Here I go again… pulling out another great and scary Rock song that is just eerily perfect for the Halloween season. In 1986, the ever legendary John Fogerty released his solo album – Eye of the Zombie, (on Warner Bros. Records). The cool release date of October 1st made this song all the more fitting for Halloween too. I was introduced to this song and album by my late sister, back in ’86, she knew this particular song was right up my Metal alley. With all of my time being occupied by Metal Music back in the ’80’s, I knew I could always count on my sister, to hook me up to some very cool mainstream Rock albums and songs from time to time. If my Metal memory serves me correct, the video for Eye of the Zombie, (which MTV played frequently then), was damn spooky and cool too. Just the way in which John Fogerty sings this song gets the creep out meter moving. Musically, this song Rocks in a very unique and spooky way.
As for the entire album of Eye of the Zombie, I don’t find it difficult to recommend to any Classic Rock or Rock Music fan at all. This song and album may not have been the blockbuster of John Fogerty’s career, still, Eye of the Zombie is a song and album that I reflect upon for it’s originality and cool Rock vibe. Too many times, it is the Rock album and/or song that does not find chart success or critic praise that turns out to be the true Rock and Roll wild card of a musicians career. Change in the Weather was the song talked about most from this album, with it’s Creedence Clearwater Revival roots, yet it is the allure of the song Eye of the Zombie that had me listening to the entire album itself. The front cover album artwork for this album is a visual nightmare image of a horrible looking creature… a zombie perhaps, only to me it appears to be more of a half man, half lion monstrosity. Very cool image nonetheless, something you would expect on a Metal Band’s album cover. In the end, if it has always been construed that John Fogerty took a Rock Music risk with this album, then I will be Metal bound to say it was a fabulous risk to take. The song Eye of the Zombie is one not to miss listening to this Halloween season… nor is it not a risky bet to get into the rest of this album any time of the year.
Here are the lyrics to this great song, if this doesn’t spook you out then you are too cool:
Eye of the Zombie
Hoo! Oooooh!
Shadows on the mountain,
And the night begins to fall;
Gather up the children,
‘Fore the darkness takes us all.
Tribe has come together,
Standin’ naked against the night;
Twenty feet from the fire,
The evil waits with zombie eyes.
Chorus:
Eye-eye-eye eye of the Zombie!
Eye-eye-eye eye of the Zombie!
Oh! Sneakin’ through the long grass
On leopard feet silently,
A beast already dead comes
To join the dance on the zombie.
Ooh! Time has come again
Again the moment of truth;
The terror is at hand,
And there’s nothin’ you can do.
[Chorus]
Oh! Hoo! Aaa-aah! Hoo! Aaa-aaa-aaaah!
From out of nowhere he’s there,
Flashing hideous teeth,
Panic in the crowd,
Helter-skelter,
We’re brought to our knees.
Back to the darkness,
Back on the mountain he stands,
You can’t fight a shadow,
You can’t kill a dead man.
[Chorus x4]
I have owned the vinyl album of No Mean City by Nazareth since 1983. No, I could never part with this album at all over the years, never. For years I could never find No Mean City on CD, it most likely had been out of print for some time. To this day, No Mean City does not seem to be that readily available anywhere, on CD and especially on vinyl. Who knows, maybe there is an independent record store somewhere that has dozens of copies in their inventory… I just never come across this Nazareth classic myself. With the brilliant, Old School, Classic Hard Rock heard on this album, combined with the album cover artwork, makes for a keeper. I actually bought this album as a cut-out, back when Strawberries Records & Tapes was around. Back in the early 1980’s, cut-out bins found in any record store was Rock and Roll Heaven! You could always find cool albums in these cut-out bins at real discounted prices, many times there were hidden heavy gems in them. My copy of No Mean City has a cut in the top right corner of the album jacket – this never bothered me one bit. The enjoyment this album’s music has given me all these years more than makes up for any cosmetic defect on it’s exterior.
ANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.
