Archive for the metal music Category

W.A.S.P. COVERS THE DEEP PURPLE CLASSIC “BURN” WITH HEAVY METAL PRIDE ON BABYLON ALBUM!

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's classic rock music, 1980's heavy metal bands, 1980's metal bands, 1990's heavy metal bands, Album Review, classic rock cover songs, cool album covers, creepy album covers, current heavy metal albums, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, metal music, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, spooky album covers, spooky metal album covers, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 10, 2009 by Metal Odyssey

Blackie Lawless Image #1W.A.S.P. has me burning up with an extreme Heavy Metal fever. Their new studio album, Babylon, is the total Old School Heavy Metal package. I am so excited about this new W.A.S.P. album, I need to calm down. Alright, if you have never purchased a W.A.S.P. album in your life and you are into Metal, do the right thing and buy Babylon. Veteran W.A.S.P. fans should understand why I am pumped up about Babylon… it is the quintessential Heavy Metal album for 2009. Am I saying it is the best Heavy Metal album of 2009? I am sure leaning in that direction for certain. Remember, this is Heavy Metal, no strings attached. Blackie Lawless has proven once again he is not about to back down, cow tow or change for anyone. Blackie Lawless has my total Metal support and praise for his convictions, which he so eloquently states within the liner notes of Babylon.

In a perfect Heavy Metal world, Blackie Lawless would be my choice for President and Chief Commanding Officer. For now, I can live with Blackie Lawless being the living Heavy Metal legend he is. I now hereby declare, that it is very difficult to hide my appreciation for the Heavy Metal of W.A.S.P., I am damn proud of it too. I have been listening to and enjoying the Heavy Metal of  W.A.S.P. for too many years now, to give a hoot about what anyone thinks of my admitting my adoration for Blackie Lawless and his band. Hey, it is light years better than admitting to being a follower of an uptight dude, named Keith Olberman, who whines all night on MSNBC.

Get ready – for this will be the first in a series of rave Metal reviews I will be doing regarding this W.A.S.P. Babylon album. It is that unreal great. Oh well, I have to listen to the boss at Metal Odyssey and he says I have to do it this way… that boss is me. Isolating songs from a great Heavy Metal album like Babylon and writing about them, is more of a deserving tribute to a Metal accomplishment by Blackie Lawless and W.A.S.P., in my Metal opinion. The only song I will comment on, in this first edition of W.A.S.P. Babylon reviews, is the cover song Burn. This 1974 Classic Hard Rock song from the ultra incredible Deep Purple, is now also an unbelievable Heavy Metal classic, courtesy of Blackie Lawless and his band. I listened to this W.A.S.P. cover of Burn at least six times repeatedly… it blew my Metal mind. Blackie Lawless on vocals is Metal mesmerizing, I can hear the love and passion he truly has for this song… very loud and very clear. W.A.S.P. signs, seals and delivers Burn in powerful Heavy Metal style, nothing formal, no black tie required.

Deep Purple "Burn" small album picI will always believe, that it is extremely hard to cover a song of this magnitude, without tripping up somewhere along the way. Nothing beats a Hard Rock Classic, especially one from Deep Purple. David Coverdale will forever have the notoriety of originally vocalizing Burn with Deep Purple. David Coverdale’s  vocal signature on the original version of Burn, plus his historical importance to Heavy Metal is immeasurable, in my most honest Metal opinion. Fast forward to 2009 and Burn is resurrected from the archives of Hard Rock history, thanks to W.A.S.P.. Blackie Lawless maintains the signature keyboards of Burn, reestablishing the importance this instrument has within this song. Doug Blair on lead guitar, cements himself as an asset, to the Heavy Metal identity that is W.A.S.P., on this amazing cover song. Burn returns and rises like a flaming phoenix, with Blackie Lawless unleashing this song’s power and exposing it’s grandeur for all Heavy Metal time.

W.A.S.P. "Babylon" large album pic #2

The Rough Guide To Heavy Metal – A Very Resourceful Metal Music Book

Posted in 1970's punk rock, 1970's heavy metal music, 1980's hair metal bands, 1980's heavy metal bands, 1980's metal bands, 1980's punk rock music, 1980's thrash metal, 1990's heavy metal bands, 1990's heavy metal music, 1990's thrash metal music, black metal roots, book reviews, classic rock music, death metal music, doom metal music, extreme metal music, hair metal music, heavy metal book reviews, heavy metal guitarists, heavy metal music, heavy metal music books, heavy metal music guides, heavy metal music reference, heavy metal vocalists, horror punk rock bands, Metal, metal music, metal odyssey, Music, old school hard rock, old school metal bands, old school thrash metal music, punk rock bands, rock music, sludge metal bands, southern hard rock, thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 9, 2009 by Metal Odyssey

Ozzy small picI’m always looking for good deals on my Heavy Metal Music purchases, from albums, CD’s to memorabilia and books. Upon one of my recent stops into a local thrift store, I happened upon quite the Heavy Metal find indeed, for the ripe price of fifty cents. Yes, fifty cents. The find you ask? Well, none other than The Rough Guide To Heavy Metal – and it is quite the book for me. (This book is a 1st printing, printed in 2005 by Rough Guides). While perusing the book aisle at this thrift store, the image of none other than Ozzy Osbourne caught my eye. What is this? I could not believe what I had found! Knowing immediately too, that any book in this thrift store is only fifty cents… I was Metal stoked. As a bonus, this book stared right at me in gem mint condition as well. As I picked it up and browsed through it’s Heavy Metal filled pages, it was obvious to me that the previous owner of this book never bothered to read it. As crisp of a new book you will find. Life is a sweet journey sometimes, especially when you can stumble on a 410 page book, when you least expect it, that is dedicated to your favorite music genre… Heavy Metal.

Alright, enough about how I found The Rough Guide To Heavy Metal and onward with it’s review. This richly factual book is written by Essi Berelian, with a foreward by the legendary front man for Iron MaidenBruce Dickinson himself. There are over 300 bands and/or musicians that are covered in this book. (Hey, to make a definitive book of Heavy Metal bands would not only be a task of the ages, the page count would reach a bizarre number as well). Therefore, there are going to be bands that are missing, (I am disappointed that Enslaved did not get aknowledged), plus there is that band here and there where I can’t exactly label as Heavy Metal, (Asia has a write-up in this book). I like Asia, yet I do not see the connection here. I will bend and say Foreigner has a loose connection to the genre of Heavy Metal, they are represented in The Rough Guide To Heavy Metal. Diversity is shown in the representation of bands, The Rough Guide To Heavy Metal even acknowledges Lynyrd Skynyrd and their link to heavy music.

From Ozzy Osbourne and Kiss to King Diamond and Magnum, with the likes of Venom and UFO in between, a fabulous smorgasbord of movers and shakers are touched upon with factual integrity and reverence. I am smitten that Slayer, Motorhead, W.A.S.P., Red Hot Chili Peppers and Kreator are well covered here too. Something that Essi Berelian did here, that impresses me most, is the inclusion of legendary Punk Rock Bands such as the Misfits and Ramones. Still, where are the Sex Pistols? C’mon, if you include Punk Rock into a voluminous book such as this, it is not a bright move to ignore the Sex Pistols! Plus, whenever writers refer to the 1970’s Hard Rock band Sweet as “The Sweet”, it drives me crazy. Anyone familiar with this band knows them as Sweet… period. The only album I am aware of, that has the moniker of “The Sweet” is their very first album, which was titled Funny How Sweet Co-Co Can Be back in 1971. Give me a Metal break.

Essi Berelian deserves much praise and credit, despite the few flaws mentioned, that in reality, I can overlook. Each band or musician represented in The Rough Guide To Heavy Metal has it’s history and discography touched upon in enough detail that suffices for me. Interesting anecdotes and facts are also provided throughout this entire book, making for a very resourceful guide on the history of Heavy Metal. The genres of Heavy Metal are explained very well too, giving the reader an in depth explanation to it’s respective origin and impact on the world of music. From Christian Metal to Black Metal, the genres of Heavy Metal are given their own spotlight. The Rough Guide To Heavy Metal is also loaded with plenty of black and white photographs, (group and individual shots, album covers and concert photos), giving this book that much more appeal.

At the end of the Metal day, The Rough Guide To Heavy Metal makes for an extensive and detailed read into the bands that started, shaped and expanded the world of Heavy Metal Music. Whether you are a life long fan of this incredible genre of music or a brand new fan, this book is rather difficult to put down. I most highly recommend The Rough Guide To Heavy Metal to all, it really isn’t that rough at all. Hey, for the fifty cents it set me back, this book is worth every penny. I cannot shake the Metal grin on my face each time I pick this book up to read.

