Crowbar was my Metal band of choice today. Sludge Metal with a healthy slice of Doom Metal at it’s very best is Crowbar. I gave another listen to Sonic Excess In It’s Purest Form and have walked away with the same Metal satisfaction as always – ultra Sludge Metal satisfaction that is. The slow trudging and heavy duty guitar riffs combined with the slow paced rhythm section, makes me scream in Metal glee that Crowbar has taken Old School Heavy Metal to a more dark and doom ridden place. The lyrics heard in the songs on Sonic Excess In It’s Purest Form are gloomy, mournful and visits the realms of self suffering, doubt and infliction. Well, that is what Doom Metal delves into, topics too touchy for the faint at heart mainstream. These lyrics explore what it must feel like when one is truly suffering from extreme mental anguish. Now, if you are to look past the psychologically driven lyrics, the Metal Music is an ear crushing experience and/or escape that seems to come at me from all sides. Crowbar plays their Sludge Metal like it surrounds me, repeatedly encircling my space like a slow marching invasion of Metal giants from a far away and spooky place. Cool.
Kirk Windstein on guitar and vocals is in my Metal opinion, a true non-glamorized hero of Metal. Kirk Windstein does not need any damn red carpet to walk down on… his blue collar Metal ethic is too good for that crap. Besides, hearing is believing, listening to Kirk play guitar is dark, creeping and heavy – a wonderland of gray clouds amidst a stormy sky over a bayou. His vocals are dominant and angry enough to be considered Hardcore, the enormity of emotions that are heard when he bellows out the lyrics are mesmerizing. Plus, Kirk Windstein is one hell of a riff enthusiast, he must have millions of dark and scary riffs recorded in his mind that are still waiting to be let out. There is nothing plastic about Crowbar, no artificial ingredients to be heard on this album. Unreal. All eleven songs on Sonic Excess In It’s Purest Form are a journey into the Doom and Sludge Metal world of Crowbar, a journey I find worth repeating. Hey, it is like the melancholy movie that grips you, a mood intense book that you don’t mind reading again and again… each time you catch onto something that you may have missed before.
* Sonic Excess In It’s Purest Form was released on August 21, 2001 on Spitfire Records.
Crowbar are they appeared on Sonic Excess In It’s Purest Form:
Kirk Windstein on guitar and vocals
Sammy Pierre Duet on guitar
Jeff (Okie) Okoneski on bass
Tony Costanza on drums
Sonic Excess In It’s Purest Form Track Listing:
The Lasting Dose
To Build a Mountain
Thru the Ashes (I’ve Watched You Burn)
Awakening
Repulsive In It’s Spendid Beauty
Counting Daze
In Times of Sorrow
It Pours From Me
Suffering Brings Wisdom
Failure to Delay Gratifacation
Empty Room
SKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.
Today I found myself in another one of those funks, where the melancholy feelings just won’t subside. So, earlier tonight, I turned to music, Metal Music, to settle my thoughts, nerves and soul. I chose to listen to Entombed, Wolverine Blues. Released back in 1993, on Earache/Columbia Records, I find it startling that this album is around seventeen years old already. An excellent listening choice I made, Entombed was the Metal elixir and their album Wolverine Blues was the Metal prescription that served me right tonight. Entombed delivers their original style of Death Metal or Death N’ Roll with Wolverine Blues, it is as groove charged as it is sinister. With each listen, I can still hear some Thrash Metal being fused within Entombed’s songs on this album. In a Metal nutshell, Entombed covers some ground with Extreme Metal genres. This is one hell of a heavy and hard album, the righteous Metal remedy for curing my blues – let me tell you. Lyrically, there is no bashfulness to be found when it comes to topics and imagery on Wolverine Blues. The combination of the aggressive lyrics and Death N’ Roll charge makes this album sound like it belongs on top of the Metal heap in 2009.
ANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.
