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MASTODON – “DIVINATIONS” PICTURE DISC SINGLE IS A METAL MUSIC FIND!

MASTODON. Hot Topic. What do these two Metal Music names have in common? I recently, (last weekend), found the Mastodon – Divinations, 12″ picture disc single… at Hot Topic. Oh, that’s not all… this Mastodon picture disc single only set me back $2.54! That’s not a type-o… $2.54. Much cheaper than a pound of imported ham, currently selling at the local deli. (The original retail price for this picture disc runs around $14). You might query, as to how did I pay such a rock bottom price for this unreal great, Mastodon picture disc. Clearance racks RULE. As I entered Hot Topic, my wife informed me she was heading to the back of the store… to the clearance racks, was my Metal suspicion. It’s funny how I always become engaged by looking over the other stuff at Hot Topic, each time I go there, forgetting to hit the clearance racks first. The t-shirts, rings, vinyl album and CD racks never fail to distract my attention from those glorious clearance racks. I can always count on my wife to hone in on those racks of discounted Metal treasures though!

It’s always a Metal thrill when you can score your favorite bands on the discount racks. This is not the first time we have found very cool vinyl, discounted at Hot Topic. Just as we were checking out at the register, one of the Hot Topic employees raced over to the discount racks where this Mastodon picture disc was found… this employee proceeded to nab the lone remaining copy of Divinations, as well as other assorted vinyl too. She said she wanted to make her move, before the discounted stuff was gone. I can’t blame her one Metal bit. We did pick up other discounted vinyl at Hot Topic that same visit… I will wait to blab about it on future posts because the finds are that unreal great.

This Mastodon Divinations, 12″ picture disc single has the following two songs:

Side A: Divinations – (From the 2009 release – Crack The Skye)

Side B: Divinations (Instrumental)

I really, really, like the Progressive Metal that simmers with touches of psychedelia, from the Crack The Skye album that Mastodon released in 2009. I like it so much that I picked it to be #7 in my list of top 25 Heavy Metal albums for 2009. You can check it out by clicking the link below:

METAL ODYSSEY’S TOP 25 HEAVY METAL ALBUMS OF 2009

You can also just click on the header below to read my review for Mastodon – Crack The Skye, which I posted on May 6, 2009:

Mastodon “Crack The Skye” is a cool Metal journey to take

Here is the front view of this terrific Mastodon 12″ Divinations picture disc single:

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ARCADE – REVISITING STEPHEN PEARCY’S “OTHER BAND” AND 1993 DEBUT ALBUM

Posted in 1990's hard rock music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal guitarists, 1990's hair metal bands, 1990's hard rock albums, Album Review, collecting metal music, cool album covers, glam metal, glam metal music, Hair Metal, hair metal albums, hair metal bands, hair metal music, hard rock music, hard to find heavy metal albums, hard to find rock cd's, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1993, heavy metal bands, heavy metal history, heavy metal music 1993, metal odyssey, Music, old school heavy metal, rock music with tags 1980's hair metal bands, 1980's heavy metal bands, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal songs, 1990's rock music, 1990's hair metal bands, arcade 1993, arcade album, arcade debut album 1993, arcade hair metal band, arcade hard rock band, arcade heavy metal album review, arcade heavy metal band, cinderella heavy metal band, current heavy metal musicians, donny syracuse guitarist, frankie wilsex guitarist, fred coury drummer, glam metal music, hard rock music, metal odyssey, michael andrews bass guitarist, Music, out of print heavy metal albums, ratt, ratt heavy metal band, stephen pearcy vocalist on January 18, 2010 by Metal Odyssey

In recent days, the 1993 debut and self titled album from Arcade found it’s way into my ears. (Thank you Best Metal Buddy Scott). Epic Records released this Arcade debut. You all should be quite familiar with Arcade’s front man Stephen Pearcy… lead singer for RATT and very much a prominent, memorable and flamboyant Hair Metal figure from the 1980’s. Fred Coury, the drummer for still another iconic 1980’s Hair Metal juggernaut – Cinderella, found that one of his Heavy Metal path’s led to Arcade as well. Hair Metal and Glam Metal aside, Arcade was just damn good Heavy Metal – period. In my Metal opinion, if Arcade was to have been assembled around 1985, (instead of the gray lined early ’90’s), they would have had their likenesses adorning highway billboards – all over North America. O.k., that might be of a Metal stretch, nonetheless, Arcade would easily have been bigger and more widely received during an earlier era. Revisiting Heavy Metal Bands from the past that are no longer together, makes for the credibility of just where Heavy Metal is today… these are the bands and musicians that kept the Metal flame burning during a ’90’s decade of Heavy Metal uncertainty. I was never uncertain about my beloved Heavy Metal during the ’90’s… and by the sounds of it, neither was Stephen Pearcy and Arcade.

What this debut album from Arcade shows me, is that Stephen Pearcy acknowledged within himself, that he had all the Metal ingredients and creativity to be a star outside of RATT. And certainly, I would hope the majority of us Metalheads know that RATT was no fluke, their heavy legacy still reigns to this very day. For Stephen Pearcy to be the lead vocalist for two bands of this quality and caliber is not an everyday accomplishment. Essentially, the same can be Metal said for Fred Coury respecively, on drums. Guitarists Donny Syracuse and Frankie Wilsex add credence to Arcade’s own Heavy Metal identity. The only reminder of RATT within the sound of Arcade is Stephen Pearcy’s vocals and he CANNOT be faulted for that.

It sounds very clear to me, that Stephen Pearcy and his Heavy Metal posse called Arcade, knew all along, just how to create and write a ballad. Cry No More, Mother Blues and So Good… So Bad… are extremely tolerable ballads to listen to. I can actually listen to these three ballads repeatedly! (Now, listening to any ballad repeatedly is a rarity in my Metal world). Arcade actually found that semi sappy to sappy lyrics don’t need to be coupled with excessively sappy music, that brings you to the brink of an emotional meltdown. I will admit, Cry No More has an acoustic guitar intro that carries on a very reminiscent tone and mood from Cinderella’s classic Power Ballad – Nobody’s Fool. Mother Blues is an unplugged/acoustic listen in Rock goodness, it really is. Sons And Daughters is the lone instrumental on Arcade. An acoustic instrumental that lends itself as the perfect segue to Mother Blues.

Arcade is one of those albums where it is obviously nonsensical to breakdown each song as a review. Those who have listened and liked this album may understand my point. Outside of the three ballads and one instrumental previously mentioned, the other eight songs are undisputed Rockers. If you are looking to revisit these songs or give them a first time listen, understand that the hard and heavy from Arcade doesn’t give me a moments break… and I like that! I try to steer away from pinpointing what exact genre Arcade belongs to… at the end of the Metal day does it really matter? Arcade is Hard Rock colliding with Heavy Metal, whatever one’s interpretation that differs from mine is a matter of personal Metal labeling.

From the onset, Dancin’ With The Angels is fair warning that Stephen Pearcy and Arcade are NOT about re-treading RATT. Messed Up World is my favorite song from Arcade. The lyrics of Messed Up World could not resonate any more loud and true for me. Relevance? This song is exploding at the Metal seams with it. Messed Up World could have easily been written for today’s nightly news features.

Arcade… they came, they saw, they Metal conquered.

ARCADE, as they appeared on their 1993 debut album:

Stephen Pearcy – lead vocalist

Donny Syracuse – guitarist

Frankie Wilsex – guitarist

Michael Andrews – bass guitarist

Fred Coury – drummer

The Track Listing For Arcade:

Dancin’ With The Angels

Nothin’ To Lose

Calm Before The Storm

Cry No More

Screamin’ S.O.S.

Never Goin’ Home

Messed Up World – *(Metal Odyssey Note: My favorite song, man, it’s a good one)

All Shook Up

So Good… So Bad…

Livin’ Dangerously

Sons And Daughters

Mother Blues

* Metal Odyssey’s Metal research has found there is an additional song on the Japanese version of Arcade – Reckless. No, I have never heard this song… yet.

* To the best of Metal Odyssey’s Metal knowledge, Arcade’s debut album – Arcade is out of print. Used copies are circulating for sale all around the world wide web. (I’ve seen used copies on Amazon Music).

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W.A.S.P. – “THE REAL ME” 12″ SINGLE FROM 1989 REVISITED!

Posted in 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1990's heavy metal bands, collecting heavy metal albums, collecting music, cool album covers, guitar legends, hard to find records, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1989, heavy metal cover songs, heavy metal guitarists, heavy metal history, heavy metal memorabilia, heavy metal music, heavy metal music 1989, heavy metal on vinyl, heavy metal records, heavy metal vocalists, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rare heavy metal records, rock music with tags 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1990's heavy metal bands, 1990's heavy metal music, blackie lawless guitarist, chris holmes guitarist, collecting heavy metal, current heavy metal bands, frankie banali drummer, heavy metal collectibles, heavy metal legends, heavy metal music 1989, heavy metal records, heavy metal vinyl, johnny rod bass guitarist, metal odyssey, Music, old school heavy metal bands, rare heavy metal records, rock music, the headless children album, the real me song, W.A.S.P., w.a.s.p. 1989 the real me 12" single, w.a.s.p. heavy metal band, w.a.s.p. the real me cover song on January 14, 2010 by Metal Odyssey

Back in April of 1989, W.A.S.P. released The Headless Children, this proved to be THE album that really made me a lifetime fan of Blackie Lawless and his band. My best Metal buddy Scott, he is to blame for getting me into this album to begin with, I thank him for that. Sometime in 1989, (I can’t remember the exact month for Metal sakes), I bought the 12″ vinyl single of The Real Me from a back stabbing and obnoxious record dealer in very expensive Connecticut. The price back in ’89 for this W.A.S.P. record was $9.98. I could not resist the purchase, it was the only copy in that decrepit record store, it’s W.A.S.P. and the collectible side of my Metal brain always wins out in the end… especially when an item doesn’t cost a ton of dough. As a bonus, this 12″ single is enclosed inside a very, very, large W.A.S.P. poster, (see pics below). Back in ’89, I was still living at home, (with my parents), so my living space was a very small bedroom with walls already adorned with Metal posters… posters I just could not take down due to my loyalty and allegiance to so many bands. I am now glad I never hung this poster years ago, it’s basically in mint condition still.