Ozzy large pic

Heavy Metal And Punk Rock Listening Suggestions For The Weekend And Beyond

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's punk rock, 1970's classic rock music, 1970's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal albums, 1990's heavy metal bands, american punk rock bands, classic heavy metal, classic punk rock, classic rock music, collecting rock music, cool album covers, current punk rock music, essential heavy metal albums, essential punk rock albums, hard rock music, heavy metal album covers, heavy metal albums, heavy metal music, heavy metal vocalists, lists, Metal, metal music, metal odyssey, Music, new punk rock music, old school heavy metal, old school punk rock, punk rock album covers, punk rock albums, punk rock bands, punk rock music, rock & roll, rock and roll, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 8, 2009 by Metal Odyssey

MetalOdysseyAh, the weekend is here. Time to clean up the house, tidy the garage, finish some yard work and maybe wash and vacuum the car. Watch some College and/or NFL Football this weekend too. What are some music listening suggestions I may have for the weekend? Thank you for asking. Heavy Metal and/or all the other Metal Music genres that exist is first and foremost. Oh, may I also suggest some Punk Rock as well? Thank you for allowing me to do so. What was that? Did someone just ask me to name specifically which bands and/or albums to delve into this weekend? Gee, I feel rather honored to be suggesting to the entire world , a tidy list of great heavy bands and/or albums to choose from… uh, here it is:

The first Heavy Metal suggestion to maximize your listening enjoyment is –

W.A.S.P. GROUP PHOTO #1

LONG LIVE BLACKIE LAWLESS

Here is a Hard Rock favorite of mine, Ritchie Blackmore’s Rainbow.  Man On The Silver Mountain is an unreal great song, it never fails to give me the psyched out chills each time I listen to it. Released back in 1975, Ronnie James Dio on lead vocals makes this album a standout for Rainbow… with Ritchie Blackmore on guitar you cannot go wrong here.

Rainbow 1st Album - large pic

Alright, since I feel like it, I will suggest an Old School Punk Rock Band and just one current Punk Rock Band. However, that is it. Then I’m done. Either take it or be uncool and don’t.

Ramones. Enough said about that. Man, if you do not own any Ramones by now… BUY SOME RAMONES THIS WEEKEND!!! Any greatest hits will suffice for the beginner Ramones fan – heck, I have a greatest hits from them… this one:

Ramones "Their Toughest Hits" large album pic

Now, I cannot get enough of this new album from The Casualties. we are all we have was released on August 25, 2009. The Casualties know their Punk roots and it comes out loud and Punk clear through their Punk songs. Yeah it does. Give ’em a listen this weekend.

The Casualties "we are all we have" large pic

O.k., here is one more Heavy Metal suggestion for your listening enjoyment, guaranteed to Rock your weekend! If this album doesn’t do it for you… go listen to some Jim Nabors, (you know, the Gomer Pyle dude who actually sang and made records).

Motorhead "March Or Die" large album pic

The two cover songs of Cat Scratch Fever and Hellraiser are enormously incredible on this March Or Die album. Motorhead is the elixir of all great things about Rock and Roll.

Now, as I stated a few sentences ago… if this Motorhead album or any other suggestions on this Heavy Metal and Punk Rock list are of no interest to you and/or bother you in any sort of way, this is what you should be listening to instead –

Jim Nabors

WARNING: LISTENING TO JIM NABORS MAY CAUSE SEVERE CONSTIPATION


BLACK SABBATH – 1983 “BORN AGAIN” ALBUM IS METAL OF PROFOUND IMPORTANCE

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1980's metal music, Album Review, black metal roots, classic heavy metal, classic metal, collecting metal music, cool album covers, creepy album covers, doom metal music, essential heavy metal albums, essential metal music albums, guitar legends, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal music, heavy metal vocalists, Metal, metal album review, metal music, metal music albums, metal odyssey, Music, old school heavy metal, old school metal bands, rock music, scary album covers, spooky album covers, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 7, 2009 by Metal Odyssey

Black Sabbath "Born Again"Back on October 4, 1983, Black Sabbath released their eleventh studio album – Born Again. I was serving time in high school as a senior in 1983, I also became a born again Metalhead that same year, thanks to this most underrated Black Sabbath album. I am not kidding or trying to sound like a yahoo by stating that. Born Again was a match made in Metal heaven for me… the prolific vocals of Ian Gillan uniting with the ultra legendary Black Sabbath. I have to admit, with Ozzy Osbourne and Ronnie James Dio not fronting Black Sabbath, it was common place for professionally paid Rock Music critics to easily overlook the other lead singers this Rock And Roll Hall of Fame band has bestowed over the decades. I never overlooked a damned thing Black Sabbath had done, especially when they joined forces with Ian Gillan. From the front album cover artwork of the demon baby, to the down right eerie and chilling Metal Music heard on Born Again, this album is a must listen and own in Metal Music 101.

When I first listened to Born Again, back in good ol’ 1983, the synthetic instrumentals of Stonehenge and The Dark left a Metal imprint on my subconscious like none other… all I could think back then and now is this is the soundtrack of doom… all hail Black Sabbath. The guitar riffs, leads and solo on Zero The Hero sound as if I am listening to a descent to the darkest depths of inner Earth… I love that descent. Trashed is not just an amazing song lyrically, this is an early introduction of Heavy Metal making the transition to pure… Metal. Comparing Born Again to other Heavy Metal albums of that time is what separates the Heavy Metal label from Black Sabbath, thus anointing this iconic band to true masters of Metal Music.

The Metal of Born Again is not Thrash, yet it is not Accept, Quiet Riot or Saxon of that time period either. With Born Again, a black album was unintentionally or intentionally created, (both with album artwork and the Metal Music within), while Black Metal itself was simultaneously being born into a genre, courtesy of Venom, Bathory and Hellhammer . I can’t compare this Black Sabbath album to their earlier albums with Ozzy. Nor can I make a comparison of Born Again to the Dio led Black Sabbath either. The song Born Again alone is a study in just how far Tony Iommi would go in making a unique Black Sabbath album, one that would stand apart from the entire Black Sabbath catalog… forever. Listening to Ian Gillan’s vocals on this song honestly takes my Metal breathe away. Ian Gillan is beyond unreal great on Born Again – all one needs to do is open their Metal mind to the song Hot Line and thou shall understand and realize why. Seriously, the vocals of Ian Gillan on Hot Line makes me imagine what life would have been like for this Metalhead, if more Black Sabbath albums were created with his legendary voice. I guess it is obvious by now, that I revere Ian Gillan.

Digital Bitch may have been the most popular song from Born Again, the song that advertised their Born Again Tour on FM Radio back in 1983-84. Despite the fondness that commercial FM radio had for this song, it blazed with Metal fury like no other song back then. Disturbing The Priest, this song title alone made for my own personal battle cry for serving eight long years of time – in a parochial school. Trust me on that one. In Metal hindsight, maybe the professionally paid Rock Music critics of the world were never ready for the dark Metal Music that Born Again was about. This was not the Deep Purple version of Ian Gillan, nor was this the Children of the Sea version of Black Sabbath. Keep It Warm actually grounded this Born Again album, keeping it from being a non-stop onslaught of apocalyptic, melancholy and dark sided themes.

In a Metal nutshell, this Born Again album was forged by the union of Ian Gillan joining the legends of Tony Iommi, Geezer Butler and Bill ward. This version of Black Sabbath has suffered through too many years of comparisons to the Ozzy and Dio fronted bands of the same name. All too often, the ignorance of professionally paid Rock Music critics can water down the integrity of a great album from an elite band. Such is the case here with this incredible Born Again album from Black Sabbath. I never saw this Black Sabbath lineup as anything other than Black Sabbath, only with a different lead singer in Ian Gillan who rose to the Metal occasion with unparalleled pipes.

Over the years it has been amusing to me, to even read that Ian Gillan himself was never satisfied, actually displeased, with the music and demon baby artwork of Born Again. (The liner notes of this Born Again CD detail this, as written by writer Hugh Gilmour). If only Ian Gillan knew, just how much this Born Again album has meant to me, as a lifetime fan of his prominent vocals. Black Sabbath fans who appreciate the music created by Tony Iommi, (guitar), Geezer Butler, (bass) and Bill Ward, (drums), know that the Ozzy, Dio and Ian Gillan versions of this band carry their own Metal identity that captivates with it’s own powerful mystique. Born Again by Black Sabbath is more than a vintage Metal album that I recommend, it is a vintage Metal necessity, that should be embraced and heralded as an important contribution and moment – to the history of Metal Music.

To my best Metal buddy Scott… thank you for buying me this hard to find CD. Having owned a copy of Born Again on cassette, spanning three decades, deserved a righteous Metal upgrade. I truly wish I kept the vinyl album of Born Again that once was in my collection.

Black Sabbath "Born Again"

ADVISORY STICKER ON SLAYER “WORLD PAINTED BLOOD” CD MAKES ME LAUGH

Posted in censorship issues, current heavy metal albums, current heavy metal bands, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, grocery store experiences, heavy metal music, hypocrisy, metal music, metal odyssey, Music, new thrash metal albums, old school thrash metal music, parental advisory issues, parental advisory sticker issue, rock music, thrash metal bands, thrash metal music with tags , , , , , , , , , , , , , , , , , , on November 6, 2009 by Metal Odyssey

Slayer "World Painted Blood" small pic #1I, being a devoted Slayer fan, bought their new CD – World Painted Blood this week. An unreal great album and I will be raving about it on a future post – that’s a Metal guarantee. What makes me laugh, however, is the lame Parental Advisory/Explicit Content sticker that stares at you on the front cover wrapping of this CD. This silly little sticker also reads: strong language, sexual + violent content. If this sticker with it’s various warnings is mandated to be on the new Slayer CD, why then, is there not the same warning, for the following:

Cosmopolitan Magazine – this soft porn magazine is out in the open for toddlers and youngsters to see at every checkout in every major supermarket and retail store everywhere. The words – orgasm and sex are the monthly norm on the front cover and never out of eye sight.

