The 1980’s, here I go again. There were Heavy Metal Bands aplenty to choose from back in the ’80’s, Britny Fox being one. Only thing is, I never bought any Britny Fox albums back then. It wasn’t because I did not like this band, it all came down to choice and what albums would I throw my (little) money at. Now it is 2009, (obviously) and the Britny Fox Boys In Heat CD is blaring it’s Hair Metal glory for me today. Um, I have to thank my best Metal buddy, Scott, for landing me this CD. Thanks dude. Would I have eventually bought this Britny Fox CD or any Britny Fox CD for that matter? The Metal answer is… probably yes. I just don’t know when precisely that would have happened. The same mindset holds true for me today, with so many choices out there and a reality cap of spending. I am in awe at times, realizing how much catching up I have in Heavy Metal listening. Catching up on Heavy Metal albums going back decades is not a bad hobby, I am not complaining. For all Metal intents and purposes, this Britny Fox CD, Boys In Heat, is some decent Hair Metal candy for my ears.
Cutting to the Metal chase here, my favorite song on Boys In Heat is the cover song – Hair of the Dog. With that stated, I do revere the original version of Hair of the Dog by that legendary band known as Nazareth. This cover of Hair of the Dog is not better than the original, however, Britny Fox did a glam slam job of covering it. Not that it matters, yet Britny Fox gets my Metal approval for their version of Hair of the Dog. Throughout this entire Boys In Heat album, the one constant that I notice is… Britny Fox can play. Britny Fox obviously came out with a throng of other Hair Metal Bands back in the mid to late ’80’s, what really sets this album apart from the Hair Metal pack? I always like quality, not quantity. Boys In Heat is a 13 song album that is consistent with quality, both in it’s Metal and vocals.
Long Way From Home has a kickin’ guitar solo, plus the song has more grooves than I can count. Dean Davidson on lead vocals and rhythm guitar, has those vintage Hair Metal pipes. I truly compare his vocals to that of Tom Keifer of Cinderella. Quite frankly, that is not a bad dude to be compared to. Stevie is as rock solid a Hair Metal song as I have ever heard. Shine On is a song that carries the beat non-stop, it is that kind of song I want to crank up extremely loud on my car CD player, with the windows down on a long drive. The melodic drive of each song on Boys In Heat, never ceases from the opening track of In Motion… this album epitomizes Hair Metal heavy. I also liken this album to be a funk buster, if Boys In Heat can’t get me out of a funk I’m in, then nothing will. What’s that? Did someone say feel good? Once again, if Boys In Heat can’t make me feel good, uh, then something is wrong.
Michael Kelly Smith on lead guitar is as cool as they come, his guitar licks are impressive on Boys In Heat. This album does not lack in the powered up lead and solo department, thanks to him. Billy Childs on bass and Johnny Dee on drums, give me every reason in the Metal world, to turn the bass control up to high, while this album is busting out. It is always a great experience to hear an album that is from years past and like it, especially when it is of the Heavy Metal genre. Britny Fox may not have been on my purchase list back in 1989, yet they are on my current playlist today… courtesy of my best Metal buddy Scott and this CD – Boys In Heat.
Masterplan released the MK ll album back on February 23, 2007. I have never regretted with catching onto Masterplan. Half the fun of being into Heavy Metal, is knowing there are so many bands from so many genres to sink your ears into… ah, the world of Metal is a good thing. For those not familiar, Masterplan is a Power Metal Band, 100% through and through with no gimmicks. Melodic Metal and Symphonic Metal are two other labels that are just as fitting for Masterplan, the three genres I attribute to this band are adequately interlocking. Masterplan is led by former Helloween guitarist, Roland Grapow, he takes on the roles of guitarist, composer and producer. I gravitate very often to the Power Metal genre, finding this form of Metal Music to be inspiring and ultra credible. I find the Power Metal songs from Masterplan MK ll to be like a Metal soundtrack for my mind… uplifting and scenic thoughts appear for me, reflective thoughts too. Getting revved up is not difficult while listening to Masterplan either, there are plenty of psyche out moments in their songs. Masterplan goes full throttle with their Power Metal, there never seems to be a dull moment, for me.
Thank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.
Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.