The Real Me is a cover song from The Who, written by Pete Townshend… undisputed Rock legends. This song is found on The Headless Children album:

Here is what The Real Me 12″ single – record poster/jacket looks like when folded up flat:

The B – Side (or) Side Two Songs On The Real Me Single Are:

Lake Of Fools and War Cry

Lake Of Fools and War Cry are later found on the 1998 reissued CD version of The Headless Children.

The Real Me 12″ single was put out on Capitol Records. 1989 Sanctuary Productions Inc. is also printed on the back of this poster/cover.

Made In England is found on this same back poster/cover, (it appears to be rubber stamped). So, needless to say… this 12″ single of The Real Me is an import.

Please excuse the quality of my images below. Besides, being perfect is NOT Metal.

Here is the front side of this W.A.S.P. – The Real Me poster/record jacket:

The caricatures of Blackie Lawless, (guitar, vocals), Johnny Rod, (bass), Chris Holmes, (lead guitar) and Frankie Banali, (drums) are fun stuff. It’s Old School Heavy Metal. I probably won’t attempt to hang this poster up today… it’s just too vintage to ruin now. (Unless I find a poster frame large enough to hold it). Besides my picture disc of The Headless Children, this is the only other cool W.A.S.P. record I have, that is considered a limited vinyl collectible. I know I say this often, still, I’m just thankful for the stuff I did get ahold of and kept after all these years. Maybe I’ll find another W.A.S.P. vinyl collectible down the road, on one of my Metal hunts.

Here is the backside of this W.A.S.P. – The Real Me poster/record jacket:

The photo’s of W.A.S.P. on this poster are really cool and nostalgic to me. 1989 was a moment in Heavy Metal time that will never be forgotten by Metal Odyssey… I’m sure I speak for throngs of Metalheads worldwide.

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JUDAS PRIEST – “PAINKILLER” ALBUM FROM 1990 STILL EXPLODES METAL FEROCITY

Posted in 1970's heavy metal bands, 1980's heavy metal bands, 1980's metal bands, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal songs, 1990's metal bands, Album Review, cool album covers, current heavy metal bands, guitar legends, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1990, heavy metal bands, heavy metal guitarists, heavy metal history, Heavy Metal Reviews, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music, thrash metal music with tags 1970's heavy metal bands, 1980's heavy metal bands, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal songs, 1990's heavy metal music, a touch of evil song, glenn tipton guitarist, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal grammy nominees, heavy metal music, ian hill bass guitarist, Judas Priest, judas priest painkiller album 1990, k.k. downing guitarist, metal music, metal odyssey, Music, painkiller album, rob halford vocalist, scott travis drummer, thrash metal music on January 13, 2010 by Metal Odyssey

Ferocity: the quality or state of being ferocious. That is what I hear each time I crank up Painkiller from Metal legends – Judas Priest. Painkiller was released on September 3, 1990, on Columbia Records. Yes, the 1990’s was ushered in with quite a Metal explosion with this album. Consider that it was 1990, twenty years ago when this amazing Metal album was first released. My Metal point is this: if Painkiller was to have been released today, there is more relevance in it’s Metal in 2010 than ever before, encapsulating everything that is fast, heavy and hard about Metal Music. Honestly, if Painkiller was released in 2010, it would be an enormous candidate for my #1 Heavy Metal album of the year. However, the reality is that Painkiller is an album from the Metal past, only it seems to still have more of an impact on me than I could ever imagine. This was the 12th studio album from Judas Priest, (if you are to consider the 1978 U.K. release of Killing Machine, basically the same album as Hell Bent For Leather, only it is minus The Green Manalishi (With The Two-Pronged Crown). I am not reluctant to state, that this Judas Priest album is arguably the heaviest and fastest album in their catalog. Despite my abhorring the Grammy’s, Judas Priest was nominated for best Metal Performance in 1991 due to Painkiller.

The two songs on Painkiller that standout for me, which are easily two songs I can listen to every day of my life, repeatedly, are: Painkiller and A Touch Of Evil. My inner Metal struggle as of late, is knowing that A Touch Of Evil is my single most favorite, Heavy Metal song of my entire Metalhead life. Why is that an inner Metal struggle for me, you ponder? Well, due to the fact that I simply cannot believe I actually know this is the song! Plus, it did not dawn on me until recently… maybe sometime before the holidays of 2009. I will tell you this though… it is a really cool Metal feeling when it hits you and the realization kicks in, that you finally know that this is THE song. Could A Touch Of Evil ever be replaced by another Metal song as my lifetime favorite? Maybe. I’ll know when it hits me. One thing is guaranteed though… it would NEVER be a Daughtry song.

The song Painkiller is for all Metal intents and purposes… Thrash Metal. I applaud the fact that Judas Priest showed the world that yes… Thrash Metal is in their forte. All ten songs on Painkiller are immense, there is no weak link to be found. The re-release of Painkiller has two bonus tracks: Living Bad Dreams and Leather Rebel (Live). Both of these songs are great for me, still, I don’t see how a “live” bonus track ever fits into a studio album to begin with.

With Painkiller being the last studio album with Rob Halford at the vocal helm, (until the 2005 Judas Priest release – Angel Of Retribution), it showed us die-hard Metalhead followers of Judas Priest that we shall never take anything for Metal granted. Tim “Ripper” Owens is a fine lead vocalist, (taking over lead vocals on 1997’s Jugulator and Demolition from 2001), still there is only one Metal God, one original lead vocalist for Judas Priest… Rob Halford. During Rob Halford’s departure from Judas Priest, Fight became his very own Metal creation… a band that I uphold highly and find extremely thrilling. I did blab and brag about Fight one time… you can check it out by clicking the header below:

Fight was one incredible Metal band!!

Recently, the 2009 release – The End Of Tomorrow from Ravage, paid tribute to this Painkiller album and Judas Priest by having in it’s track listing… the cover of Night Crawler. Ravage did a fabulous Metal job at covering Night Crawler too. In 1990’s retrospect, yes, I would without hesitation, point right at Painkiller as being a top ten Heavy Metal album of that decade. Those of you who do own Painkiller hopefully understand my excitement over it… those of you who do not own Painkiller just yet, well, you are missing out on one damn incredible Judas Priest album for sure, in my Metal opinion.

Judas Priest:

Rob Halford – vocals

Glenn Tipton – guitar

K.K. Downing – guitar

Ian Hill – bass guitar

Scott Travis – drums

Painkiller was produced by Judas Priest and Chris Tsangarides.

Track Listing For Judas Priest – Painkiller:

Painkiller

Hell Patrol

All Guns Blazing

Leather Rebel

Metal Meltdown

Night Crawler

Between The Hammer & The Anvil

A Touch Of Evil

Battle Hymn

One Shot At Glory

Re-release Bonus Tracks:

Living Bad Dreams

Leather Rebel (Live)

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WANNA SEE MY MOTORHEAD BOOK? IT’S REAL COOL…

Posted in 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal bands, 1980's hard rock, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1981 heavy metal music, 1990's hard rock music, 1990's heavy metal bands, 1990's metal bands, 1990's hard rock bands, 1990's heavy metal music, book reviews, classic heavy metal, classic rock, classic rock music, collecting rock music, current heavy metal bands, family, feel good stories, Hard Rock, hard rock music, Heavy Metal, heavy metal bands, heavy metal book reviews, heavy metal history, heavy metal memorabilia, heavy metal music, life, life stories, metal music, metal odyssey, Music, old school heavy metal, rock & roll, rock and roll, rock music, rock music books with tags "fast" eddie clarke guitarist, 1970's hard rock bands, 1970's heavy metal bands, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal books, 1980's heavy metal music, 1990's heavy metal bands, 1990's hard rock bands, classic rock music, current heavy metal bands, hard rock music, heavy metal book review, heavy metal books, heavy metal music, lemmy, lemmy kilmister, metal odyssey, Motorhead, motorhead book, motorhead book from 1981, motorhead heavy metal band, Music, philthy animal taylor drummer, rock & roll, rock and roll, rock music on January 12, 2010 by Metal Odyssey

The year was 1987 and I was yes, a Motorhead fan. (I still am a Motorhead fan, of course). As Christmas approached in 1987, my late mother had asked me what I would want for (potential) gifts. Well, most certainly they were Heavy Metal related gifts… vinyl albums, CD’s, posters and one very special book in particular. I was raised where you never received every gift on your list… so the bigger the list did not mean the more the gifts. So, with that thought in mind, I really crossed my fingers and hoped that this really cool book would be checked off of the request list that I gave to my mother. That really cool book was titled… MOTORHEAD. Oh yeah, Motorhead. Just the cover alone had me grinning from ear to ear, with Lemmy Kilmister, Philthy Animal Taylor and Fast Eddie Clarke in all of their Rock n’ Roll and goofy splendor. (See the really cool front cover pic of this book below, to see what I mean by that statement). To make a long Metal story short… my mother did buy me that Motorhead book for Christmas after all! I will never forget the smile on her face, as she saw the excitement in mine, upon my first opening that book up on Christmas day in ’87. The sentimental link this book has to my late mother, plus it being a book that’s just about Motorhead… well, it’s priceless to me, both the memory and this book combined.

This dandy Motorhead book was published by Babylon Books in 1981. (Whoa, I used the word… dandy, on Metal Odyssey). One odd thing about this book is that the pages are not numbered. I did count the pages myself, it was pretty easy to do too, yup, there are 64 pages total, (not counting the front and back covers). Throughout this Motorhead book, there are dozens of vintage black & white photos of Lemmy, Eddie and Phil, as well as oddball photos ranging from groupies to fanzine photos and illustrations. The Metal note to remember here is that this book documents Motorhead up until 1981, it is so easy to thumb through these pages expecting to see Brian Robertson, Wurzel, Phil Campbell or Mikkey Dee. This is as vintage as it gets with Motorhead history!