All Network News and Cable News Networks – my God almighty, if there ever was a warning needed, it is for the constant news footage of war, murder, rape, violence and crimes against humanity and society. This stuff is reality and it is constantly available around the clock, every day of the year. NEVER A WARNING or Parental Advisory for when gruesome, morbid, violent and sexual images and or footage is shown by network news, at a split seconds notice… never.

Political Campaign Commercials – backstabbing, hate, lying, rumors and more hate. Those are reasons enough for me to cry out for the Parental Advisory Warning!

All Tabloid Publications – just like Cosmopolitan Magazine, these publications are fully shown, out in the open, at every checkout, at every supermarket, retail store and gasoline quick mart everywhere… for toddlers to see. No warnings to be found. Just 3/4 naked celebrities adorning the front covers with sexual headlines galore.

Day Time Soaps, (Soap Operas) – do I really need to explain why this is on the list? Again, NO WARNINGS or Parental Advisory before any soap opera that I have ever seen, in my ADULT life.

I could go on with a fantastically long list here. It is not my intention to ever censor any of the above, I am against censorship in America – period. The Metal Music and lyrics of Slayer can’t possibly be interpreted as any more offensive, as the list of examples above. My only question is, where is the fairness in placing warning stickers on Heavy Metal CD’s, (or any music genre), when other forms of media are not subject to the same advisory standards? Hypocrisy is the only answer I can find.

This sticker as shown at the bottom, also included more warnings on the Slayer CD as I stated above. Not to sound redundant, yet, if the RIAA, (Recording Industry Association of America), deems it necessary to establish this type of warning on music, why then are other media industries and/or entities exempt from using such a warning? Again, hypocrisy is the only answer I can find.

For those who may have never seen this ridiculous sticker attached onto CD’s that span many music genres, here it is in it’s most gruesome glory. By the way, this annoying little sticker only enhances a CD’s taboo mystique, in turn helping to sell more copies of the CD it’s on. In it’s own morbid way, maybe this sticker has become something of a Pop Culture symbol of cool… that’s just my Metal opinion.

Parental Advisory Sticker - large image

Children Of Bodom – “Skeletons In The Closet” Album Of Cover Songs Is Metal Thrashing Good

Posted in Album Review, cool album covers, cover songs, creepy album covers, current extreme metal albums, current extreme metal music, current thrash metal albums, current thrash metal music, extreme metal bands, extreme metal music, guitar legends, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal odyssey, Music, new thrash metal albums, scary album covers, spooky album covers, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal albums, thrash metal albums 2009, thrash metal bands, thrash metal cover songs, thrash metal from finland, thrash metal guitarists, thrash metal music, thrash metal music reviews, thrash metal songs, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 5, 2009 by Metal Odyssey

Children Of Bodom "Skeletons in the Closet" small album pic!I really get a kick out of Alexi Laiho, his lead vocals and lead guitar play are extreme to the Metal maximum. I know that sounds rather yahoo, only there is no other way to really explain it. I like this guys style, he is hell bent on playing some of the fastest Thrash Metal Music out there. On the new Children Of Bodom album, Skeletons in the Closet, (released on September 22, 2009), there are seventeen cover songs. Of the bands and musicians that are covered here, there is one song that I simply cannot get into or simply stomach. Hey, one lousy song out of seventeen isn’t too shabby. Consider the fact, that I really like the other sixteen songs on Skeletons in the Closet and I declare this album a Metal winner. Let’s cut to the Metal chase here and I’ll just state that the cover of the Britney Spears song, Oops… I Did It Again is equally lame as it is annoying. I have never been intrigued by Britney Spears, nor do I give her even one millionth of an ounce of respect for any music she has done in her life.

I don’t hold anything against Alexi Laiho and Children of Bodom for doing this crappy cover song, the liner notes spell out clearly as to why this song was covered in the first place. I will paraphrase the explanation found in the liner notes  – apparently, Children Of Bodom, during a night of heavy drinking, were listening to a party CD they made and this crap song was looping over and over. The members of Children Of Bodom made a pact that someday they would cover this crap song, obviously they did, on Skeletons in the Closet. The explanation, (in the liner notes) for this crap cover song goes on to finish: “… and pissed a lot of people off! That’s just what we do”. In the Metal end, sure, after listening to this crap cover of Britney Spears, I felt pissed off – now I think it is damn funny, a song intended to be a joke, not to be taken seriously like it’s original artist Britney Spears.

As I stated, the remaining sixteen cover songs I like a great deal. The Thrash Metal representation of these songs explode with the power and aggression that I have always admired with Children Of Bodom. Many of my favorite Metal bands are covered extremely hard and heavy on this album: Silent Scream from SlayerAces High from Iron Maiden, Hellion from W.A.S.P., Don’t Stop At The Top from Scorpions, Mass Hypnosis from Sepultura and Waiting from King Diamond. Children Of Bodom give these songs their stylistic Thrash Metal stamp on them, I find myself appreciating their versions a whole lot. Whenever it comes to covering Slayer, man, that is a tough Metal task to take on.

Other cover songs on Skeletons in the Closet that are powerful Thrash Metal listens are: Rebel Yell from Billy Idol, Hell Is For Children from Pat Benatar and Talk Dirty To Me from Poison. These three songs standout for I like them a great deal more than the original versions. Ghost Riders In The Sky appears on this album too, (it appears on the Children Of Bodom album Blooddrunk as an unlisted ghost song, excuse the pun). Somebody Put Something In My Drink from the Ramones is excellent! Alexi Laiho sounds like he is really enjoying this song as I listen to him sing it. Still, nothing can ever top the original version of this song by the unreal great and legendary Ramones. Trust me, you will NEVER know that the song Just Dropped In (To See What Condition My Condition Was In) is from Kenny Rogers. NO WAY, am I ever interested in hearing the original version either… especially since this cover version Thrashes like there is no tomorrow.

Overall, the Metal verdict is Skeletons in the Closet is loaded with fiery Thrash Metal passion from Children Of Bodom, with their trademark keyboards only enhancing the experience. I will listen to this covers album for years, hopefully decades to come. I am soon going to use the “F” word… watch out… here it comes… Children Of Bodom made a darn fun album here. Thankfully the crap song is the very last on the track list, making it easier to just end the album at song #16. I recommend Skeletons in the Closet and always highly recommend Children Of Bodom to all.

Children Of Bodom "Skeletons in the Closet" large pic #2


On The Eve Of Slayer’s “World Painted Blood” Release, Some Metal Thoughts…

Posted in 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1990's metal bands, 1990's thrash metal bands, 1990's thrash metal music, current heavy metal music, current thrash metal albums, current thrash metal music, essential thrash metal albums, extreme metal bands, extreme metal music, extreme music, heavy metal music, Metal, metal music, metal music today, metal odyssey, Music, new thrash metal albums, old school thrash metal music, thrash metal 2009, thrash metal albums, thrash metal albums 2009, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal music, thrash metal today, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , on November 3, 2009 by Metal Odyssey

Slayer small logoI am a Slayer fan. Have been since I first held onto the Show No Mercy album and stared at the artwork in frozen awe. I bought that Slayer album back in 1984, back when I was picked on for the music I liked by the kids wearing turtle necks, with a stupid alligator on them. The Izod kids… they were so convinced that Slayer was not going to be around in five years. That same Izod crowd all were convinced that Metal Music was for the troubled kids, listening to Slayer is what made us trouble. Really, that junk was thrown at me about Slayer and I never flinched. It’s funny now as I look back on those ridiculous high school years, the hurtful remarks and snotty attitude that I put up with from so many of my peers are now a humorous memory for me. I’ve turned out alright for myself since 1984, I am proud of my life’s accomplishments thus far. I’m not about to reveal every good deed I have done throughout my life, it really would be boring to read. Being a Slayer fan and fan of Metal Music is a part of me, take it or leave it.

Slayer small logoContrary to so many of the Izod kids, the religious right and the PMRC, (The Parents Music Resource Center), I and countless other Slayer fans never became Satanists or serial killers. Nope, the Thrash Metal of Slayer never made me commit a crime. I know this probably disappoints some of the Izod crowd out there, yet Slayer never influenced me to become a lifetime criminal. To compare Metal Music to violent behavior is such a waste of time, there is no correlation. Drugs and/or mental illness is the obvious incubus for violent behavior. How do I know, you may ask? Well, for one, Charles Manson was a Beach Boys fan… Thrash, Death and Black Metal never existed when Charles Manson was roaming the streets. Anyone would be wrong to connect The Beach Boys to violent behavior as well. To say that even The Beach Boys provokes violent behavior is ludicrous and/or irrational. What type of Metal Music did Al Capone listen to? How about Napoleon Bonaparte? I have made my Metal point here… feels good too.