W.A.S.P. has me burning up with an extreme Heavy Metal fever. Their new studio album, Babylon, is the total Old School Heavy Metal package. I am so excited about this new W.A.S.P. album, I need to calm down. Alright, if you have never purchased a W.A.S.P. album in your life and you are into Metal, do the right thing and buy Babylon. Veteran W.A.S.P. fans should understand why I am pumped up about Babylon… it is the quintessential Heavy Metal album for 2009. Am I saying it is the best Heavy Metal album of 2009? I am sure leaning in that direction for certain. Remember, this is Heavy Metal, no strings attached. Blackie Lawless has proven once again he is not about to back down, cow tow or change for anyone. Blackie Lawless has my total Metal support and praise for his convictions, which he so eloquently states within the liner notes of Babylon.
I will always believe, that it is extremely hard to cover a song of this magnitude, without tripping up somewhere along the way. Nothing beats a Hard Rock Classic, especially one from Deep Purple. David Coverdale will forever have the notoriety of originally vocalizing Burn with Deep Purple. David Coverdale’s vocal signature on the original version of Burn, plus his historical importance to Heavy Metal is immeasurable, in my most honest Metal opinion. Fast forward to 2009 and Burn is resurrected from the archives of Hard Rock history, thanks to W.A.S.P.. Blackie Lawless maintains the signature keyboards of Burn, reestablishing the importance this instrument has within this song. Doug Blair on lead guitar, cements himself as an asset, to the Heavy Metal identity that is W.A.S.P., on this amazing cover song. Burn returns and rises like a flaming phoenix, with Blackie Lawless unleashing this song’s power and exposing it’s grandeur for all Heavy Metal time.
Yes! I got rid of it! I actually sold it! The “it” I am referring to is the absolutely annoying new album from Lita Ford – Wicked Wonderland. I foolishly bought the CD at Walmart for an even $10.00, (factor in the 6% sales tax and it set me back $10.60). The good Metal news is, I sold it today, finally! I brought it to f.y.e. and man, I never expected to get this much loot for it… f.y.e. took Wicked Wonderland off my hands for $6.25!! I’m NOT complaining. An extremely generous price that f.y.e. is, (for some reason), willing to pay for this CD. I was issued store credit towards other Metal purchases at f.y.e., a fine deal to me. Sure, I am out $4.35 at the end of the day, however, getting rid of this CD for any amount of money is a joyous Metal memory for me. I did state in my review, on this album, that I was definitely going to sell it… I actually held onto it for way too long.
U.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.
Ah, Lita Ford. Reflecting on the 1980’s would not be quite the same without her being in the Heavy Metal world. Lita Ford proved back in those glorious ’80’s that she was more than just eye candy, she really did shred on the guitar for her albums. Plus, Lita Ford’s vocals always had the harmonic, Heavy Metal diva flare happening. Lita Ford even did a very sappy duet with Ozzy Osbourne, Close My Eyes Forever, that I honestly could never stomach back in 1989 and my opinion has not wavered since. Well, it is 2009 and Lita Ford is back, uh, yeah. Wicked Wonderland is her new album, the title really sums it all up quite well. The lyrics throughout this entire album are wicked indeed… with nuances, imagery and flat out references to sex and lust galore. I want to taste your goddess flesh and I penetrate you are two lines taken from the song Indulge… pretty hot stuff if you are a young dude that can’t buy a date for Saturday night. Lita Ford should have known that the majority of her audience buying Wicked Wonderland are the Old School Heavy Metal crowd and we are no longer eighteen and pissed off at our parents anymore.
Badlands was a Heavy Metal band that I caught onto the instant they released their debut/self titled album – Badlands
Reign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.
I found IOMMI With Glenn Hughes – the 1996 Dep Sessions on the Century Media Records online store CM Distro.com. This CD set me back 3 bucks plus shipping. (I bought a few CD’s so the total shipping cost of 5 bucks was reasonable to me). This CD was in the clearance section at CM Distro.com, proving to be a cool Metal find for me. Tony Iommi is the lead guitarist for the ultra legendary/Rock and Roll Hall of Fame inductee – Black Sabbath. Glenn Hughes has had a stellar career of his own, most notably being a vocalist and bass guitarist for Deep Purple on their Burn and Stormbringer 
ANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.