From Lemmy Kilmister’s very beginnings in Rock Music with The Sam Gopal Dream and later Hawkwind, this book lends itself to being a Motorhead 101 mini text book. A well documented history on just how Motorhead came together, through anecdotes and personal accounts makes for a fun and Metal educational read every time. A historical timeline of radio interviews and television appearances up to 1981 are also documented. What would this book be without a Motorhead discography? Albums, singles and bootlegs are covered! Biographies of Lemmy, Eddie and Phil are also included. Want to know the complete 1981 United States tour schedule that Motorhead had? The 1981 tour schedule is nailed down too! I could probably, with incredible Metal ease, blab away for paragraphs on end about the details found in this Motorhead book… unfortunately, I just can’t do that. Take my Metal word for it though… if you are a fan of Motorhead or of any Rock genre at all, this book is worth seeking and owning, both for it’s Rock History and nostalgia.

MOTORHEAD – Front Cover

Please excuse the quality of the photos here, sometimes Metal is Old School and these photos exemplify that. Actually, the ambiance that these photos represent, is just how this Motorhead book feels to hold and read. As a quick closing to the earlier story, about my receiving this great Motorhead book as a Christmas gift from my late mother back in ’87: Whenever my buddies, relatives or just about anyone that would come over to our house back in the late ’80’s, they would usually be confronted by my asking them… wanna see my Motorhead book? It’s real cool…

MOTORHEAD – Back Cover

I truly thank my unreal, great mom for this fabulous Motorhead book. It has served me right.

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SLAYER – 1991 “DECADE OF AGGRESSION”, MY DOUBLE CD IS THE METAL SLIPCASE VERSION!

Posted in Album Review, guitar legends, Heavy Metal, heavy metal bands, heavy metal drummers, heavy metal history, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal, thrash metal albums, thrash metal bands, thrash metal legends, thrash metal music, thrash metal music reviews with tags decade of aggression 1991, extreme metal music, heavy metal music, jeff hanneman guitarist, metal music, metal odyssey, Slayer, slayer decade of aggression live album, thrash metal music on January 11, 2010 by Metal Odyssey

Slayer. Just the name alone makes it known that this is serious, real serious… Metal. Slayer’s songs have and always will resonate the pissed off, evil and vendetta seeking side of the human spirit, the lyrics of their songs do not lie about that. The years pass by and Slayer is still the reigning dark side – Thrash Metal champions of the world, (in my Metal opinion). As a matter of Metal fact, I don’t recall a single moment in my Metal appreciating life, when Slayer has not been considered by me to be the baddest mother fu**ers to ever play Metal. Now, onward with the 1991 Slayer Thrash Metal, live slatanic classic… Decade Of Aggression:

Decade Of Aggression is a double CD, (double cassette or vinyl album too, if you want to get picky). The original release date for Decade Of Aggression was October 22, 1991, on Def American Recordings. Back around 1992, I was fortunate enough to discover this double CD in a very thick, black metal slipcase. (No kidding, it is real metal!). This metal slipcase encases both CD’s and the 24 page liner notes booklet. Man, is this metal slipcase heavy stuff… I have not actually weighed it, still, it feels like I am holding at least 5 or 6 pounds of metal! Sometime back in ’92, I saw this unique Slayer Decade Of Aggression package, behind the front counter at a Record Town store… in very expensive Connecticut. My eyes never lost sight of this Slayer prize that day, I made a Metal beeline to the cashier and stated I was buying this Slayer gem. I cannot recall for certain, the actual price I paid for this metal packaged version of Decade Of Aggression… it was in the neighborhood of around $50 U.S. and worth every cent. This limited edition package of Slayer Decade Of Aggression had a run of only 10,000 copies. My copy of Decade Of Aggression came with a certificate of authenticity, gold foil embossed, stating it is numbered: 005815 of 10,000.

* Note: Skeletons Of Society and At Dawn They Sleep are two songs found only on this metal slipcase version of Decade Of Aggression.

In the center front of this metal slipcase, is this classic Slayer logo – metal etched on a center block:

(This Slayer logo looks entirely silver on the front metal casing, due to it being metal etched.)

Here is what this incredible metal slipcase package of Decade Of Aggression, that I own, looks like:

The metal slipcase is unreal great stuff… whoever thought of marketing this back then is a Metal genius. The interior CD slipcases are of a heavy black paper stock. Note that the front cover of the liner notes depicts the original Decade Of Aggression album cover. I have seen the import version, some online merchants have it available for purchase today, it has the original album cover. (I own the original double cassette too, I have kept it in Metal mint condition all of these years. Here is another view of what the original album/cassette/CD cover looks like for Decade Of Aggression:

Now here is what the front album/CD cover of Decade Of Aggression looks like now, if you were to go to a retail record store today and buy it:

Now, as for the live Thrash Metal of Slayer heard within Decade Of Aggression… it’s F’n Slayer man. There is nothing more to break down other than it’s fast, brutal, aggressive and… live Slayer greatness. You’ll be blown away by Dave Lombardo and his double bass drumming assault, guitarists Kerry King and Jeff Hanneman dueling with leads and riffs that will sting your face like freezer burn and Tom Araya combining both the bass guitar and vocals into a frenzied slatanic blitz. Slayer is one of the very few bands I cannot get fancy about, when it comes to doing a review… what you should know is that Slayer sounds Thrash prolific on Decade Of Aggression. You will hear a band that executes and succeeds at maintaining the highest level of Thrash Metal energy, throughout this entire double CD of songs. These following two lines are actually printed, on the back cover of the liner notes:

Unlike most other live recordings, this is Slayer completely “live”. No overdubbing exists on this recording.

The Complete Track Listing For Decade Of Aggression:

Disc One

(Recorded live at Lakeland Coliseum, Lakeland, Florida, 7/13/91):

Hell Awaits

The Antichrist

War Ensemble

South Of Heaven

Raining Blood

Altar Of Sacrifice

Jesus Saves

Dead Skin Mask

Seasons In The Abyss

Mandatory Suicide

Angel Of Death

Disc Two

(Recorded Live at Wembley Arena, London, England, 10/14/90):

Hallowed Point

Blood Red

(Recorded live at Orange Pavillion, San Bernadino, California, 3/8/91):

Die By The Sword

Black Magic

Captor Of Sin

Born Of Fire

Skeletons Of Society *(only on this metal slipcase version)

(Recorded live at Wembley Arena, London, England, 10/14/90):

At Dawn They Sleep *(only on this metal slipcase version)

Postmortem

(Recorded live at Orange Pavillion, San Bernadino, California, 3/8/91):

Spirit In Black

Expendable Youth

Chemical Warfare

____________________________________________

LONG LIVE SLAYER.

Stone.

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LOUDNESS – 1991 ALBUM “ON THE PROWL” BULGES WITH MELODIC HEAVY METAL

Posted in 1980's hair metal bands, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's metal music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal guitarists, 1990's heavy metal songs, 1990's metal bands, Album Review, collecting heavy metal albums, cool album covers, current heavy metal bands, hair metal bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1991, heavy metal bands, heavy metal bands 2010, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal music 1991, heavy metal music from japan, Heavy Metal Reviews, heavy metal vocalists, japanese heavy metal, melodic heavy metal music, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags 1980's heavy metal bands, 1980's heavy metal guitarists, 1990's hard rock music, 1990's heavy metal bands, 1990's heavy metal songs, akira takasaki guitarist, Album Review, current heavy metal bands, heavy metal album review, heavy metal from japan, heavy metal music, heavy metal vocalists, japanese heavy metal bands, loudness, loudness 1991, loudness heavy metal band, loudness on the prowl album, melodic heavy metal music, metal music, metal odyssey, mike vescera vocalist, Music, obsession heavy metal band, on the prowl album 1991 on January 9, 2010 by Metal Odyssey

I listened to the 1991 album from Loudness today – On The Prowl. Alright, I actually listened to this album three times today. It’s that melodic driven Heavy Metal that gets me every time. Well, any quality Metal gets me every time it seems. My best Metal buddy Scott had landed me a copy of On The Prowl, he has great taste in Heavy Metal… I guess that is why we have tolerated each other for over two decades. For anyone not in the know about Loudness, they are a Japanese Heavy Metal Band that formed back around 1981. Thank you Japan. This is a darn good album, it plays out in three parts for me, with the first three songs Down ‘N Dirty, Playin’ Games and Love Toys being true to the core Hair Metal. Secondly, there is a power ballad, Never Again, which stands alone on it’s sole purpose to make the girls weepy. (I am not the power ballad guy… and this is the umpteenth time that this statement appears on Metal Odyssey). Nevertheless, Never Again is a good song, with lead vocalist Mike Vescera singing his emotion filled lungs out. (Mike Vescera is the lead vocalist for 1980’s Heavy Metal warriors… Obsession. A great band is Obsession… without question, great. Obsession is alive and well in 2010 too… with Mike at lead vocals. You can check Obsession out by clicking here: OBSESSION – Official Website

Mike Vescera was also the lead vocalist for Yngwie Malmsteen, from 1994 to 1995. Recently, while discussing Heavy Metal with my buddy Scott, (usually a daily experience), we went from talking about Loudness and Mike Vescera to Obsession to Yngwie Malmsteen… realizing that yes, they are all absolutely Metal connected. Heavy Metal is a closely linked world… one big Metal family tree, it often times seems.

Where was I? I unintentionally went Metal astray while explaining the Mike Vescera Metal affiliations… oh yeah… the third part of this Loudness album! That being there are songs that are straight up Heavy Metal – Deadly Player, Take It Or Leave It and Girl are just the way I like ’em, real hard and heavy. The last song, Find A Way, is a muscular and melodic ending to an overall very strong Heavy Metal album from Loudness. I must add that the musicianship of Loudness on this album is excellent. Akira Takasaki is a welcomed Metal listen on lead guitar, coupled with the sensational vocals of Mike Vescera and On The Prowl is an early 1990’s Heavy Metal standout. Don’t hesitate to get ahold of On The Prowl, the Heavy Metal that Loudness unleashes with these songs are worth owning. Add the Metal fact, that the relevance these songs carry into 2010 is quite irrefutable as well.