At the end of the day, I thank my lucky Metal stars that Krokus has existed – and still exists as a Heavy Metal Band. I have listened to Krokus since the early ’80’s, with Headhunter
Phew, now that this Krokus introduction is out of my Metal system, I can get excited now about telling the world about their 2003 album – Rock The Block 
Slaughter – Stick It To Ya 
I have owned for some time, the CD – The Best Of by Slaughter, the ten songs on this disc are great, only Fly To The Angels and Spend My Life are missing from the song selection. Not cool. So, I promised myself to add the real Slaughter albums to my CD collection over time, starting with Stick It To Ya. About one week ago, I found the used copy of Stick It To Ya at my local f.y.e., the astounding Metal price of $4.49 is all it took for me to claim this CD as my own. Man, I cannot get enough of this album… every single song too. Going back to 1990 for just a 
The Heavy Metal genre and all of it’s mind bending sub genres can be quite the vast musical Universe to explore. There are countless bands that make these Heavy Music genres quake and explode with excitement at every turn. For me to say I have listened to every band out there would be an outright Metal lie… I have stated this before. Come forward please, Loudness and their 1986 album Shadows of War. Whoa. Whoa again. Why on Metal Earth, did it take me 23 years to finally listen to Loudness and Shadows of War? (See previous explanation within this paragraph for the Metal answer). Man, the outright powerful, Heavy Metal thunder of Loudness, is overwhelmingly great on Shadows of War. This album is the Japanese version with a different album/CD cover of it’s twin – American release Lightning Strikes. The only differences between Shadows of War and Lightning Strikes are: the order of the track listing, slight differences in the vocal melodies and Ashes In The Sky (from Lightning Strikes) and Shadows of War (from Shadows of War) are the same song. Buying one version over the other is basically an identical listen of Loudness Heavy Metal here. In this Metal situation, recommending either version is the way to go.
Yes Virginia, there is a Metal Santa Claus and his name is my best buddy Scott. You see, Scott gets quite giddy about sending CD’s of Metal through the mail to me… especially CD’s of Metal Bands that I have never delved into with unrestrained Metal abandon. Loudness Shadows of War came in the mail last week, courtesy of my buddy. This album is so damn cool, the songs on Shadows of War is yet another reminder to me, that 1986 was an incredible year, from an amazing decade for Heavy Metal album releases. Loudness could have easily named this album – psyche you out of your Heavy Metal mind – for all nine songs encompass a continuous and momentous listen in electrifying Heavy Metal power. Believe me, the last thing I want to come across as doing here is being rah, rah, rah, about Loudness and this album. I could never be more Metal serious by stating… Loudness and their 1986 album, Shadows of War, is one fine Heavy Metal blast from the past.
This is the Shadows of War cover! (Japanese version)
As a life long Metalhead, whenever you see a Heavy Metal Band crack the Billboard Top 200 Album Chart it is cause for Metal celebration. With that said, whenever I witness an Extreme Metal Band crack this same album chart, well, the world suddenly becomes a better place indeed. Step in The Black Dahlia Murder… please. Their newest album – Deflorate, (Metal Blade Records), debuted at #43 on the Billboard Top 200 Album Chart the week of September 15, 2009. (12,000 units were sold in the first week of this albums release). YEAH! In the midst of dozens of bubble gum – Pop Music new releases, there arises… The Black Dahlia Murder. Let this debut week showing of this incredible band and album, be a Metal reminder to the commercial Pop/Elevator Music world, that Extreme Music lurks around every corner, back road, corn field, city street and CD aisle. Earlier this year, Cannibal Corpse cracked this same Billboard Top 200 Album Chart as well, I see an Extreme Metal pattern of awareness starting to develop here in 2009. Metal Odyssey is Extreme Metal proud of The Black Dahlia Murder, (and still damn Metal proud of Cannibal Corpse too). Real music… Metal Music. All of us Metalheads and the Metal Bands we follow are not going away anytime soon… METAL RULES.