Slayer small logoI always express just how thankful I am that so many veteran Metal bands are still around making music. Slayer is the Thrash Metal cream of the crop for three decades running. On the eve of their new album releasing on November 3, 2009, I am excited to say the least. I have deliberately not listened to any of their new songs from World Painted Blood… I want to be surprised and psyched – the old school way. Back in the early ’80’s, unless you worked for IBM, the internet was a foreign word, hearing a new album meant listening to it once the purchase was made on release day. I did listen to Megadeth Endgame on their MySpace Music page before I bought it on the respective release date… I don’t regret that move, still some of the fun was taken away for me, once I had the Endgame CD in my hands. (I already knew what I was going to here, nonetheless, Endgame is a Thrash Metal powerhouse of an album).

Slayer small logoSo, tomorrow I will make my Metal journey to most likely… f.y.e. and make that Slayer World Painted Blood purchase. I will then go to my car, unwrap the annoying plastic wrap and NASA glued anti-theft sticker off of the CD and crank it louder than all hell. I will smirk all the while, knowing that I am a proud middle aged Metalhead, doing alright and still following Slayer in the year 2009. SLAYER RULES and Metal Music Lives.

HAPPY HALLOWEEN FELLOW HEAVY METAL FANS WORLDWIDE!!

Posted in collecting metal music, creepy album covers, current death metal albums, current death metal music, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal music, essential death metal albums, essential thrash metal albums, extreme metal music, halloween, Heavy Metal, heavy metal album covers, heavy metal music, heavy metal music 2009, Metal, metal music, metal music today, metal odyssey, Music, old school death metal music, old school thrash metal music, thrash metal 2009, thrash metal albums, thrash metal bands, thrash metal legends, thrash metal music, thrash metal today, vintage death metal bands, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

HAPPY HALLOWEEN! To all of the visitors both past and present to Metal Odyssey, may this Halloween of 2009 be the spookiest, creepiest and darn right darkest it has ever been in your entire life. Halloween is also a time to celebrate the greatest music that exists… METAL. Pick your Metal genre and blast it louder than HELL this Halloween. So to all of my fellow Metalheads worldwide – horns up!

Obituary "Darkest Day" little album picMetal Odyssey’s Metal Album Recommendation For Your Halloween Listening Enjoyment: OBITUARY – DARKEST DAY – These Death Metal Legends are not fooling around with their June 30th, 2009 release. Darkest Day is without Metal hesitation, one of my top three albums of 2009… spanning all the Metal genres.

 

Slayer small logoPlus, the Grim Reaper wants to warn you all… the brand new SLAYER album World Painted Blood gets released on Tuesday, November 3rd. I am counting down the minutes in my Metal mind to this great moment in Slayer history.

Grim Reaper x-large image!!

U.D.O. – “DOMINATOR” Unleashes Potent Heavy Metal

Posted in 1970's heavy metal music, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal, collecting metal music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from germany, heavy metal music, heavy metal music 2009, heavy metal solo vocalists, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music today, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

U.D.O. "Dominator" small album picU.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.

Listening to Udo sing on Infected, I imagine him atop a high mountain, looking down upon a land of chaos and condemning all to hell. Udo’s vocals are more than steely and mean streaked, they encompass Heavy Metal theater. Cast me off into damnation for having imaginary thoughts while I listen to Heavy Metal Music, that is how my mind reacts and I’m damn proud. Anyone who says they do not create their own mental imagery to music is either a liar or a cyborg. Doom Ride takes the more consistent approach of Old School Heavy Metal, no real blazing guitar licks or profound moments. Still, Doom Ride gets it’s doom message across and that is Metal enough for me. Stillness of Time is a (gulp), U.D.O. ballad. Well, a fast paced ballad it is. Udo has his unique vocals for sure, he pulls me into Stillness of Time, like a glazed over Old School loyalist that I am. Having a piano included into any U.D.O. song is quite the diverse moment and I admire that. Stillness of Time just might be the best kept secret on Dominator.

Devil’s Rendezvous has me itching to get up off my butt and… do some wacky dance. You know, the kind of dance that drunk people do at weddings. Or, the kind of spastic dance that you can only do in the privacy of your own home… with the blinds shut. Quite the Metal surprise is Devil’s Rendezvous, U.D.O. put some fun into this Dominator album. Crap, did I just use the “F” word? This is starting to become a semi-habit of mine… I must be be too happy or something. Speed Demon is the fastest song on Dominator. No, no, no, it is not because the word speed is in the song title. Speed Demon really does crank up the Metal meter a few bars and it kicks. To sum up my Metal feelings on this U.D.O. Dominator album, it rightfully cements all things great about Heavy Metal… Old School Heavy Metal that is. Dominator is a standout Heavy Metal album for 2009, no Metal questions asked. I thank my best Metal buddy Scott for steering me to Dominator… a Metal referral that is incredibly appreciated.

U.D.O. "Dominator" large album pic

SLAYER – Revolver Magazine Salutes Thrash Metal Legends With The Book Of Slayer

Posted in 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's metal music, 1990's heavy metal bands, 1990's metal bands, 1990's thrash metal bands, collecting metal music, current thrash metal music, extreme metal music, guitar legends, heavy metal magazines, heavy metal music, Metal, metal music, metal odyssey, Music, old school thrash metal music, shopping for music, Thrash Metal, thrash metal 2009, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal magazines, thrash metal music, thrash metal music books, thrash metal today, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , , , on October 30, 2009 by Metal Odyssey

Slayer small logoSlayer. Thrash Metal Legends without any doubt in my Metal mind. I caught onto Slayer from the very beginning. I ordered Slayer’s first album, Show No Mercy, through mail order – direct from Metal Blade Records, back in 1984. Since then, Slayer has been a band that I uphold as one of the greatest Thrash Metal Bands ever, (if not the greatest).I have seen Slayer live in a small club setting back in the late 1980’s, a fortunate Metal experience that I will never forget. Yes, Slayer is a core favorite of mine and that will never change.

Revolver Magazine has recently devoted a special issue to just Slayer. This special issue aptly called The Book Of Slayer, should be quite easy to locate at newsstands or large book stores. I actually found my Revolver Book Of Slayer at a Weis Grocery Store, this week of October 25th. I have been a subscriber to Revolver for several years now, this is a magazine that delves into all of the Metal Music genres. Revolver, in my Metal opinion, is the best mainstream Metal Music magazine out there today – based on it’s writing, reviews, content and interviews.

Slayer small logoThe Book Of Slayer covers the band from it’s infancy in 1981 to present day. Anecdotes, interviews, tons of photos and details abound and it is 100% Slayer. Plus there are four feature articles included about Slayer, from past issues of Revolver. Revolver documents Slayer throughout their entire career in excellent Metal fashion. Kerry King, Tom Araya, Jeff Hanneman, Dave Lombardo and Paul Bostaph are all included in the story telling and interviews. This is one Slayer collectible worth picking up – the content within it’s pages and Slayer knowledge you will gain is well worth the $5.99 cover price. New fans can catch up on some great Slayer history and veteran fans should find it hard to put down. I know I will be taking it with me just about everywhere.

You can also purchase The Book Of Slayer by going to http://www.revolvermag.com

The Book of Slayer - Revolver Magazine - large pic 2009

My Least Favorite Ozzy Osbourne Song Ever Is…

Posted in 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, classic heavy metal, classic heavy metal albums, classic rock music, cool album covers, creepy album covers, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal guitarists, heavy metal music, heavy metal music 1983, heavy metal solo vocalists, heavy metal songs 1983, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, rock music, scary album covers, spooky metal album covers, vintage heavy metal albums, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2009 by Metal Odyssey

MetalOdysseyOzzy Osbourne, the Heavy Metal Prince of Darkness. Ozzy Osbourne – Rock and Roll Hall of Fame inductee with Black Sabbath. Honestly, I revere the living hell out of this Heavy Metal legend. I did get to see Ozzy Osbourne live in concert twice during my lifetime. For me, those two concerts were unbelievable, with Metallica opening up for Ozzy in New Haven Connecticut, (at the spooky New Haven Coliseum) – it was The Ultimate Sin Tour for Ozzy and Metallica was promoting their legendary Master of Puppets album. The other Ozzy concert I saw had Queensryche open for Ozzy in Springfield, Massachusetts, (at the Springfield Civic Center), on this same Ultimate Sin Tour. Alright, so it is obvious I think the Metal world of Ozzy Osbourne… fine. However, by process of elimination, there has to be my least favorite Ozzy Osbourne song out there and there is one. I do not think much of the song, uh, ballad So Tired from Ozzy’s Bark At The Moon album. This song, ugh, ballad is responsible for my distaste of most Heavy Metal ballads ever released since, by any band. This album was released on December 10, 1983. Don’t get me wrong here, the Bark At The Moon album as a whole, is unreal good. Three songs on this album are incredible for me… Rock ‘n’ Roll Rebel, You’re No Different and of course – Bark At The Moon. These three Ozzy songs I can hold up on a Metal pedestal forever. Plus, Jake E. Lee on guitar is a Metal bonus to listen to.

