Archive for heavy metal music

Armored Saint – “Revelation” brings forth Heavy Metal intensity

Posted in 1980's heavy metal bands, 1980's metal music, Album Review, classic heavy metal albums, cool album covers, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music this decade, Metal Reviews, Music, old school heavy metal, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , on July 24, 2009 by Metal Odyssey

Armored Saint "Revelation" small picArmored Saint is an Old School Heavy Metal band, a band that proved to me years ago, they were all about Metal. One listen to any album from the Armored Saint catalog and one will understand what I mean about all Metal. One album in particular, that really drives the message home as to the serious Heavy Metal Music that Armored Saint delivers is “Revelation”, (released on March 7, 2000, on Metal Blade Records). I bought this album as exactly such… on vinyl. This album is a twelve song, two record set, with three songs per side of each album. There still is a cool Metal rush I experience when holding onto an actual record, placing it on a turntable, then letting the Heavy Metal roar. Armored Saint does exactly that, they storm out of the Heavy Metal gates on “Revelation”, this album sets me on the Metal path I belong on. It is going on ten years since this album was released, yet the Heavy Metal that blasts from “Revelation”, is just as exhilarating as any new Metal music releases I have heard lately.

“Revelation” is one of those rare albums where I flat out tell my fellow Metal peers… buy it and be glad you did. You are getting more than you expect with Armored Saint, no songs are watered down, the musicianship is Metal superior and lead vocalist John Bush is one of the greats at fronting a Heavy Metal band. Armored Saint may not be Thrash Metal, nor are they Death Metal… they are bona fide Heavy Metal with an extra dosage of heavy. “Tension”, “Creepy Feelings” and “Damaged”  really showcase the vocals of John Bush, he never over reaches on any notes, he only defines how Heavy Metal is supposed to be sung. “Tension” is a song that is extremely relevant, lyrically, to what is currently taking place in corporate America. On “After Me, The Flood”, sure, John Bush lets out a scream or two, he mixes it up vocally with potent Metal fervor. “Revelation” seems to rupture at the seams with non-stop, great songs. If only every Metal album could be like this… skipping over tracks is totally unnecessary here.

“Den Of Thieves” is a heavy song that demonstrates the guitar brilliance of Phil Sandoval on lead guitar and Jeff Duncan on rhythm & lead guitar. This guitar duo erupts with melodic leads and contagious riffs that make my Metal day complete. “Control Issues” is arguably the heaviest song on this album, lyrically making quite the impact that the music itself intends. “No Me Digas” is the bonus track included on this album… it is sung in Spanish, the lyrics inside the album gatefold are in Spanish as well. I am not too fluent with my Spanish, however, I will say that this song rocks along well just the same. This song is proof to me, that Heavy Metal Music is without question, a universal language and expression – for us all to pump our fists in the air to. In the end, I have been Metal schooled again, this time by “No Me Digas” and Armored Saint.

As for the rhythm section of Joey Vera on bass and Gonzo Sandoval on drums, they play as tight and effective as any in Heavy Metal. The focal point of this band for me, is the all encompassing power of the music, without sacrificing a melodic moment here or there. I usually try not to spill over, too excessively, with Metal glee, in regards to a Heavy Metal album or band. “Revelation” is one Heavy Metal album that I want to put out to the world, to spread the Metal message that these songs need to be heard. Armored Saint deserves my admiration, every time I listen to this band and/or “Revelation”, it makes me Metal proud. Long live this Heavy Metal band they call – Armored Saint.

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Rainbow – “Bent Out Of Shape” 1983 album revisited

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock music, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, Music, old school heavy metal, rock music, rock vocalists, vintage hard rock albums, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on July 23, 2009 by Metal Odyssey

Rainbow "Bent Out Of Shape" small picRainbow was and still is one of the Hard Rock/Heavy Metal bands that I look upon with Metal reverence. The song writing, lyrics, musicianship, melodies, well, I could go on forever about why I have liked this band so much. Guitarist Ritchie Blackmore, in my Metal opinion, is a guitar legend, both with Deep Purple and Rainbow. Ritchie Blackmore collaborated with lead vocalist Joe Lynn Turner on a few releases, back in the 1980’s. “Bent Out Of Shape” is one of those albums they created, writing nine out of the ten songs together. “Bent Out Of Shape” can be taken as a commercial Hard Rock statement, only It is difficult for me to define this album as such. My standards for commercial Rock or Hard Rock/Heavy Metal definitely differ from other peoples standards. I need to hear consistent sappy ballads and/or radio – bubble gum – friendly songs before my stamp of commercialism is placed on an album. In other words, I feel “Bent Out Of Shape” is one mighty, melodic, Hard Rock album. Honestly, I have no problem with labeling “Bent Out Of Shape” as a Heavy Metal album. This album was released in 1983, the heaviness of Rainbow for back then, easily gave this band the label of Heavy Metal.

“Snowman” is the lone song that was not co-written by Joe Lynn Turner. This song is an instrumental, written by Ritchie Blackmore and Howard Blake. This song has a yearning feeling to it, an almost dream like atmosphere as well, I have always gravitated to it over the years. “Street Of Dreams” was the hit song from this album, plenty of FM radio play it used to receive as well. This song is very melodic, the keyboards play an integral musical role on this track. “Desperate Heart” is quite similar in style, to that of “Street Of Dreams”… both with melody and tempo. “Drinking With The Devil” is my pick for the heaviest song on this album, it has some cool edginess to it, with Joe Lynn Turner adding some tough attitude vocally. “Can’t Let You Go” is another notable song, tailor made for Joe Lynn Turner’s vocals. This song as with “Desperate Heart” and “Street Of Dreams” seems to fit the soul searching theme that I interpret from the lyrics. 

Overall, “Bent Out Of Shape” carries on the signature sound of Rainbow, with rich and vibrant keyboards courtesy of David Rosenthal and of course, the guitar play of Ritchie Blackmore. Joe Lynn Turner has the velvet vocals of Hard Rock/Heavy Metal, he continues to release some quality solo albums to this day. If I had to pick which version of Rainbow that I like best, of course I would choose the Ronnie James Dio fronted Rainbow. With that opinion aside, the Joe Lynn Turner era of Rainbow was and still is quite cool for me. I never can resist buying any music that Joe Lynn Turner has his vocals on, there is no doubt in my mind, that he has had an impressive career. For my taste, “Bent Out Of Shape” has not lost any of its Heavy Rock luster, as years pass. If anything, I still appreciate the quality of all of these songs on this album. In my Metal opinion, this Rainbow album is light years better than a good percentage of new Hard Rock music you hear on the radio or internet today.

Rainbow, as they appeared on “Bent Out Of Shape”: Ritchie Blackmore on guitars, Joe Lynn Turner on vocals, Roger Glover on bass and percussion, David Rosenthal on keyboards and Chuck Burgi on drums. “Bent Out Of Shape” was produced by Roger Glover.

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Soulfly “Tribe” – an exercise in diverse Metal Music

Posted in Album Review, diverse metal music, essential metal music albums, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music 2002, metal music ep's, metal music this decade, Metal Reviews, Music, Thrash Metal, tribal metal music with tags , , , , , , , , , , , , , , , , , , , , on July 18, 2009 by Metal Odyssey

To enjoy and appreciate Soulfly is to accept the fact that Max Cavalera presents his own style of Metal, both musically and vocally. “Tribe” is an awesome blend of studio tracks and live recordings, (8 total songs), that are pure Metal in all of it’s gleaming, diverse glory. You will hear thrash with “Bleed”, Tribal Metal with “Tribe” and constant aggressive guitar (Logan Mader), bass (Marcello D. Rapp) and percussion (Roy Mayorga) throughout. On the song “Tribe” the percussion gives the tribal sound that you will forever know as Tribal Metal. “Soulfly (Eternal Spirit Mix)” is an instrumental, Tribal Metal songscape, that will take you by cool, soothing surprise. Max Cavalera is a Metal Music innovator, uniting Tribal and Metal music, a singer that can change his vocal style in an instant and gives each song its unique vocal watermark.

Ever so often, there comes a time when a Metal Music album or EP eradicates the norm and transcends the expectancy of the listener. Here I was, the listener to this Soulfly “Tribe” EP and I was hooked after my very first experience. I will not fib here, I have been a Max Cavalera fan since his days with Sepultura, he has unquestionably distinguished himself from the pack, by fronting Soulfly. (This is my Metal opinion). Sepultura and Cavalera Conspiracy fans must own “Tribe”. For Metal fans who want to diversify and listen to a cornucopia of Metal styles on one disc, go for “Tribe” and you surely will not regret it.

* “Tribe” was released on March 5, 2002, on Roadrunner Records.

