ALICE COOPER – Metal Odyssey gives a Metal Congratulations to Alice Cooper and each original member of Alice Cooper (The Band) for their induction into The Rock And Roll Hall Of Fame, class of 2011. Metal accolades go out to the original lineup of Alice Cooper (The Band): Alice Cooper, Michael Bruce, Dennis Dunaway, Neal Smith and the late Glen Buxton.
Regardless of the bonehead maneuvers and clique driven approach that the “Rock scholars” at this institution have bestowed over the years, it is a fine feeling to have such an iconic band and powerful figure as Alice Cooper as a member there. Alice Cooper represents Rock, Hard Rock and Heavy Metal. Just exactly where Shock/Horror Rock would be today, without Alice Cooper leading the way, is a scary Metal thought to ponder. Influential, groundbreaking, legendary… how many more ways can I explain the impact that Alice Cooper has had upon Rock Music across the genres?
At the end of my Metal day, it’s not about Rock genres… it’s about music. Alice Cooper has created music that will live on for untold generations, long after my stay on Earth is over.
Metal Odyssey’s Metal Gripes:
* Alice Cooper belongs inducted as a solo artist as well. Alice Cooper’s solo career began in 1975 with the studio album Welcome To My Nightmare and continues to the present day. Alas, The Rock And Roll Hall Of Fame’s Rock scholars probably don’t know that.
Let’s just hope the trend of inducting the musicians and bands that belong in The Rock And Roll Hall Of Fame continues. My criticism of The Rock And Roll Hall Of Fame shall continue, until there are real knowledgeable and non-political Rock minds in place at the helm. Without the likes of KISS, Cheap Trick, The Moody Blues, Heart, Motorhead, Slayer, The Doobie Brothers, The Electric Light Orchestra and Mott The Hoople, to name a many few, (there are many more), it shall remain one big Hall Of Shame. Remember: ABBA is already inducted (?)… the bands previously mentioned, sadly, are overlooked. Bizarre.
LONG LIVE ALICE COOPER.
LONG LIVE THE ROCK ‘N’ ROLL OF ALICE COOPER (THE BAND)
Stone.
The debut album by Foreigner, (self titled, released on March 8, 1977), was one of my first vinyl record albums that I ever owned. I actually bought the first Foreigner album shortly after receiving their Double Vision album as a birthday gift, back in 1979. (The Double Vision album was released on June 20, 1978). So it is safe to say, that the debut Foreigner album was playing on my turntable sometime in the Spring of 1979. Being an eighth grader in 1979, my exposure to Heavy Metal Music was at it’s most infant state, KISS was the only Heavy Metal Band I owned on album at this time. I always bring up my past history, as to the year of purchase of a said album and what bands I was into at the given time, so to make clarity to the evolvement of my becoming a Metalhead. It was a progression of listening to different Rock genres for me, since I was a kid. This Foreigner album is as integral a piece to that progression, as any other Rock album I ever listened to. Just as the Double Vision album, Foreigner’s debut album had me wanting more and that was a good symptom to have. There definitely was some psychological imbedding that happened to me with Foreigner at a young age, whenever I listen to their albums, (especially the first four), I feel like everything is alright.
I picked up my copy of Charm City Devils – Let’s Rock-N-Roll this past Summer, it was towards the end of July. On July 10, my mother passed away, she was as splendid, caring, giving and loving as a mother could possibly be for me. I received the news of her passing from my father… over the cell phone. We, (my wife and I with our twin daughters), were on our way to Connecticut by car with my courageous wife driving when this tragic news was conveyed to me by my father. We live in Pennsylvania, a solid three and a half hours away from our parents and relatives. The shock and sadness we all felt in the car at that moment can not be expressed in words here. Why I am telling this story is due to the Charm City Devils song Almost Home. You see, upon my first listen to Almost Home, I felt instant sadness, goose bumps formed all over my body and my thoughts instantly were directed to that awful moment in time – of receiving my fathers phone call about my own mothers passing away. It was only a couple of weeks after losing my mother that I first listened to this song.
