KATAKLYSM – Released on August 24, 2010, on Nuclear Blast America, Heaven’s Venom marks the tenth studio album from Kataklysm, arguably the most brutally powerful Metal band ever exported from The Great White North. This new Kataklysm album is fully loaded with ten songs, which exceed the boundaries of what great Death Metal is supposed to accomplish… by mesmerizing your senses into a state of Extreme Death Metal delirium. It is a tried and true Death Metal band like Kataklysm that I cannot resist rooting for, their tireless effort to make their presence known as a Death Metal force, in the vast world of Metal, is an undisputed benchmark of their existence.
From the onset, Soulless God annihilates with it’s all encompassing and overpowering Death Metal fury. All ten songs for that matter, are an enormous listen into just how Kataklysm has evolved over the past two decades, with their obvious stamp of originality upon the genre of Death Metal, a genre which has become a behemoth in the annals of Metal Music. The melodic nature of Kataklysm’s sound is derived from guitar virtuoso Jean-Francois Dagenais, he can play the heavy while instilling an accessibility to this band from his diverse playing. Even casual Death Metal fans should easily adhere their ears to what Deganais plays here, with loyal fans knowing that he is one of the finest in all of Metal.
Without hesitation, Heaven’s Venom is one of the most engaging Death Metal albums I’ve ever listened to. Slivers of progressiveness will sparingly peer around Kataklysm’s corner, with the spoken word being utilized in the songs: A Soulless God and Hail The Renegade. Kataklysm has never been about fast food Death Metal, this band’s intricacies have always lied within their passion for creating songs that leap out at you with rage and then abruptly casting searing melodic turns without notice. Lyrically, Heaven’s Venom embarks on dark personal struggles and values, with revenge and triumph being touched upon in prolific style, which Maurizio Iacono conveys with undisputed domination. Maurizio is one of those vocalists… when Maurizio sings, Stone listens.
The themes of divide and conquer and good versus evil may seem cliche with their simplicity, only Kataklysm gives forth a larger story than that throughout Heaven’s Venom. The markedness of Heaven’s Venom is truly a carry over from the rest of Kataklysm’s catalog of albums, once again embarking on what I construe to be… thinking man’s Death Metal. Yes, contrary to any department of psychology misnomer, Death Metal can be smart, both lyrically and musically. Along with the forever legendary Death Metal pioneers the likes of Death, Kataklysm will unconditionally receive my Metal accolades for their artistic point style too.
My personal favorite song on Heaven’s Venom is As The Walls Collapse. I will survive all the demons you throw at me, I will deny all the weakness inside… these are lyrics that psyche-me-out beyond Metal belief. Combine intelligent and powerful lyrics with elevated Death Metal grooves and yes, this song is a masterful achievement that will not become obsolete for my ears. I could go as far by saying: As The Walls Collapse sounds superiorly delectable, when listened to ten times in a row, very loudly.
Without exception, is Heaven’s Venom relentless with the double bass and copious rhythmic blasts from Max Duhamel, holy mother of Metal does Max lock himself into a phrenetic groove on every song. Metal be thy name he is outstanding. The combination of Max Duhamel behind the kit and Stephane Barbe on bass makes for an earsplitting wall of Death Metal welcomeness. Heaven’s Venom is what I consider an undeniable right choice for any Death Metal, Metal or Extreme Metal fan alive today. An album such as Heaven’s Venom doesn’t just fall from the sky, this is as creatively heavy as it gets with Death Metal, while being fortified with the upmost intensity and Death Metal proficiency that I’ve come to expect from Kataklysm.
* For more info on KATAKLYSM, just click on the link below:
KATAKLYSM – MySpace Music Page
KATAKLYSM:
Maurizio Iacono – vocals
J-F Dagenais – guitars
Stephane Barbe – bass
Max Duhamel – drums
Track Listing For Heaven’s Venom:
A Soulless God
Determined (Vows Of Vengeance)
Faith Made Of Shrapnel
Push The Venom
Hail The Renegade
As The Walls Collapse
Numb And Intoxicated
At The Edge Of The World
Suicide River
Blind Saviour
LONG LIVE KATAKLYSM.
Stone.
Metal Odyssey’s Metal Album Recommendation For Your Halloween Listening Enjoyment: OBITUARY – DARKEST DAY – These Death Metal Legends are not fooling around with their June 30th, 2009 release. Darkest Day is without Metal hesitation, one of my top three albums of 2009… spanning all the Metal genres.