* “Tribe” also has the subtitle “Australian Special Tour Edition”

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Faster Pussycat “Greatest Hits” – a worthwhile Heavy Metal listen

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, Hair Metal, hair metal music, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Music, old school hair metal bands, old school heavy metal, Rock, rock music, shopping for music with tags , , , , , , , , , , , , , , , , , , , , , , , on July 17, 2009 by Metal Odyssey

main-150Faster Pussycat debuted their self titled album back in 1987. Sure, I gave Faster Pussycat a listen back then, they were never a #1  favorite of mine, still this band Rocked – and they still Rock to this day. Nonetheless, I still find time to give this band a listen. I recall Faster Pussycat being a cool party band to rock out to, back in the late ’80’s. Faster Pussycat was tied into the Hair Metal genre, right out of L.A., yet I always had the sense that this band was a bit more edgier and heavier to be pigeon holed into that genre. I just stamp the old Heavy Metal label on this band and I am done with it. This group does deliver a whole bunch of Heavy Rock & Roll with their sound, Taime Downe on lead vocals is a sliver reminiscent of Marc Storace of Krokus fame, (in my Metal opinion). Why I say Heavy Rock & Roll when I describe the music of Faster Pussycat is for really one valid reason… the piano that is at times featured in their songs. “Cathouse” is a great example of when you hear the Rock piano getting it’s fair usage. Without ever knowing this band, I can hear influences from the legendary Aerosmith, Taime Downe really does remind me of Steven Tyler on “Slip Of The Tongue”.

“Don’t Change That Song” was and forever will be the catchiest song from Faster Pussycat… for me. The lyrics are borderline humorous and very memorable. “Don’t change that song, it’s my favorite record”… these are simple lyrics that just stick in my head and have me asking… how did these guys come up with this song? “Where There’s A Whip There’s A Way” is a super cool and trademark Hair Metal song, if there ever was one. “You’re So Vain” is the cover song found on this “Greatest Hits”, (written and sung back in the ’70’s by Carly Simon). Let’s see, the controversy starts now… do I like the Faster Pussycat version of “You’re So Vain or the original Carly Simon version? Well, this is one of those circumstances where I pick the cover version over the original… Faster Pussycat wins. Trust me, Faster Pussycat does not cover this song as a ballad, they make it Rock heavy. (It’s my personal Metal preference with liking this cover song over the original).

“Bathroom Wall” is another substantial song to mention here, it just flat out Rocks along without hesitation. This song is what I always like to refer to as – a good time – let’s party, Heavy Metal song. “House Of Pain” is the lone ballad on this “Greatest Hits”. I have never been a fan of Heavy Metal ballads, I have always been rather picky about them. Yeah, I have a handful of my own, personal favorite, Heavy Metal ballads from years, (gulp), decades past. “House Of Pain” is not a song that I will jump up and down about, however, it probably was the biggest hit that Faster Pussycat ever had. (All the Metal power to them).  This is a darn cool CD to pick up if you don’t have any Faster Pussycat in your Metal collection, all the hits are covered, ten in all. I bought this CD at Walmart a few months ago, for five bucks. (Not too shabby of a price for the tunes).

The original Faster Pussycat lineup, circa 1987: Taime Downe on lead vocals, Brent Muscat on guitar, Mark Michals on drums, Greg Steel on guitar and Eric Stacy on bass guitar. As a side note, Taime is pronounced – “Tie Me”. Uh, just in case there is anyone out there that did not know this. Faster Pussycat “Greatest Hits” is on the Flashback record label. This label is known for the numerous Greatest Hits CD’s they put out – showcasing Heavy Metal bands from the past.

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Job For A Cowboy “Ruination” – Extreme Death Metal album is a high point for 2009

Posted in Album Review, cannibal corpse, cool album covers, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, Death Metal, death metal 2009, death metal guitarists, death metal music, death metal vocals, Extreme Metal, extreme metal music, extreme music, extreme music today, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, scary album covers, spooky album covers, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 9, 2009 by Metal Odyssey

fullsizeI have an appetite for the most Extreme Metal Music out there. Job For A Cowboy is without question, a healthy dose of Extreme Metal. Death Metal is this bands calling card. Playing every musical instrument in their band extremely fast and heavy is an understatement. Blast beats and the infamous cookie monster vocals are lathered all over the songs on “Ruination”, (released on Metal Blade Records, July 7, 2009). So, with all of the expected characteristics of being an Extreme – Death Metal band aside, Job For A Cowboy does prove to me one thing… they are more concerned about global and societal troubles than one might expect. I am not going to admit, I can actually make out the lyrics to these songs, from the vocals of Jonny Davy. Nope, instead, I have the assistance of the sacred liner notes, that come with the complete lyrics for every song on “Ruination”. For me, not understanding the words being pronounced from the Death Metal growls of Jonny Davy comes with the territory of this Metal genre. With this genre of Metal, the lead vocalist is just as equally important as any of the musical instruments being played. It is the anger driven vocals that gives the songs on “Ruination” their intended extreme force and purpose, if you will. Jonny Davy on vocals is equivalent to a wasp nest being disturbed by a broom stick. His vocals will swarm all over your Metal soul, clutching it, beating it into shape and then slapping you in the face with it. Job For A Cowboy delivers a lesson in Extreme – Death Metal whoop ass that has me saying… thank you sir, can I please have more?

jfac_photo_smallJust when I thought that Cannibal Corpse’s “Evisceration Plague” was the lightning strike of an Extreme – Death Metal album of 2009, well, now I have my own personal Metal controversy. Between Cannibal Corpse and Job For A Cowboy, it is a pick ’em as to who punishes and obliterates my Metal senses more in 2009. “March To Global Enslavement” may be a bit much on the side of extreme paranoia, then again, this is Extreme Metal I am listening to here with “Ruination”. “Unfurling A Darkened Gospel” in my Metal interpretation is anti-war and anti-corporate handshakes, thus making for quite the anti theme song, an undisputed Death Metal barrage. It is an invigorating feeling to know that bands like Job For A Cowboy can speak their minds and serve up their opinions without any American government suppression or censorship. When you stop and really think about it, America really is the land of the free. (Thank you Dee Snider for making certain this Metal Music freedom remained for us all). This is what Metal is all about, creating the heaviest and most extreme music while shouting out about things that really irritate you. 

“To Detonate And Exterminate” is a horrible reminder of what may come to pass if our nuclear powers ever decide to wage war. Nuclear War is not a cheery topic, it is a Death Metal topic though. Job For A Cowboy paints the morbid picture for us to envision, if stupidity ever engineers the decision for enacting a nuclear war. The Extreme – Death Metal scene is not a society of uneducated dopes. This genre has something to say every once in a while, therefore I do find substance and thought provoking topics of world concern, with the lyrics on “Ruination”. Job For A Cowboy enables me to stay in touch with the younger generation of Extreme Metal, these guys are part of the big picture of Metal Music, a band that is only going to enhance the future of this genre. I cannot ignore the viciousness and total annihilation that is the Metal Music on “Ruination”, this is total Metal brutality from Job For A Cowboy – I could not bestow a higher compliment. 

Some extra info to nourish the Metal mind:

Job For A Cowboy, as they appear on “Ruination”: Jonny Davy on lead vocals, Bobby Thompson on guitar, Al Glassman on guitar, Brent Riggs on bass and Jon “Charn” Rice on drums. “Ruination” comes with a 24 page, full color booklet that is extremely cool. As I mentioned earlier, the lyrics for all 10 songs are in this booklet, with eye popping extended artwork, that fits right into the themes heard on “Ruination”. (As a side note, I purchased this CD on the day of it’s release, July 7, 2009, at Target… for $7.98!on sale! – not a bad retail price for quality Metal these days – smart move Target). I wish all new CD’s were at this price point.

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Quakertown Pennsylvania Farmers Market is Heavy Metal friendly

Posted in 1990's hard rock music, Album Review, classic rock music, collecting music, creepy album covers, everyday experiences, everyday people, everyday social experiences, flea market experiences, flea market finds, Hard Rock, hard rock album review, heavy metal music shopping, Music, obscure hard rock bands, obscure hard rock cd's, Rock, rock music, shopping for music, spooky album covers with tags , , , , , , , , , , , , , , , , , , on July 5, 2009 by Metal Odyssey

MetalOdysseyI took my first trip to the Quakertown Farmers Market, in Quakertown, Pennsylvania, this weekend, safe to say that this is a place to find many Heavy Metal souvenirs. I perused Heavy Metal, Metal, Classic Rock, Hard Rock memorabilia, CD’s, vinyl albums, t-shirts, posters, stickers, buttons, air fresheners, you name it. All at affordable prices!! Across the board, any of the dealers at this Farmers Market were selling their Rock & Roll goodies at prices way, way, lower than Rockabilia.com – or any online Rock Music store. (Believe me, I do memorize prices, especially when it comes to Heavy Metal memorabilia). Used CD’s and vinyl albums were abundant at this fine outdoor – indoor shopping mecca. I found some cool bargains from the outdoor flea market dealers, as well as the indoor store merchants as well. I spent a total of $17.50, walking away with 4 used CD’s, 1 Janis Joplin magnet, 1 Cannibal Corpse pin, 1 Slipknot air freshener and an AC/DC bottle opener/key chain combo. Let’s be real… if I purchased all of these items at the local mall, I would be spending more than double the amount of money. 