Long Live Loudness! Click here to get tons of Loudness info: Loudness MySpace Music Page

Track Listing For Loudness – On The Prowl:

Down ‘N Dirty

Playin’ Games

Love Toys

Never Again

Deadly Player

Take It Or Leave It

Girl

Long Distance

In The Mirror

Sleepless Night

Find A Way

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SCORPIONS – “SAVAGE AMUSEMENT” 1988 ALBUM FLASHBACK

Scorpions. Scorps. Thank you very, very, much Germany. How much Metal praise can I really give this band without sounding too smoochy? Since 1972, the Scorpions have created twenty plus albums, (both studio & live), etching out an undisputed place in Heavy Metal history… better yet, Rock history. I have numerous favorite albums from the Scorpions, one such album is Savage Amusement, released back in 1988. O.k., this album leans towards commercial appeal… quite frankly, I don’t give a crap. The songs on Savage Amusement are solid and laced with quality from every Metal angle. I can never resist listening to Don’t Stop At The Top repeatedly and very loud. Savage Amusement has the late ’80’s Arena Rock atmosphere encompassing each song, a sound that is so identifiable to that decade. I am currently listening to Savage Amusement while I write this post… I am starting to get psyched out at the moment… We Let It Rock… We Let It Roll is playing right now… excuse me please while I go and play some spastic air drums.

Alright, I’m back, man that song is a Metal kick for me. You know, when I go off playing air drums while I am sitting at a red light in my car, people look at me with such amazing disgust… go figure. Nothing beats the privacy of your own home for letting loose with Heavy Metal… Scorps Metal too. When music, Heavy Metal Music, can affect my mind and soul like this Savage Amusement album can, it reminds me how great it is to be alive. Listening to this album reminds me of the day I bought it on vinyl back in 1988. I bought this album along with Sevent Son Of A Seventh Son by Iron Maiden. If I am not mistaken, both of these albums were released the same week back in 1988. I remember walking into my graphic design class, (at Northwestern Connecticut Community College), with both new albums under my arm… one damn happy Metalhead I was that day. I was showing off both of these albums to my fellow classmates like they were baby pictures in my wallet.

Saying this once again – I have never been the huge fan of Heavy Metal ballads. However, the Scorpions always know how to do a Heavy Metal ballad right. Believe In Love is one Heavy Metal ballad that gives me those Metal duck bumps up and down my arms. Klaus Meine… his vocals are insanely unreal great. When Klaus Meine sings a ballad, he does so with profound emotion, nothing sounds fake about it. Rhythm Of Love is another powerful Scorps song for me, one that received plenty of FM airplay back in the late ’80’s too. I remember daze, I mean days, when I used to cruise to this song… with little cares in the world to ruffle my Metal feathers. It just seems that a great album like Savage Amusement will always stand the test of time… that is what elite musicianship does, weaving through the decades and sounding better with each listen.

Thank you Scott for hooking me up with this classic Scorpions album, I now finally have it on CD.

Track Listing For Savage Amusement:

Don’t Stop At The Top

Rhythm Of Love

Passion Rules The Game

Media Overkill

Walking On The Edge

We Let It Rock… We Let It Roll

Every Minute Every Day

Love On The Run

Believe In Love

Scorpions, as they appeared on Savage Amusement:

Klaus Meine – lead vocals

Rudolf Schenker – rhythm guitar, backing vocals

Matthias Jabs – lead guitar, backing vocals

Francis Buchholz – bass guitar, backing vocals

Herman Rarebell – drums, percussion, backing vocals

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MARIA BRINK/IN THIS MOMENT “PRAYERS” PICTURE DISC – PLUS IN THIS MOMENT DISCOGRAPHY

Posted in alternative metal music, collecting heavy metal albums, collecting metal music, cool album covers, current heavy metal bands, current heavy metal music, diverse metal music, female heavy metal vocalists, female rock vocalists, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal bands, heavy metal cover songs, heavy metal favorites, heavy metal memorabilia, heavy metal music, heavy metal music 2009, heavy metal on vinyl, heavy metal picture discs, heavy metal records, Heavy Metal Reviews, heavy metal vocalists, melodic heavy metal music, metal music, metal music today, metal odyssey, metalcore bands, metalcore music, Music, rare picture discs, rock music, rock vocalists with tags female hard rock vocalists, female heavy metal vocalists, female rock vocalists, heavy metal albums, heavy metal collectibles, heavy metal music, in this moment, in this moment discography, in this moment heavy metal band, in this moment metalcore band, in this moment picture discs, in this moment prayers picture disc, in this moment songs, in this moment the dream album, maria brink lyricist, maria brink picture discs, maria brink prayers picture disc, maria brink vocalist, metal music, metal music 2007, metal music 2008, metal music 2009, metalcore, metalcore bands, metalodyssey, Music, prayers cd single, rare heavy metal picture discs, rock music on December 19, 2009 by Metal Odyssey

I am always keeping a keen Metal eye out for Heavy Metal collectibles. Picture discs of my favorite bands are an irresistible item for me, with their usual low print run and display appeal. Picture discs are vinyl records, they come as either 7″ or 12″ and have graphics and/or images actually printed on the vinyl itself. Sometimes, picture discs can be found that are die-cut as well, making for an even more unique Heavy Metal collectible. Recently, I have been unearthing some of my Heavy Metal picture discs from years/decades passed, while picking up some new picture disc finds as well. I try not to spend a ton of money on these picture discs either, getting a great Metal deal is my long standing goal. One particular picture disc I purchased this past year is a Maria Brink/ In This Moment – Prayers 7″ and it is hand numbered 292/600. That is a very limited print run… just 600 of these picture discs exist! Um, I would lean towards this picture disc being considered rare. This picture disc was originally released in 2007. I bought this fine Maria Brink/In This Moment picture disc at Century Media Records online or CM Distro… for a whopping five dollars. Five dollars!

The two songs on this picture disc are taken from the In This Moment debut album – Beautiful Tragedy. The two songs are: prayers and daddy’s fallen angel.

This is the Maria Brink/In This Moment – Prayers 7″ Picture Disc I Bought Earlier In 2009:

Maria Brink is the lead vocalist for In This Moment, a Metalcore Band that released their U.S. debut album Beautiful Tragedy on March 20, 2007. Maria Brink delivered some of the heaviest vocals I have ever heard from a female lead Metal vocalist, her Death Metal growls caught my attention very quickly on this terrific album. Don’t be fooled however… Maria Brink can sing lights out, make no Metal mistake about it. This album I highly recommend, especially for fans of Metalcore and Metal female vocalists. Honestly, Beautiful Tragedy should pacify any yearning Extreme Metal fan.

The second album from In This Moment, features much more diverse and matured vocals from Maria Brink. A tremendously more commercial path In This Moment took, with The Dream. Released in the U.S. on September 30, 2008, The Dream not only took me by surprise with it’s 180 degree Metal Music turnaround, it is also one of my favorite albums from that year. The Dream in my Metal opinion, is a top ten Heavy Metal album from 2008. Maria Brink delivers harmonious and melodic vocals on The Dream. Her soothing and ultra emotional vocals on The Promise: Into The Light are beyond memorable for me.

You can read a more detailed album review I wrote on The Dream, by clicking here: IN THIS MOMENT – THE DREAM

Maria Brink has an amazing voice and is an extremely talented lyricist, in my Metal opinion. In 2009, In This Moment re-issued an expanded edition of The Dream, with several new bonus tracks. The one new song, (bonus track), that caught my Metal attention the most is the cover song Call Me from the legendary/Rock And Roll Hall Of Fame inductee… Blondie. You can read more details I wrote about this song by clicking the heading below:

IN THIS MOMENT – Covers “Call Me” with Heavy Metal respect

A cool CD single I picked up from In This Moment is titled Prayers. I bought it due to my needing anything and everything that Maria Brink’s vocals are on. Plus, I am a collector of this band, so getting ahold of this CD single for only two bucks is a Metal deal of the century. Yes, this CD single was on the clearance rack at Century Media Records online… CM Distro.

Two other In This Moment CD singles are out there that I do not own, yet I will eventually. They are:

Beautiful Tragedy – released in 2007

Forever – released in 2008

I can’t say enough about the musicianship of the entire In This Moment band… both past and present members. After just two studio albums, this is a Metal Band that can only get even better… and I will be as eager as ever to listen. Maria Brink has already elevated herself to the very top of today’s female Metal vocalists, that is my Metal opinion and I am not bashful to admit it.

If anyone out there knows of any other Maria Brink and/or In This Moment picture discs, imports or CD singles that exist, feel free to comment… it would be appreciated with the highest Metal gratitude.

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IRON MAIDEN – “KILLERS” STILL REIGNS AS A KILLER OF A METAL ALBUM

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1981 heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal bands, essential heavy metal albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1981, heavy metal bands, heavy metal bands from england, heavy metal drummers, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, progressive metal, rock music, scary album covers, vintage heavy metal albums with tags 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, adrian smith guitarist, Album Review, classic heavy metal, clive burr drummer, dave murray guitarist, Heavy Metal, heavy metal albums, Iron Maiden, iron maiden 1981, iron maiden heavy metal band, iron maiden killers album, iron maiden killers album cover, iron maiden songs, killers album 1981, metal odyssey, Music, old school heavy metal, paul dianno vocalist, progressive heavy metal, rock music, steve harris bass guitarist, the ides of march song on December 12, 2009 by Metal Odyssey

As decades pass and thousands of Heavy Metal albums are released, there will always be those select titles that are still left standing tall. Iron Maiden Killers is one of those select albums that reigns as a killer for me… 28 years after it’s June 1981, U.S. release. Killers epitomizes Old School Heavy Metal, plus Iron Maiden legitimizes the single word – Metal, as it’s very own sub genre. Whenever I think of “Metal” the first band that comes to my mind is Iron Maiden. I sometimes debate myself senseless, asking why isn’t Iron Maiden my favorite Heavy Metal band of all time? Then, I ease my confusion by just knowing that Iron Maiden is and forever will be a “core” band of mine. Killers essentially was faster and harder than many traditional Heavy Metal albums of it’s time… the great part is that Iron Maiden was just beginning to “touch upon” the progressive side of Metal Music, an attribute they became so legendary for.

