now, I am Metal psyched to at least own a digital copy of the single Rock You from Walkin’ the Razor’s Edge. This is one cool and fun – Heavy Metal song from 1984. Rock You started playing in my head earlier today, therefore, I cranked up this song on my stereo system and it served me right. This is a tried and true, Classic Heavy Metal Anthem that still works for me. Rock You is my Heavy Metal song for this weekend of September 12/13 of ’09. I have compiled the lyrics below, just to prove my point as to why this song is fun. LONG LIVE HELIX and… ROCK YOU!

ROCK YOU:

(chorus -1)

Give me an R-O-C-K 
Whatcha got (ROCK) 
And whatcha gonna do (ROCK YOU) 
Gimme an R-O-C-K 
Whatcha got (ROCK) 
And whatcha gonna do (ROCK YOU) 
Hot as a pistol 
Loaded like a gun 
Waiting for some action 
Gotta have my fun 
Don’t just sit there 
C’mon get up and move 
If you want to 
Tell ya’ what we’re gonna do 

(chorus-2) 

Rock you (ROCK YOU) 
Rock You (ROCK YOU) 
I’ve been waiting for so long 
For the outcome 
Gotta play it strong 
So just don’t sit there 
C’mon get up and move 
If you want to 
Tell ya’ what we’re gonna do 
(chorus-2) 
(chorus-1) 
(solo) 
Rock you 
Don’t just sit there 
C’mon get up and move 
If you want to 
Tell ya’ what we’re gonna do 
(chorus-2-out)

To the best of my Metal research, here is the current 2009 lineup of Helix:

Jim Lawson on Guitar
Brian Vollmer on Vocals
Paul Fonseca on Bass
Rick VanDyk on Guitar
Brent Niemi on Drums

Helix "Walkin' the Razor's Edge" large pic

THE LAW – Paul Rodgers and Kenney Jones 1991 album revisited

Posted in 1990's hard rock music, 1990's rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock albums 1991, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, collecting classic rock, collecting rock music, everyday experiences, family, feel good stories, Hard Rock, hard rock album review, hard rock drummers, hard rock songs, hard rock vocalists, metal odyssey, Music, old school hard rock, Rock, rock album review, rock album reviews, rock music, rock music vocals, rock vocalists, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on September 7, 2009 by Metal Odyssey

The Law - small album photoOn Saturday, of this 2009 Labor Day Weekend, I set out on a trip to buy back to school necessities for my daughters. The local mall, which is only minutes away, provides for a cool stroll… an f.y.e. is located inside. (Yessssss!). As my daughters and wife are perusing the kids sneakers, all I kept thinking was… what is currently hiding in the batch of used CD’s over at f.y.e.? The trip to this particular mall proved to be very worthwhile, no sneakers were found that my daughter liked, however, we had some fine pizza slices for lunch while we were there, plus I found The Law. The debut album The Law was nestled within the many used CD titles for sale at f.y.e.. With my f.y.e. Backstage Pass Platinum store card, the final price I paid for The Law used CD was $2.81… amazing. Not a bad price to pay for one of the most underrated Rock/Hard Rock albums I have ever listened to. I really get a kick sometimes out of what I will find in the selection of used CD’s at f.y.e., I have scored some real cool used CD’s at f.y.e. over the past few years. Upon leaving this mall, my wife did not hesitate for a second, in getting The Law into the car’s CD player… the family and I listened to this CD in it’s entirety as we continued on our quest for back to school sneakers.

I bought The Law on cassette tape back in 1991 and still have it to this day, an upgrade to CD was long overdue. The Law was released on March 19, 1991, I instantly knew I would purchase this album back then, due to my admiration for Paul Rodgers with his Rock-cool and legendary vocals. Plus, I always immensely enjoyed Bad Company, Free and The Firm… whatever band Paul Rodgers fronted, I was listening to. My favorite song from this album is Laying Down The Law, it is a solid Hard Rock song that ripples with a tough vibe and reminiscent of Bad Company… in my Metal opinion. Paul Rodgers wrote and even plays the piano on Laying Down The Law. Overall, this is not the greatest album or band/project that Paul Rodgers was a part of, still I like The Law enough to recommend to anyone into quality Rock, Hard Rock or Classic Rock music. This album had it’s share of song writers and guest musicians, yet the end result are eleven songs that possess the Classic Rock sound that hooks me each time I listen. Paul Rodgers on vocals with The Law is the main reason why I like this album. Kenney Jones on drums, (Small FacesFaces and The Who), is another valid reason why I will always look back at this band and album with the upmost respect.

The way I see it, you have to listen to bands and albums that you like, regardless of how successful the respective album was/is on the charts or mainstream radio. Album sales never have determined for me, the quality of a band or album, I shall never be swayed by mainstream Rock critics or here-say. The Law is a prime example of record sales not being impressive and a band short lived. Do I care? No. It’s what I like that matters most and I would not recommend this album if I thought it to be a stinker.

The Law notable guest musicians and/or song writers:

Phil Collen (lead guitarist for Def Leppard), wrote Miss You In A Heartbeat for The Law and later recorded by Def Leppard for their Retrospective album. The ever legendary David Gilmour plays guitar on the song Stone. Chris Rea also plays guitar on the song StoneBryan Adams cowrote and plays guitar on Nature of the Beast.

The Law - large album photo

KISS “Unmasked” – 1980 album I listened to all Summer of 2009

Posted in 1980's classic rock bands, 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's rock music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential heavy metal albums, essential heavy metal songs, essential rock albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal memorabilia, heavy metal music, heavy metal music 1980, heavy metal on vinyl, Heavy Metal Reviews, heavy metal vocalists, Music, old school hard rock, old school heavy metal, rock music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on September 3, 2009 by Metal Odyssey

main-150KISS. I have the fever… it is the addiction to this enormous American Heavy Metal juggernaut that hooked me back in grammar school… the (gulp), 1970’s that is. Over this past Summer of 2009, (actually it goes back to last Winter too), I have ultra consistently listened to the KISS album “Unmasked”… after each listen I am a better Metalhead for it. Unmasked  was released back on May 20, 1980, right before I embarked on my High School years. By now, for anyone who reads my stuff regularly, may be tired of my mentioning that I owned 8 track tapes… still, I need to tell the world that I owned Unmasked on 8 track, thank you all for understanding. The memories that get stirred up inside my Metal mind, each time I listen to Unmasked are good ones… the Summer of 1980… going to the UCONN Basketball Camp, collecting odd and evil looking spiders in my backyard and having no worries in the world other than entering a new teenage chapter in my life.

Now that the memories are out of the way, I could care in the least about the controversy, rumors or paid professional Rock critic reviews regarding Unmasked. Frankly, like the scene from Gone With The Wind, the character Rhett Butler (played by Clark Gable), says sternly to Scarlett O’ Hara (played by Vivien Leigh), “Frankly my dear, I don’t give a damn”. That is it in a Metal nutshell… I don’t give a damn. The last time I checked, this album peaked at #35 on the U.S. Billboard Album Chart and was certified Gold by the RIAA on July 30, 1980. So there obviously were other KISS fans out there who liked this album too, going all the way back to 1980. I have read over the years, that Peter Criss never played drums on the Unmasked album, that Anton Fig played all the drums and was uncredited in the liner notes. Again, I don’t give a damn.