All of the dealers I met were very friendly, no sour faces to be found. (That is very cool). One dealer with an inside store, sold pretty much exclusively, 1960’s and 1970’s Classic Rock memorabilia. Plenty of Tom Jones, The Doors, HendrixThe Beatles and of course – Janis Joplin. One dealer inside had a well stocked CD store – representing all genres of music… Metal seemed to take precedent however, with every inch of wall space being adorned with Hard Rock and Metal posters of numerous bands. (This store was packed, elbow to elbow). Another inside store was selling Rock t-shirts, of all Metal genres… this was the only item being sold, however, if you cannot find your favorite bands t-shirt here, you probably won’t find it anywhere. Another fine dealer with an inside shop had tons of Metal memorabilia, from wall tapestries to pins, well worth the browsing. That is four, very cool shops, at The Quakertown Farmers Market that were Rock – Heavy Metal music related. There very well may be a couple of more that I missed – this place was extremely crowded so it is possible that I may have overlooked some inside stores.

A COOL, OBSCURE,  CD FIND – PLUS A REVIEW OF THIS STRANGE CD FOR “TOM” THE DEALER, AS I PROMISED HIM:

The two outside flea market dealers I dealt with were both super cool, I bought 2 CD’s from each dealer. One dealer in particular, Tom is his name, sold me a CD of Monks Of Doom, titled “Meridian”, (released in 1991). I bought this CD based on the spooky and evil looking front cover artwork. Plus, with a band being named The Monks Of Doom, well, that is right up my Metal alley. Needless to say, I never heard of this band ever, so buying this CD blind for $2.50 did not seem too risky to me. Heck, this CD also has 15 songs on it too. Tom, upon selling me this CD, was as curious as I was, as to what type of music does Monks Of Doom play? Well, Tom, the answer is not what I initially guessed at all. You see, I was steadfast at thinking the Monks Of Doom were Folk Punk Rock, maybe a bit of Psychobilly, similar to Tiger Army. Nope, Monks Of Doom are in my Metal opinion… Rock meets Hard Rock. This band is Rock and at times, Hard Rock with a consistent sound and feel of the macabre. Some of the music is like a Hard Rock soundtrack for a decent (not low budget), horror movie. There are many moments in the songs that give a nod to Funk Rock as well. A sense and sound of Folk can be heard in a couple of tracks, nothing too dominating however. In summary, Monks Of Doom are a diverse bunch. As for the lead vocalist, well, think – Crash Test Dummies meets The Talking Heads. The verdict from Metal Odyssey: Monks Of Doom are strangely cool, to say they are diverse is an understatement. This CD, “Meridian” is going to be played often by me, due to their deliriously macabre and Hard Rocking style.

I will definitely be returning to The Quakertown Farmers Market for many more Heavy Metal needs. Let’s hope I bump into “Tom” (the outdoor flea market dealer), maybe he can hook me up to another Monks Of Doom CD. Only this time… I will know who the heck the Monks Of Doom are.

MetalOdyssey

STRYPER – “The Roxx Regime Demos” Is Classic Christian Heavy Metal

Posted in classic rock, Hard Rock, Heavy Metal, metal music, Music, rock albums, rock music, rock music news with tags , , , , , , on July 2, 2009 by Metal Odyssey

8389326This is the original demo of Roxx Regime, from 1983, (“The Roxx Regime Demos”), before they became Stryper. (This CD was released on July 10, 2007). The songs are all excellent, with an unpolished, raw, under produced feel and spirited energy. (This is what really makes the Heavy Metal sound even better, in my Metal opinion). There are seven songs in all on this disc, including one drum solo. These tunes really thump, they have the early 80’s Heavy Metal/Hair Metal sound. “Honestly” is a ballad that really touches off tremendous emotion, the most mellow tune on this disc and a future hit for Stryper. “From Wrong to Right” and “Loud N Clear” are catchy tracks, with a definite early ’80’s Heavy Metal/Hair Metal vibe. “Tank” is a drum solo from Robert Sweet, nothing really fancy – cool to have in the mix of songs just the same. If you are already familiar with Stryper, you will hear and recognize the talented musicianship, a band in their Metal infancy, that would become a premier Christian Heavy Metal band of the 1980’s and beyond.

Listening to “The Roxx Regime Demos”, for me, is listening to a Heavy Metal band that obviously paid their dues and made some excellent, high-spirited music. Consistently melodic, with a great heavy groove, I cannot resist recommending this music to Hair Metal, 1980’s Heavy Metal and Christian Metal fans. This disc definitely puts me in a cheery mood, the lyrics and Heavy Metal gel together perfectly.

“The Roxx Regime Demos” has proved to be a quality purchase for me, plus it is quite the obscure Heavy Metal find as well. This is a definite must for all Stryper fans, fans of ’80’s Heavy Metal should find this to be quite a neat surprise. I did get an opportunity to see Stryper, live, back in the good ol’ ’80’s. It was at the West Hartford Ballroom, in West Hartford, Connecticut. Hurricane, a relatively low-key Heavy Metal band back then, opened up for Stryper that night. The show was cool, what you would come to expect from a Heavy Metal-Hair Metal-Christian Band that played loud. Stryper was in essence, doing the same thing musically that many of the Heavy Metal-Hair Metal bands of the ’80’s were doing… the only key difference was they were using inspirational/Christian lyrics and themes for their songs. I never was turned off by their religious glow, if anything, I was and still am into their brand of Heavy Metal music.

If I have said it once, I will say it a thousand times more – I am into bands that represent all of the Heavy Metal and Metal genres. Quite honestly, the only other Christian Metal Band that I ever saw live was a band called Bloodgood. (They were pretty good too, no pun intended). Bloodgood was an up and coming Christian Metal Band back in – you guessed it – the fired up ’80’s. I actually had an album from Bloodgood, to this day I do not know what happened to it. (I wish I still had it, then I could really blog about their music with some integrity). I do remember Bloodgood being quite cool live, with one song standing out called “The Messiah”.

In Metal summary, sure, Stryper has always been in the Metal Odyssey alliance – bands that I listen to and respect. In my Metal opinion, Stryper has carved out their place in Heavy Metal history, especially Christian Heavy Metal history. Here is an overview of what you will be looking at and/or holding if you get a copy of “The Roxx Regime Demos”: the liner notes in the CD are cool, with 4 pages of credits, a 1 page written background on “The Roxx Regime Demos”, 2 photos of Roxx Regime/Stryper, plus 1 page depicting Roxx Regime/Stryper concert posters & magazine covers from the 1980’s. Roxx Regime/Stryper is: Michael Sweet on lead vocals & guitar, Robert Sweet on drums, Oz Fox on vocals & guitar and Timothy Gaines on vocals & bass.

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Motorhead and Anthrax both covered “God Save The Queen”

Posted in 1970's punk rock, 1980's heavy metal albums, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, classic heavy metal albums, classic metal, classic punk rock, cool album covers, cover songs, essential heavy metal albums, extreme music, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, legends of punk rock, Metal, metal music, Motorhead, Music, old school heavy metal, old school punk rock, punk rock cover songs, punk rock music, punk rock songs, Thrash Metal, vintage heavy metal albums, vintage punk rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 28, 2009 by Metal Odyssey

main-150Motorhead and Anthrax. Each band is a prominent member in the Metal Music world. Motorhead and Anthrax have always hinted, albeit with Metal stylings, their musical taste for Punk Rock Music. Both of these legendary Metal bands covered the Sex Pistols classic “God Save The Queen” from the “Never Mind The Bollocks, Here’s the Sex Pistols” album, (released in October of 1977). This song was written of course, by Paul Cook, Steve Jones, John Lydon (Johnny Rotten) and Glen Matlock. Both cover versions are really cool and heavy, with Motorhead having their unmistakable, heavy coated vocals and bass guitar of Lemmy Kilmister leading the way. You know it’s Motorhead when you hear their cover of this prolific song… no pretensions, no frills, no sugar coating. The Motorhead cover version of “God Save The Queen” can be found on the “We Are Motorhead” album, (released on May 16, 2000). The Anthrax cover version is found on the EP – “Armed And Dangerous”, (released in February of 1985). In my Metal opinion, Anthrax covers “God Save The Queen” with convincing Punk Rock attitude, the reasons for this lays in the lead vocals of Joey Belladonna as well as the backing vocals. Musically, Anthrax is right on the Punk Rock bulls eye, which always led me to believe this particular lineup could have experimented even more with Punk Rock songs.