There are those select few bands, select few albums throughout my life that I have listened to, that I can say – resonates with me. Drivin N Cryin is one of those bands and their 1993 album – Smoke
There is no hiding from the fact that I uphold Metal Music and I am a Metalhead, with that said, I also uphold quality Rock and Hard Rock Music as well. Drivin N Cryin enables me to embrace their songs through their vivid musicianship and clarity of their lyrics. With Smoke, there are no illusions going on, no flamboyant and over the ropes attitudes to be heard, just straight -up Rock Music that hits home for me. The first three songs, Back Against The Wall, She Doesn’t Wanna Go and Smoke on Smoke are a 1-2-3 Hard Rock can of whoop ass. 1000 Swings and 1988 are by far cool Rockers as well. Whiskey Soul Woman is just one incredible Rock song to cruise to, it has a Classic Rock vibe swirling all around. When You Come Back is a laid back, Blues Rockin’ song that shows just how diverse Drivin N Cryin can be with Rock. Patron Lady Beautiful can be justified as an epic Rock song for Drivin N Cryin, at 7:36 it plays out with the Rock mellowness that I need to hear every so often and takes it’s twists and turns with Hard Rock heaviness – in real Classic Rock style. What’s The Difference 
Back in October of 1991, Ugly Kid Joe released their debut EP – As Ugly As They Wanna Be. 1991 was a year smack in the middle of the Grunge Music invasion… Ugly Kid Joe didn’t seem to care in the least. The mix of Hard Rock, Funk Metal and Heavy Metal had me more than interested in Ugly Kid Joe, I bought As Ugly As They Wanna Be and it served me right – back in 1991. Parodies aside, I could care less about what the titles of Ugly Kid Joe’s albums were making fun of… it was the funky heavy grooves of their songs that mattered most to me. Everything About You was a song that sounded unlike anything I was into back then, (Thrash, Death, Speed and mainstream Heavy Metal was what I was used to). When I first heard Everything About You, the first bands that came to mind that I was familiar with, in the Funk Metal genre, was Living Colour and Anthrax when they did I‘m The Man. White Zombie for certain had some Funk happening in their Metal back then too, yet this Ugly Kid Joe was not the dark side of heavy Funk either. This band was not as flamboyant as Faith No More, there seemed to be more of a street level accessibility to Ugly Kid Joe back in 1991-92.
Obviously the freshness of Ugly Kid Joe caught on with MTV and FM radio, it had to. Ugly As They Wanna Be and America’s Least Wanted 
On Saturday, of this 2009 Labor Day Weekend, I set out on a trip to buy back to school necessities for my daughters. The local mall, which is only minutes away, provides for a cool stroll… an f.y.e. is located inside. (Yessssss!). As my daughters and wife are perusing the kids sneakers, all I kept thinking was… what is currently hiding in the batch of used CD’s over at f.y.e.? The trip to this particular mall proved to be very worthwhile, no sneakers were found that my daughter liked, however, we had some fine pizza slices for lunch while we were there, plus I found The Law. The debut album The Law 
Masters Of Reality – Sunrise On The Sufferbus was released back in 1992, on Chrysalis Records. I already owned the 1988 debut album, (self titled), from Masters Of Reality when I jumped on this album back in 1992. The best way I can describe this band is Old School Stoner Rock/Hard Rock, in my Metal opinion. This is a grossly underrated Rock album, the musicianship, songs and total grooviness on Sunrise On The Sufferbus makes this a lifetime keeper, for me. My favorite song on this album is J.B. Witchdance, a non stop bass groove with a semi-haunting overall sound, always seems to put me in a cool mood. My second choice pick from Sunrise On The Sufferbus is She Got Me (When She Got Her Dress On) – this song as with the entire album, is unbelievably unique, I just never heard a band sound like Masters Of Reality back then, nor do I now. This album is the closest thing to heavy without being so… I know that sounds crazy, I just cannot explain this music any better than that. O.K., maybe I’ll try this… cool under heavy… now that might work. (If you are wincing at the use of words here, just go with Stoner Rock).
Metal Odyssey > Heavy Metal Music Blog 
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