Shandi was the song that was supposed to be the big hit from Unmasked… or so I have read over the decades. Was it the big single? I don’t give a damn. All I know is that this song reminds me of lazy, hot, sunny and care free Summer days of when I was fourteen years old. When I listen to Shandi now, it makes me feel good… so Metal be it. My favorite song from Unmasked is… a tie. Is it possible to have a tied favorite of songs from one album? I don’t give a damn. Here they are: Is That You? and What Makes the World Go Round. Is That You? opens up this album in the finest of KISS fashion, it is a song in my Metal opinion, that embodied everything that critics of KISS hated most… contagiously hard driven grooves and bad ass lyrically. KISS could not have chosen a better opening song for Unmasked. What Makes the World Go Round is probably the one KISS song that gets played the loudest by me – ever. I quantum like it, therefore that is it. Metal case closed. It is my Metal opinion that Paul Stanley sings outstandingly great on this album. The original vinyl version of Unmasked came with a very large poster, depicting KISS in a comic book/cartoon form, shunning their KISS masks to reveal their faces with KISS make up still on. (This is shown on a smaller scale, on the very bottom of the album front cover). I did inherit this album on vinyl with it’s bonus poster, years ago – in a trade. 

She’s So European and Naked City are Gene Simmons songs personified. As I see it, these two Gene Simmons songs stand side to side with his vocal classics God of Thunder and Christine SixteenTwo Side of the Coin is an Ace Frehley classic. I cannot express any other way, the Metal conviction I feel towards this song… it Rocks. There is no need to make any other unnecessary comments about it. I listen to and write about the bands and albums that have made my life enjoyable, KISS Unmasked is as perfect an example of this. I never have and never will, get caught up in what the professional overpaid critics of the Rock world say about a band or album. Even if such said band does not care for their own specific album or song they created, if I still dig it, well then, I don’t give a damn.

fullsize

Gene Simmons – My third favorite KISS solo album

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's rock music, 1980's heavy metal bands, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic metal, classic rock, classic rock 1978, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, Gene Simmons, Hard Rock, hard rock guitarists, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 1978, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , on September 1, 2009 by Metal Odyssey

Kiss - Gene Simmons solo album small picGene Simmons, The Demon, bass guitarist for KISS, music producer and actor. (The many hats this legend has worn are numerous, quite the achiever is Gene Simmons, in my Metal opinion). Gene Simmons always seems to stay in the public eye, the limelight follows this Heavy Metal icon everywhere he goes… with “Celebrity Apprentice” and his very own family reality series “The Family Jewels” making his presence seen and known while KISS is idle. A short while back, I started writing about my favorite KISS solo albums, in preferential order, no less. Why am I doing this? First, I am celebrating the four original members of KISS, their solo albums being what I consider to be quite a historical achievement in Heavy Metal and Rock history. The quality across the board is apparent in the music that Gene, Paul, Ace and Peter created with their solo albums… my reminding and/or informing anyone who is interested in these great KISS solo albums makes for a fine Metal deed. For me to list in order, my favorite KISS solo albums, (it is not etched in Metal stone here), deciding the sequence of which album ranks 1 thru 4, is based on which album has given me the biggest Metal listening thrill over the decades.

As for the songs on this album, the best interpretation for me, as a whole, is Hard Rock and Rock Music that showcases the diversity in the vocals of Gene Simmons and the talent of his being a highly respectable guitarist. Gene Simmons plays electric and acoustic guitar throughout his solo album, he does not play bass guitar here. While with KISS, there are not many moments where Gene Simmons diversifies with his vocals, (that has always been fine with me), plus Gene Simmons plays bass guitar exclusively while with KISS. Looking back, this album was a great opportunity for Gene Simmons to eradicate the expected, delivering on the unexpected… “When You Wish Upon A Star” is the finest example that I could possibly point out. Now, do I like listening to Gene Simmons sing this song? As a teenager, back in the late 70’s into the ’80’s… no, I could never understand why Gene Simmons would have done this song. I actually would deliberately not listen to it after I heard it the first time. Fast forward to 2009, well, I now like this rendition of “When You Wish Upon A Star”, the softer side of Gene Simmons is rather a relaxing listen… (I guess I am getting softer as I get older). Plus, as a Metal bonus, my nine year old twin daughters really dig this song… and Gene Simmons too.

My favorite song is the album opener “Radioactive”, it just glistens with Old School KISS, courtesy of Gene Simmons, of course. His vocals are exactly what you would expect on this song, the commanding and sinister tone that is part of the Gene Simmons persona. I really like the vibe I get from “See You Tonite”, just a solid Rock song that has swirls of late ’70’s sound. “True Confessions” is another Classic Rock song that standouts with the background vocals of Helen Reddy… yes, Helen Reddy. This Gene Simmons solo album was the strongest seller out of the four KISS solo albums, I can honestly understand why, after owning and listening to these songs for years. This Gene Simmons album may not be my favorite out of the four KISS solo albums, yet it does not mean squat when I look at the big Metal picture… this Gene Simmons album is a Rock Classic.

Some of the guest musicians on this Gene Simmons solo KISS album: Rick Nielsen, guitarist of Cheap Trick appears on “See You In Your Dreams”, (Rick Nielsen’s name is spelled incorrectly, by the way, in this albums liner notes, Neilson), Bob Seger – background vocals on “Living In Sin” and “Radioactive”, Joe Perry of Aerosmith plays guitar on “Radioactive” and “Tunnel Of Love”, Donna Summer – background vocals on “Burning Up With Fever” and Cher – voice on phone call during “Living In Sin”. These guest music celebrities that appeared on this album make for excellent Rock Music trivia… not every Metalhead in the world is going to know that Donna Summer appeared on the Gene Simmons solo KISS album.

KISS Gene Simmons - solo album large pic

“Frankenstein” – The Edgar Winter Group Rock Classic, an Over Kill Thrash Metal cover song

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's thrash metal music, 1980's metal music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's thrash metal albums, 1990's thrash metal bands, 1990's thrash metal songs, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock albums, classic rock bands, classic rock cover songs, classic rock instrumentals, classic rock music, classic rock music 1972, classic rock songs, cool album covers, essential classic rock albums, essential thrash metal albums, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal cover songs, Metal, metal music, metal odyssey, Music, old school hard rock, old school thrash metal music, Over Kill, Rock, rock music, Thrash Metal, thrash metal albums 1991, thrash metal cover songs, thrash metal music, thrash metal music 1991, thrash metal music instrumental songs, thrash metal music reviews, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 31, 2009 by Metal Odyssey

The Edgar Winter Group "They Only Come Out At Night" small picIf I had to choose one of my favorite Rock instrumental songs of all time, there is no doubt “Frankenstein” comes to mind. The Edgar Winter Group released “They Only Come Out At Night” in November of 1972, this is the album you will find this original song on. Written by Edgar Winter, how ahead of it’s time was this song? Realistically, this now Classic Rock masterpiece of an instrumental song was as diversified as it was heavy. The multi talented musicianship of Edgar Winter is standout on “Frankenstein”, with the keyboards creating enough spookiness to validate the song’s title. The saxophone, in my Metal opinion, has always had a macabre sounding affect on me, only adding to the overall eerie coolness that “Frankenstein” erupts. I fell Metal head over heels for this song decades ago… I still slap this song on very frequently, especially around Halloween. Seriously, this song just goes perfect when Autumn arrives… once October hits, I have plenty of scary and heavy songs to bust out and revel in their dark side glory, “Frankenstein” leads the pack. No Halloween season can ever get by me, without listening to this song on a consistent basis. The Edgar Winter Group released a mammoth of a Rock album with “They Only Come Out At Night”, “Frankenstein” just made this release immensely complete, with it’s inclusion.