Plus, the Grim Reaper wants to warn you all… the brand new SLAYER album World Painted Blood gets released on Tuesday, November 3rd. I am counting down the minutes in my Metal mind to this great moment in Slayer history.
SKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.
Alright, I am more than thrilled at this new Obituary album, “Darkest Day”, I am enthralled with Metal jubilation. Death Metal jubilation. I am also reminded as to why I am lured into the heaviest, most Metal bludgeoning genre there is… it is Obituary. These guys are not about making nice with the trend setters… forget about it. Obituary is Old School Death Metal lathered with extreme. Understand, however, that Obituary delivers grooves by the Death Metal bushels. From it’s deadly beginning track – “List of Dead” to it’s deadly ending “Left To Die”, I am going out on a Metal limb here by stating… “Darkest Day” is one of 2009’s best Metal albums period. Being one of the true forefathers of the Death Metal genre, Obituary lays their Death Metal cards out on the table here, you either are with them or with them. This is not a Death Metal band that you just want to try out, if you buy an Obituary album, you are either a fan or your about to become one. 
I am Metal psyched about another great Metal album coming out in this month of September of 2009, Children of Bodom – Skeletons In The Closet
I cannot wait to get my hands on this new album and crank it up extremely loud, on September 23, 2009, I will. I am just very curious as to how the Britney Spears cover of Oooops! I Did It Again… is going to sound like. What about the Kenny Rogers song? Man, that should be a Metal hoot. Knowing the way Children of Bodom play their Metal, I am confident they will rage these songs into Extreme Metal bliss. Still, I cannot believe I am writing about Britney Spears, Kenny Rogers and Children of Bodom in the same post. One thing is for sure here, Children of Bodom can never be accused of not being diversified. The cover songs represent a darn cool list of bands here… Slayer, W.A.S.P., Iron Maiden, Alice Cooper, Scorpions, Ramones – these are legendary bands without question. Thank you, Finland, for the fine Metal export they call Children of Bodom.
Arch Enemy is one of my favorite Death Metal bands. Brutally heavy from every musical angle, yet still melodic, Arch Enemy needs no introduction to die hard Metal and Death Metal fans. For those new fans of Arch Enemy who are still looking to purchase a CD from their Death Metal catalog, a great starting point that will not set you back a ton of loot, is their EP “Revolution Begins”, (released on August 31, 2007). This EP was released in 2007 to promote their studio album “Rise Of The Tyrant”, (released on September 25, 2007). EP’s or CD singles, (as they are sometimes referred as), are a cool opportunity to own a few songs of a Metal band, (a Metal test run for fans, if you will). If you are like me, EP’s are a must to own – especially EP’s of my favorite bands. These EP’s more often than not, include studio and/or live songs that are not found on any regular studio or live album. “Revolution Begins” includes the cover of the Queensryche classic – “Walk In The Shadows”. This cover version from Arch Enemy, thrills me just as high as the original version from the great Queensryche. I am Metal serious about that. I revere the Queensryche original, still I revere this Arch Enemy version too. Arch Enemy gives “Walk In The Shadows” a darker, more creepy sense about it… Death Metal style.
I have an appetite for the most Extreme Metal Music out there. Job For A Cowboy is without question, a healthy dose of Extreme Metal. Death Metal is this bands calling card. Playing every musical instrument in their band extremely fast and heavy is an understatement. Blast beats and the infamous cookie monster vocals are lathered all over the songs on “Ruination”, (released on Metal Blade Records, July 7, 2009). So, with all of the expected characteristics of being an Extreme – Death Metal band aside, Job For A Cowboy does prove to me one thing… they are more concerned about global and societal troubles than one might expect. I am not going to admit, I can actually make out the lyrics to these songs, from the vocals of Jonny Davy. Nope, instead, I have the assistance of the sacred liner notes, that come with the complete lyrics for every song on “Ruination”. For me, not understanding the words being pronounced from the Death Metal growls of Jonny Davy comes with the territory of this Metal genre. With this genre of Metal, the lead vocalist is just as equally important as any of the musical instruments being played. It is the anger driven vocals that gives the songs on “Ruination” their intended extreme force and purpose, if you will. Jonny Davy on vocals is equivalent to a wasp nest being disturbed by a broom stick. His vocals will swarm all over your Metal soul, clutching it, beating it into shape and then slapping you in the face with it. Job For A Cowboy delivers a lesson in Extreme – Death Metal whoop ass that has me saying… thank you sir, can I please have more?
Just when I thought that Cannibal Corpse’s “Evisceration Plague” was the lightning strike of an Extreme – Death Metal album of 2009, well, now I have my own personal
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