WEDNESDAY 13 – Yes, Wednesday 13 wears his Alice Cooper “badge of influence” on his sleeve. I find it admirable, thank you. Calling All Corpses is a Horror Punk/Metal album that Alice Cooper should have made last year without any billionaire producer pulling the strings. Instead, this is a Wednesday 13 album and he uses his ghoul-given talent and cool as hell band to deliver 13 horrifying songs of thump and stomp on Calling All Corpses. These are songs that fans of Horror Metal, Horror Punk, Gothic and Hard Rock should easily get motivated to bounce up and down to, while kicking their neighbors trash cans over, under a moonlit sky.
Calling All Corpses is a party album. A crank-it-up-loud album. A “who gives a shit about the economy that our elected politicians screwed up” album. Wednesday 13 obviously realizes that Rock ‘N Roll was supposed to be (gasp) FUN in the first place and runs with it with infectious gusto. Wednesday 13 will never release an album to make you “think”, hell no. Wednesday 13 makes hard & heavy driven music to accommodate your escape from the stupid-ass stimuli that invades your space and day.
I appreciate Wednesday 13 for not trying to impress any Rock scholar out there who feels that the Rock history’s sun set and rose on 1969. The Punk fueled I Wanna Be Cremated and the hammerin’ Ghoul Of My Dreams may never get performed on any elitist Grammy stage, still, these songs have more substance than half of the audio sewage I suffered through, while listening to and watching that music comedy awards show.
It is not a ghastly move to buy Calling All Corpses and become absorbed by the Horror Punk/Metal and lyrics that spill from it. Calling All Corpses does not come across as cliché’, nor does this album ever drift off into repetitious content. If you’re looking for cliché’ and repetition, then watch a re-run of last Sunday’s Grammy Awards. This is a style of music born from good-times Rock ‘N Roll and it’s deserving of my Metal praise. Metal be thy name.
* Calling All Corpses was released on October 11, 2011, via DevCo Entertainment.
Calling All Corpses Cast and Crew:
Wednesday 13 – lead vocals, rhythm guitar, keyboards
Roman Surman – lead guitar, background vocals
Jack Tankersley – bass, guitar, background vocals
Jason “Shakes” West – drums, background vocals
Brent Clawson – additional background vocals
Calling All Corpses – Track Listing:
Blood Fades To Black
I Wanna Be Cremated
Ghoul Of My Dreams
One Knife Stand
Calling All Corpses
Miss Morgue
Silver Bullets
Bad At Being Human
London After Midnight
Candle For The Devil
We All Die
Something Wicked This Way Comes
Blood Fades To Black (reprise)
* For more info on WEDNESDAY 13, click on the link below:
LONG LIVE WEDNESDAY 13.
Stone.
Reign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.
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