Now, step in… Over Kill. “Horrorscope” was released on September 3, 1991 and on this album, Over Kill includes the cover version of “Frankenstein”. The running time of this Over Kill  cover version comes in at 3:29, compared to The Edgar Winter Group’s original version of 4:44. Despite the shortened length of time, Over Kill demonstrated a monstrous Thrash Metal approach to honoring such a legendary Rock instrumental classic. Yes, I bought this Over Kill album within the first week of it’s release back in 1991, (I still have it on cassette too). When I first listened to Over Kill’s Thrash Metal burn on “Frankenstein”, I was stunned, all I felt was the immediate power force of guitar, bass and drums all coming together like a Metal typhoon. The only word that I honestly can remember saying aloud, listening for the first time to Over Kill’s cover version was… whoa. I also dropped plenty of complimentary f-bombs alongside the adjectives of great, incredible and insane. I still do, when talking about this Over Kill cover of “Frankenstein”. I will not lie, I look upon Over Kill, past and present, as if they were and still are the Thrash Metal kings of the entire universe. That type of Metal bias has no persuasion whatsoever, when I tell the entire planet that this cover by Over Kill is one for the Metal record books. As for the “Horrorscope” album itself… Thrash Metal of profound intensity.

I will succumb by stating, I honestly without a Metal doubt, cannot choose one version of “Frankenstein” over the other. This is a wicked example of how an original Rock Classic can be so legendary and inspiring, yet the cover version with all of it’s grand Thrash Metal bite and might, results in my saying it is a Metal tie. September is just around the corner… October shall be upon us very soon… “Frankenstein” will be played very loud by me very many times starting now… my home stereo speakers are going to get a Metal workout like they never experienced before.

Over Kill "Horrorscope" album large pic

BLUE OYSTER CULT – “Fire Of Unknown Origin”, 1981 album is a Rock Classic

Posted in 1980's classic rock bands, 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's rock albums, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, heavy metal vocalists, metal odyssey, Music, old school hard rock, old school heavy metal, Rock, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , on August 27, 2009 by Metal Odyssey

Blue Oyster Cult "Fire of Unknown Origin" small picBlue Oyster Cult released “Fire Of Unknown Origin” in 1981, which was perfect timing for me. I already had Kiss, Foreigner, Cheap Trick, Queen, Ozzy Osbourne, AC/DC and Bad Company in my system back then, being wowed by Blue Oyster Cult was my ears next step in branching out into the Heavy Music world. Back in 1981, there was the choice of buying music on 8 track, I bought “Fire Of Unknown Origin” on this medium – thank you very much. (I no longer have this 8 track from yesteryear, the 8 track player is a memory as well). This album is just another example of what melded my Metal and Hard Rock Music tastes at a young age, (I was fifteen years old in 1981). Another stepping stone album, if you will, towards the lifetime of Metal and Hard Rock Music adoration that I behold. In my Metal opinion, this BOC album is an early 1980’s Heavy Metal meets Hard Rock album, that has consistently lured me back for many a listen over the years.

I always appreciated the lead vocals of Eric Bloom. The mellowness that carpets his vocals is a signature sound of BOC. The biggest hit from “Fire Of Unknown Origin” was “Burnin’ For You”, where the vocals of Eric Bloom and the semi-heaviness of the music really compliment one another. This song was a mainstream FM radio favorite for years, one of my favorite Hard Rock songs ever. “Joan Crawford”, “Heavy Metal: The Black and Silver” and “Fire Of Unknown Origin” are three other songs from this album that I could never get enough of. I have always liked this entire album, “Fire Of Unknown Origin” comes highly recommended from me to younger and new fans of BOC and/or Classic Rock. This is one of those times where I honestly state, this is just a great album of Hard Rock and heavy songs, a true classic.

Blue Oyster Cult "Fire of Unknown Origin" large pic

JOE SATRIANI “Surfing With The Alien” – My music of choice for today and many days to come

Posted in 1980's classic rock guitarists, 1980's hard rock albums, 1980's heavy metal albums, 1980's instrumental rock albums, 1980's rock albums, 1980's rock music, 1980's classic rock, 1980's classic rock music, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, Guitar, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, heavy metal album covers, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal solo albums, heavy metal solo artists, instrumental guitar rock albums, Music, old school hard rock, old school heavy metal, Rock, rock guitarists, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 26, 2009 by Metal Odyssey

main-150I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all time is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.

When I listened to “Surfing With The Alien” today, I never stopped to think about what these songs would be like if lyrics were to be put into the mix. (I am thinking it now, though). That is what a great guitar instrumental album will do for me, the focal point is the guitar brilliance of Joe Satriani, no vocals are necessary. The guitar play of Joe Satriani is what speaks, in essence, that is what it should do. I have always equated a great guitar player, as a musician who can make me hear and feel the emotion that erupts from the notes and chords they play. At 1:46, “Hill Of The Skull” may be one of the shortest songs on this album, yet this is the one that overflows the most emotional feeling – for me. Surfing With The Alien” is hands down, the most popular and fastest song from this album, a quick fix for getting back on my feet and body slamming any negative thoughts in my brain. If I had to describe this album in just two words, they would be: groove saturated. “Always With Me, Always With You” and “Echo” are not just crossover songs to lure the easy listening crowd into the outskirts of Heavy Music, these are songs that encapsulate the upbeat harmony and instinctive music writing genius of Joe Satriani.

My favorite song on “Surfing With The Alien” is Ice 9″. Oh man, do I really like this song. By process of elimination, there is going to be the one song out of the ten found here, that sends it straight through me.“Satch Boogie” is a song that reels me in as well, it shows just how dynamic Joe Satriani had become as a player, on just his second album release. Listening to just this CD today really did make my day that much better. It is not that often that I will listen to only one CD for an entire day… this has definitely been an exercise in Metal constraint for me. To not slap in some Death Metal, Black Metal or straight up Heavy Metal within today’s routine, only justifies how much I really enjoy this album and Joe Satriani’s guitar. Tomorrow I will go back to my daily mix of Metal listening, still I guarantee that I will crank up “Ice 9” once again.

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BOSTON – “Don’t Look Back” sealed album provides a very cool Classic Rock find

Posted in 1970's classic rock albums, 1970's classic rock albums sealed, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's rock music, 1980's classic rock music, 1980's hard rock, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock 1978, classic rock album finds, classic rock albums, classic rock bands, classic rock music, classic rock songs, collecting classic rock, collecting music, collecting rock music, cool album covers, essential classic rock albums, essential hard rock albums, essential rock albums, everyday experiences, flea market finds, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, hard rock vocalists, Music, old school hard rock, Rock, rock & roll, rock album reviews, rock and roll, rock and roll memorabilia, rock music, rock music vocals, rock vocalists, thrift store finds, thrift store rock music finds, vintage hard rock albums, vintage rock album finds, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 25, 2009 by Metal Odyssey

main-150On one of my recent Hard Rock/Heavy Metal hunts via the second hand route, I came across a true Classic Rock album that I grabbed ahold of within milliseconds of spotting it… Boston “Don’t Look Back”. As a Metal bonus, this great album is also – still factory sealed. That is so right, this vintage Boston album which was released on August 2, 1978, has still, it’s original plastic wrapping protecting it for thirty one years. I never owned “Don’t Look Back” on album before, finding a mint copy of it now, in 2009, is so fine. Sure, I have Boston on CD, yet landing one of my favorite Classic Rock bands on sealed vinyl, on a trip to a thrift store unleashes a cool high for me… every time. I realize this price always gets mentioned when I write about my vintage album finds, it is the truth when reveal it only cost fifty cents. Yikes, that is cheaper than most of the plastic prizes my daughters pay for at the (what I still call) bubble gum machines in front of the grocery stores.