Edguy F***ing With Fire Live is entertaining as Metal hell. Released on July 28, 2009, on Nuclear Blast Records, this is the second album released by Edguy this year, (Tinnitus Sanctus was released on January 27, 2009). A huge Metal kudos to Edguy for releasing two albums within the same year, they are not the only band out there to do so, still it is cool for fans like me. In a Metal day and age where there are those select few prima donna – let’s take everything serious Metal Bands out there, Edguy seems to grasp hold of the positive and accentuates the (gasp) fun in Heavy Metal Music. The title of this live album alone, gives me the impression that Edguy has thrown caution to the Metal wind and could care less about those who don’t get it. In my Metal opinion, Tobias Sammet and his band Edguy have snickered at their antagonists since the late 90’s… and Edguy gets the last laugh every time. From my Metal research, it seems that Europe and Brazil really gets into Edguy big time, uh, I am just like Europe and Brazil with my Metal tastes then. It seems so obvious to me, by listening to Edguy’s catalog of albums, that they really dug the power and enthusiasm of 1980’s Heavy Metal Music. Thus they now turn around and record a live album that has that all encompassing, 1980’s Arena Heavy Metal thrill. By no means am I labeling Edguy as having a dated 1980’s sound about them, no way in Metal hell. I only want to point out that Edguy evokes a feel good emotion inside of me, rekindling some of the 1980’s Heavy Metal spirit that I so embraced. Tobias Sammet seems to write songs that are hook filled and melodically oozing from every crevice. F***ing With Fire Live is an Edguy album that I do give a F*** about.
My favorite Edguy song of all-time, Tears Of A Mandrake takes the Metal prize on this album, as well as Superheroes, Lavatory Love Machine and King Of Fools. The live versions of these Edguy songs only adds fuel to the intense Power Metal energy that they bestow. Tobias Sammet gets Avantasia into this set of songs as well, (from his side project Avantasia), it fits right into the Metal mix of this Edguy set list. The main theme I stress with F***ing With Fire Live is the consistent energy and emotion that Tobias Sammet seems to summon up within himself and his band. I don’t think you need to be an Edguy fan to actually hear and feel the excitement on this live album, then again, this Edguy album will have it’s detractors… so F***ing Metal be it. Tobias Sammet does become quite the talker during this concert. He takes his Metal time to introduce each band member, requests the crowd of Edguy fans to turn on their cell phone’s (and not their lighters), during the Power Metal ballad Save Me and thanks/compliments the fans of Sao Paulo, Brazil quite eloquently. Hey, this is a recorded – live concert for Metal sakes, these type of moments do occur during Heavy Metal shows, so F***ing Metal be it. At the end of the Metal day, I cannot listen to F***ing With Fire Live as a once through, nope, instead, each time I slap this double CD on I need to hear it a second time through too… so F***ing Metal be it.
King Diamond, the legendary Metal front man for Mercyful Fate and Horror Metal/Heavy Metal icon. King Diamond and his band have left more than a mark on Heavy Metal history, a chunk of Heavy Metal history is King Diamond. On October 13, 2009, the infamous Metal Blade Records will reissue two King Diamond Classics… The Graveyard and The Spider’s Lullabye. Very cool. Just in time for Halloween… very cool again. Both albums have been re-mastered by King Diamond guitarist Andy LaRocque. The Spider’s Lullabye was originally released in 1995, with The Graveyard originally released in 1996. Bonus live bootleg footage will be available for download, for those who purchase either of these two reissues. The bonus footage for download will be these three King Diamond songs: The Spider’s Lullabye, Trick Or Treat and Up From The Grave. Reissue’s are always great, especially when they include new songs and/or videos – downloading the bonus content for these albums is fine with me, especially when King Diamond is looking at giving the fans the highest quality in sound and video. Man, I better start saving up some spare change or my Christmas want list is going to be very long with all of the new Metal CD’s that are coming out next month! Metal rules. King Diamond is a big reason why. King Diamond is delivering a Happy Halloween to his fans and all fans of Metal on October 13, 2009.
Back in October of 1991, Ugly Kid Joe released their debut EP – As Ugly As They Wanna Be. 1991 was a year smack in the middle of the Grunge Music invasion… Ugly Kid Joe didn’t seem to care in the least. The mix of Hard Rock, Funk Metal and Heavy Metal had me more than interested in Ugly Kid Joe, I bought As Ugly As They Wanna Be and it served me right – back in 1991. Parodies aside, I could care less about what the titles of Ugly Kid Joe’s albums were making fun of… it was the funky heavy grooves of their songs that mattered most to me. Everything About You was a song that sounded unlike anything I was into back then, (Thrash, Death, Speed and mainstream Heavy Metal was what I was used to). When I first heard Everything About You, the first bands that came to mind that I was familiar with, in the Funk Metal genre, was Living Colour and Anthrax when they did I‘m The Man. White Zombie for certain had some Funk happening in their Metal back then too, yet this Ugly Kid Joe was not the dark side of heavy Funk either. This band was not as flamboyant as Faith No More, there seemed to be more of a street level accessibility to Ugly Kid Joe back in 1991-92.
