ALICE COOPER – Constrictor was released on September 22, 1986, on MCA Records. Constrictor was the ninth studio album representing the “solo” career of Alice Cooper. This was the album that marked the return of Alice Cooper, (The Nightmare Returns Tour soon began). A three year “retirement” of sorts had begun since Alice Cooper’s 1983 studio album – DaDa. This Constrictor album changed all of that “retirement” thinking… Alice Cooper was really back, on MTV and even at WrestleMania III on March 29, 1987.
Alice Cooper was in the corner of Jake “The Snake” Roberts as he squared against The Honky Tonk Man during WrestleMania III. I can remember watching this all unfold, seeing Alice Cooper in the ring, thinking to myself… man, Alice Cooper could kick some ass right now! (Honestly, I used to think Pro Wrestling was real… the WWF kind that is). I had bought tickets to WrestleMania III with my cousins, only it was tickets for the then extremely popular – closed circuit television at a large theatre.
Ah, Metal… I mean, WrestleMania memories. Now, back to this Constrictor album:
The Constrictor album cover itself is vintage Alice Cooper, shock and horror imagery really goes hand in hand with this Rock ‘N’ Roll icon. Aw, heck, compare this album cover to most Grindcore, Death and Black Metal album covers and you are looking at the age of innocence, with Alice Cooper’s neck and face being the fixture for this boa constrictor. I do love this album cover… it’s the persona and image of what Alice Cooper conveys as a performer.
The most commercial and late 80’s accessible Hard Rock song on this album is without a doubt – He’s Back (The Man Behind The Mask). This keyboard dominated song was also a major song for the movie soundtrack – Friday The 13th Part Vl: Jason Lives. With all of it’s open air silliness, I still like this song. It’s different. Very different. Let’s face it, this song was written and recorded for a purpose, to promote both a major slasher film franchise and Alice Cooper as well. When the Metal goal is to intentionally make a commercial song such as this, (which is obvious), then I’m agreeable.
The Great American Success Story is another mainstream blast of Hard Rock, which teeters on Pop Metal by way of 1986. The Arena style guitar takes the upper hand in making this song navigate through it’s friendly swirl of lyrics and melodic undertaking. Even Alice Cooper himself sounds more amicable than formidable on The Great American Success Story.
Life And Death Of The Party takes a more harder and heavier turn for the Metal better. Alice Cooper even has a semi-sinister delivery with his vocals, a characteristic that is essential to his voice and persona. The more sinister Alice Cooper gets… the better. Thrill My Gorilla can either be construed as tongue-in-cheek or just plain Hard Rockin’ fun, take your Metal pick. This song can only work for Alice Cooper back in 1986… this song in 2010 would go down as ? and in 1978 this song would have been ? as well. Really, c’mon, it’s the Metal truth.
Give It Up, with it’s “Give It Up” chorus and open door friendly ambiance, was tailor made for a late ’80’s motion picture soundtrack about teens in love. The mid to late ’80’s was oozing with these type of flicks… and songs like Give It Up were all over them. There is nothing wrong with it’s appeal, plus it really does “fit” into this mainstream bag o’ tricks that Constrictor musically advertises.
Teenage Frankenstein… what more can be said than that? At first glance, this song title appears as one a Punk Rock novice might expect to find… on an early Misfits album. Alas, this song is actually the opening track on Constrictor. The lyrical rhyming coupled with Alice Cooper’s very slick vocals, makes this song actually work it’s Hard Rock wonder with me. Metal be thy name.
Once again, I am convinced that fun lyrical content can coexist in Heavy Music… Alice Cooper has proven this with Constrictor. The front cover of Constrictor may lead one to believe it’s a much heavier and darker album than it really is. What this album exchanges for heaviness, it makes up for with it’s good time 80’s feel and attitude. I’ve owned Constrictor for a very long time, upgraded it to CD without thinking twice, in all Metal honesty.
Sometimes it’s the atmosphere of an album of songs that mesmerizes me so. This Alice Cooper album is a fine example of that. I don’t feel a hint of hesitation in recommending this album to any fan of Classic Rock, Hard Rock or 80’s Heavy Metal. Constrictor is a mirror image of it’s pop cultural backdrop of 1986… lot’s of flash, swagger and accessible songs that one can crank up loud, in a church parking lot, without getting hit by lightning.
The Band Behind – Constrictor:
Alice – vocals
Kane Roberts – guitars, bass, keyboards, background vocals, drums
David Rosenberg – drums
Donnie Kisselbach – bass guitar
Kip Wringer – bass guitar
Paul Delph – keyboards, background vocals on “He’s Back”
Tom Kelly – background vocals on “He’s Back”
Beau Hill – background vocals
Track Listing For Alice Cooper – Constrictor:
Teenage Frankenstein
Give It Up
Thrill My Gorilla
Life And Death Of The Party
Simple Disobediance
The World Needs Guts
Trick Bag
Crawlin’
The Great American Success Story
He’s Back (The Man Behind The Mask)
* Here is what the WrestleMania III promo poster looks like:
When I was a young lad, I witnessed both Andre The Giant and Hulk Hogan wrestle live. It was in my old High School Gym too. (This was way before the WWF became super enormous, long before the WWF changed to the WWE). Andre The Giant was an incredibly large human being and Hulk Hogan… he had muscles growing out of his eyeballs for Metal sakes.