I just can’t say enough about the song writing found on “Don’t Look Back”, the music and lyrics are just prime examples of what Classic Rock and Hard Rock is about. This is an album where the two biggest hits are my favorite two hits as well. Going on decades now, the guitar leads on the song “Don’t Look Back” still sends me into a Hard Rock high. If “A Man I’ll Never Be” has gone down in Rock Music history as a ballad, then so be it. Musically, it really cannot be disputed as a ballad… so I just consider this song as my second favorite ballad of all time. (My favorite ballad ever is “Home Sweet Home” by Motley Crue, which I posted on this Metal Odyssey blog in recent weeks). As I stop to ponder, Boston was/is in a Hard Rock class of their own… what other band out there really sounds like them, musically or vocally? Orion The Hunter comes to mind, with their one album, (released on May 9, 1984). Realistically, Orion The Hunter sounded like Boston due to the band members being: Boston guitarist Barry Goudreau, lead singer Fran Cosmo (who became the vocalist for Boston in the 1990’s) and the late Brad Delp who provided background vocals on the “Orion The Hunter” album. Honestly, can a spinoff  band of Boston count when trying to name another band that has that legendary Boston sound?

This is what makes hunting for Hard Rock and Heavy Metal music so interesting… once I land a find, I begin to seek out further the history and Rock Music family tree of the band and album I find. All of this Hard Rock happiness and it only cost fifty cents. I am not too interested in opening the sealed plastic wrap that has protected this album for so long… I am quite content to just stare at it and keep it as a Classic Rock collectible for now. In the end, looking for Hard Rock and Heavy Metal finds can be an educational trip into Rock History. Plus, paying fifty cents for a Boston album that is originally sealed, is extremely more frugal and genuine than paying fifty thousand dollars to rent out twenty eight acres of fun, for one week, on Martha’s Vineyard.

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FOREIGNER “Double Vision” – a Classic Hard Rock album revisited

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's rock music, 1980's classic rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, essential classic rock albums, essential hard rock albums, essential rock albums, Hard Rock, hard rock songs, hard rock vocalists, Music, old school hard rock, Rock, rock album reviews, rock and roll, rock music, rock vocalists, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2009 by Metal Odyssey

main-150Foreigner, a Hard Rock band that opened the doors to the world of Heavy Music for me. Double Vision”, an album that I consider to be one of the greatest Rock or Hard Rock albums ever created. On June 20, 1978, “Double Vision” was released. On January 26, 1979, I received this revered album as a birthday gift from my late mother. I was able to choose an album, just one album, on a trip to the Caldor department store… Foreigner “Double Vision” was my choice, on that birthday. Each year that passes by, these fond memories only grow stronger. Man, if I was to say I have listened to this album more times than any other album, it would not be a stretch. Back in 1979, I was only listening to a handful of Hard Rock bands that would eventually guide me into evolving into the Metal Music loyalist that I am today. I was thirteen years old and completely blown away by this album and band… I listened to every lyric, every chord, every note, that erupted from these songs. Foreigner was actually teaching me, at this very young age, that Hard Rock music this enormous could and would make my life enjoyable. I continue to reflect, to revisit often, the bands and albums that molded my heavy music tastes. 

From the very first listen to “Double Vision” until this very day, I honestly would choose “Blue Morning, Blue Day” as my favorite song from this album. I completely reject any notion that this song is a ballad. In my Metal opinion, Lou Gramm was at his most impeccable, vocally, on this song. My second favorite song from this classic album is a clear choice… the instrumental “Tramontane”. Whoa, when I first listened to “Tramontane”, it was my introduction to what a Rock instrumental really was and really sounded like. I realized then, at thirteen years old, that Rock and Hard Rock music did not always need lyrics to sound amazing. “Hot Blooded” and “Double Vision” are the two super hit singles from this album that literally sent psyched up – shock waves throughout my entire body. Here I was, only a few years removed from listening to a dozen or so 45 rpm’s that were my mom’s from her teen years… I went from Buddy Holly and The Everly Brothers, straight to the Hard Rock strength of Foreigner. Back in 1979, at age thirteen, this was one thrilling Rock Music leap for me. In 1979, Foreigner joined Kiss and Cheap Trick to round out my big three heavy bands that I was so ecstatic over. Queen and Bad Company were right behind them… trust me when I say that once 1980 rolled around, I was in a Hard Rock and Heavy Metal whirlwind of wonder.

Once “Double Vision” was locked into my system, I needed more Foreigner… so I delved into their debut album by buying it in the Summer of 1979. “Head Games” was released in 1979, with “4” coming out in 1981, both of these Foreigner classics I took to as well. When it was all said and done, my winner was and always will be “Double Vision”. The albums Foreigner released after “4” seemed to take off into a different Rock direction, I never could grasp onto any Foreigner ballads. I was already too spoiled by the first two Foreigner albums to really embrace any Pop Music ballads that they made so hugely popular in the mid to late 1980’s. As I look back now, it is the “Double Vision” album that is really Foreigner, this is one of the albums that took hold of a thirteen year old back in 1979 and set him straight on a life long path of Heavy Music listening bliss. I have absolutely no regrets, just a ton of Metal gratitude to Foreigner.

Foreigner, as they appeared on “Double Vision”: Mick Jones on guitar, Lou Gramm on lead vocals, Ian McDonald on guitar & keyboard, Al Greenwood on synthesizer & keyboard, Ed Gagliardi on bass and Dennis Elliott on drums.

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BLACKFOOT – “Highway Song” was there when I needed it

Posted in 1970's southern rock music, 1970's classic rock music, 1970's rock music, 1980's classic rock bands, 1980's rock music, 1980's southern rock music, 1980's classic rock music, 1980's southern hard rock, 1980's southern rock, classic hard rock, classic rock, classic rock albums, classic rock bands, classic rock music, classic southern rock, everyday experiences, everyday social experiences, family, feel good stories, highway traffic stories, old school southern rock music, road trip stories, rush hour traffic stories, southern hard rock, southern hard rock albums, southern rock, southern rock 1979, southern rock albums, southern rock music with tags , , , , , , , , , , , , , , , , , , , on August 23, 2009 by Metal Odyssey

6085149Blackfoot has always been one of my favorite Southern Rock Bands, their songs and sound flat out Rock for me. The history of Blackfoot includes a long list of musicians, this is one band that has seen it’s share of lineup changes over the years. My favorite years of Blackfoot Southern Rock were definitely 1979 through 1981. The Blackfoot albums released during those years were “Strikes”, “Tomcattin'” and “Marauder”. The CD “Blackfoot Greatest Hits”, (pictured here), contains ten songs representing these three albums, which was at Walmart a couple of years ago… for five bucks I bought it without question. Admittedly, I do not own any other Blackfoot albums, so picking up a Greatest Hits of Blackfoot was essential sooner or later. I really get into this Blackfoot CD during the Spring through Autumn months… probably due to the fact I always equate Southern Rock to warmer weather. Go figure. The first track on this CD is  “Highway Song”, my favorite Blackfoot tune ever. This CD I played in my car recently, the timing of listening to “Highway Song”, on this particular small road trip, could not have been any better, here is how it all unfolded…

My family wanted to go shopping, (for back to school clothes), at the very large mall… this is the big one, the biggest mall in the area where we live. It is not a problem at all for me to join them… this oversized shopping mecca has a Hot Topic, therefore I can have a store of interest to check out. We embarked on our mall trip at around 5:30 p.m. – rush hour on the highway. I have never been a huge fan of rush hour congestion on the roadway, especially the highway. I spent too many years, like millions of others, wasting away hours on end, inside of a car, due to the rush hour creep. Thank heaven for the inventive mind or minds that decided to put stereo systems into cars decades ago. Having a CD player in the car has become an accepted necessity for me, music can not just entertain during a rush hour debacle, it can get me through psychologically during a highway traffic jam. We sure enough, didn’t even get onto the highway before realization set in… the traffic ahead of us was moving slower than we could walk. Step in “Highway Song”, as this Blackfoot CD played, It finally hit me that this was the best song to have playing, while stuck in a sea of cars moving at 3 mph. 