It’s always great to vent. Vent I did in my last post – where I needed over 1,100 words to express my disappointment in not being able to purchase the new KISS CD – Sonic Boom at my local Super Walmart on October 6, 2009, (the release date for it). Just as I hoped for and predicted, at 4:00 p.m. EST, I entered the Trexlertown, Pennsylvania, Super Walmart and took hold of my very own copy of Sonic Boom. (Phew). I can now say I bought this new KISS CD on it’s release date… yes, it means something to me. I have my core Heavy Metal and Hard Rock Bands that I have followed for decades, when they release a new album I try my very best to buy it on the release day. Metal case closed. I went to this Super Walmart twice during the morning of October 6, (the release date), my last visit was at 9;30 a.m. EST, as I left empty handed. I will say this much… the packaging for this Sonic Boom CD is INCREDIBLE! Once I get to crank up Sonic Boom for a couple of listens, I will post my Metal jubilation. Here are some quick tidbits about my Sonic Boom shopping experience at Super Walmart, plus other related notes:
Way to go Super Walmart. With all of the hoopla leading up to the new KISS album in well over a decade, throw in an “Only at Walmart” exclusive for this KISS album, then… do NOT HAVE Sonic Boom out on the shelves for sale at 8:00 a.m. EST, on it’s release date of October 6, 2009!! I went to the Super Walmart located in Trexlertown, Pennsylvania, first thing at 8:00 a.m. EST this morning… with my twin daughters who were very excited about getting the new KISS CD with their daddy. The disappointment was even greater for them, for they love KISS and wanted to hear a few new songs before they went to school. To make matters even more somber, Sonic Boom was playing extremely loud in the CD/electronics department at this Super Walmart too… obviously a Super Walmart employee had a copy of it – forget about the customers!! I thought for certain, my daughters as well, that by hearing the new KISS being played, that there would have been the great KISS KORNER awaiting us – no such luck. Why advertise a release date and then not honor it? Why advertise a KISS KORNER and then not have one? Oh, Super Walmart with their trillions of dollars in profits could care in the least.
Back in 1980, sometime towards the Fall season, The Charlie Daniels Band released the studio album Full Moon
The lyrics tell the story of Lucius Clay, a greedy old man who would love and care for money more than people. Lucius Clay stored all of his money in mason jars, burying the jars all around his yard. On Summer nights, if the moon was right, Lucius Clay would dig these money filled – mason jars out of the ground. He would empty the jars of money on the floor of his shack and run his greedy fingers through it. Three young men named “the Cable boys” were trouble, they knew of Lucius Clay and all of his money. One night the oldest Cable brother decided he and his two brothers would go down to the Wooley Swamp and get the Lucius Clay money. Well, these brothers did find Lucius Clay, as he was digging up mason jars of money under a full moon. They beat Lucius Clay and threw his body into the swamp, watching as he was sucked down. As these Cable boys tried to run away with the jars of money, they realized they were being dragged down in quicksand themselves. As the Cable boys sunk to their death, they could hear the old man, (Lucius Clay), laugh. As Charlie Daniels relates the spoken word at the end of The Legend of Wooley Swamp – It’s been fifty years ago and you can go by there now. There’s a place in the yard in the back of Lucius Clay’s shack where the ground is forever wet. On summer nights, when the moon is right, down by the dark footpath, you can hear three young men screaming and you can hear one old man laugh.
I have found another Punk Rock Band to jump up and down about and raise my fist in the air to. The Heartaches and their Lunacy & devastation CD, (released in 2003). I needed some music on Sunday to get me out of the funk I was in, The Heartaches was the remedy… a Punk Rock remedy at that. While Rancid and The Casualties have landed on much larger record labels, The Heartaches are on one bona fide underground label at that, are you ready for this one? Here is the record label – “I Used To Fuck People Like You In Prison” Records. Now that is a Punk label if there ever was one. I take it, from the record label logo of the red devil that is on the liner notes of this CD, that the abbreviation for this record label is – People Like You. From what the liner notes state, this record label is out of Germany. People Like You Records has a really cool website, Punk Rock and Horror Punk are their forte. Their website is packed with their current signed bands and info. My whole life, I have always been intrigued and keenly interested in any underground band that I come across while shopping around for music. The Heartaches are an underground Punk Rock Band for sure, their style of Punk is a blend of Old School meets modern day social angst. Now, that does not sound so unique for a Punk Rock band, yet those are the two main characters in The Heartaches style of Punk. The Heartaches brand of Old School Rockabilly has been recharged with slick speed and extremely contagious riffs that meld within the frenetic stomp of their rhythm section.