Anthrax has been a diverse band throughout their career, the same can be said about Motorhead too. Therefore, it is only fitting that these two bands picked up “God Save The Queen” to cover – and cover it well, both of these bands did. Of course, I repeatedly state that there is nothing like the original. I would be hallucinating, if I were to say that there is any cover song of “God Save The Queen” out there, that blows away the Sex Pistols original. Regardless of that mindset, both Motorhead and Anthrax honestly pay tribute to this song and the Sex Pistols with the upmost Metal respect. The proof is in the cover songs themselves, they both pulsate with the Punk Rock angst and anti-establishment message that the Sex Pistols originally created in the first place. I always felt this message in the song’s music, while hearing it of course, in the lyrics. 

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My favorite AC/DC song of all time is…

Posted in 1970's classic rock albums, 1970's classic rock songs, 1970's hard rock, 1970's heavy metal, 1970's Rock, classic hard rock, classic hard rock music, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock music, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock drummers, hard rock guitarists, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, Metal, metal music, Music, old school heavy metal, Rock, rock and roll hall of fame inductees, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage rock albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2009 by Metal Odyssey

main-150AC/DC – they are not just Rock and Roll Hall of Famers, this band is an elite institution of heavy music. I always pondered throughout the years… which song from the extensive catalog of AC/DC albums, is my favorite of all time? Is my favorite song from the Bon Scott era? Man, the late Bon Scott was unique, his vocals were and always will be legendary. The Brian Johnson era is power packed with amazing songs, could I take the easy route and pull my favorite tune off of the “Back In Black” album? That would be way too easy for me, it seems like choosing “Hells Bells”, “Back In Black” or “Have A Drink On Me” as my favorite AC/DC song, would be particularly predictable. I will not argue the fact it is a historical album, “Back In Black” surely paved the way for Heavy Metal commercial acceptance. Besides, I personally am forever grateful for AC/DC appointing Brian Johnson to succeed the late Bon Scott. “Back In Black” will forever be on my all time favorite album list.

Well, after all these years, probably since around 1979, (in which I was first aware that AC/DC existed and heard the classic “Highway To Hell” single on FM radio), my personal choice, for favorite AC/DC song ever is… “Touch Too Much” – from the “Highway To Hell” album, (released in 1979). Whew, do I get the AC/DC fever when I hear this song. I do not care how many times I have listened to this classic, this song rocks. Even after so many years have passed by, I still feel that certain rush go straight through my face each time “Touch Too Much” is cranked up. Yeah, you know, that psyched out feeling that engulfs your whole body, like you just drank a 2 liter bottle of happy sauce. This song does it for me – thank you very much. This song hits me from the opening note… I do not believe there is one nano second that is not cool on this song. Sure, the single “Highway To Hell” received all of the attention from this sacred AC/DC album, yet in my Metal opinion, “Touch Too Much” is a song that embodied a core heaviness that signified of continuous great things to come from this band. 

I am certainly not alone in saying that I revere both the Bon Scott and Brian Johnson eras of AC/DC. Choosing a single favorite song from this band, is like choosing which day of the week is my favorite… I am just happy to be alive and be in the position to enjoy each day of the week, for Metal sakes. Going back to “Touch Too Much”, as the old saying goes… the more things change, the more they stay the same… really listen closely the next time you hear this song, then imagine if it were to be released for the first time in 2009. “Touch Too Much” is a song that blows away at least half of the newly released Hard Rock or Heavy Metal songs that do get commercial FM or satellite radio play. Angus Young on guitar, Malcolm Young on rhythm guitar, Cliff Williams on bass guitar and Phil Rudd on drums and of course, Bon Scott on vocals, made this song happen and groove in a way that has affected me for life. This is my Metal opinion – long live AC/DC and this enormous song.

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Dee Snider – Widowmaker “Blood And Bullets” is 100% Metal Music

Posted in 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, classic heavy metal albums, classic metal, essential heavy metal albums, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums, Vocals, W.A.S.P. with tags , , , , , , , , , , , , , , , , , , on June 24, 2009 by Metal Odyssey

708Dee Snider is and forever will be a real Heavy Metal icon. (I have said this time and again, this is just how I feel). This man needs no introduction to Metalheads worldwide… he has flown the flag for Metal with unmistakable pride. Dee Snider had another kick to the face Heavy Metal Band during his illustrious career – Widowmaker. My best buddy in the universe introduced me to Widowmaker just a week ago. You heard that right, just one week ago. Let’s face it, there is an infinite amount of Hard Rock and Metal music out there to be heard and enjoyed. I could never fathom the task or have the time, to listen to everything ever created in Metal Music. Widowmaker just so happened to be a band I was always aware of, yet I never heard more than a couple of tracks from them throughout the years. Having my buddy give me a copy of “Blood And Bullets” was a great surprise, like a Heavy Metal bonus falling from the sky and into my lap.

Dee Snider sounds quite simply, awesome, as the front man for Widowmaker, on “Blood And Bullets”. In my Metal opinion, this album ranks right up there with Twisted Sister’s “Under The Blade” and “You Can’t Stop Rock and Roll” albums. I use the Twisted Sister albums as comparisons for obvious reasons, plus the full throttle Heavy Metal power is all over “Blood And Bullets”. This album is just like mixing in the old school sound of these Twisted Sister albums I mentioned, while adding a major dose of extra confidence and Metal attitude from Dee Snider’s lead vocals. The way in which I interpret Dee Snider’s vocals, is that of a man who was set out on a mission, a mission to prove to the Metal world that Dee Snider had no intention on making a commercial Metal album. Instead, this was a Metal release that was infused with dynamic song writing and musicianship – Metal musicianship.

Granted, this album was released in the early 1990’s but do not let this fool you for one Metal second. There are throngs of Metal bands out there today, that could only wish to have created an album this good. I think of another steadfast favorite Metal band of mine, while listening to “Blood And Bullets”… W.A.S.P.. Why you may ask? It’s all about the grooves, the uncanny and powerful feeling I get when listening to this brand of Metal. W.A.S.P. is a band that I can pinpoint with accuracy, as having released albums containing great Metal songs, no fillers. There are no fillers to be found from Widowmaker here as well. “Blue For You” is the one song that had me smirk upon my first listen, for I anticipated that maybe it would inherit some Blues quality, judging by the song title. This song does rip with a bluesy guitar sound from the get go… the Metal Blues that is. “Emaheeval”, “The Widowmaker”, “Evil” and “The Lonely Ones” are the first four tracks on this album… I cannot put into words the Metal excitement these songs carry.

My buddy set off for a trip to Lebanon, accompanied by his wife and son, after I received this Widowmaker album from him.  I wish him and his family the safest and happiest trip they could possibly wish for. I also cannot wait for him to get back to the States, then I can rant and rave his ears off about what a Metal trip “Blood And Bullets” has been for me. Yes, without a doubt, I am beating the Dee Snider – Metal drum very loudly here. I felt the sense of urgency to get the word out and remind those who love Metal, that Widowmaker’s “Blood And Bullets” is damn good music. I am forever being Metal schooled, it is a profound and exhilarating experience each time it happens. It only serves me right, that this time around, it is the legendary Dee Snider and his other band Widowmaker.

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HAMMERFALL “No Sacrifice, No Victory” – Power Metal on high

Posted in 1970's Rock, 1980's power metal music, 1980's heavy metal music, 1990's power metal music, 1990's heavy metal music, 2009 power metal music, Album Review, classic metal, cool album covers, cover songs, current heavy metal albums, current metal albums, european power metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, power metal from sweden, power metal music today, speed metal, symphonic metal, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on June 20, 2009 by Metal Odyssey

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HAMMERFALL has done it again. This Power Metal outfit wasn’t about to release a sound scape of easy listening, calming, ocean waves… no way. “No Sacrifice, No Victory” (released March 24, 2009), is Power Metal with several exclamation points after it. For anyone new to Hammerfall, they are similar in musical style to that of Helloween, a long standing originator of this Power Metal genre. With approximately 15 studio albums behind them, (not counting EP’s, Greatest Hits or Singles), Hammerfall on this new release, sound as if they are hell bent on dominating the world with their Power Metal brand. I am not about to get in their way, if anything I will raise my Metal fist into the air and cry out the lyrics to “Hallowed Be My Name” and be glad I did. If you are totally into Power Metal and cannot become inspired by “No Sacrifice, No Victory”, well, then you are not into Power Metal music at all.