What should have been a fifteen minute trip down a straight highway became a forty minute stop and go. It appeared that there was no traffic accident, no highway construction, nor was there any debris in the roadway causing this delay, nope. The rush hour tie up seemed to be, in my Metal opinion, the one word that traffic reporters have used for many years now… phenomenon. You know, when traffic will slow down to a crawl for no apparent reason at all. It is like a domino affect, once the first car slows down, the rest in line have no choice but to follow suit. I have been involved in many, many, many, worse and longer rush hour scenarios throughout my life, this was definitely not the end of the world. Still, it was cool that the one CD I decided to listen to, even before our car reached the highway, was this Blackfoot Greatest Hits with “Highway Song” just getting started. What were the odds of this moment coming together? My listening to this song and the entire CD on our rush hour adventure to the mall, made the trip feel like the fifteen minutes it usually takes to get there. The bottom line is, Blackfoot and “Highway Song” made this rush hour jam easier to take.

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JOURNEY – “Arrival” is a 2001 album I finally bought in 2009

Posted in 1970's classic rock bands, 1980's classic rock bands, 1980's rock albums, 1980's rock music, 1980's hard rock, 1990's hard rock music, Album Review, classic hard rock, classic rock, classic rock albums, classic rock bands, classic rock music, essential classic rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, hard rock vocalists, Music, old school hard rock, Rock, rock album reviews, rock music, rock music vocals, rock vocalists, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 20, 2009 by Metal Odyssey

main-150When it comes to Rock and Hard Rock Music, I always have put Journey on my listening rotation. I am guilty of not keeping up with the purchases of new CD’s over the years from Journey, “Arrival” is a perfect example of this. After the 1986 album “Raised On Radio”, I never picked up “Trial By Fire”, “Arrival” (until now) or “Generations”. You betcha I did grab a copy of “Revelation”… the Walmart 2 CD/1 DVD version too. It is not as if I totally forgot about Journey, these albums are just victims of the hordes of releases out there I have always wanted to buy… financially it is impossible to buy everything. Man, I am impressed by this Journey album… more than that, I cannot believe it took me this long to land “Arrival” into my music collection. I guess after each listen to “Arrival”, all I can really say to myself is what was I waiting for and thinking?  (I should have just bought this album years ago and stop worrying about how much money I spend on music!). I can’t comprehend how this album has not sold over a million copies? What gives? If “Arrival” was fronted by the legendary Steve Perry and released back in the 1980’s, it surely would have been multi platinum… wouldn’t it? Who knows, we shall never know, it is all make believe speculation on my part. All I do know is that “Arrival” is chock full of Rock and Hard Rock songs that are premium quality, in my Metal opinion. The song writing on “Arrival” is so outrageously good, I shake my head and thank the fact Journey is still around Rocking today.

Neal Schon is tremendous on guitar, (as usual), especially on “Livin’ To Do”… a choice favorite song of mine from this album. “Higher Place” is the opening song, the one and only song I was familiar with before I bought “Arrival”. “Higher Place” is the perfect table setter for this album, it has all things Journey about it happening. “I Got A Reason” is another song that really stands out for me, the lyrics and upbeat melody delivers plenty of highs here.  Steve Augeri on lead vocals does sound extremely close to Steve Perry… yet I will always state – there is only one Steve Perry, only one. With that off my chest, Steve Augeri does a smash up job on lead vocals, this guy can sing. On “With Your Love”, Steve Augeri makes me really like a ballad for a change. Neal Schon again, on guitar, adds the strength to this ballad that makes it rise up with musical emotion. I cannot hesitate to recommend “Arrival” to any fan of Classic Rock and Hard Rock, of any generation. Walmart has this CD in their retail store… that is where I found “Arrival”, plus it was an even five dollars. Five dollars, for a sealed (not used) CD… there are many times the Walmart CD aisles Rock.

Journey, as they appeared on “Arrival”: Neal Schon on guitar & backing vocals, Steve Augeri on lead vocals, Jonathan Cain on keyboards & backing vocals, Ross Valory on bass guitar & backing vocals and Deen Castronovo on drums & backing vocals. “Arrival” was released on April 3, 2001.

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Bob Welch – “French Kiss” 1977 Classic Rock album revisited

Posted in 1970's classic rock albums, 1970's classic rock music, classic rock, Music, rock and roll, rock music with tags , , , , , , , , on August 17, 2009 by Metal Odyssey

main-150On November 18, 1977, Bob Welch “French Kiss” was released. I was eleven years old then and my beloved New York Yankees were the World Champions of Major League Baseball, defeating the Los Angeles Dodgers. At age eleven, the only Heavy Metal band I was listening to was Kiss. Back in 1977, Thrash Metal, Death Metal, Black Metal and Extreme Metal were non-existent. I did not know what I was missing, at this young age I listened to whatever was on the AM radio dial. Quite honestly, I was not exposed to any FM radio stations back in 1977… it all sounds so unreal now, whew. Catching American Bandstand and the legendary Dick Clark on Saturday afternoons was another outlet for this eleven year old, to be exposed to the current Rock Music of 1977. At age eleven, heck, I did not have the exposure to Black Sabbath or Led Zeppelin just yet… or any vintage Heavy Metal bands of the early to mid 1970’s. Step in… Bob Welch.

The reason why I reflect on Classic Rock Bands and musicians that are light years removed from Metal Music, is the simple fact that this was the Rock that I was exposed to and listened to at such a young age. In essence, Bob Welch and his style of Rock Music was the beginning or starting point of mainstream Rock for me, just as Kiss was. Why should I ignore or deny this fact?  There is no reason to… that is why I am reflecting on Bob Welch and his “French Kiss” album, right here, on Metal Odyssey. I always have cherished my roots in life, the Rock Music that I grew up on, listening to, is part of these roots.

“French Kiss” is an album that went platinum for Bob Welch, with the two big hits being “Ebony Eyes” and “Sentimental Lady”.  Sure, listening to this album today brings back memories of being a kid, yet what is wrong with that? “Ebony Eyes” is a revved up, solid chunk of Classic Rock as you could possibly find… “Sentimental Lady” is that Sunday drive type of Easy Listening Rock, (at least that is how my wife describes it and I have to agree with her). “Sentimental Lady” is still a cool, mellow Rock song, nonetheless. This song was originally recorded with Fleetwood Mac, when Bob Welch was a member of this iconic Rock band. The overall musical flow and feel to “French Kiss” is unmistakably 1970’s Rock, bringing back visions of “The Love Boat” and “Fantasy Island”on Saturday Night’s ABC Television. I find it interesting to get a little retrospective with my Rock Music every so often, mixing it up nixes the monotony.

My late sister introduced me to the 45 rpm of “Ebony Eyes” back in 1977, due to that lasting memory and Bob Welch being a cool vocalist and musician, I bought “French Kiss” a couple of years ago on CD. Bob Welch has a voice that is unique, with a coolness about it that just exemplifies Classic Rock from the ’70’s era. No Metal Music on this CD… “French Kiss” is not Disco… just some really good Classic Rock that I find to be a quality listen… ever since 1977.