At the end of the day, I thank my lucky Metal stars that Krokus has existed – and still exists as a Heavy Metal Band. I have listened to Krokus since the early ’80’s, with Headhunter
Phew, now that this Krokus introduction is out of my Metal system, I can get excited now about telling the world about their 2003 album – Rock The Block 
Slaughter – Stick It To Ya 
I have owned for some time, the CD – The Best Of by Slaughter, the ten songs on this disc are great, only Fly To The Angels and Spend My Life are missing from the song selection. Not cool. So, I promised myself to add the real Slaughter albums to my CD collection over time, starting with Stick It To Ya. About one week ago, I found the used copy of Stick It To Ya at my local f.y.e., the astounding Metal price of $4.49 is all it took for me to claim this CD as my own. Man, I cannot get enough of this album… every single song too. Going back to 1990 for just a 
The Heavy Metal genre and all of it’s mind bending sub genres can be quite the vast musical Universe to explore. There are countless bands that make these Heavy Music genres quake and explode with excitement at every turn. For me to say I have listened to every band out there would be an outright Metal lie… I have stated this before. Come forward please, Loudness and their 1986 album Shadows of War. Whoa. Whoa again. Why on Metal Earth, did it take me 23 years to finally listen to Loudness and Shadows of War? (See previous explanation within this paragraph for the Metal answer). Man, the outright powerful, Heavy Metal thunder of Loudness, is overwhelmingly great on Shadows of War. This album is the Japanese version with a different album/CD cover of it’s twin – American release Lightning Strikes. The only differences between Shadows of War and Lightning Strikes are: the order of the track listing, slight differences in the vocal melodies and Ashes In The Sky (from Lightning Strikes) and Shadows of War (from Shadows of War) are the same song. Buying one version over the other is basically an identical listen of Loudness Heavy Metal here. In this Metal situation, recommending either version is the way to go.
Yes Virginia, there is a Metal Santa Claus and his name is my best buddy Scott. You see, Scott gets quite giddy about sending CD’s of Metal through the mail to me… especially CD’s of Metal Bands that I have never delved into with unrestrained Metal abandon. Loudness Shadows of War came in the mail last week, courtesy of my buddy. This album is so damn cool, the songs on Shadows of War is yet another reminder to me, that 1986 was an incredible year, from an amazing decade for Heavy Metal album releases. Loudness could have easily named this album – psyche you out of your Heavy Metal mind – for all nine songs encompass a continuous and momentous listen in electrifying Heavy Metal power. Believe me, the last thing I want to come across as doing here is being rah, rah, rah, about Loudness and this album. I could never be more Metal serious by stating… Loudness and their 1986 album, Shadows of War, is one fine Heavy Metal blast from the past.
This is the Shadows of War cover! (Japanese version)
Edguy F***ing With Fire Live is entertaining as Metal hell. Released on July 28, 2009, on Nuclear Blast Records, this is the second album released by Edguy this year, (Tinnitus Sanctus was released on January 27, 2009). A huge Metal kudos to Edguy for releasing two albums within the same year, they are not the only band out there to do so, still it is cool for fans like me. In a Metal day and age where there are those select few prima donna – let’s take everything serious Metal Bands out there, Edguy seems to grasp hold of the positive and accentuates the (gasp) fun in Heavy Metal Music. The title of this live album alone, gives me the impression that Edguy has thrown caution to the Metal wind and could care less about those who don’t get it. In my Metal opinion, Tobias Sammet and his band Edguy have snickered at their antagonists since the late 90’s… and Edguy gets the last laugh every time. From my Metal research, it seems that Europe and Brazil really gets into Edguy big time, uh, I am just like Europe and Brazil with my Metal tastes then. It seems so obvious to me, by listening to Edguy’s catalog of albums, that they really dug the power and enthusiasm of 1980’s Heavy Metal Music. Thus they now turn around and record a live album that has that all encompassing, 1980’s Arena Heavy Metal thrill. By no means am I labeling Edguy as having a dated 1980’s sound about them, no way in Metal hell. I only want to point out that Edguy evokes a feel good emotion inside of me, rekindling some of the 1980’s Heavy Metal spirit that I so embraced. Tobias Sammet seems to write songs that are hook filled and melodically oozing from every crevice. F***ing With Fire Live is an Edguy album that I do give a F*** about.