In my Metal opinion, I find beauty to be an attribute of the musical sound of Power Metal. (Yeah, I did say beauty… let’s not get carried away here). On “Something For The Ages”, if one cannot hear the beauty in the melodic guitar leads and solos, then I will stand alone with my belief. (From this day forward, I shall call it Metal beauty). How many Metal bands can make a church organ sound cool in any song? Hammerfall can… on “Between Two Worlds”, courtesy of Power Metal veteran Jens Johansson. Now, do not hesitate to think for one Metal second, that Hammerfall does not hand unto us a heavy, Power Metal album… they do hammer down the heavy, the power… the Power Metal. The background vocals throughout are trademark and at the upmost heightened level throughout “No Sacrifice, No Victory”. Without these backing vocals on high, it would not be Power Metal. If I was to choose one track off this album that carries each crucial characteristic of Hammerfall’s Power Metal, it is “One Of A Kind”. The sweeping and confident lead vocals of Joacim Cans coupled with the musical totality of this band make this song a signature example, for me.

I found it to be a cool surprise, that Hammerfall added the cover version of “My Sharona” to this new album. (Not that Hammerfall is new to cover songs, their “Masterpieces” album is nothing but Vintage Metal cover tunes). The Knack originally released this song on their “Get The Knack” album, (circa 1979), a band and album I always felt was at least a decade ahead of their time. (I found this vintage album at a thrift store a couple months ago… mint condition and 50 cents too). Not to get stranded here, I really do admire Hammerfall for covering “My Sharona” and recognizing a true classic, a song that bordered and teetered on Punk, New Wave and Rock – an interwoven treat of a band is celebrated here by Hammerfall, The Knack should feel great about now. As for the cover version by Hammerfall? It Rocks, very well indeed. I have made a new rule about this “My Sharona” cover song… I must always play it extremely loud for maximum listening pleasure. Will Hammerfall resurrect “My Sharona” and once again make it a #1 hit single? Of course not, yet who cares? This song, being the last track on the album, is a grand way to end “No Sacrifice, No Victory”.

From the high, all enveloping lead and backing vocals, to the searing and soaring guitar leads, numerous and melodic solos, combined with the groove and thump of the rhythm section – add the keyboards and organ for the sensory surround sound that gives Power Metal it’s name… you will have ventured into the Metal world of Hammerfall’s “No Sacrifice, No Victory”.

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My favorite Ozzy Osbourne album is…

Posted in 1980's heavy metal albums, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock, classic rock music, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, ozzy, Ozzy Osbourne, rock and roll hall of fame inductees, rock keyboard musicians, rock vocalists, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 18, 2009 by Metal Odyssey

I would like to take this opportunity, to let the entire world know, which Ozzy Osbourne album is my favorite of all time. Oops, it is a tie. “Blizzard Of Ozz”, (1980) and “Diary of a Madman”, (1981). Why, you may query? These first two Ozzy albums to me, represent the real, original, building block, style of Heavy Metal sound, that energized the 1980’s into the powerhouse Metal decade it was. Plus, lest we never forget, the greatness of the late Randy Rhoads on lead guitar, on both of these essential Heavy Metal albums.

It is very important to note that on the reissue version of “Blizzard Of Ozz”, during the re-mastering process, Mike Bordin is now on drums and percussion with Robert Trujillo on bass. The original drummer, on the original album, was Lee Kerslake and on bass was Bob Daisley. They are all fabulous musicians, I am not swayed either way. Don Airey is on keyboards for the original album. The key is that the legendary, late Randy Rhoads is the guitarist! Just to hear Randy play his signature sound on “I Don’t Know”, “Crazy Train” and “Mr. Crowley” still sends chills 28 years after this release. Randy Rhoads and his unique guitar sound and style truly helped shape the evolution of Heavy Metal and it’s many prominent guitarists for decades. This album is not just a turning point for Ozzy, it is a focal point of reference and reverence for so many Heavy Metal musicians and fans alike. A bonus track is added into this reissue, “You Lookin’ At Me Lookin’ At You”. This song is similar in structure to “Rock & Roll Rebel” from Ozzy Osbourne’s “Bark At The Moon”. It is a song that is a welcomed addition to this classic album, any song is – that has Randy Rhoads playing. This album has stood the test of time, it feels strange for me to now say that the lyrics, song structure and arrangements with Randy Rhoads leads and riffs are powerhouse. Yet, with the new generation of Ozzy, Randy Rhoads and Heavy Metal fans, getting the word out after all these years is worth every second if it means passing this Heavy Metal jewel on to new listeners.

I know that I do reflect a couple of decades back, (quite often), in my posts… the reason is simple, this incredible Heavy Metal music was created and released decades ago! That is my point of relevance for me, so much of the Heavy Metal that I was into in the late 70’s onward, I still listen to this very day and is now considered classic and vintage. I can remember having the coolest algebra teacher back in High School, Mr. Z. was his name. Mr. Z. allowed his students to bring into class – albums to play on his stereo. How cool is that? It is not too often, with any generation, to reflect on any Algebra teacher from High School as being cool. Well, one of my buddies back then, brought into our class one day, the “Diary Of A Madman” album. This was really the first time I gave this Ozzy gem a thorough listen. I was ecstatic, thrilled beyond Metal belief upon hearing these tunes on this album. (Mr. Z. seemed to dig this Ozzy album too, I can still remember seeing his face showing the appreciation, while the Metal blared). Needless to say, my grades in Mr. Z.’s Algebra class were very respectable, due in part to the cool nonconventional way of teaching, using Heavy Metal as an inspiring teaching tool. Mr. Z. rocked back then, I hope he is still as cool today, wherever he may be.

With tracks such as “Over The Mountain”, “Believer”, “Little Dolls”, “You Can’t Kill Rock and Roll”, “Flying High Again” and “S.A.T.O.”, the odds of ever hearing such amazing Heavy Metal songs this potent and on one album again, are pretty slim. Back in 1982, after listening to this Ozzy album, I was set Metal straight – for a lifetime.

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DIO “Holy Diver” – Long Live This Metal Masterpiece!

Posted in Album Review, classic rock, classic rock music, Heavy Metal, heavy metal albums, Metal, metal music, Music, rock music, rock music news with tags , , , , , , , , on June 17, 2009 by Metal Odyssey

DIO - "Holy Diver" x-large album pic!!!!

If I was to start a Heavy Metal collection of albums/CD’s from scratch, DIO “Holy Diver” is at the top of my Metal list. Not to smear or take anything away from the legendary Ronnie James Dio of today, however, the prolific and powerful vocals of Dio are evident and found on “Holy Diver”. A younger Ronnie James Dio, of course, with a penchant for delivering the most remarkable Heavy Metal vocals I have ever heard, all here on this Metal masterpiece.

I revere Ronnie James Dio and all the vocals, on all the albums he has done. Outside of the Dio fronted Black Sabbath albums – “Heaven And Hell” and “Mob Rules”, along with all the Dio fronted Rainbow albums, “Holy Diver” still ranks right up there as what I consider Ronnie James Dio’s greatest vocal achievement to date. (This is my Metal opinion). After all these years, going on three decades… I have never, ever, grown tired of this remarkable album. There will forever, only be one Ronnie James Dio, there will never again be another Metal album like “Holy Diver”.

When this album was released in May of 1983, I was lingering in High School. What Ronnie James Dio with his vocals became for me, was a friend. Dio was a lead singer for two of the biggest bands out there, and eventually the namesake for his very own Metal band. “Holy Diver” gave me the inspiration to charge ahead – during those younger years when I needed it the most. (Little does Dio or any of my favorite bands or musicians realize the impact they had on me as a young dude… I thank them all to this very moment).

Throughout my life, sure, I root for my New York Yankee baseball heroes, yet I root for my Metal Music heroes stronger and longer. To make an analogy, sports legends are limited to the number of years they can play… Ronnie James Dio can still sing, make albums and tour, going on four decades. Music lives on, never goes away. “Holy Diver” lives on too – only the songs are just as big as life for me now as they were in 1983.

“Stand Up And Shout” is the Heavy Metal battle cry that opens up this album, leading right into “Holy Diver”, which to this day, I’m still mesmerized by its eerie keyboard intro. “Rainbow In The Dark” is the more melodic – but still heavy – popular tune that seems to get the most notoriety. “Gypsy” and “Caught In The Middle” are indicative of the Metal spirit that was dictated, both vocally and musically by Dio on this album. There are those select Metal albums that are to be celebrated and looked upon as true templates of musical greatness… “Holy Diver”, in my Metal opinion, is one.

DIO – as they appeared on “Holy Diver”: Ronnie James Dio on vocals & keyboards, Vinny Appice on drums, Vivian Campbell on guitar and Jimmy Bain on bass & keyboards.