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DEEP PURPLE – “Deepest Purple” is a Space Truckin’ ride back to the ’70’s

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's hard rock, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, cool album covers, essential classic rock albums, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock drummers, hard rock guitarists, hard rock music this decade, hard rock songs, hard rock vocalists, heavy metal music, Music, old school hard rock, Rock, rock album reviews, rock keyboard musicians, rock music, rock vocalists, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 16, 2009 by Metal Odyssey

main-150Is it just me thinking this way? Deep Purple “Deepest Purple”, (subtitled “The Very Best of Deep Purple”), is the epitome of what a Rock/Hard Rock Greatest Hits album is supposed to be. These Deep Purple classics are hands down, sensational and historical Rock Music. Gimme a break, how can any generation not want to embrace these songs? These Deep Purple songs are perfect examples of just how amazing the song writing was in Rock and Hard Rock, back in the 1970’s. Could Deep Purple have been ahead of their time? I certainly think so, by at least a decade. The hardness, forget about the heaviness for a second, is what drives these Deep Purple songs to the top tier of  Rock and Hard Rock history, in my Metal opinion. Just stop to think about this, for a Metal second… how many new Rock or Hard Rock bands out there today, could actually put out a Greatest Hits album, down the road, with such impeccable and recognizable songs? “Smoke On The Water” and “Highway Star” are two Hard Rock songs alone, that represent a generation of Rock and Hard Rock music and the decade of the 1970’s. “Fireball” and “Child In Time” are just the icing on the Hard Rock cake here.

Certainly, I am not going to argue the clear fact that we had genre and decade defining Rock and Hard Rock groups during the 1970’s such as The Beatles, Led Zeppelin, Queen, ELO, Yes, Boston, Moody Blues, The Doors, Molly Hatchet, Bad Company, Kansas, Aerosmith, ZZ Top, Pink Floyd, AC/DC (Bon Scott era), Lynyrd Skynyrd and Ted Nugent. The list of iconic Rock and Hard Rock bands from the 1970’s is huge. You betcha. Of course I missed mentioning some well deserved bands and solo musicians here… this post would be gigantic if I was to make a master list. My point I am making is this… there was Deep Purple, man, and they rocked liked no tomorrow during the decade of the ’70’s – “Deepest Purple” is sound Rock and Hard Rock proof of that. If a time machine really did exist and I could rent one, (I am certain that I would not be able to afford to buy one), I would get on that Rock and Roll mother ship and take a ride to a vintage Deep Purple concert back in the 1970’s. (I am positive that Connecticut would have one hefty and major time machine tax, Senator Christopher Dodd would be all over that one – if a time machine existed).

Back to Deep Purple… I could not complain about which lead singer would be fronting this legendary band… if I was to go back in time to see them in concert, it is pick ’em at lead singer  –  for all I care! David Coverdale, Ian Gillain, Glenn Hughes or Tommy Bolin as lead singer… it would not matter, I would be cheering on this 1970’s version of Deep Purple like a psyched out, Hard Rockin’, “Space Truckin” fan! Aw heck, throw in the late 1960’s lead singer Rod Evans for good measure too, he counts. I am not by any shape or form, taking away the great Hard Rock achievements of the Deep Purple lineups of the 1980’s through present day, no way. This Deep Purple music dynasty is special, an undisputed Hard Rockin’ franchise. I just have that Rock and Roll fantasy once in awhile, this whole time machine journey to see Deep Purple in the ’70’s is one. So, the next time you hear, “Woman From Tokyo”, “Burn” and “Stormbringer”, not to mention the other great hits of Deep Purple, earlier mentioned, just remember when they were written… these songs epitomize the label of – timeless. “Space Truckin'”… ’nuff said.

I tip my Metal Music hat to all the past and present musicians of Deep Purple, especially Ritchie Blackmore on guitar, Jon Lord on keyboards, Roger Glover on bass guitar, Joe Lynn Turner on lead vocals, Nick Simper on bass guitar, Joe Satriani on lead guitar and Ian Paice on drums. I thank Don Airey on keyboards and Steve Morse on guitar for keeping the Deep Purple – Hard Rock machine turnin’ and churnin’ to this day. If it wasn’t for Deep Purple, Metal Music as we know it today, probably would not sound so cool. That… is my Metal opinion.

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Ace Frehley – my second favorite Kiss solo album

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's Rock, 1970's rock music, Album Review, classic hard rock, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock music, classic rock music facts, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, Music, old school heavy metal, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 9, 2009 by Metal Odyssey

main-150Ace Frehley will always be my choice pick for the guitarist of Kiss. Ace Frehley was the original guitarist and in my Metal opinion, the best at lead guitar for Kiss. I few posts ago, I stated that my favorite Kiss solo album of all time is Paul Stanley. I cannot backtrack that sentiment, the Paul Stanley album is for me, #1. With that said, out of the four Kiss solo albums, Ace Frehley is clearly my #2 choice. My fellow peer in Metal blogs over at The Metal Files, (a cool Metal Music blog that is worth the visits), commented his favorite Kiss solo album is Ace Frehley… this spurred me into delving into the Ace Frehley solo album once again. I do own the Ace Frehley solo album, (released on September 18, 1978), a record that has been with me for decades. I actually bought this Ace Frehley vinyl from a cut-out bin, from a small department store named Woolworths, back in the very early 1980’s. My Ace Frehley album has the top right corner actually cut off, therefore, that is probably why it was in a cut-out bin! Despite the cosmetic damage that this album cover suffered, the album itself and the large fold-out poster of Ace Frehley that was included with the album, never sustained damage from the cut-out process. (Each Kiss solo album had a large fold-out poster of the respective Kiss musician inside the album sleeve, with each of the four posters interlocking together, through die cuts, to form one giant Kiss collage, if you will).

Now, I have not ever owned the Ace Frehley solo album as a CD… until today. A trip to Best Buy had me, as usual, walking the CD aisles and staking out some Heavy Music that would pacify my Metal hunger. Well, Classic Heavy Metal has done it again… the Ace Frehley solo CD caught my eye, it was about time to upgrade my vinyl copy after all. I paid $7.99 for this Ace Frehley CD today, that is cheaper than buying a steak and a whole lot more gratifying too. “Rip It Out” and “Speedin’ Back To My Baby” are the first two tracks… I tag these two songs as being my two favorites. These songs have that Ace Frehley vibe happening, vocally of course, yet the guitar of Ace is so incredibly vintage. To plop a CD into the car stereo on the ride home and have the very first two songs crank like this… all I could say to myself as I drove was… Space Ace Rocks. As I continued to listen to Ace Frehley, it was a consistent reminder to me, as to how Rock legit his solo album was and still is. When I was much younger, back in 1978, I bought the 45 rpm of “New York Groove”, with the “B” side being “Snow Blind”. Both of these songs I do put on a Metal pedestal for the memories they stir… I was just a young, little dude playing this 45 record back in 1978, CD’s and ipods were non existent and The New York Yankees beat the Boston Red Sox – in a one game playoff for the American League East Division title. Plus, I had no bills to pay back in 1978 either. Ace Frehley as with all of the Kiss solo albums, bring back memories that money just can’t buy.

This Ace Frehley solo album did reach platinum sales status, (one million or more copies sold), peaking at #26 on the U.S. Billboard album charts as well. My fellow Metal blogging peer at The Metal Files commented Ace Frehley did not write “New York Groove”… Russ Ballard did. “New York Groove” peaked at #13 on the U.S. Billboard Singles chart. Not to sound like a television music show judge, excuse me by saying… Ace Frehley nailed it with “New York Groove”. Aw, heck, Ace Frehley nailed it on all nine songs too.