So Tired is a song that in my Metal opinion, is overwhelmingly dull and depressing and does absolutely nothing but annoy me beyond belief. Who exactly is supposed to be so tired in this song? Is it Ozzy himself? Someone that Ozzy knows? I really do not care in the darn least who is tired. I get tired too, yet I never whine about it like Ozzy did in this song. Sure, maybe the tired theme was about waiting around for a love lost… who cares. So Tired is a perfect example of what happens when a Heavy Metal icon decides to go the Pop and Bubble Gum Music route with a song. Sappy city is open for tourists with So Tired. Get out the kleenex, So Tired is now playing… sniffle, sniffle, I am so moved. The orchestration in this song only annoys me more.

To me, So Tired just never seemed to fit in with the Bark At The Moon album. So Tired is a downer in the midst of some riveting Heavy Metal songs, a huge let down, like the depressed dude at a party trying to bring everyone else down with him. The video for So Tired, (which was on MTV too often back in the day), was so ridiculous that even I felt embarrassed for Ozzy. When the Bark At The Moon album was reissued, So Tired should have been omitted from the track list… it is that lousy – for me. In my Metal opinion, So Tired is the lowest moment of Ozzy Osbournes unparalleled and ultra legendary Heavy Metal career.

Ozzy Osbourne "Bark At The Moon" Large album picture

EXODUS – “Bonded By Blood” I Still Bond To For Old School Thrash Metal

Posted in 1980's heavy metal albums, 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's thrash metal music, Album Review, classic metal, collecting metal music, cool album covers, creepy album covers, current thrash metal music, essential heavy metal albums, essential metal music albums, essential thrash metal albums, extreme metal music, heavy metal album covers, heavy metal album reissued, heavy metal albums, heavy metal albums 1985, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal vocalists, independent record labels, Metal, metal music, metal music albums, metal music today, metal odyssey, Music, old school heavy metal, old school thrash metal music, scary album covers, spooky album covers, Thrash Metal, thrash metal album review, thrash metal albums, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal music, thrash metal music reviews, thrash metal songs, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2009 by Metal Odyssey

EXODUS "Bonded By Blood" original album cover large picExodus… a Thrash Metal originator. Exodus… Old School Thrash Metal. Exodus… Bonded By Blood, was the first album released by this very important Thrash Metal Band, (back in 1985). Why I feel Exodus is a very important Thrash Metal Band is due to their being one of the first Metal Bands to introduce this genre to the world. Back in 1985, there were not the hundreds of thousands of Thrash Metal Bands there are now… you can thank Exodus for influencing countless musicians and bands alike for embarking on their careers in Metal… Thrash Metal. Just seek out and read some interviews of past and current Thrash Metal musicians, you discover after awhile, that Exodus and especially their initial album Bonded By Blood is ultra revered. Yes, I am an Exodus fan, since 1985 until this very day. Lineup changes within Exodus has not made me wince one Metal bit. Guitarist Gary Holt and drummer Tom Hunting have held the Thrash Metal fort for Exodus over the past three decades, serving Exodus and their fans well… extremely well. (Note: Paul Bostaph has stepped in on drums for Exodus, he is an unreal great Metal drummer at large).

Last night, I watched my beloved New York Yankees lose to the Angels… ugh. A great game, yet I was anticipating the Yankees to close things out and head to the World Series to beat down the Phillies. Not feeling the cheeriest, I headed down to the basement… to my Metal oasis. Once I began staring at my CD racks, I decided I needed a lift-me-up, some Metal to clear my senses and put me back in the game of life. Exodus Bonded By Blood caught my eye… this CD was just aching to get heard – once again. I put this CD on, sat back and let the Thrash Metal of Exodus infiltrate my senses. Well, it was only halfway into the first song – Bonded By Blood, that I then got off of my butt and began to stalk around my basement like the fiendish Metalhead that I have been my entire life. I raised and pumped my fists into the air, played air guitar and bass, then did some pummeling air drums like there was no freaking tomorrow. Yes, life is not good, it is great when I can turn to Metal… turn to vintage Exodus, to whip my mood into the positive realm where it belongs.

Exodus "Bonded By Blood" alternate cover small picListening to the late and unreal great – Paul Baloff on lead vocals is as inspiring to me as all damn hell. His vocals were not your stereotypical Thrash Metal type… he resonated with the influence of early Rob Halford of Judas Priest… in my Metal opinion, still exuding his very own style that to this day is untouched. I reached for my CD jewel case of Bonded By Blood, (my copy is the reissue by Combat Records, it also has the alternate cover that is shown at the left and bottom of this post). The original front cover artwork is damn more cool than the alternate version, just look at it at the top of this post for proof. On the back cover of Bonded By Blood, it has a group photo of Exodus… Paul Baloff is shown wearing a Pipers Pit sleeveless t-shirt. Rowdy Roddy Piper… Paul Baloff… man, that is as fitting a shirt as any for him to wear back then. I used to be the f’n biggest Rowdy Roddy Piper fan around, imitating his wrestling moves and voice too… silly and cool memories, all courtesy of one photo of Exodus.

This Bonded By Blood album kicked my butt last night, just as it did back in the day. Having the private freedom to go bonkers to the Old School Thrash Metal of Exodus last night exhilarated me into feeling tired enough to finally go to sleep. Exodus was a friend to me last night, their music strikes that Metal chord with me. No Love and Deliver Us To Evil are my two extra favorite tracks on Bonded By Blood… holy crap, does the psyche out meter catch on fire for me when these songs are cranked up. I can’t use the word recommend to prospective fans when discussing Bonded By Blood, instead the words I will use are: get this album if you have not already – otherwise you are missing out on a Thrash Metal achievement that catapulted Thrash Metal into what it is today.

Exodus as they appeared on their first album Bonded By Blood:

Gary Holt on guitar

Rick Hunolt on guitar

Paul Baloff on lead vocals

Tom Hunting on drums

Rob McKillop on bass

Track Listing for Bonded By Blood:

Bonded By Blood

Exodus

And Then There Were None

A Lesson In Violence

Metal Commando

Piranha

No Love

Deliver Us To Evil

Strike Up The Beast

* Two bonus tracks are found on the Combat Records reissue that I own… they are both live recordings of: And Then There Were None and A Lesson In Violence. Steve Souza is the lead vocalist on these live tracks… yeah, I think Steve Souza is really cool too… convict me of being an Exodus fan boy already, that is just the damn way it is. I am a Metal fan that has been around the Metal block a few times, paid my Metal fan dues and could give a rats rotting and infected butt if anyone out there considers me a fan boy of any band.

* Exodus under the leadership of Gary Holt, covered the entire Bonded By Blood album, with the current Exodus lineup and released it on October 28, 2008. Yeah, I own that version too and I have nothing but Metal praise for Rob Dukes, the guy is the real deal for Exodus. Again, see my fan boy explanation above in regards to my being enthralled by Exodus’s Rob Dukes. I am quite Metal certain, that I am not alone in my reverence for this band… both past and present. Exodus does not need any stinking Guitar Hero game named after them or useless strolls down any damed red carpet to be considered unreal great by me. I have spoken my Metal mind and it feels really, really, good.

Exodus "Bonded By Blood" alternate cover large pic

RAVAGE – “The End Of Tomorrow” – A Monster Of A Heavy Metal Album

Posted in Album Review, classic heavy metal, classic heavy metal albums, classic metal, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, cover songs, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, essential heavy metal songs, essential metal music albums, halloween songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from boston, heavy metal cover songs, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal music today, metal odyssey, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, speed metal, spooky album covers, spooky metal album covers, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2009 by Metal Odyssey

Ravage - Banner group photo  2009

Ravage is a Heavy Metal Band from Boston, (actually Malden), Massachusetts and is hell bent on keeping Classic Metal Music alive, loud and damn proud. Every song on this second album from Ravage, The End Of Tomorrow, (their Metal Blade Records debut, released on August 18, 2009), is writhing with Old School Heavy Metal influence. Ravage does a credible job at flexing their Metal muscles on each song, heavy, hard and speed are irreversible elements that dominate The End Of Tomorrow. No where is the Old School Heavy Metal influence more evident than in the cover of the Judas Priest classic – Nightcrawler. Ravage shows Judas Priest their deserved Metal respect by not ripping Nightcrawler to pieces with any unnecessary fills or excessiveness. A fabulous cover Ravage does with this song, Nightcrawler is a genius choice to add to their track list on this album, based on it’s creepy and dark theme.

I have found that, the more I listen to The End Of Tomorrow, the more I am being convinced that this album was released back around 1985. Alas, that is not such the Metal case… Ravage brings forth to 2009 the Heavy Metal song structures and ambiance of what I have come to expect from vintage Metal Church and early Judas Priest and Armored Saint albums, to name just a few Old Schoolers. After each listen to this album, it is very obvious that the members of Ravage have done their Classic Heavy Metal homework. Knowing and creating all of the heavy nuances of their influences only catapults quality and integrity, on an upmost consistent level throughout The End Of Tomorrow. The Halls Of Madness not only has a vintage Metal title, it also is quite the convincing Heavy Metal instrumental intro that brings back memories of early Helloween and Savatage, for me. There really is not a scapegoat song to point out on The End Of Tomorrow, all twelve songs have their own distinctive Metal bite, an album that I can hit play and let the Heavy Metal assault take it’s natural course. Excuse me for a Metal second as I proclaim The End Of Tomorrow as being a top favorite Heavy Metal album for me in 2009, in my Metal opinion. Ravage can play Heavy Metal… their original brand too… I would not tell a Metal lie.