DIO "Holy Diver"

Paul Dianno “The Living Dead” is very much alive with Metal Music

Posted in 1980's heavy metal music, 1980's metal music, Album Review, cool album covers, essential heavy metal albums, Extreme Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, recent heavy metal albums, spooky metal album covers, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2009 by Metal Odyssey

main-150Paul Dianno “The Living Dead” was released on May 16, 2006. Why I lead with this, is due to my impatience for waiting on this album… I counted the days leading up to it’s release. It was like I was eight years old again, waiting for Christmas morning to come. For the few who may not know, Paul Dianno was the original lead singer for Iron Maiden. Paul Dianno was lead vocalist on the debut “Iron Maiden” album and the “Killers” album. Of course you can count bootlegs and the “Maiden Japan” EP as well, with having Dianno as lead vocalist. If it wasn’t for Bruce Dickinson taking over as lead vocalist for Iron Maiden, starting with the “666 The Number of the Beast” album, I would say that Paul Dianno could never be replaced as lead vocalist. However, It is my Metal opinion that comparing Paul Dianno to Bruce Dickinson is apples to oranges. Why compare? They are both completely different vocalists, both in style and range. The Paul Dianno fronted version of Iron Maiden, with the first two studio albums, (mentioned above), are undisputed Metal classics, that are revered and influential to countless Metal fans and/or Metal musicians. I feel Paul Dianno shares the same equal glory among the other original members of Iron Maiden for these albums being so iconic. (Phew, I got that off my chest, now I can blab about the actual album – “The Living Dead”).

The opening track “The Living Dead” is sung with power and emotion from Dianno – yeah, you can have emotion in Metal music. Lyrically, this song tackles loneliness, hunger and human despair. (Nope, this song is not about the cult horror film classic). This tune is a heavy – very heavy ballad if you will. For every song I mention on “The Living Dead”, bear in Metal mind, that this is a very, very heavy album. Dianno sounds more hungrier, angrier and confident than ever. (That is what my Metal ears are telling me anyways). “Mad Man In The Attic” has Dianno doing a little exploring, into the world of Death Metal vocals. These growling vocals are not constant throughout, Dianno apparently was looking for some vocal horror texture and he succeeds here, in my Metal opinion. I find Dianno to be a touch reminiscent of the legendary Alice Cooper on this song. “War Machine” is a tune built on speed and dark heaviness. “Brothers Of The Tomb” has Dianno hitting the extreme high notes vocally, with some angry gang vocals added into the mix as well. “P.O.V. 2005” is a down right Thrash Metal tune… excellent riffs and a very cool solo as well.

Dianno does a cover of the Megadeth classic “Symphony Of Destruction” – it is structured and arranged differently than the original version. The biggest difference is the vocals, plus this version is not nearly as fast overall, as to what Megadeth delivers. I like this cover for it’s diverse Metal approach though, the Megadeth original will always be the best. Two legendary Paul Dianno era – Iron Maiden tracks are included as live bonus tracks: “Wrathchild” and “Phantom Of The Opera”, the liner notes do not suggest that these live recordings were done with Iron Maiden, rather with Paul Dianno’s band. Dianno is all over these two tunes… the quality, musicianship and vocals of Dianno make these bonus tracks a worthwhile addition to “The Living Dead”.

The copy of “The Living Dead” I picked up back in 2006, has a bonus DVD that includes the video for the song “The Living Dead” and an interview with Paul Dianno. The video is dark, almost haunting with it’s imagery. Paul Dianno is shown alone, singing against the backdrop of images of strife, humanity and despair. The interview with Paul Dianno is very interesting, with really no details as to why he and Iron Maiden split ways decades ago. One neat bit of info that Dianno shared is that he feels Max Cavalera (of Sepultura & Soulfly fame) is currently the best lead vocalist in Metal today. Hey, I really like everything that Max Cavalera has done with Sepultura and Soulfly myself. I definitely recommend “The Living Dead” to any fan of Metal, especially Iron Maiden fans who want to hear some recent Paul Dianno, he did a fabulous Metal job with this album.

The Metal musicians behind Paul Dianno on “The Living Dead” are: Paulo Turin, Chico Dehira, Javier Cuevas and Claudio Duliba on guitars * Felipe Andreoli & Marcelo Bracalente on bass * Aquiles Prieser & German Rodriguez on drums.

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IRON MAIDEN “FLIGHT 666” is now boarding Metalheads!

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, concerts, cool album covers, current heavy metal albums, current heavy metal music, current live heavy metal albums, current metal albums, current prog metal albums, current prog metal music, current progressive metal albums, essential heavy metal albums, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Iron Maiden, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal today, recent heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 11, 2009 by Metal Odyssey

fullsizeYou bet your Metal memory I picked up the new and live double CD “Flight 666” from Iron Maiden, (released June 9, 2009). How could I possibly pass it up? This is Iron Maiden we are talking about… Metal icons… Metal elite. I first saw this new Iron Maiden CD, yesterday, at f.y.e., they were asking $16.99… I knew I could do better than that. So, I went to good ol’ Super Walmart to pick up necessities, like… food, then my body was on automatic pilot and went straight to the CD aisles. Iron Maiden is a necessity in my Metal life, therefore, I purchased “Flight 666” along with various food items from Walmart. I embarked for my car, with my daughters by my side and I am one happy dude. The Walmart price? I paid $13.88 for “Flight 666”, if I continued to search for a cheaper price than that, I would be wasting gas in my tank. Plus, I was able to save $3.23… sounds like chump change, yet it adds up throughout the years when you shop around a tad. I am going to put the DVD version of “Flight 666” on my want list for now… I listen to Metal light years more often than I watch Metal.

Now, for the Metal music on “Flight 666″… again, this is Iron Maiden! What in the Metal world could I possibly find fault with here? This live double CD is juiced up with many prime Metal tunes from the expansive Iron Maiden catalog of albums. Quality, quality and more quality. That is what you hear from the production, sound and of course, the Metal from this Iron Maiden live CD. No Iron Maiden and/or Metal fan could possibly expect any less from this band. When I listen to “Flight 666”, I truly realize how I have never grown weary of any Iron Maiden tunes. If anything, listening to this CD makes me appreciate this band all the more, Iron Maiden is still cranking out Metal across the world… and doing so with their trademark, brilliant musicianship. These guys have not missed a step going on three decades. “Flight 666” is proof of this. The Progressive Metal exuberance of Iron Maiden, with their multi-layered triple guitar attack are in a Metal class all their own. Being a live CD, the nuances and ambiance of the musicianship and the thousands of screaming Iron Maiden fans make for an exciting listen. Not everyone is into live albums… I never fell in love with every live Metal album I have listened to either – “Flight 666” is a live Metal album that I will boast about forever.

There are six tracks on “Flight 666” that are post “Powerslave” era Iron Maiden. “Wasted Years” and “Heaven Can Wait” are from the “Somewhere In Time” album. “Heaven Can Wait” is my favorite post “Powerslave” Iron Maiden tune, it is played live in incredible Metal fashion here. “Fear Of The Dark” is from, of course, the “Fear Of The Dark” album. “The Clairvoyant”, “Moonchild” and “Can I Play With Madness” are off of the “Seventh Son of a Seventh Son” album. The remaining eleven tracks are just killer, vintage and monumental Iron Maiden from the debut “Iron Maiden” album up to and including, the “Powerslave” album. The opening live trademark of “Churchill’s Speech” gets the Metal juices flowing for what is about to come… “Aces High”… pure Iron Maiden, pure Metal intensified! “2 Minutes To Midnight” and “The Number Of The Beast” roar with Iron Maiden – Metal history. I am glad to see that “Rime Of The Ancient Mariner”, from the “Powerslave” album, is added to this amazing set of Iron Maiden classics… at almost 14 minutes long, Iron Maiden makes an epic story turn to epic Metal greatness. My favorite Iron Maiden tune ever is found on “Flight 666” as well and I am ecstatic… “Revelations” from the “Piece Of Mind” album.

I guess you may have figured out by now, that I am a life long fan of Iron Maiden. I am obviously not alone with my Metal allegiance towards this band. I could go on forever about how much I dig this band and “Flight 666”, however, all great Metal posts must come to an end. If you are already an Iron Maiden fan, you know you will own this album, (if you not already have it). For new fans of Metal or Iron Maiden, it is time to get on board for “Flight 666”!!

Iron Maiden are: Bruce Dickinson on lead vocals, Dave Murray on lead & rhythm guitars, Adrian Smith on lead & rhythm guitars, Janick Gers on lead & rhythm guitars, Steve Harris on bass and Nicko Mcbrain on drums. If these guys are not legitimate Rock & Roll Hall of Famers, then nobody is. Iron Maiden is in my Rock & Roll Hall of Fame and they epitomize what the word Metal means.