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Rainbow – “Bent Out Of Shape” 1983 album revisited

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock music, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, Music, old school heavy metal, rock music, rock vocalists, vintage hard rock albums, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on July 23, 2009 by Metal Odyssey

Rainbow "Bent Out Of Shape" small picRainbow was and still is one of the Hard Rock/Heavy Metal bands that I look upon with Metal reverence. The song writing, lyrics, musicianship, melodies, well, I could go on forever about why I have liked this band so much. Guitarist Ritchie Blackmore, in my Metal opinion, is a guitar legend, both with Deep Purple and Rainbow. Ritchie Blackmore collaborated with lead vocalist Joe Lynn Turner on a few releases, back in the 1980’s. “Bent Out Of Shape” is one of those albums they created, writing nine out of the ten songs together. “Bent Out Of Shape” can be taken as a commercial Hard Rock statement, only It is difficult for me to define this album as such. My standards for commercial Rock or Hard Rock/Heavy Metal definitely differ from other peoples standards. I need to hear consistent sappy ballads and/or radio – bubble gum – friendly songs before my stamp of commercialism is placed on an album. In other words, I feel “Bent Out Of Shape” is one mighty, melodic, Hard Rock album. Honestly, I have no problem with labeling “Bent Out Of Shape” as a Heavy Metal album. This album was released in 1983, the heaviness of Rainbow for back then, easily gave this band the label of Heavy Metal.

“Snowman” is the lone song that was not co-written by Joe Lynn Turner. This song is an instrumental, written by Ritchie Blackmore and Howard Blake. This song has a yearning feeling to it, an almost dream like atmosphere as well, I have always gravitated to it over the years. “Street Of Dreams” was the hit song from this album, plenty of FM radio play it used to receive as well. This song is very melodic, the keyboards play an integral musical role on this track. “Desperate Heart” is quite similar in style, to that of “Street Of Dreams”… both with melody and tempo. “Drinking With The Devil” is my pick for the heaviest song on this album, it has some cool edginess to it, with Joe Lynn Turner adding some tough attitude vocally. “Can’t Let You Go” is another notable song, tailor made for Joe Lynn Turner’s vocals. This song as with “Desperate Heart” and “Street Of Dreams” seems to fit the soul searching theme that I interpret from the lyrics. 

Overall, “Bent Out Of Shape” carries on the signature sound of Rainbow, with rich and vibrant keyboards courtesy of David Rosenthal and of course, the guitar play of Ritchie Blackmore. Joe Lynn Turner has the velvet vocals of Hard Rock/Heavy Metal, he continues to release some quality solo albums to this day. If I had to pick which version of Rainbow that I like best, of course I would choose the Ronnie James Dio fronted Rainbow. With that opinion aside, the Joe Lynn Turner era of Rainbow was and still is quite cool for me. I never can resist buying any music that Joe Lynn Turner has his vocals on, there is no doubt in my mind, that he has had an impressive career. For my taste, “Bent Out Of Shape” has not lost any of its Heavy Rock luster, as years pass. If anything, I still appreciate the quality of all of these songs on this album. In my Metal opinion, this Rainbow album is light years better than a good percentage of new Hard Rock music you hear on the radio or internet today.

Rainbow, as they appeared on “Bent Out Of Shape”: Ritchie Blackmore on guitars, Joe Lynn Turner on vocals, Roger Glover on bass and percussion, David Rosenthal on keyboards and Chuck Burgi on drums. “Bent Out Of Shape” was produced by Roger Glover.

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Journey “Evolution” – a delicacy of a Classic Rock Album

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, cool album covers, essential classic rock albums, essential hard rock albums, essential rock albums, hard rock album review, Music, Rock, rock album reviews, rock music, rock vocalists, vintage hard rock albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on July 21, 2009 by Metal Odyssey

main-150Journey, the Rock icon of a band. Journey “Evolution”, an album that is now referred to as a Classic Rock masterpiece… by me anyways. What else can one say about this incredible Rock album? Quite a bit can actually be said, this album established Journey, solidified them atop the Rock Music world for many, many, years. There could never be another Steve Perry, his vocals alone gave Journey their signature sound. In my opinion, there are lead singers that have vocals so breathtaking, they are the most important musical instrument in their respective band. I had felt this way about Steve Perry, with his years with Journey. Steve Perry’s vocals can never be duplicated, nor will he ever be forgotten by me as the lead singer for Journey. I will always appreciate Journey as the band they are today too. With that said, this is an article where I am celebrating the brilliance of a moment in time, one that can be listened to time and again, that moment was Journey’s “Evolution”, (released in 1979).

Neal Schon, the lead guitarist to this very day for Journey, is an impeccable musician as well. His song writing on “Evolution” alongside Steve Perry, Gregg Rolie and Ross Valory could very well be interpreted as a – how to write Rock Music handbook. I can remember appreciating and being thrilled by the Rock and Hard Rock songs on “Evolution” back in the day. Now, it is 2009 and I only appreciate this Journey album all the more. Yes, for me, this is a Rock album where I can honestly say, they don’t make Rock albums like this anymore. (Please excuse that cliche). If someone who has never heard a single song from this album was to ask me, which songs are standout, cool or great… my  answer would be all of them. “Lovin’, Touchin’, Squeezin’” is certainly the undisputed hit single from “Evolution”, plus “Just The Same Way” received it’s justifiable FM radio airplay for decades as well. Gregg Rolie sings lead on “Just The Same Way”, I have forever been impressed with his vocals on this song.

From the opening instrumental intro of “Majestic” to the very last song “Lady Luck”, you are hard pressed to find the commercial Rock Music that would years later, catapult Journey into the superstar stratosphere. This is what makes “Evolution” so important and favorable to me, that this was a Journey album that caught on with popularity for it’s Rock Music whole. It never hurt either, that the musical talent, creativity and skill with all the musicians of Journey were in sync on this album, thus, this made for the equalizer – where great Rock songs do not always become hit singles. Instead, as it holds true to this very day, great Rock songs become the building blocks of legendary Rock albums. “Evolution” draws it’s Rock Music strength from collective collaboration of the elite musicianship, with the end result being a revered/legendary Rock album of songs, not a greatest hits.

Journey, as they appeared on “Evolution”: Steve Perry on lead vocals, Neal Schon on lead guitar, Ross Valory on bass guitar, Gregg Rolie on keyboards and Steve Smith on drums.

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My favorite AC/DC song of all time is…

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's hard rock, 1970's heavy metal, 1970's Rock, classic hard rock, classic hard rock music, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock music, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock drummers, hard rock guitarists, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, Rock, rock and roll hall of fame inductees, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2009 by Metal Odyssey

main-150AC/DC – they are not just Rock and Roll Hall of Famers, this band is an elite institution of heavy music. I always pondered throughout the years… which song from the extensive catalog of AC/DC albums, is my favorite of all time? Is my favorite song from the Bon Scott era? Man, the late Bon Scott was unique, his vocals were and always will be legendary. The Brian Johnson era is power packed with amazing songs, could I take the easy route and pull my favorite tune off of the “Back In Black” album? That would be way too easy for me, it seems like choosing “Hells Bells”, “Back In Black” or “Have A Drink On Me” as my favorite AC/DC song, would be particularly predictable. I will not argue the fact it is a historical album, “Back In Black” surely paved the way for Heavy Metal commercial acceptance. Besides, I personally am forever grateful for AC/DC appointing Brian Johnson to succeed the late Bon Scott. “Back In Black” will forever be on my all time favorite album list.

Well, after all these years, probably since around 1979, (in which I was first aware that AC/DC existed and heard the classic “Highway To Hell” single on FM radio), my personal choice, for favorite AC/DC song ever is… “Touch Too Much” – from the “Highway To Hell” album, (released in 1979). Whew, do I get the AC/DC fever when I hear this song. I do not care how many times I have listened to this classic, this song rocks. Even after so many years have passed by, I still feel that certain rush go straight through my face each time “Touch Too Much” is cranked up. Yeah, you know, that psyched out feeling that engulfs your whole body, like you just drank a 2 liter bottle of happy sauce. This song does it for me – thank you very much. This song hits me from the opening note… I do not believe there is one nano second that is not cool on this song. Sure, the single “Highway To Hell” received all of the attention from this sacred AC/DC album, yet in my Metal opinion, “Touch Too Much” is a song that embodied a core heaviness that signified of continuous great things to come from this band. 