Obviously the freshness of Ugly Kid Joe caught on with MTV and FM radio, it had to. Ugly As They Wanna Be and America’s Least Wanted 
Highly recommended to all Metal fans all over the globe! That is just how unreal good Retribution from Shadows Fall is… that I start off by just bluntly recommending this new album. Seriously, Retribution is one solid chunk of Thrash Metal Music for me. On this new release, (released September 15, 2009), Shadows Fall sounds as if they are not holding back the hard and heavy for no one. I am not taking the easy way out by saying all ten songs are damn incredible. The all encompassing barrage of Metal fury, that highlights each turn and corner on Retribution, is like a Metal power rush to my brain that I do not want to end. In my Metal opinion, it very much seems as if Shadows Fall took a long and hard listen to the once in a millennium, Metal masterpiece from Slipknot called All Hope Is Gone… and decided they too wanted to raise their own Metal bar. The All Hope Is Gone influence I hear on Retribution, is deserving of a raucous Metal applause for Shadows Fall, for if this influence is to be true… Shadows Fall surely knows real Metal when they hear it. The unrelenting surge of Metal power both musically and vocally, (both lead and backing/gang vocals), found within Retribution, are the best ways I can describe my All Hope Is Gone comparison. 
Slayer. Thrash Metal legends. The Webster Dictionary gives the definition of Slayer, it goes like this: to kill violently, wantonly, or in great numbers; to strike down – Suffice to say, in my Metal opinion, Slayer has struck down many a professionally paid Rock Music critic with their multiple Grammy Awards, album sales, relentless years of touring and a catalog of Thrash Metal albums that has never bent over for commercial appeal. 
Slayer has never written a ballad. Nope, Slayer never created a messed up song like, uh, One. Slayer has never put themselves into a predicament where they are telling their fans… just wait, our next album will be heavy again… we promise… just like we made our 1980’s albums. Slayer never covered a Bob Seger Rock Classic and ruined it. Slayer has always kept the Thrash Metal constant, they never needed to Load or Re-Load. Since December of 1983, when Show No Mercy was unleashed onto the world of Heavy Metal, there is no other Thrash Metal Band that I can think of, (with the exception of Over Kill), that has maintained the level of integrity and consistency such as Slayer. Slayer never revisited any damn garage days.
Slayer does not need a Guitar Hero game named after them. Slayer has never been jealous of Jethro Tull for winning a Grammy Award. (Or at least Slayer has never bad mouthed this legendary Classic Rock band in the press like another band constantly does to this day). Hint: the current Thrash Metal Band that has a Jethro Tull phobia, just recently had a Guitar Hero game named after them… plus they are in the Rock and Roll Hall of Shame. Jethro Tull never hurt no one… I defend them every Metal step of the way. Slayer does not whine or make excuses – they just make straight up Thrash Metal for themselves and their fans. Uncompromising to the Thrash Metal genre… Slayer.
Alright, I am more than thrilled at this new Obituary album, “Darkest Day”, I am enthralled with Metal jubilation. Death Metal jubilation. I am also reminded as to why I am lured into the heaviest, most Metal bludgeoning genre there is… it is Obituary. These guys are not about making nice with the trend setters… forget about it. Obituary is Old School Death Metal lathered with extreme. Understand, however, that Obituary delivers grooves by the Death Metal bushels. From it’s deadly beginning track – “List of Dead” to it’s deadly ending “Left To Die”, I am going out on a Metal limb here by stating… “Darkest Day” is one of 2009’s best Metal albums period. Being one of the true forefathers of the Death Metal genre, Obituary lays their Death Metal cards out on the table here, you either are with them or with them. This is not a Death Metal band that you just want to try out, if you buy an Obituary album, you are either a fan or your about to become one. 
Metal Odyssey > Heavy Metal Music Blog
You must be logged in to post a comment.