Back in 1981, the Thrash Metal movement was the welcomed storm on the horizon… Iron Maiden was the baddest and heaviest outside of just a select group of their peers. Motorhead, Black Sabbath, Judas Priest, Scorpions and Accept come to mind, when deciphering which Metal bands were as hard and heavy as Iron Maiden, back in 1981. Still, outside of Motorhead, Iron Maiden was about speed, the songs on Killers are overall – fast. Exceptions do exist, Prodigal Son is a slower paced Iron Maiden song without a doubt. The tempo being dictated by the acoustic guitars only magnifies the slender tempered sound of Prodigal Son. (Going back to the debut Iron Maiden album, Remember Tomorrow signified the flirtation with somberness that this legendary band would revisit in future albums, Prodigal Son carry’s over this assertion).

Backtracking to the intro of Killers, The Ides Of March, I insist that this was the sign of all Metal things to come on this prolific album. The Ides Of March is heavy, it is melancholy, dark and foreboding… in essence, a Metal prelude or warning if you will, that Iron Maiden was not fabricating or pretending. Twilight Zone is the song from Killers, where I feel Paul Di’Anno is at his giant best, vocally. Certainly, it is my personal opinion, as is the case with this entire article. Genghis Khan is the Metal instrumental that catapulted the musical identity of Iron Maiden, the trademark sound of this soon to be – historic Metal band. My eyeballs still pop open wide, to this very day, each time I listen to Genghis Khan.

When it comes down to musicianship, what honestly can be nit picked here? Iron Maiden as a unit on Killers made layering famous and vogue – basically instigating Progressive Metal from it’s dormancy. I cannot and never will find a fault with this legendary Iron Maiden lineup, Paul Di’Anno was the lead singer for this band in 1981 and a damned great one too… Metal case closed. Even back in the mid 1980’s, I never gave a damn about comparing Paul Di’Anno to Bruce Dickinson… what’s the point? Any seasoned Metalhead knew then and should know now, that these two lead singers are worlds apart with technique and range. In my Metal opinion, one is not better than the other, they are both unique and stylistically genuine. Paul Di’Anno gave the songs on Killers a mysterious tone, his vocals created a fog invading sound scape that bordered on macabre.

Murders In The Rue Morgue is my favorite song on Killers. Again, it’s speed, hard and heavy that this song illuminates. Paul Di’Anno never needed to hit the highest note on the planet to make Murders In The Rue Morgue an Iron Maiden classic, instead his fiery swagger is not just heard vocally, it is felt. Dave Murray and Adrian Smith unleashing their duo guitar leads proved that there was another one-two Metal guitar punch out there… alongside Metal guitar legends Glenn Tipton and K.K. Downing of Judas Priest. Clive Burr on drums was not an enigma, he was THE drummer for Iron Maiden during the most important years of their maturation. And then, there is THE bass guitarist for Iron Maiden. To better accentuate my Metal point here, what Babe Ruth will forever be to the history of baseball, what the Mona Lisa will forever be to the history of fine art portraits, Steve Harris will forever be of equal importance to the history of Heavy Metal and Metal Music. Go ahead, listen or re-listen to Iron Maiden Killers… then listen really closely to the bass guitar playing of Steve Harris, hopefully you might just understand what I mean.

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STRYPER – “EXTENDED VERSIONS” IS A LIVE AND ROCKIN’ GOOD TIME CD

Posted in christian heavy metal bands, christian metal, christian rock, classic rock, hair metal music, Hard Rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, metal music, Music, rock music, rock music news with tags christian metal, heavy metal bands, heavy metal music, stryper, stryper extended versions cd, stryper live on November 29, 2009 by Metal Odyssey

I could not resist the urge to buy this Stryper Extended Versions CD, (Sony/BMG). Two reasons I needed this Stryper Extended Versions: it being a live CD, coupled with the fact I was fortunate enough to see Stryper live, back in the ’80’s on their To Hell With The Devil Tour. Yup, I made up my Metal mind a long time ago, that Stryper is my favorite Christian Heavy Metal Band. Let’s face it, Stryper back in the 1980’s were easily part of the Hair Metal invasion as well. I like the accessibility of Stryper’s songs, they are inspiring and motivating for certain, combined with all of the dynamics and elements of 1980’s Heavy Metal. This Extended Versions CD was recorded back on November 11, 2003, at Earthlink Live in Atlanta, Georgia. The release year for this CD was 2006. The overall production of this live CD sits just fine with me. I will admit, after 12 years of Stryper not touring before this concert was recorded, they sound pretty darned good. (Michael Sweet actually remarks about their return after 12 years to the audience, during the opening song Makes Me Wanna Sing).

As with any live album, there are those – as they happen moments, such as Michael Sweet talking to the audience and an over excited crowd of fans shouting, screaming and singing along. Those aspects have always been what I find most refreshing about a live album… especially when the band plays as tight and good as Stryper does here. Free is and always has been a tremendously favorite Stryper song of mine, hearing Michael Sweet sing this song as the audience sings along sends chills up and down my arms. Oz Fox on guitar sounds unreal good in this 2003 concert recording, just as he did when I saw him for myself so many years ago. You Won’t Be Lonely is a great up tempo ballad for my Metal tastes… it makes for a nice fit into this live set list. Calling On You, being one of the more famous Stryper songs ever, has all of the melodic power and harmony as the original studio version, a fantastic song from this band.

Reach Out is a sure-fire crowd sing-along, yet, what Stryper song isn’t? The Way is arguably one of the fastest and heaviest Stryper song on this live Extended Versions, Oz Fox energizes this song with his stealth guitar leads and hot solo. Soldiers Under Command plays out in the same fast and heavy fashion as The Way, a Stryper song that is a necessity in any of their live gigs. Again, Oz Fox stimulates my Metal senses with his guitar brilliance on Soldiers Under Command – oh yeah. Timothy Gaines on bass and backing vocals along with Robert Sweet on drums are the Heavy Metal nuts and bolts that keeps this live album rhythmically astounding. Brent Jeffers is on keyboards and backing vocals, making for a nice addition to this Stryper concert.

Another favorite Stryper classic of mine is To Hell With The Devil, it is song #9 in the set list and it flat out rocks this Extended Versions into a Christian Heavy Metal winner. Stryper plays this song live quite powerfully, based on my remembrance of actually seeing them live and hearing it on this CD. Honestly closes out this Stryper Extended Versions CD. The live version of Honestly is not any heavier than the studio version, this ballad has its rightful place in any Stryper concert. Before this song even begins, Michael Sweet tells the audience, Honestly is the song that took them out of the clubs and put them into the arenas. I will not disagree with Michael Sweet on that evaluation whatsoever.

I bought this Stryper Extended Versions CD over this past Summer of 2009, I’m glad for it. I am also happy to know that Stryper is still around and making their brand of Heavy Metal Music, their new album Murder By Pride is an enormous album of songs. Sometime in the future I will blab about how much I enjoy the newest Stryper album. I am a fan of all Heavy Metal genres, Stryper is and always will be a mainstay band of mine.

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MOTORHEAD – “THE ONE TO SING THE BLUES” WAS MY 1991 RECORD CONVENTION FIND

Posted in 1970's heavy metal bands, 1980's heavy metal bands, 1990's heavy metal bands, 1990's heavy metal songs, 1990's heavy metal music, classic hard rock music, classic heavy metal, collecting heavy metal albums, collecting music, collecting rock music, essential heavy metal songs, everyday experiences, feel good stories, hard rock music, Heavy Metal, heavy metal 45 rpm records, heavy metal bands, heavy metal memorabilia, heavy metal music, heavy metal music 1991, heavy metal on vinyl, heavy metal record finds, heavy metal records, metal music, metal odyssey, Music, old school heavy metal, personal stories, rare heavy metal albums, rare vinyl record imports, record conventions, rock & roll, rock and roll, rock music, shopping for rock music, vintage heavy metal bands, vintage heavy metal songs with tags 1980's heavy metal music, 1990's heavy metal music, dead man's hand song, hard rock music, heavy metal bands, heavy metal music, heavy metal songs, lemmy, lemmy kilmister bass guitarist, metal odyssey, Motorhead, motorhead 45 rpm the one to sing the blues, motorhead 45 rpm's, motorhead 7" singles, motorhead albums, motorhead imports, motorhead record imports, motorhead songs, motorhead vinyl, Music, new haven coliseum, phil campbell guitarist, philthy animal taylor drummer, record conventions, the one to sing the blues song, u.k. record imports, wtg records, wurzel guitarist on November 26, 2009 by Metal Odyssey

Back in the early Spring of 1991, my girlfriend, (now my wife), and I ventured down to the New Haven Coliseum in New Haven, Connecticut… to frolic through a record convention. Record conventions are the best. I am guilty of not going to enough of these glorious events in my lifetime. Regardless, this record convention was chock full of vinyl, CD’s and all things Rock memorabilia that I could ever wish for. Oh yeah, there was Heavy Metal aplenty at this record convention back then… tons of it. The only parameter I needed to follow at this show was to narrow down my search, (I was not loaded with cash back then and I’m still not). Motorhead was at the top of my search list, going to this record convention. There was quite the choice of Motorhead vinyl, cassettes and CD’s to buy there… I settled on the 7″ vinyl, (45 rpm), The One To Sing The Blues. Even though I can’t remember what I actually paid for this Motorhead record, compared to purchasing a 12″ album import at the time, it was a good deal. Seven dollars keeps coming back to me, as to the purchase price though.