Ravage "The End Of Tomorrow" tiny picReign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of MetalThe End Of Tomorrow is an unleashed monster of what I am talking about here.

My other favorite songs on this album are: The Grapes Of Wrath, which takes a Heavy Metal swipe at all the idiot talking heads on television, these plastic morons get called out on the Metal carpet by Al Ravage here rather eloquently. Plus, The Grapes Of Wrath is authentically memorable for my Metal mind, I just cannot shake this song out of my senses. The Shredder is another manifestation of early Judas Priest influence, only it takes on it’s own Ravage originality… reminding me of the Judas Priest classic – The Ripper, only The Shredder is absolutely not a knock off or copy cat by any means. The End Of Tomorrow is one powerful way to conclude this album, fittingly the title song… lyrically doom laden, the end result is a reality check on the life we are leading and living now. The End Of Tomorrow has a Power Metal approach that echos of great Heavy Metal triumphs to come in the future for this killer “new” band they call Ravage.

Ravage, as they appear on The End Of Tomorrow:

Al Ravage on lead vocals

Eli Firicano on lead and rhythm guitars

Nick Izzo on lead and rhythm guitars

G.T.B. on drums

Howie Snow on bass

Track Listing for The End Of Tomorrow:

The Halls Of Madness

Reign Fall

Freedom Fighter

Damn Nation

The Shredder

Into The Shackles

In Shattered Dreams

The Nightmare’s Hold: Part One

Nightcrawler

The Nightmare’s Hold: Part Two

Grapes Of Wrath

The End Of Tomorrow

C’mon, is this album cover OLD SCHOOL HEAVY METAL or what? Not only does the Heavy Metal of Ravage stand on it’s own, (they could have issued a plain blue cover and that would not change the quality of Metal songs heard inside one bit), yet man, this is cool throwback artwork happening here. I cry out a huge Metal bravo! – to artist Edward J. Repka for creating a REAL Heavy Metal album cover for Ravage.

Ravage - "The End Of Tomorrow" x-large pic

CROWBAR “Sonic Excess In It’s Purest Form” – Sludge Metal At It’s Finest

Posted in 1990's doom metal bands, 1990's heavy metal albums, 1990's metal bands, 1990's sludge metal albums, 1990's sludge metal bands, 1990's heavy metal music, Album Review, collecting metal music, cool album covers, doom metal albums, doom metal bands this decade, doom metal music, essential metal music albums, essential sludge metal albums, extreme metal music, Heavy Metal, heavy metal album covers, metal music, metal music albums, metal odyssey, Metal Reviews, Music, new orleans metal bands, new orleans metal music, sludge metal albums, sludge metal albums this decade, sludge metal bands, sludge metal bands this decade, sludge metal guitarists, sludge metal music 2001, sludge metal vocalists with tags , , , , , , , , , , , , , , , , , , , , , , on October 17, 2009 by Metal Odyssey

Crowbar - "Sonic Excess" small album picCrowbar was my Metal band of choice today. Sludge Metal with a healthy slice of Doom Metal at it’s very best is Crowbar. I gave another listen to Sonic Excess In It’s Purest Form and have walked away with the same Metal satisfaction as always – ultra Sludge Metal satisfaction that is. The slow trudging and heavy duty guitar riffs combined with the slow paced rhythm section, makes me scream in Metal glee that Crowbar has taken Old School Heavy Metal to a more dark and doom ridden place. The lyrics heard in the songs on Sonic Excess In It’s Purest Form are gloomy, mournful and visits the realms of self suffering, doubt and infliction. Well, that is what Doom Metal delves into, topics too touchy for the faint at heart mainstream. These lyrics explore what it must feel like when one is truly suffering from extreme mental anguish. Now, if you are to look past the psychologically driven lyrics, the Metal Music is an ear crushing experience and/or escape that seems to come at me from all sides. Crowbar plays their Sludge Metal like it surrounds me, repeatedly encircling my space like a slow marching invasion of Metal giants from a far away and spooky place. Cool.

Kirk Windstein on guitar and vocals is in my Metal opinion, a true non-glamorized hero of Metal. Kirk Windstein does not need any damn red carpet to walk down on… his blue collar Metal ethic is too good for that crap. Besides, hearing is believing, listening to Kirk play guitar is dark, creeping and heavy – a wonderland of gray clouds amidst a stormy sky over a bayou. His vocals are dominant and angry enough to be considered Hardcore, the enormity of emotions that are heard when he bellows out the lyrics are mesmerizing. Plus, Kirk Windstein is one hell of a riff enthusiast, he must have millions of dark and scary riffs recorded in his mind that are still waiting to be let out. There is nothing plastic about Crowbar, no artificial ingredients to be heard on this album. Unreal. All eleven songs on Sonic Excess In It’s Purest Form are a journey into the Doom and Sludge Metal world of Crowbar, a journey I find worth repeating. Hey, it is like the melancholy movie that grips you, a mood intense book that you don’t mind reading again and again… each time you catch onto something that you may have missed before.

* Sonic Excess In It’s Purest Form was released on August 21, 2001 on Spitfire Records.

Crowbar are they appeared on Sonic Excess In It’s Purest Form:

Kirk Windstein on guitar and vocals

Sammy Pierre Duet on guitar

Jeff  (Okie) Okoneski on bass

Tony Costanza on drums

Sonic Excess In It’s Purest Form Track Listing:

The Lasting Dose

To Build a Mountain

Thru the Ashes (I’ve Watched You Burn)

Awakening

Repulsive In It’s Spendid Beauty

Counting Daze

In Times of Sorrow

It Pours From Me

Suffering Brings Wisdom

Failure to Delay Gratifacation

Empty Room

Crowbar "Sonic Excess"  large album pic

SKELETONWITCH – “Breathing the Fire” Set My Metal World Ablaze

Posted in Album Review, Black Metal, black metal 2009, black metal albums 2009, collecting heavy metal albums, cool album covers, creepy album covers, current black metal albums, current black metal music, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal guitarists, death metal music, death metal vocalists, essential death metal albums, essential heavy metal albums, essential metal music albums, essential thrash metal albums, Extreme Metal, extreme metal bands, extreme metal music, extreme metal music albums, extreme music, Heavy Metal, heavy metal album covers, heavy metal albums 2009, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, melodic death metal albums, melodic death metal music, Metal, metal music, metal music today, metal odyssey, Metal Reviews, Music, new thrash metal albums, scary album covers, scary rock music songs, spooky album covers, spooky metal album covers, thrash metal 2009, thrash metal music, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 14, 2009 by Metal Odyssey

Skeletonwitch "Breathing The Fire" small album picSKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.

Skeletonwitch brings forth the Thrash Metal attack combined with Old School Speed Metal, adding Death Metal and Black Metal influences just for great Metal measure. With all of these incredible Metal genres explored here, Skeletonwitch is a Metal band that I cannot pigeonhole into one genre. That is fine with me, I am sure Skeletonwitch could care in the least as well… Metal is… Metal. Breathing the Fire is one incredible Metal album to look back upon for 2009, it is like the late season, supercharged and extreme power blast of Metal Music that has set my Metal world ablaze. I always say, that with Metal bands like this, it makes me feel confident knowing that the flag for Metal will be waving high for years to come. Chance Garnette on lead vocals is as mean and talented as I could hope for – his dual Death Metal growls and Black Metal screams are what this music is about. Anyone familiar with Extreme Metal should agree, that this style of Metal was not meant for crooning out the ballads. Chance Garnette gets my Metal horns with thunderous praise. In my Metal opinion, Skeletonwitch can play, it’s not the easiest task to make an album of this Metal genre sound like a standout.

The guitar leads, dual leads and solos have a melodic, Old School – Speed Metal appeal, while never taking away from the overall dark mood of any of the songs. The rhythm section holds everything together like a vice and these songs grip my Metal psyche with pure Metal domination. I once read a professionally paid Rock critic write – melodic and heavy do not coexist… uh, they do. The Metal proof is in actually listening to Skeletonwitch and Breathing the Fire… the rest is Extreme and at times, melodic Metal candy for your ears. To extract each song and dissect it here would be nonsense, the overall themes to know are that these songs are about death and submitting to evil. ‘Nuff said. Ah, Metal. I will state, Blinding Black Rage is as horrific, evil and nightmarish of a song lyrically that I have ever heard. Ah, Metal… Extreme Metal, I love this stuff. This is the new generation of Extreme Metal, take it or leave it… I’m taking it. If you are looking for the current Metal that is happening now, take my advice and give Skeletonwitch – Breathing the Fire a thorough listen… it served me right.