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Great White “Rising” rises to the top with A+ Hard Rock

Posted in 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1990's heavy metal music, Album Review, cool album covers, current hard rock albums, current hard rock songs, current heavy metal albums, current heavy metal music, essential hard rock albums, Great White, great white 2009, Hair Metal, hair metal music, Hard Rock, hard rock album review, hard rock albums 2009, hard rock guitarists, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, independent record labels, Metal, Music, Rock, rock music, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , on June 8, 2009 by Metal Odyssey

Great White “Rising” for me, is a retrospective listen, and it is not Heavy Metal. This is some inspiring, well written and high quality – Hard Rock. I can even go as far to say that “Rising” can be defined as a Rock album. You are not going to hear the 1980’s flamboyant, grandiose, guitar riff – infused Heavy Metal tunes here. No insanely – Metal driven solos either, some tastefully crafted solo’s do appear however, (“Danger Zone”), so do not despair. What I do hear on “Rising”, is a band that has clearly found themselves creating music straight from the heart. I am not trying to sound sappy here, sappy is not allowed on Metal Odyssey. What I am trying to convey is that Great White has proven to us Metalheads years ago, that they can play heavy and light up an Arena or two. I am convinced, after listening to “Rising”, that Great White is just as enthusiastic and talented as ever. Great White are real musicians… they do not need to carbon copy their past albums onto a 2009 release. “Rising” has some really addicting Old School Hard Rock flavor throughout.

Jack Russell on lead and background vocals has close to no resemblance of the Hair Metal heyday of his 1980’s voice. Forget the comparisons anymore to the legendary Robert Plant! (It started to get very old, even though Great White is what I consider the greatest Led Zeppelin cover band in the world). It is refreshing to hear Jack Russell not sound like a 1980’s retread. His vocals are absolutely superb on this album. “Danger Zone” and “Down On The Level” are two of the more hardest rockers on “Rising”, giving way to some of Jack Russell’s vocal past. “My Sanctuary” exemplifies what the Hard Rock ballads sound like on this album… free flowing with plenty of catchy grooves. “Situation” and “Shine” are songs that are similar, being heavy enough that they are very far removed from being mellow meltdowns. “All Or Nothin” is laden with enough grooves, hooks and foot stomping moments to make this my favorite track. Loveless” is a real retrospective visit to late ’70’s early ’80’s Hard Rock sound- only it is a really good visit at that. Great White in my Metal opinion, has found the perfect balance of melody and harmonious vocals with just enough heavy guitar and rhythm section to make “Rising” a legitimate Hard Rock keeper.

I cannot possibly compare Great White of the ’80’s to Great White of 2009. I dig the music from both Great White eras. I find it cool when a band, especially one that is renowned for Heavy Metal, digs a little deeper into their musical souls and delivers a knock out of an album, filled with tunes you were not really expecting. Great White “Rising” should appeal to a very vast audience of genres… Hard Rock, Rock and Heavy/Hair Metal fans should find what they like on this album, I know I have. With all of my mentioning of retrospective on this review of “Rising”, I am steadfast against the labeling of music as being dated. Just because music brings back memories of other decades or sounds like music from the past, does not make it uncool. Look at how many CD’s and albums that the immortal Elvis and legendary Beatles sell on a weekly basis… if dated music does exist, then I guess dated music is in. Great White of 2009 is happening for me. I have spoken my Metal point.

“Rising” was released on April 21, 2009, on Shrapnel Records. And now, a Metal Odyssey roll call of the members of Great White, as they appear on “Rising”: Jack Russell – lead and background vocals, Mark Kendall – guitar and background vocals, Audie Desbrow – drums, Michael Lardie – guitar, keyboards, mandolin, sitar, harmonica, percussion and background vocals, Scott Snyder – bass and background vocals.

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DISTURBED – Indestructible Metal

Posted in Album Review, cool album covers, cover songs, current heavy metal albums, current heavy metal music, current metal albums, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal concerts, metal music, metal music today, Metal Reviews, Music, new heavy metal album, recent heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 7, 2009 by Metal Odyssey

main-150My wife is a loyal fan of Heavy Metal. (Thank goodness). Well, I knew this over 20 years ago before we ever married. This turned out to be quite the Metal bonus, having my wife being a fellow Metalhead. I get cool Metal gifts for my birthday and Christmas from her and she encourages and nurtures the love I have for Metal music. I am a very fortunate Metalhead to have a wife like her. Her favorite Heavy Metal band of all-time has always been Def Leppard… until I introduced her to Disturbed. (I still believe both these bands are tied for my wife’s favorite). So, as I write away with Metal Odyssey, she keeps looking over my shoulder… waiting to see when Disturbed makes it to this blog. I without further Metal ado… will give my Metal opinion on Disturbed. I feel Disturbed is an excellent Metal band. Sure, Disturbed came around during the Nu-Metal phenomenon, yet I still never would classify them as such. No matter how much I try to dissect it… Disturbed holds up as being Metal.

The debut album from Disturbed, “The Sickness”, (released in 2000), has it’s Nu-Metal appeal… regardless, I am not buying into this label. “The Sickness” for me, is a fabulous album that brought about a Metal sound that I never heard before. This sound I am talking about is truly derived from the vocals of David Draiman, I honestly have never heard anyone else sing like him. The sound effects that David Draiman belts out vocally are to me, unique. This guy can sing, I am not going to ever dispute this. The deep rooted emotion and anger has always been a believable staple with David’s vocals, in my Metal opinion. Usually a band has to do a knock out, killer job of covering a tune from years past to impress me… Disturbed blows away the original version of “Shout” from Tears for Fears. There is no comparison. Man, this song gets me Metal pumped, that is how it affects me, so shall it be. The “Ten Thousand Fists” album (released in 2005), cuts the Metal mustard for me as well. Hey, I always thought Genesis was a cool Progressive Rock band… I would give this band a listen from time to time. Then, when I first heard the cover version of “Land of Confusion” done by Disturbed – again, blown away. The Genesis original version of this song I always found to be intriguing, it is Disturbed that made it a Metal treat for my ears.

Last Summer of 2008, when Disturbed released “Indestructible”, I fell Metal victim again… the entire album was exactly what I was hoping for – the heaviest Disturbed yet. I will will say this much, without any hesitation, that “Indestructible” was one of the finest Metal albums released in 2008. Every song on this album is heavy duty and powerful, I could not endorse this album any louder than that. Dan Donegan on lead guitar is tremendously good… I cannot ignore this fact. John Moyer on bass and Mike Wengren on drums smack it down with the rhythm section, they are tremendous players as well. David Draiman sings to maximum Metal capacity too, always has. As a Metal side note, I feel it is extremely cool, that Disturbed has played for our U.S. troops overseas. To wrap this Disturbed post up, yup, I am a fan. I am not trying to sound like a fart head when I say – what is there not to like? Disturbed has released four very cool Metal albums in a row, that is quite the Metal task. Yes, music is always a personal preference, my personal belief is that Disturbed is as their newest album suggests… indestructible.

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Heavy Metal cassettes are still useful to me

Posted in 1980's hard rock, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's heavy metal music, classic metal, classic rock, collecting music, everyday experiences, everyday social experiences, glam metal music, Hair Metal, hair metal music, Hard Rock, Heavy Metal, Metal, metal music, Music, music collections, old school heavy metal, progressive rock, Punk rock, rock music, shopping for music, southern rock, thrash metal music with tags , , , , , , , , , , , , on June 5, 2009 by Metal Odyssey

MetalOdysseyYou know something… I am sick and tired of the throw away mentality that surfaces about, in regards to the media in which we listen to music. Turntables are still being sold and so are cassette tape decks. I can understand if younger generations are not at all interested in vinyl records, cassette tapes or (gulp) – 8-track tapes. The younger dudes did not have record or tape collections to replace with CD’s… a very costly endeavor at that, which can take a lifetime to rebuild with CD’s, depending on how large your music collection wasHowever, in the last three years alone, I have purchased two “brand new” combination stereo systems for my daughters and guess what? Both of these combination stereos have built-in cassette decks!! Both stereos were purchased at Target, a major upscale department store that is supposedly in the know – on the cutting edge of having the latest home electronics technology! So, if cassette tapes are supposed to be so archaic, so outdated and symbolic of poor taste in music listening enjoyment, then why are they still being manufactured? To pacify us older dudes who have still hung on to our cassette collections? Out of sympathy for us nostalgic Metalheads?