We left that record convention that day with just a couple of purchases. The other purchase I will save for a future post, (it was a cool piece of vinyl as well). I still own this Motorhead 45 rpm, rediscovering it recently as it was hidden away in my collection. Am I psyched that I still have it after 19 years? You betcha. I would safely guess this Motorhead record is kinda rare. The backside cover to this record sleeve has the header – Motorhead On Tour, it lists the U.K. concert dates for February 1991. There are 14 concert dates listed. Also on this backside record sleeve cover, are the complete lyrics to The One To Sing The Blues. Sure, I look back and wish I gobbled up every Motorhead vinyl treasure there was at that record convention, nonetheless, I am content with what I do have. This little record has it’s rightful place in my record collection, it being a Motorhead collectible and finding it with my wife, (then girlfriend), makes for a great memento.

Here is additional info on this Motorhead 45 rpm, The One To Sing The Blues:

Side A: The One To Sing The Blues

Side B: Dead Man’s Hand

* This record being bought in the U.S., is an import… with a Made In The U.K. sticker on the front sleeve of my copy I own.

* The One To Sing The Blues later appears on the Motorhead 1991 album – 1916. The backside record sleeve states this song as: Taken from the forthcoming LP/MC/CD “1916”

* The record label(s) as designated on the backside of the record sleeve and record: WTG Records and Epic

Motorhead, as they appeared on The One To Sing The Blues and Dead Man’s Hand:

Lemmy Kilmister – bass and lead vocals

Wurzel – guitar

Phil Campbell – guitar

Philthy Animal Taylor – drums

BRITNY FOX – 1989 “BOYS IN HEAT” IS A GLAM SLAM OF A HEAVY METAL ALBUM

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1989 heavy metal music, Album Review, collecting heavy metal albums, cool album covers, cover songs, glam metal, glam metal music, Hair Metal, hair metal music, hair metal music genre, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 1989, heavy metal vocalists, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags 1980's hair metal albums, 1980's hair metal bands, 1980's glam metal bands, 1980's hair metal music, 1980's hair metal songs, 1980's heavy metal music, 1989 glam metal music, Album Review, billy childs bass guitarist, boys in heat album, britny fox, britny fox hair metal band, dean davidson vocalist & guitarist, hair metal albums 1989, hair of the dog cover song, Heavy Metal, heavy metal bands, heavy metal music, johnny dee drummer, metal odyssey, michael kelly smith guitarist, Music, nazareth hard rock band, rock music on November 20, 2009 by Metal Odyssey

The 1980’s, here I go again. There were Heavy Metal Bands aplenty to choose from back in the ’80’s, Britny Fox being one. Only thing is, I never bought any Britny Fox albums back then. It wasn’t because I did not like this band, it all came down to choice and what albums would I throw my (little) money at. Now it is 2009, (obviously) and the Britny Fox Boys In Heat CD is blaring it’s Hair Metal glory for me today. Um, I have to thank my best Metal buddy, Scott, for landing me this CD. Thanks dude. Would I have eventually bought this Britny Fox CD or any Britny Fox CD for that matter? The Metal answer is… probably yes. I just don’t know when precisely that would have happened. The same mindset holds true for me today, with so many choices out there and a reality cap of spending. I am in awe at times, realizing how much catching up I have in Heavy Metal listening. Catching up on Heavy Metal albums going back decades is not a bad hobby, I am not complaining. For all Metal intents and purposes, this Britny Fox CD, Boys In Heat, is some decent Hair Metal candy for my ears.

Cutting to the Metal chase here, my favorite song on Boys In Heat is the cover song – Hair of the Dog. With that stated, I do revere the original version of Hair of the Dog by that legendary band known as Nazareth. This cover of Hair of the Dog is not better than the original, however, Britny Fox did a glam slam job of covering it. Not that it matters, yet Britny Fox gets my Metal approval for their version of Hair of the Dog. Throughout this entire Boys In Heat album, the one constant that I notice is… Britny Fox can play. Britny Fox obviously came out with a throng of other Hair Metal Bands back in the mid to late ’80’s, what really sets this album apart from the Hair Metal pack? I always like quality, not quantity. Boys In Heat is a 13 song album that is consistent with quality, both in it’s Metal and vocals.

Long Way From Home has a kickin’ guitar solo, plus the song has more grooves than I can count. Dean Davidson on lead vocals and rhythm guitar, has those vintage Hair Metal pipes. I truly compare his vocals to that of Tom Keifer of Cinderella. Quite frankly, that is not a bad dude to be compared to. Stevie is as rock solid a Hair Metal song as I have ever heard. Shine On is a song that carries the beat non-stop, it is that kind of song I want to crank up extremely loud on my car CD player, with the windows down on a long drive. The melodic drive of each song on Boys In Heat, never ceases from the opening track of In Motion… this album epitomizes Hair Metal heavy. I also liken this album to be a funk buster, if Boys In Heat can’t get me out of a funk I’m in, then nothing will. What’s that? Did someone say feel good? Once again, if Boys In Heat can’t make me feel good, uh, then something is wrong.

Michael Kelly Smith on lead guitar is as cool as they come, his guitar licks are impressive on Boys In Heat. This album does not lack in the powered up lead and solo department, thanks to him. Billy Childs on bass and Johnny Dee on drums, give me every reason in the Metal world, to turn the bass control up to high, while this album is busting out. It is always a great experience to hear an album that is from years past and like it, especially when it is of the Heavy Metal genre. Britny Fox may not have been on my purchase list back in 1989, yet they are on my current playlist today… courtesy of my best Metal buddy Scott and this CD – Boys In Heat.

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W.A.S.P. COVERS CHUCK BERRY CLASSIC – “PROMISED LAND” ON “BABYLON” ALBUM

Posted in 1960's rock and roll albums, 1960's vintage rock albums, 1960's rock & roll, 1960's rock music, 1980's heavy metal bands, 1990's heavy metal bands, collecting rock music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, essential rock and roll albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal cover songs, heavy metal music, heavy metal music 2009, heavy metal songs 2009, heavy metal vocalists, independent metal music record labels, metal music, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock & roll, rock & roll hall of fame inductees, rock and roll, rock music, scary album covers, vintage rock and roll songs with tags 1960's rock and roll songs, 1980's heavy metal bands, 1980's heavy metal music, blackie lawless guitarist, blackie lawless vocalist, chuck berry, chuck berry guitar legend, chuck berry songs, cover songs, doug blair guitarist, Heavy Metal, heavy metal albums 2009, heavy metal music 2009, heavy metal songs 2009, meat loaf rock vocalist, metal odyssey, Music, promised land 1964 song, promised land cover song, promised land song, promised land song 1964, st. louis to liverpool album, the grateful dead, W.A.S.P., w.a.s.p. babylon album 2009, w.a.s.p. covers promised land, w.a.s.p. heavy metal band on November 14, 2009 by Metal Odyssey

W.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.

Nothing is overdone with W.A.S.P. covering Promised Land. This is not a cover song that is a filler for this Babylon album. I always feel, that if you are going to cover a Rock and Roll Classic, there better be plenty of emotional integrity with the music and vocals combined. A cover song has to really convey the original song’s essence and fire. Blackie Lawless does live up to my expectations with covering Promised Land vocally, he really sings the lyrics as if he penned them himself. Blackie Lawless sings the lyrics of Promised Land as if he truly was the poor boy, (in this song), traveling across the country to California. To camouflage oneself within a song’s lyrics, to make the song sound so believable as Blackie Lawless does with his vocals, is worth taking a bow. In my Metal opinion, listening to Blackie Lawless sing Promised Land makes me believe that he would have owned an enormous crowd of frenzied Rock and Roll fans back in 1964. This same sentiment goes to the entire W.A.S.P. band here, based on how authentic Promised Land plays out on Babylon. W.A.S.P. would have torn the roof down, (literally), at any given theater that catered to Rock and Roll concerts – back in the early 1960’s.

Anytime a band of any Rock or Heavy Metal genre pays tribute to such an icon such as Chuck Berry, it makes for quite the Rock and Roll history lesson. Younger bands should take notice, saluting a Rock and Roll originator such as Chuck Berry, through a high quality cover song such as W.A.S.P. has done, is of the highest compliment to this Rock and Roll legend. This cover version of Promised Land had me hooked from the opening note, it is the Heavy Metal of W.A.S.P. taking over a soda hop from 1964 and bringing it into 2009.

W.A.S.P. is not the first band in Rock and Roll history to cover Promised Land. This song is too great for it not to have been previously covered. The late and unreal legendary Elvis Presley covered this song, found on his 1975 album Promised Land. Rock icon The Grateful Dead have covered this song, (it was a staple in their live sets), plus other Rock luminaries such as Meat Loaf, James Taylor and Dave Edmunds have covered Promised Land on album too.

W.A.S.P. "Babylon" large album pic #2

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DEEP PURPLE – “MACHINE HEAD” A Once In A Lifetime Hard Rock Album

Posted in Album Review, classic hard rock, classic rock, Hard Rock, Heavy Metal, Music, rock albums, rock and roll, rock guitarists, rock music, rock music news with tags 1970's rock albums, classic hard rock music, classic rock, classic rock albums, Deep Purple, deep purple machine head album, machine head album, Music, rock music on November 4, 2009 by Metal Odyssey

Deep Purple is the Hard Rock band, that deserves so much more respect and attention than what is normally given them. How often are the usual cast of characters brought up in Rock and Hard Rock conversations, articles and televised documentaries; you know the ones and these bands deserve their just due, praise and remembrance. Still, in the midst of Led Zeppelin, The Who, Black Sabbath, The Doors and of course, the Beatles… was Deep Purple. Deep Purple made some momentous and historical Rock Music of their own. Can I confidently say that Deep Purple was a band as commercially big as the other’s just mentioned? Of course no. I will state, that in my Metal opinion, Deep Purple was and always will be considered just as important of a contributor, to the history of Rock and Roll. Consistency in the form of personnel at the lead guitar and lead singer positions are two critical elements missing from the biography of Deep Purple. If this is what sets them apart from ever being inducted into the Rock and Roll Hall of Fame, then that is pathetic foolishness on the part of that Cleveland, Ohio country club. With a mid 1980’s reunion, (1984 Perfect Strangers album), Deep Purple has been intact to this very day, with lineup changes being a normal course of their history.