LONG LIVE ALICE COOPER!
Stone.
King Diamond, the legendary Metal front man for Mercyful Fate and Horror Metal/Heavy Metal icon. King Diamond and his band have left more than a mark on Heavy Metal history, a chunk of Heavy Metal history is King Diamond. On October 13, 2009, the infamous Metal Blade Records will reissue two King Diamond Classics… The Graveyard and The Spider’s Lullabye. Very cool. Just in time for Halloween… very cool again. Both albums have been re-mastered by King Diamond guitarist Andy LaRocque. The Spider’s Lullabye was originally released in 1995, with The Graveyard originally released in 1996. Bonus live bootleg footage will be available for download, for those who purchase either of these two reissues. The bonus footage for download will be these three King Diamond songs: The Spider’s Lullabye, Trick Or Treat and Up From The Grave. Reissue’s are always great, especially when they include new songs and/or videos – downloading the bonus content for these albums is fine with me, especially when King Diamond is looking at giving the fans the highest quality in sound and video. Man, I better start saving up some spare change or my Christmas want list is going to be very long with all of the new Metal CD’s that are coming out next month! Metal rules. King Diamond is a big reason why. King Diamond is delivering a Happy Halloween to his fans and all fans of Metal on October 13, 2009.
Alas, I finally received via U.S. mail, on April 29, 2009, directly from Best Buy online, the brand new Heaven & Hell release – “The Devil You Know” – (I pre-ordered the CD/DVD version) and I am simply ecstatic over this Metal! I feel I am exonerated from all the praise and hype I have been giving Heaven & Hell for their embarking on making this new album. Greatness is not enough of a positive adjective to describe the Metal tunes on “The Devil You Know” – and I mean all ten songs are enormously great. My favorite tune on this album is “The Turn Of The Screw” – it sounds incredible with Tony Iommi on guitar, for Iommi seems as if he let his melodic side take over with the leads and solo. Ronnie James Dio sounds like he is thirty years old again on not just this tune, all ten of these tunes!
Obviously, it is April 28th, 2009. Today, the new album release from Heaven & Hell is unleashed on the glorious world of Heavy Metal!! It is going on twelve noon – (Eastern Standard Time/U.S.) for me at this moment – I am patiently awaiting the arrival of my new copy of “The Devil You Know,” via U.S. mail. I pre-ordered the CD/DVD version, through Best Buy (online). It seems that the CD/DVD version is a Best Buy exclusive, therefore getting the DVD part of the package is for me, a Metal bonus! Plus, get this – I pre-ordered about two weeks ago, the cost of “The Devil You Know” CD/DVD was $9.99 with free shipping!! (Now, with these tough economic times, that is a Metal bargain). This was such a cool deal, heck, I even bought my best buddy on the planet a copy too. My experiences with purchasing from Best Buy online has been truly, flawless. Best Buy really does offer continuous cool deals on a wide variety of Metal Music CD’s. Well, enough of praising Best Buy, I want my Heaven & Hell new tunes NOW!!
If there is one band that I can identify the entire Death Metal genre with, it is Cannibal Corpse. Why do I adore Death Metal? I easily embrace the straight up approach and punishing sound that comes from this music. I really do not care in the least if I cannot make out the lyrics coming from lead vocalist George Fisher. Are the vocals still important? Of course, the cookie monster vocals are the trademark identity of what Death Metal is supposed to sound like! Therefore, if I was to choose my favorite Death Metal band, it is Cannibal Corpse. (Arch Enemy comes in a very, very, close second). Cannibal Corpse and the entire Death Metal genre will probably never receive mainstream media acclaim – who cares. Any Death Metal band could never expect any gratitude from anyone except their fans. That is what makes all Metal so special.
It is an obvious Metal music marriage, the paranormal being put to lyrics in Metal songs. Any King Diamond album supports this statement, that is for certain. Horror and the paranormal rules the Metal world’s lyrics with it’s mystery, shock, and imagery. This to me, is one of the great attributes to Metal music, the paranormal and horror has given personality and life to throngs of Metal bands as: Alice Cooper, Misfits, Kiss (with makeup), Lordi, Rob Zombie, Slipknot, Danzig, W.A.S.P., Cannibal Corpse and of course, King Diamond again. The list could go on and on, regarding which Metal bands represent the horror and paranormal subjects best.
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