Skeletonwitch as they appear on Breathing the Fire:

Nate “N8 Feet Under” Garnette – guitars

Chance Garnette – lead vocals

Derrick “Mullet Chad” Nau – drums

Scott “Scunty D.” Hedrick – guitars

Evan “Loosh” Linger – bass

Track Listing For Breathing the Fire:

Submit to the Suffering

Longing for Domination

Where the Light has Failed

Released from the Catacombs

Stand Fight and Die

The Despoiler of Human Life

Crushed Beyond Dust

Blinding Black Rage

Gorge Upon My Soul

Repulsive Salvation

Strangled by Unseen Hands

… And into the Flame

Skeletonwitch "Breathing The Fire" large album pic

Entombed – “Wolverine Blues” 1993 Album Sets Me Metal Straight

Posted in 1990's death metal albums, 1990's death metal bands, 1990's death metal music, 1990's death metal songs, 1990's heavy metal bands, Album Review, classic metal, collecting rock music, cool album covers, creepy album covers, death metal guitarists, death metal music, death metal music 1993, death metal vocalists, death n' roll, essential death metal albums, extreme metal bands, extreme metal music, extreme metal music albums, extreme music, heavy metal albums, heavy metal music, melodic death metal albums, melodic death metal bands, melodic death metal music, Metal, metal music, metal odyssey, Music, old school death metal music, spooky album covers, spooky metal album covers, thrash metal music, vintage death metal albums, vintage death metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 13, 2009 by Metal Odyssey

Entombed "Wolverine Blues" small album picToday I found myself in another one of those funks, where the melancholy feelings just won’t subside. So, earlier tonight, I turned to music, Metal Music, to settle my thoughts, nerves and soul. I chose to listen to Entombed, Wolverine Blues. Released back in 1993, on Earache/Columbia Records, I find it startling that this album is around seventeen years old already. An excellent listening choice I made, Entombed was the Metal elixir and their album Wolverine Blues was the Metal prescription that served me right tonight. Entombed delivers their original style of Death Metal or Death N’ Roll with Wolverine Blues, it is as groove charged as it is sinister. With each listen, I can still hear some Thrash Metal being fused within Entombed’s songs on this album. In a Metal nutshell, Entombed covers some ground with Extreme Metal genres. This is one hell of a heavy and hard album, the righteous Metal remedy for curing my blues – let me tell you. Lyrically, there is no bashfulness to be found when it comes to topics and imagery on Wolverine Blues. The combination of the aggressive lyrics and Death N’ Roll charge makes this album sound like it belongs on top of the Metal heap in 2009.

Is Wolverine Blues the heaviest album I ever listened to? Honestly, no. However, this album is one of the most accessibly heavy albums I have listened to… where these songs are not entirely over the top yet they are light years from being mellow too. One song that is quite the enjoyable, extreme listen is Blood Song, with it’s vampire theme that explodes from it’s lyrics and haunting musical tension. My favorite song is Hollowman, it epitomizes the label – groove infested. The lyrics of Hollowman are intensified with messages of death, it reads like Death Metal poetry… if you will. How can an Extreme Metal loyalist like myself not adhere to songs that are titled Rotten Soil, Demon and Full Of Hell… this is the Metal escape I was looking for today, to be shaken back into shape, (courtesy of Entombed) and returned to my normal routine. Out Of Hand is another standout song for me on Wolverine Blues. L-G Petrov on lead vocals is viscous and brutal on Out Of Hand, his accentuating the lyrics only emboldens this songs message of societal distrust and disruption. L-G Petrov is tremendous vocally throughout Wolverine Blues, an unsung Metal legend who deserves any and all accolades that may come his way.

It is the cohesiveness of Entombed that makes Wolverine Blues sound so impeccably strong, all ten songs stand on their own. As this album comes to it’s close with Out Of Hand, I feel not just reinvigorated, I feel Metal empowered knowing that I can turn to Entombed during a personal funk void for a motivational punch in the arm. For seventeen Metal years this album has existed, it deserves to be heard and prescribed to the younger generation of Metal fans across the globe. I am hereby recommending this great album from Entombed to any fan of Metal that might be looking to get out of their own personal mind fog – let the escapism of Wolverine Blues serve you right like it did me today.

Entombed as they appeared on Wolverine Blues:

Nicke Andersson – drums, guitar

Lars-Goran Petrov (L-G Petrov) – lead vocals

U Cederlund (Uffe Cederlund) – guitar, tambourine

Lars Rosenberg – bass

Alx Hellid (Alex Hellid) – guitar

Wolverine Blues Track Listing:

1. Eyemaster

2. Rotten Soil

3. Wolverine Blues

4. Demon

5. Contempt

6. Full Of Hell

7. Blood Song

8. Hollowman

9. Heavens Die

10. Out Of Hand

Entombed "Wolverine Blues" large album pic

KISS “KLASSICS” – ROCKS HARDER THAN EVER!

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's hard rock, 1970's heavy metal, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's heavy metal hits, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's classic rock songs, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's rock bands, 1990's classic rock music, 1990's heavy metal bands, 1990's rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal, classic rock, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, collecting classic rock, collecting heavy metal albums, collecting rock music, cool album covers, current heavy metal albums, current heavy metal music, essential classic rock albums, essential classic rock songs, essential heavy metal albums, essential heavy metal songs, guitar legends, hard rock album review, hard rock music, hard rock music 2009, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock and roll, rock music, vintage hard rock bands, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 10, 2009 by Metal Odyssey

The second studio CD packaged inside the new KISS –  Sonic Boom is KISS Klassics. I am not holding back on this – Whoa. Whoa does KISS rock harder than ever on these re-recorded KISS “greatest hits” – (oops), Klassics that is. I slapped in the Klassics CD, preparing to hear some subtle differences in these re-recorded songs, instead I opened up my mind and ears to a can of KISS whoop ass! Metal be damned, Tommy Thayer can play his Metal heart out – Black Diamond is unreal heavy and good. After just one listen to Lick It Up and I was re-enrolled into KISS Rock and Roll 101 – all over again. Lick It Up has a ton more KISS attitude now, (sounds unreal, understand it is holy crap good). Harder, heavier, with heaping Metal waves of relevance crashing all around is this KISS Klassics. For many KISS fans, Animalize was an album that, well, was very much a commercial Hair Metal phase for this band. Let KISS introduce you to their re-recorded – 2009 version of Heaven’s On Fire… I really, really, really, like this song a Metal ton now.

In my most honest Metal opinion, Paul Stanley sings like he has been reincarnated into his 1977 body. Gene Simmons vocally sounds like a man who has been reborn himself. Metal be my witness, this KISS Klassics has done to me, what it was probably intended to do by KISS in the first place… realize that this band is age defying and generation fusing and yes, damn great at playing these songs that are decades old. The last thing I want to sound here is as a biased, middle aged KISS fan… hell, if KISS was to have dropped the Metal ball on this one, I would be the first one screaming NO! What once was old is new again, for Metal sakes, KISS is new again! There are subtle differences in guitar leads, solo’s, riffs, yet Tommy Thayer plays each and every song like a Metal pro. Ace Frehley is legend, no question, yet Tommy Thayer has taken these songs from the master and has put his very own KISS signature on them. Eric Singer is just an excellent drummer period. His years with KISS alone, has established his icon status for me.

Back to more of these Klassics… I Was Made For Lovin’ You still holds that melodic extremity to it that some misguided folks confused with – disco. I will fight till the end of Metal time and refute any damn comparison of this song to disco. Hotter Than Hell is just that… this 2009 version has given me a brand new, psyche me out song to crank up LOUD. I Love It Loud is cool, yet this re-recorded version does not beat out the original, thank you very Metal much. Don’t get me wrong now, I will still raise my Metal fist in the air to this 2009 version of I Love It Loud – hell yeah. Christine Sixteen has always been a genius of a KISS song, Gene Simmons gives it a robust Metal boost in this 2009 recording, his vocals this time around has re-energized this Klassic. I always get a Metal kick out of the piano intro to Christine Sixteen. What would a KISS Klassics be without Rock And Roll All Nite? It is here on this Klassics CD, more emboldened by KISS than ever before. Forever is the lone KISS ballad to be found on Klassics… since I belong to the KISS Army, I will listen to this ballad. Forever is a good song, Paul Stanley and KISS bring it back for this Klassics curtain call for that same reason. There are throngs of fans who emotionally relate to this KISS song, heck, that is what ballads do.

In closing Metal summary, if you are a KISS fan, (no matter for how long), you NEED to buy Sonic Boom with this KISS Klassics included. The time to re-enlist into the KISS Army is NOW. If you never have been a fan of KISS, do not buy Sonic Boom with KISS Klassics… hell, the KISS Army is looking for Rock and Roll warriors anyway – so critics can stay away.

Track Listing For KISS Klassics:

* Deuce

* Detroit Rock City

* Shout It Out Loud

* Hotter Than Hell

* Calling Dr. Love

* Love Gun

* I Was Made For Lovin’ You

* Heaven’s On Fire

* Lick It Up

* I Love It Loud

* Forever

* Christine Sixteen

* Do You Love Me

* Black Diamond

* Rock And Roll All Nite

KISS "Sonic Boom" x-large album pic 2009

ANVIL – “THIS IS THIRTEEN” – THIS IS OLD SCHOOL, REAL HEAVY METAL

Posted in 1980's heavy metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, canadian heavy metal bands, classic metal, collecting rock music, cool album covers, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, essential heavy metal albums, essential thrash metal albums, heavy metal album covers, heavy metal album reissued, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from canada, heavy metal bands this decade, heavy metal drummers, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, old school thrash metal music, rock music, spooky metal album covers, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2009 by Metal Odyssey

Anvil "This Is Thirteen" small album picANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.