Onward with my saluting Machine Head, the 1972 album from Deep Purple that I consider to be a once in a lifetime Hard Rock achievement. I mean this in the most sincerest of complimentary form. It is not as if Deep Purple never made a great album before or after Machine Head, it is that this album truly dictated a resonating Hard Rock sound that was absent in the mainstream of the early 1970’s. It’s so cliché to point out this Machine Head album as laying down the foundation for Heavy Metal. Instead, I like to insist on this album’s importance in quality Hard Rock songs, all seven to be exact. How can anyone refute the significance of Smoke On The Water? The ultra classic opening riff in this song from Ritchie Blackmore, is a study in non-technical guitar genius. Compared to today’s competitive and dueling nature of Metal guitarists, a slow down and reflection to some old school Machine Head just might cause an epiphany.

Oh, Ritchie Blackmore has his technical guitar skills without a Metal doubt, only his bluesy Rock roots stood out often enough to fuel the Deep Purple sound that set them apart from their peers. On Highway Star, the bluesy Hard Rock guitar is evident in its gleaming repetition. Space Truckin’ is as thunderous of a Hard Rock song mastering the blues as you will ever hear, I have never heard anything else like it in all the years I’ve been alive. Let’s not forget to applaud the vocals of Ian Gillan, probably the single most underrated lead singer in Hard Rock and Rock history combined. The opening yell, if you will, from Ian Gillan on Highway Star introduced to the world what Bruce Dickinson, (of Iron Maiden) and Geoff Tate, (of Queensryche) would be emulating years later… whether they knew it or not.

While Yes was introducing to the world in the early 70’s a progressive and futuristic sound through the hammond organ and keyboards, Deep Purple gave the reigns to Jon Lord to basically pound out chord sequences that dictated the hardness of their songs. Jon Lord was not looking to amaze anybody, he was looking to Rock your head off. Roger Glover on bass and Ian Paice on drums likewise, their rhythm section steered clear of the doom and gloom sound being raised in its infancy by Black Sabbath and to an extent, Iron Butterfly. Providing the undertow of harmony while establishing the trademark beats that this Machine Head album beheld, Roger Glover and Ian Paice were the Hard Rock glue that held Deep Purple together here.

I could not find it in myself, to proclaim Machine Head as the greatest Heavy Metal album of all time. I anoint Machine Head to be my greatest Hard Rock album of all time, to some it may sound like a consolation prize, instead I see this album as bigger than most music scholars may tend to ponder. I have searched high and low, for many, many, years to find another Hard Rock album filled with as much originality and straight forward Rock musicianship that sounds as dynamic as Machine Head. I am still searching… in the meantime, I declare that Machine Head is a once in a lifetime Hard Rock album.

Track Listing For Machine Head, (original 1972 release/not reissue):

Highway Star

Maybe I’m a Leo

Pictures of Home

Never Before

Smoke on the Water

Lazy

Space Truckin’

Deep Purple "Machine Head" large album pic

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HAPPY HALLOWEEN FELLOW HEAVY METAL FANS WORLDWIDE!!

Posted in collecting metal music, creepy album covers, current death metal albums, current death metal music, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal music, essential death metal albums, essential thrash metal albums, extreme metal music, halloween, Heavy Metal, heavy metal album covers, heavy metal music, heavy metal music 2009, Metal, metal music, metal music today, metal odyssey, Music, old school death metal music, old school thrash metal music, thrash metal 2009, thrash metal albums, thrash metal bands, thrash metal legends, thrash metal music, thrash metal today, vintage death metal bands, vintage thrash metal bands with tags black metal music, death metal music, death metal music 2009, extreme metal music, grim reaper, halloween, heavy metal music, metal bands, metal music, metal odyssey, Music, obituary, obituary darkest day album, obituary death metal band, obituary death metal legends, Slayer, slayer new album, slayer thrash metal band, slayer world painted blood album, thrash metal music, thrash metal music 2009 on October 31, 2009 by Metal Odyssey

HAPPY HALLOWEEN! To all of the visitors both past and present to Metal Odyssey, may this Halloween of 2009 be the spookiest, creepiest and darn right darkest it has ever been in your entire life. Halloween is also a time to celebrate the greatest music that exists… METAL. Pick your Metal genre and blast it louder than HELL this Halloween. So to all of my fellow Metalheads worldwide – horns up!

Metal Odyssey’s Metal Album Recommendation For Your Halloween Listening Enjoyment: OBITUARY – DARKEST DAY – These Death Metal Legends are not fooling around with their June 30th, 2009 release. Darkest Day is without Metal hesitation, one of my top three albums of 2009… spanning all the Metal genres.

Slayer small logo Plus, the Grim Reaper wants to warn you all… the brand new SLAYER album World Painted Blood gets released on Tuesday, November 3rd. I am counting down the minutes in my Metal mind to this great moment in Slayer history.

Grim Reaper x-large image!!

U.D.O. – “DOMINATOR” Unleashes Potent Heavy Metal

Posted in 1970's heavy metal music, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal, collecting metal music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from germany, heavy metal music, heavy metal music 2009, heavy metal solo vocalists, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music today, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, vintage heavy metal bands with tags 1970's heavy metal bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1990's heavy metal bands, accept heavy metal band, Album Review, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal from germany, heavy metal lead singers, heavy metal music, heavy metal songs, heavy metal vocal legends, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, u.d.o., u.d.o. dominator album, u.d.o. doom ride song, u.d.o. heavy metal band, u.d.o. heavy metal songs, u.d.o. the bogeyman song, udo dirkschneider vocalist on October 31, 2009 by Metal Odyssey

U.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.

Listening to Udo sing on Infected, I imagine him atop a high mountain, looking down upon a land of chaos and condemning all to hell. Udo’s vocals are more than steely and mean streaked, they encompass Heavy Metal theater. Cast me off into damnation for having imaginary thoughts while I listen to Heavy Metal Music, that is how my mind reacts and I’m damn proud. Anyone who says they do not create their own mental imagery to music is either a liar or a cyborg. Doom Ride takes the more consistent approach of Old School Heavy Metal, no real blazing guitar licks or profound moments. Still, Doom Ride gets it’s doom message across and that is Metal enough for me. Stillness of Time is a (gulp), U.D.O. ballad. Well, a fast paced ballad it is. Udo has his unique vocals for sure, he pulls me into Stillness of Time, like a glazed over Old School loyalist that I am. Having a piano included into any U.D.O. song is quite the diverse moment and I admire that. Stillness of Time just might be the best kept secret on Dominator.

Devil’s Rendezvous has me itching to get up off my butt and… do some wacky dance. You know, the kind of dance that drunk people do at weddings. Or, the kind of spastic dance that you can only do in the privacy of your own home… with the blinds shut. Quite the Metal surprise is Devil’s Rendezvous, U.D.O. put some fun into this Dominator album. Crap, did I just use the “F” word? This is starting to become a semi-habit of mine… I must be be too happy or something. Speed Demon is the fastest song on Dominator. No, no, no, it is not because the word speed is in the song title. Speed Demon really does crank up the Metal meter a few bars and it kicks. To sum up my Metal feelings on this U.D.O. Dominator album, it rightfully cements all things great about Heavy Metal… Old School Heavy Metal that is. Dominator is a standout Heavy Metal album for 2009, no Metal questions asked. I thank my best Metal buddy Scott for steering me to Dominator… a Metal referral that is incredibly appreciated.

U.D.O. "Dominator" large album pic

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LITA FORD – “Wicked Wonderland” Is Naughty And Bad Combined

Posted in 1980's hair metal bands, 1980's heavy metal ballads, 1980's heavy metal bands, 1980's heavy metal music, 1989 heavy metal music, Album Review, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, guitar legends, hair metal music, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers with tags 1980's female heavy metal vocalists, 1980's hair metal music, 1980's heavy metal, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, close my eyes forever duet song, female heavy metal vocalists, Heavy Metal, heavy metal album review, heavy metal albums 2009, heavy metal music, heavy metal songs 2009, jim gillette vocalist, lita ford, lita ford guitarist & vocalist, lita ford wicked wonderland album, metal odyssey, Music, ozzy osbourne vocalist, wicked wonderland album review on October 29, 2009 by Metal Odyssey

Ah, Lita Ford. Reflecting on the 1980’s would not be quite the same without her being in the Heavy Metal world. Lita Ford proved back in those glorious ’80’s that she was more than just eye candy, she really did shred on the guitar for her albums. Plus, Lita Ford’s vocals always had the harmonic, Heavy Metal diva flare happening. Lita Ford even did a very sappy duet with Ozzy Osbourne, Close My Eyes Forever, that I honestly could never stomach back in 1989 and my opinion has not wavered since. Well, it is 2009 and Lita Ford is back, uh, yeah. Wicked Wonderland is her new album, the title really sums it all up quite well. The lyrics throughout this entire album are wicked indeed… with nuances, imagery and flat out references to sex and lust galore. I want to taste your goddess flesh and I penetrate you are two lines taken from the song Indulge… pretty hot stuff if you are a young dude that can’t buy a date for Saturday night. Lita Ford should have known that the majority of her audience buying Wicked Wonderland are the Old School Heavy Metal crowd and we are no longer eighteen and pissed off at our parents anymore.