My number one music genre, is of course, Heavy Metal and all related Heavy and Extreme Music genres. With that appreciation I have for my music, I still covet the Heavy Metal cassettes that I, to this very day… hunt down and find at thrift stores and yard sales. Hey, I have the means to still play them! As a bonus for me… my model year 2000 Ford Tauras has a built-in… you guessed it… cassette deck! Therefore, I am not wasting my loot when I purchase these Heavy Metal cassettes from yesteryear. No matter what thrift store I frequent, the standard price for each cassette tape is only fifty cents. Fifty cents!! C’mon, let’s be real, that is nothing compared to the sticker prices for the newly released, Heavy Metal CD’s you find today. My recent CD purchases, of the newest releases of Metal bands, have ranged in price from $9.99 upwards to $17.99… and we are not talking about any one of them being a double CD either! These CD prices will never thwart my addiction to Heavy Metal and frequent purchasing. The point I am making is simple… for fifty cents, I am still getting the same enjoyment from the music I listen to, albeit the sound quality of a CD versus the cassette tape equates to the CD wins. (I will not argue about the sound quality)

There are dozens of Heavy Metal cassettes that I find that are currently not available on CD. The cassettes I buy must have the original liner notes intact, in near mint to mint condition. Take my word for it, these liner notes are a piece of Heavy Metal nostalgia for the respective band on the cassette… I still get a kick out of reading the cool liner notes that have full lyrics and interesting credits. You would be surprised at what one may learn from reading the liner notes of these old cassettes… especially the ones that are currently not available on CD. I have posted in the past, the last laugh the turntable and record albums are currently having on the music marketplace… it is the Heavy Metal cassette tape that is silently having the last laugh as well.

LAZARUS A.D. “The Onslaught” – a real intense Thrash Metal invasion

Posted in Album Review, current heavy metal albums, current heavy metal music, current thrash metal albums, current thrash metal music, Drums, Extreme Metal, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, james hetfield, Metal, metal blade, metal blade records, metal music, metal music today, Metal Reviews, Music, new heavy metal album, new thrash metal albums, recent heavy metal albums, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal music, thrash metal music reviews with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 4, 2009 by Metal Odyssey

lazarus_smallI am blown away by this new Thrash Metal band that call themselves – Lazarus A.D. really blown away. This is not cookie cutter Thrash, nor is this band a bunch of Thrash wannabes either. Lazarus A.D. is for real. These dudes can play Thrash… with no cutting corners, just plain great – in your face – Thrash Metal. I read all of the articles and reviews I could get my Metal hands on regarding this band. Now, I have my hands on their debut release “The Onslaught”, (released March 3, 2009), the contents of this CD is ten tracks of unrelenting, intense and fired up Thrash. I am extremely Metal happy that a young Thrash band like Lazarus A.D. sounds and plays this good. I always say… we veteran Metalheads can never have enough younger bands to carry on the Metal tradition – the more new Heavy and/or Extreme bands, the better! I liken this band to being a throwback, to the days when Thrash Metal was felt, not just heard.

“Damnation For The Weak” stands out for me, with the gang vocals making quite the Metal impression. The lyrics are cool, this very well may become the trademark tune for Lazarus A.D., (just my Metal opinion). This album is riff infested, with enough solos to satisfy my Thrash appetite. The songs are not outrageously long, with only one tune over five minutes long, “Revolution”, clocking in at 5:05. With the opening track of “Last Breath”, it really defines the Thrash attack Lazaraus A.D. will take you on… you will need every last breath one time through this album. (I tend to do quite a bit of air drumming, therefore I did feel a tad exhausted after my first listen). No, I am not embarrassed to tell anyone that I air drum to Metal. It seems just about everyone does the air guitar gig, so I chose air drums a very long time ago. Ryan Shutle on drums does a punishing number on the skins, I can only imagine how much more insane he will play as this band grows. Jeff Paulick on lead vocals and bass is a sliver reminiscent vocally, of the legendary James Hetfield (of Metallica fame, for those who have been living on Saturn the last three decades), (man, I guess I am really dishing out the compliments to these guys).

Overall, I find all ten tracks to be solid, current, with a nod to Old School, Thrash Metal. I took a Metal gamble by buying this CD without hearing more than one tune first… the Metal gamble has paid off. Last year, (2008), I was giving off a big Metal grin for the young dudes of Black Tide… I like that band for sure… Lazarus A.D. however, is a noticeable notch heavier with the Thrash assault. Lazarus A.D. is currently touring with/opening for Unearth and the invincible Thrash Metal titans… Testament, through June 2009. Not too shabby to have this gig, huh? It also seems fitting that Lazarus A.D. is on Metal Blade Records, this legendary record label knows it’s Thrash Metal. Metal Blade Records was instrumental in defining Thrash Metal decades ago… they still are. By now, you probably realize that I highly recommend Lazarus A.D. “The Onslaught” to the entire Metal community. This is an album that will be on my hot list for a very long time. 

Here is a Metal roll call of the entire Lazarus A.D. band: Jeff Paulick on lead vocals and bass, Dan Gapen on lead guitar and backing vocals, Alex Lackner on guitar and Ryan Shutle on drums. 

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Ronny Munroe “The Fire Within” – Metal Church vocalist roars on solo debut

Posted in Album Review, Century Media, century media records, classic metal, cover songs, current heavy metal albums, current heavy metal music, dio, essential heavy metal albums, Guitar, guitar solos, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal vocalists, Metal, Metal Church, metal music, metal music today, Metal Reviews, Music, new heavy metal album, old school heavy metal, rainbow heavy metal band, ronnie james dio, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 2, 2009 by Metal Odyssey

30649First of all, I am a fan of Ronny Munroe, the current lead vocalist for Metal Church. I just happen to gravitate towards the Old School Metal sound, both vocally and musically. Ronny Munroe in my Metal opinion, has the unmistakable Old School Heavy Metal vocals… and in no way do I subscribe to the opinion that this sound is dated. This brand of Old School Heavy Metal has been proven successful for decades now. For me, it is another Metal genre that lives on. With that said, I have obtained a copy of the new Ronny Munroe debut CD… The Fire Within, (released 2009), I am impressed by the total package of music here. This is Heavy Metal made the old school way, no frills, bells or whistles get in the way of the straight ahead approach that Ronny Munroe has taken on with “The Fire Within”. Honestly, Ronny Munroe comes with his Metal Church – front man credentials… he delivers a mightily solid twelve tunes alongside some talented friends. Rick Van Zandt of Metal Church, plays lead and rhythm guitars superbly throughout, with Michael Wilton of Queensryche delivering a solo on two tracks I will mention.

“Across The Sea Of Souls” is the song I feel Ronny Munroe is at his finest, his vocals sound sharp, as if he has been singing this song his entire life. The Michael Wilton solo on this song is cool, I cannot ignore or resist his guitar talent. “Ivory Towers” and “Evil Genius” are tracks that showcase moments of the higher extreme of Ronny’s vocal range, (yes, think of Rob Halford), these songs are groove laden with images of 1980’s Arena Metal concerts in my mind! “Ride Me” is a Metal-macho tune that rocks heavy, the lyrics are tailor made for a Hair Metal band… Ronny makes this song work, Randy Cooper kicks in with a lean & mean solo, a Heavy Metal tune with plenty of swagger. “What You Choose To Call Hell (I Call Home)” comes across to me, as the signature track for Ronny on this album. It is dark, heavy, moody and effectively bridges the gap between Metal Church and Ronny Munroe’s solo career. Michael Wilton appears again here, providing another memorable solo.

After listening to “The Fire Within”, it is my Metal opinion, that Ronny Munroe places Old School Heavy Metal high on a pedestal. I hear while listening to this album, the influences of Judas Priest, Dio and Dio era Rainbow. My opinion could not be better solidified, after listening to “Man On The Silver Mountain” (a vintage Rainbow song), covered by Ronny Munroe. This being the last track, it fittingly closes out a fine Heavy Metal album of creative tunes. Ronny does a terrific cover of this song, I really enjoy this version a whole bunch. This cover version found here, is a fine tribute to an everlasting, Heavy Metal classic of a song. Ronny’s vocals at times, do have comparisons to the legendary Ronnie James Dio, especially on this classic Rainbow cover. I will say, my favorite will always be the original “Man On The Silver Mountain” as sung by Dio himself. In summary, “The Fire Within” will be an album that I will tune in to on a regular basis, it is what I like. I was looking forward to this solo album from Ronny, I have not been disappointed. I recommend Ronny Munroe’s debut solo effort to any fan of Old School Heavy Metal, 1980’s Heavy Metal, Rainbow and of course, Metal Church. New fans should just dive in… this brand of Metal needs to be passed on!

Upon searching for “The Fire Within”, I did locate this CD on the worlds greatest online record store… Century Media Records… aka… CM Distro.com. (I highly recommend CM Distro.com). “The Fire Within” is on an independent record label called Ratpak Records. *Not to leave out the cool musicianship of the following on this album: Izzy Rehaume on bass guitar, Rick Pierce on rhythm guitar, Johnny Ringo and David Van Zandt on drums.

Ronny Munroe "The Fire Within"