I would have bought this great DVD today, yet my Super Walmart never put it out for sale along with any other newly released CD’s or DVD’s… and that was at 9:30 a.m. EST on October 6th when I left that store today. I did not have time to drive around to other stores for this Anvil DVD today, thanks for nothing Super Walmart. I will make certain to buy the Anvil DVD at f.y.e. now, you better Metal believe it. Ha, Ha, Super Walmart… you lost a sale on that one.

What a perfect segue for the first song I will mention from This Is ThirteenBig Business. I like this one a Metal ton, a straight on anti-corporate song if there ever was! Anvil’s lyrics are not overdone, they are not out to impress any Rhodes Scholars, ya’ know? Anvil impressed me with Big Business, reminding me that nothing is free and rising fees… oh how true it is. The album opener is This Is Thirteen, with doom laden riffs, my Metal mind wanders over to vintage Tony Iommi and Black Sabbath here. Combined with the slowed down rhythm section here, this song really does take me back to 1982 and I am proud to say that. Bombs Away has Anvil shredding their brand of Thrash, Lips on guitar is not just fundamentally sound, he is Metal be damned… a great guitarist. As a vocalist, Lips never shies away from a bit of diversity, he isn’t fancy yet he is real – I’ll take him over a bushel load of Metal singers I have listened to over the decades. Should’ A Would’ A Could’ A has become my favorite song on This Is Thirteen. Lyrically, this song is right on the Metal money in describing the game of life. Take chances, no regrets, know your enemies, strength to survive and righting a wrong are all covered on Should’ A Would’ A Could’ A, plus it grooves like there is no tomorrow. Game Over, in my Metal opinion, is the heaviest and fastest song on this album… real good. Anvil took out some cool aggression on Game Over, lyrically comparing life to playing a Game Boy game.

Thumb Hang, (the bonus track), has similar, trudging riffs as the opening track This Is Thirteen. Another fine example of a song, that Anvil is not buying into any current trends of Metal anytime soon. Thank God for that. Robb Reiner on drums… what can I say other than he has been damn good his entire career and makes himself heard quite well on this album. Glenn Five makes for more than a Metal compliment on bass guitar, rounding out this trio the outside world is just now embracing as Anvil. In a Metal nutshell, Anvil created fourteen songs that are missing the over produced sheen and gleam of many of today’s Metal albums. There is that blanket of rawness to this album, then again, Anvil was never about being commercially polished anyways. Thank God for that. This is why I always dug the Metal that Anvil has put out over the last three decades. Anvil did not need a billion dollar producer to waltz in the studio and dictate how it’s done… Anvil (and producer Chris Tsangarides) knew what to do all along with This Is Thirteen, one listen through proves it – in my Metal opinion.

Anvil "This Is Thirteen" large album pic

My Favorite KISS Song From “SONIC BOOM” Is…

Posted in 1970's classic rock music, 1970's heavy metal, 1970's heavy metal music, 1970's rock music, 1980's classic rock bands, 1980's heavy metal albums, 1980's classic rock music, 1980's heavy metal bands, 1990's heavy metal bands, 1990's heavy metal music, Album Review, classic heavy metal, classic heavy metal albums, classic rock albums, classic rock music, collecting rock music, cool album covers, current heavy metal albums, current heavy metal music, essential heavy metal albums, essential heavy metal songs, Hard Rock, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal odyssey, Music, old school heavy metal, rock and roll, rock music, vintage hard rock bands, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , on October 7, 2009 by Metal Odyssey

I’m on a KISS high right now, thank you very Metal much. Sonic Boom is a tremendous album from the legendary KISS. Anyone who slams KISS and Sonic Boom either has never liked KISS to begin with or they are extremely constipated or they just don’t get it at all.  Sonic Boom is rooted with a Classic KISS sound from the 1970’s… I don’t hear any influence from the KISS Asylum or Animalize albums from the roaring ’80’s – nope. This is one hell of a legitimate album of Heavy Metal songs from KISS. Tommy Thayer is unreal good on lead guitar, (I didn’t expect anything less), Gene Simmons sounds great on bass and vocals and Eric Singer is his usual outstanding self on drums. Onward with my favorite song from Sonic BoomNever Enough. I always liked Paul Stanley’s vocals the best, (my personal preference), plus this song’s lyrics are upbeat as hell. Paul Stanley f***n nails it down on vocals with this song. Never Enough psyches me out of my Metal mind and that serves me right. I listened to this song at least six times before I continued forward through Sonic Boom… holy Metal crap is this song great. The whole Sonic Boom album is great. I am such a happy KISS fan right now, I am farting rose scented happy faces all over the place. Long live KISS Rock and Roll!

KISS "Sonic Boom" x-large album pic 2009

KROKUS – “ROCK THE BLOCK” Has Rocked My Heavy Metal World

Posted in 1970's heavy metal music, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal cover songs, 1980's heavy metal hits, 1980's classic rock, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic heavy metal, classic heavy metal albums, classic rock music, collecting rock music, cool album covers, essential heavy metal albums, essential heavy metal songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands this decade, heavy metal cover songs, heavy metal from switzerland, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, heavy metal this decade, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, rock music, switzerland heavy metal bands, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 4, 2009 by Metal Odyssey

Krokus "Rock The Block" large album picAt the end of the day, I thank my lucky Metal stars that Krokus has existed – and still exists as a Heavy Metal Band. I have listened to Krokus since the early ’80’s, with Headhunter, (released on November 30, 1983), being my favorite Krokus album ever. Krokus has always maintained their straight-up brand of Heavy Metal over the decades, (spanning 4 decades), mixing in a power ballad here and there for good Metal measure. The comparisons to AC/DC over the years have been rather unfair, although I can understand why this comparison exists. (Marc Storace on lead vocals for Krokus does have resemblance to the legendary and late Bon Scott). Krokus has easily differentiated their songs on past albums, Screaming In The Night from Headhunter, Our Love from The Blitz album and Burning Up The Night from the Change of Address album are three cool examples to point out. Plus, Krokus has never been bashful in the past about doing cover songs… they kicked some Metal ass with School’s Out by Alice Cooper, Ballroom Blitz by Sweet and American Woman by The Guess Who. In a Metal nutshell, AC/DC is a legendary – Rock and Roll Hall of Fame Band… Krokus has longevity, a strong and hard work ethic and a catalog of Heavy Metal albums worth their weight in Metal gold. Two different bands, Krokus just never received the popular vote… they are the band that Metalheads from decades past know are damn great at what they do. Krokus does not need acceptance from a Hall of Fame building to feel like they belong or accomplished anything… the fans know the difference.

Krokus collage band photo 2009Phew, now that this Krokus introduction is out of my Metal system, I can get excited now about telling the world about their 2003 album – Rock The Block (on Warner Brothers). You see, I have kept cool Metal tabs on Krokus throughout the years, still, an album will be put on my want list and wind up not being purchased for some unreal reason or another. Skipping over Rock The Block, I wound up buying right away the Hellraiser album by Krokus back in 2006. (Hellraiser by the way is one damn good Krokus album too). Fast forward to October of 2009 and I still do not own the Rock The Block album… until, once again, step in my best buddy – Scott. He sent me the Rock The Block CD via mail last week. On Friday, October 4, 2009 – I officially owned this album on CD and cranked it up for all it’s Heavy Metal worth.

Within a four year period, from 2003 to 2006, Krokus has released two great Heavy Metal albums. All the while, there are those bands who release that one album every ten to fifteen years and because they are elite, the mainstream press goes ape crap over it. With Krokus, there is no Walmart exclusive contract, yet they bring the Old School Heavy Metal that never fails to kick my ass into Heavy Metal shape. Rock The Block never made the cover of any prima donna – mainstream Rock magazines… thank god. This album gets it’s just due here, on Metal Odyssey. Krokus will forever get their just due on Metal Odyssey. All 14 songs are Krokus Heavy Metal… there is no in between. Mad World opens up this album and has me amazed at how strong and relevant the lyrics are. I instantly became absorbed into the Heavy Metal world of Krokus while listening to this album. Mad World is as intensely good a Krokus song I have ever heard. To go through each song that is on Rock The Block would be nonsensical here, this album is as complete a Krokus Heavy Metal album as there ever was. Rock The Block – Rocked my Heavy Metal world this past Friday… as a first time listen nearing seven years after it’s release.

Krokus, as they appeared on Rock The Block:

Marc Storace – lead vocals

Fernando Von Arb – lead guitar

Tony Castell – bass guitar

Dominique Favez – rhythm guitar

Patrick Aeby – drums

KrokusRock The Block Track Listing:

  1. Mad World
  2. Leading the Pack
  3. I Want It All
  4. Open Fire
  5. One For All
  6. Looking to America
  7. Go My Way
  8. Hot Shot
  9. Raise Your Hands
  10. Night of the Snakes
  11. Throwing Her China
  12. We’ll Rise
  13. Freedom
  14. Rock the Block

Krokus "Rock The Block" large album pic