I am certainly not alone in saying that I revere both the Bon Scott and Brian Johnson eras of AC/DC. Choosing a single favorite song from this band, is like choosing which day of the week is my favorite… I am just happy to be alive and be in the position to enjoy each day of the week, for Metal sakes. Going back to “Touch Too Much”, as the old saying goes… the more things change, the more they stay the same… really listen closely the next time you hear this song, then imagine if it were to be released for the first time in 2009. “Touch Too Much” is a song that blows away at least half of the newly released Hard Rock or Heavy Metal songs that do get commercial FM or satellite radio play. Angus Young on guitar, Malcolm Young on rhythm guitar, Cliff Williams on bass guitar and Phil Rudd on drums and of course, Bon Scott on vocals, made this song happen and groove in a way that has affected me for life. This is my Metal opinion – long live AC/DC and this enormous song.

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Shaw Blades – “Influence” pays a solid tribute to Rock Music’s Roots

Posted in 1960's rock & roll, 1960's rock music, 1970's Rock, Album Review, classic rock, classic rock albums, classic rock cover songs, classic rock music, cover songs, essential rock albums, folk rock music, Music, Rock, rock & roll, rock album reviews, rock and roll, rock cover songs albums, rock music, rock music vocals, rock vocalists, vintage rock and roll cover songs with tags , , , , , , , , , , , , , , , , , , , , on June 25, 2009 by Metal Odyssey

8244526After just one listening experience with “Influence” (released March 6, 2007) and you hear and feel the unique musical chemistry, that both Tommy Shaw and Jack Blades have together. The overall up beat vibe throughout “Influence” will have you not putting this disc away for a very long time. What an accomplished set of Classic Rock gems that Shaw-Blades covers! Typically, I always approach cover songs with skeptical tendencies. Usually one or two listens to a cover tune, will be enough of a listen for me to either like it or cherish the original version. With “Influence”, I was taken completely by surprise by how Tommy Shaw and Jack Blades brought new Rock life to these classics. While I listen to this album, I cannot help but go through a Rock and Roll reality check, realizing where the roots of Rock music actually come from. The Mama’s and the Papa’s, Simon and Garfunkel and Seals & Crofts may have their legacies emblazoned in the Rock Folk and Easy Listening genres, yet their lyrics, song structures and melodies can so easily be considered the building blocks of true Classic Rock. Tommy Shaw and Jack Blades took hold of these musical building blocks and ran with it… creating a sensational album of Classic Rock, that breaks down any generational barriers that carry the tags of dated and non-relevant.

I used to never care for “The Sound Of Silence”, now I cannot wait to listen to the Shaw-Blades version. These guys have taken “Summer Breeze” to an entirely different Rock level, making it seem that much more alive and vibrant. Tommy Shaw sings lights out on “California Dreamin”, having the void of not having a female vocal anywhere in this tremendous song, seem totally appropriate. (However, there will always be only one Mama Cass Elliot). “Time Of The Season” gives me the chills no matter how many times I listen to it, the vocal harmonies and overall musical arrangement and tempered up-tempo of this Shaw-Blades version hits home. “Lucky Man” is an abbreviated version of the original, Shaw-Blades treat this masterful song with the upmost respect. “I Am A Rock” is covered here with a dose of more energy than the original, making it sound even more inspirational the second this song begins. I obviously have fallen head over heels for “Influence”, this is one disc that will lift your spirits in a good old fashioned, Classic Rock way.

All fans of Tommy Shaw and Styx, Jack Blades and Night Ranger have to positively, absolutely, add “Influence” to their music collection. Shaw-Blades have proven to me that they are a class act and stand alone musically. If their musical talents on “Influence” do not blow you away, their vocals surely will. It is not the easiest of tasks to take on so many revered Rock and Roll classics and cover them for a sound that rings of relevancy. I always stand up for Rock and Roll, no matter how far back the roots may lie. If it was not for these legendary bands of yesteryear, along with their brilliant songs, where would any of todays Rock genres be? I live by the credo – know your roots and know where you came from… this holds true for the music I love as well. Tommy Shaw and Jack Blades have proven to me over the years they are unique and outstanding musicians. On “Influence” they have done it again, while also upholding the respect and reverence for the history of Rock and Roll.

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Bob Seger “Face The Promise” exhibits Rock Music from the soul

Posted in 1970's hard rock, 1970's Rock, 1980's rock albums, 1980's rock music, 1980's hard rock, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, cool album covers, essential rock albums, Metal, Rock, rock & roll, rock & roll hall of fame inductees, rock album reviews, rock and roll, rock and roll hall of fame inductees, rock music, rock music vocals, rock vocalists, Vocals with tags , , , , , , , , , , , , , , , , , , , , , on June 21, 2009 by Metal Odyssey

main-150Bob Seger, Rock and Roll Legend and Rock and Roll Hall of Famer. That should be quite enough of an accomplishment to just call it a day, for just about any aging Rock Star, huh? Not the case with Bob Seger, no way. Just because a living Rock Legend goes on a personal hiatus for a number of years, does this mean this Rock Legend is washed up? Has this Rock Legend lost the ability to write and sing music like it was 1980 all over again? In my Metal opinion, Bob Seger has lost no Rock and Roll groove in his music, nor has he forgotten how to write Rock music songs that hit me straight to the heart. “Face The Promise” is a celebration of Rock Music that not only inspires me with all of it’s lyrical content, the Rock and Roll move and groove songs on this album are wrapped up in sincere blue collar grit.

Bob Seger was born with the gift of having a raspy, smoky and sandpapered singing voice. Unique and synonymous with Rock and Roll, that is my take on his vocals. I still here this voice as I described, on “Face The Promise”, (released September 12, 2006). The 12 songs on this album are not thrown together for some flashy, comeback, Rock Star story. These are 12 songs that are sung from the heart of a man who obviously has lived life on his terms, tackling whatever obstacles may come his way. Yeah, sure, it sounds like a cliche’, however, this is a Rock and Roll icon who decided to itemize his life based on importance. How easy it would have been, for Bob Seger to have released an album every four years or so, with the possibility of perhaps becoming just a music machine, catering only to the needs of the fans. My own personal interpretation is derived from the lyrics of these songs, why else would Bob Seger pen such intimate and human spirit filled songs?

“Wreck This Heart” is the opening track, it comes across with the reminder to me, that Bob Seger still connects to the Hard Rock side of his storied musical past. “Real Mean Bottle” has an “Old Time Rock & Roll” energy and air about it… with some cool Rock vocal assistance from Kid Rock. It is always a tasty, Rock treat, to hear the Jerry Lee Lewis style of piano get into the Rock and Roll mix. This is definitely one of the more fun Rock songs Bob Seger has ever created. “The Answer’s In The Question” is a ballad that delves into the human experience, Patty Loveless contributes some very classy vocals on this superb duet. “Face The Promise”, “Wait For Me” and “No Matter Who You Are” all touch on personal inspiration, with the Rock and musical flavor that takes me back to the “Against The Wind” album. “Between” is as fine an example of Bob Seger today, this song flat out scorches with the aura of current Rock sound and ambience.

In a vast world of diverse Rock and Hard Rock genres, there are those times when it just feels good to go home again, home to the roots of Rock and Roll. Bob Seger for me, has always exemplified what it sounds like to revisit old school Rock and Roll, all the while using the human factor as prominent subject matter within the lyrical content of the songs. The end result always has felt like the beginning for me with all of Bob Seger’s albums… these are songs that connect, Rock and last a lifetime within my musical soul.

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