My favorite Edguy song of all-time, Tears Of A Mandrake takes the Metal prize on this album, as well as Superheroes, Lavatory Love Machine and King Of Fools. The live versions of these Edguy songs only adds fuel to the intense Power Metal energy that they bestow. Tobias Sammet gets Avantasia into this set of songs as well, (from his side project Avantasia), it fits right into the Metal mix of this Edguy set list. The main theme I stress with F***ing With Fire Live is the consistent energy and emotion that Tobias Sammet seems to summon up within himself and his band. I don’t think you need to be an Edguy fan to actually hear and feel the excitement on this live album, then again, this Edguy album will have it’s detractors… so F***ing Metal be it. Tobias Sammet does become quite the talker during this concert. He takes his Metal time to introduce each band member, requests the crowd of Edguy fans to turn on their cell phone’s (and not their lighters), during the Power Metal ballad Save Me and thanks/compliments the fans of Sao Paulo, Brazil quite eloquently. Hey, this is a recorded – live concert for Metal sakes, these type of moments do occur during Heavy Metal shows, so F***ing Metal be it. At the end of the Metal day, I cannot listen to F***ing With Fire Live as a once through, nope, instead, each time I slap this double CD on I need to hear it a second time through too… so F***ing Metal be it.
Ace Frehley has waited a long time to create and produce a new album, Anomaly is so incredibly worth the wait. I finally bought Anomaly today, (September 23, ’09, yeah, I am a week late from it’s release date), what an album of 12 songs. An unreal good album, a can’t miss for any fan of any Rock genre. I cannot stop listening to this new Ace Frehley album, oh darn. Anomaly for me, is one of those albums that I get contagious about and addicted to… oh darn. Before buying this album, I had not a clue as to what any of the songs sounded like. Man, what an incredible surprise to hear these songs for the first time… this album leans more towards Ace Frehley’s 1978 KISS solo album – not towards the sound of his Frehley’s Comet band from the late 1980’s. The Metal kicker is this… Anomaly rocks harder and heavier than the Ace Frehley 1978 KISS solo album, my ears cannot tell a lie. Where Anomaly gives a nod to 1978 is this: Old School Hard Rock and Heavy Metal. With that being said, Anomaly definitely embodies the grooves and heaviness of today’s Heavy Metal sound, while veering away from any resemblance of late 1980’s commercial heavy sound that was so popular in it’s day.
As I listen to Ace Frehley play guitar throughout Anomaly, all I can say to those who want to listen is this – Ace Frehley is back!! Ace Frehley shall remind the Rock and Roll world with all of it’s genres that yes, he can play guitar very well… and sing too. Ace Frehley’s vocals do not sound like a man who has been out of the recording studio for so many years, instead, it is my Metal opinion that Ace Frehley’s vocals are damn good and cool. Just listening to Anomaly takes me back to the days when quality songs were an important staple to Hard Rock and Heavy Metal bands. A sense of urgency to be real, is what I hear through the entirety of Anomaly, Ace Frehley has fused his very own Hard Rock and Heavy Metal sound with a nod to yesteryear, making Anomaly an album that far extends any relevance factor. From the song writing to the band backing up Ace Frehley here, this is a total album package. Ace Frehley has plenty of cool and damn good solo’s throughout this entire album, one of the many quality points of Anomaly.
Twisted Sister – Love Is For Suckers was released on August 13, 1987, on Atlantic Records. Back then, as a Metal fan, I was totally engulfed with Thrash and Speed Metal. To make a Metal confession, I never bought this Twisted Sister album, after owning their first four albums. I was not overly impressed with Come Out And Play, (released in 1985), I guess the first three Twisted Sister albums really spoiled me. So, I took in whatever songs MTV or the FM stations were playing from Love Is For Suckers. Seeing the video for Hot Love and hearing it played on FM radio very frequently, back in 1987-1988 was, I thought, the coolest extent of this album. I always liked Hot Love, this song reminds me of some cool times back in 1987-88… and there isn’t anything wrong with that. Hot Love is upbeat and (gasp), commercially catchy in it’s unique Heavy Metal way. A few years ago, I bought Twisted Sister’s Big Hits and Nasty Cuts: The Best of Twisted Sister, it contains several cool live bonus tracks that enticed me… unreal great songs at that. The Metal kicker here, is that there are no songs from Love is for Suckers on this Best of album… I smell controversy. Therefore, my continuation of never hearing more than Hot Love from Love is for Suckers continued… Fast forward to September 18, 2009… Twisted Sister – Love is for Suckers has for all Metal intents and purposes, made a sucker out of me.
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