In the very recent issue of Revolver Magazine, (December 2009), Lita Ford states that “There’s no law that says just because you grow up, you have to stop being naughty”. Oh, it gets better… “The album is pretty much based on our home life”. Lita, Lita, oh, Lita Ford. I will interject here by saying – and this is my quote here – there is a Metal law that says just because you grow up, YOU HAVE TO STOP making annoying music. Plus, it is NOT a turn on for me, to know what goes on in your bedroom. Ew. Now, this is coming from a middle aged Metalhead who is extremely open minded to all Metal Music that has ever existed, plus I kinda like to keep the intimacy that occurs in my home, with my wife, a secret. That is the REAL turn on for me. Sure, there will be a crowd out there that wants to know what Lita Ford does in her, um, spare time, I am not one of them.

To actually listen to all fifteen songs on Wicked Wonderland was like listening to a once glorified Heavy Metal star just pushing out tunes because she’s famous and she can. It appears that Lita Ford’s husband Jim Gillette lends his background vocals throughout Wicked Wonderland. Man, this guy sounds not just creepy, he is a major league part of the ANNOYING FACTOR that this album illuminates. Ugh. I guess Jim Gillette used to be the lead vocalist for some band called… Nitro. Nitro? Does not ring a Metal bell for me. Let me put this in perspective here… Bed is the worst song I have ever listened to in my life. Wicked Wonderland is without question, the worst “Heavy Metal” album that I have bought since, well, since ever. “Tie me to the bed”… these lyrics alongside some of the most bothersome guitar you will ever listen to, throw in the constant ANNOYING keyboards and you have the epitome of BAD.

Is there at least one song on Wicked Wonderland that is at least… tolerable? Uh, let’s see… maybe Scream 4 Me is a bit groovy. Metal truth be told, if Lita Ford created more songs like Scream 4 Me on this album, it would have been a more credible project in the end. It is extremely rare for me to put any album or band through the Metal wringer on Metal Odyssey. Really, it has to be a monumental bad listening experience in Heavy Metal for me to bark this fierce. After listening to Wicked Wonderland twice, I felt an obligation to the Metal world to give my fair warning regarding this Lita Ford album, uh, disaster. In the end, Wicked Wonderland makes for a decent comedy album, the ending song is Push. Uh, yeah, there is sexual innuendo stacked up to the ceiling on Push. Weeeeeeeeeee! I’m selling my Wicked Sensation CD first thing Thursday morning to the used CD dealer, (I hope he buys it). Sometimes immaturity is best expressed through song, yet to combine it with lack of integrity as Lita Ford did with Wicked Wonderland is simply astonishing.

To my best Metal buddy Scott… I should have heeded your warning about this album, Metal lesson learned.

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My Least Favorite Ozzy Osbourne Song Ever Is…

Ozzy Osbourne, the Heavy Metal Prince of Darkness. Ozzy Osbourne – Rock and Roll Hall of Fame inductee with Black Sabbath. Honestly, I revere the living hell out of this Heavy Metal legend. I did get to see Ozzy Osbourne live in concert twice during my lifetime. For me, those two concerts were unbelievable, with Metallica opening up for Ozzy in New Haven Connecticut, (at the spooky New Haven Coliseum) – it was The Ultimate Sin Tour for Ozzy and Metallica was promoting their legendary Master of Puppets album. The other Ozzy concert I saw had Queensryche open for Ozzy in Springfield, Massachusetts, (at the Springfield Civic Center), on this same Ultimate Sin Tour. Alright, so it is obvious I think the Metal world of Ozzy Osbourne… fine. However, by process of elimination, there has to be my least favorite Ozzy Osbourne song out there and there is one. I do not think much of the song, uh, ballad So Tired from Ozzy’s Bark At The Moon album. This song, ugh, ballad is responsible for my distaste of most Heavy Metal ballads ever released since, by any band. This album was released on December 10, 1983. Don’t get me wrong here, the Bark At The Moon album as a whole, is unreal good. Three songs on this album are incredible for me… Rock ‘n’ Roll Rebel, You’re No Different and of course – Bark At The Moon. These three Ozzy songs I can hold up on a Metal pedestal forever. Plus, Jake E. Lee on guitar is a Metal bonus to listen to.

So Tired is a song that in my Metal opinion, is overwhelmingly dull and depressing and does absolutely nothing but annoy me beyond belief. Who exactly is supposed to be so tired in this song? Is it Ozzy himself? Someone that Ozzy knows? I really do not care in the darn least who is tired. I get tired too, yet I never whine about it like Ozzy did in this song. Sure, maybe the tired theme was about waiting around for a love lost… who cares. So Tired is a perfect example of what happens when a Heavy Metal icon decides to go the Pop and Bubble Gum Music route with a song. Sappy city is open for tourists with So Tired. Get out the kleenex, So Tired is now playing… sniffle, sniffle, I am so moved. The orchestration in this song only annoys me more.

To me, So Tired just never seemed to fit in with the Bark At The Moon album. So Tired is a downer in the midst of some riveting Heavy Metal songs, a huge let down, like the depressed dude at a party trying to bring everyone else down with him. The video for So Tired, (which was on MTV too often back in the day), was so ridiculous that even I felt embarrassed for Ozzy. When the Bark At The Moon album was reissued, So Tired should have been omitted from the track list… it is that lousy – for me. In my Metal opinion, So Tired is the lowest moment of Ozzy Osbournes unparalleled and ultra legendary Heavy Metal career.

Ozzy Osbourne "Bark At The Moon" Large album picture

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RAVAGE – “The End Of Tomorrow” – A Monster Of A Heavy Metal Album

Posted in Album Review, classic heavy metal, classic heavy metal albums, classic metal, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, cover songs, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, essential heavy metal songs, essential metal music albums, halloween songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from boston, heavy metal cover songs, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal music today, metal odyssey, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, speed metal, spooky album covers, spooky metal album covers, thrash metal music with tags al ravage vocalist, Album Review, classic heavy metal, current heavy metal albums, edward j. repka artist, eli firicano guitarist, g.t.b. drummer, Heavy Metal, heavy metal album review, heavy metal bands from boston, heavy metal guitarists, heavy metal music 2009, heavy metal songs 2009, howie snow bass guitarist, Metal, metal blade records, metal music, metal odyssey, Music, nick izzo guitarist, old school heavy metal albums, old school heavy metal bands, ravage, ravage band members, ravage heavy metal band, ravage the end of tomorrow album, the end of tomorrow album, the end of tomorrow song, the grapes of wrath song, the shredder song, track listing for the end of tomorrow on October 22, 2009 by Metal Odyssey

Ravage is a Heavy Metal Band from Boston, (actually Malden), Massachusetts and is hell bent on keeping Classic Metal Music alive, loud and damn proud. Every song on this second album from Ravage, The End Of Tomorrow, (their Metal Blade Records debut, released on August 18, 2009), is writhing with Old School Heavy Metal influence. Ravage does a credible job at flexing their Metal muscles on each song, heavy, hard and speed are irreversible elements that dominate The End Of Tomorrow. No where is the Old School Heavy Metal influence more evident than in the cover of the Judas Priest classic – Nightcrawler. Ravage shows Judas Priest their deserved Metal respect by not ripping Nightcrawler to pieces with any unnecessary fills or excessiveness. A fabulous cover Ravage does with this song, Nightcrawler is a genius choice to add to their track list on this album, based on it’s creepy and dark theme.

I have found that, the more I listen to The End Of Tomorrow, the more I am being convinced that this album was released back around 1985. Alas, that is not such the Metal case… Ravage brings forth to 2009 the Heavy Metal song structures and ambiance of what I have come to expect from vintage Metal Church and early Judas Priest and Armored Saint albums, to name just a few Old Schoolers. After each listen to this album, it is very obvious that the members of Ravage have done their Classic Heavy Metal homework. Knowing and creating all of the heavy nuances of their influences only catapults quality and integrity, on an upmost consistent level throughout The End Of Tomorrow. The Halls Of Madness not only has a vintage Metal title, it also is quite the convincing Heavy Metal instrumental intro that brings back memories of early Helloween and Savatage, for me. There really is not a scapegoat song to point out on The End Of Tomorrow, all twelve songs have their own distinctive Metal bite, an album that I can hit play and let the Heavy Metal assault take it’s natural course. Excuse me for a Metal second as I proclaim The End Of Tomorrow as being a top favorite Heavy Metal album for me in 2009, in my Metal opinion. Ravage can play Heavy Metal… their original brand too… I would not tell a Metal lie.

Reign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.

My other favorite songs on this album are: The Grapes Of Wrath, which takes a Heavy Metal swipe at all the idiot talking heads on television, these plastic morons get called out on the Metal carpet by Al Ravage here rather eloquently. Plus, The Grapes Of Wrath is authentically memorable for my Metal mind, I just cannot shake this song out of my senses. The Shredder is another manifestation of early Judas Priest influence, only it takes on it’s own Ravage originality… reminding me of the Judas Priest classic – The Ripper, only The Shredder is absolutely not a knock off or copy cat by any means. The End Of Tomorrow is one powerful way to conclude this album, fittingly the title song… lyrically doom laden, the end result is a reality check on the life we are leading and living now. The End Of Tomorrow has a Power Metal approach that echos of great Heavy Metal triumphs to come in the future for this killer “new” band they call Ravage.

Ravage, as they appear on The End Of Tomorrow:

Al Ravage on lead vocals

Eli Firicano on lead and rhythm guitars

Nick Izzo on lead and rhythm guitars

G.T.B. on drums

Howie Snow on bass

Track Listing for The End Of Tomorrow:

The Halls Of Madness

Reign Fall

Freedom Fighter

Damn Nation

The Shredder

Into The Shackles

In Shattered Dreams

The Nightmare’s Hold: Part One

Nightcrawler

The Nightmare’s Hold: Part Two

Grapes Of Wrath

The End Of Tomorrow

C’mon, is this album cover OLD SCHOOL HEAVY METAL or what? Not only does the Heavy Metal of Ravage stand on it’s own, (they could have issued a plain blue cover and that would not change the quality of Metal songs heard inside one bit), yet man, this is cool throwback artwork happening here. I cry out a huge Metal bravo! – to artist Edward J. Repka for creating a REAL Heavy Metal album cover for Ravage.

Ravage - "The End Of Tomorrow" x-large pic

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