The Heartaches deliver 13 genuine Punk Rock songs on Lunacy & devastation, each song carries it’s own Punk weight, no one song sounds like the other. My favorite song on this CD is Safe and Sound, it just has a cool groove happening from the opening note. If a Punk Rock song can be harmonious, Safe and Sound proves it. A continuous pissed off theme does not let up throughout these songs lyrics, a Punk Rock staple that can work as long as the music itself has legs to stand on. In my Metal opinion, the songs on Lunacy & devastation have legs… Punk strong at that. Lead vocalist Leroy has everything I look for from a Punk Rock front man. Leroy’s vocals exude extreme Punk credibility, as do each member of The Heartaches, from what my ears tell me. Sammy on vocals and guitar, does not impede with his backup duties with Leroy, this guy adds greatly to the total Punk essence of The Heartaches. After my third listen through with this CD, I shake my head and wonder why The Heartaches were never signed to a major label, (I’m not talking Atlantic Records here), a label like SideOneDummy? Yeah, I think The Heartaches sound that cool. Heartattack Radio is the last song on Lunacy & devastation, the Punk fervor of the vocals alongside the rhythmic enthusiasm of The Heartaches makes it a Punk exclamation point of an ending.
At the end of the day, I thank my lucky Metal stars that Krokus has existed – and still exists as a Heavy Metal Band. I have listened to Krokus since the early ’80’s, with Headhunter
Phew, now that this Krokus introduction is out of my Metal system, I can get excited now about telling the world about their 2003 album – Rock The Block 
The Kinks – another legendary Rock and Roll Band, (and Hard Rock Band too), that I have never forgotten about… no Metal way. I first caught on to this great band upon their Low Budget album being released – back on September 7, 1979. The Kinks were huge back in the day… I specifically remember the late 1970’s into the 1980’s version of The Kinks. This band had one hell of a work ethic – always touring. There used to be a horde of kids wearing The Kinks concert shirts to High School back in the early ’80’s… as a Metalhead back then, I thought that was cool, due to my fondness for this band. I never was lucky enough to catch The Kinks in concert… back in the early 80’s would have been the choice time too. That is alright, I can always Rock out to The Kinks by listening to their songs whenever I want, like I have been doing since 1979. The Kinks were rightfully inducted into The Rock and Roll Hall of Fame back in 1990. I could not endorse a band like The Kinks any louder to the younger generation of Rock/Classic Rock fans… they really put out some incredible music spanning four decades.
Slaughter – Stick It To Ya 
I have owned for some time, the CD – The Best Of by Slaughter, the ten songs on this disc are great, only Fly To The Angels and Spend My Life are missing from the song selection. Not cool. So, I promised myself to add the real Slaughter albums to my CD collection over time, starting with Stick It To Ya. About one week ago, I found the used copy of Stick It To Ya at my local f.y.e., the astounding Metal price of $4.49 is all it took for me to claim this CD as my own. Man, I cannot get enough of this album… every single song too. Going back to 1990 for just a 
Lynyrd Skynyrd are Southern Rock Legends and Rock and Roll Hall of Famers. What more does Lynyrd Skynyrd have to prove? What keeps the motivation meter running with this band? In my Metal opinion, it is a combination of many things… the Skynyrd Nation and the fact that this band has never lost touch with their roots are two quick examples. Southern Music roots… family roots… old school values, these three attributes come out Southern Rockin’ loud and clear on God & Guns
Meat L
I am going to embark on a topic that may be sensitive to some people… what really happens when a grocery store song gets you, well, psyched? I have decided tonight, to come out of the grocery store song closet. Yup. Please note, that department store chains also play songs over their central speaker system as well… I will refer to grocery store songs to simplify things. Be honest with yourself, there just had to be at least one moment in your life, where you were innocently shopping in a grocery store and then… that song was played. For me, I have had numerous experiences while grocery shopping and suddenly a song begins that just touches my Rock and Roll nerve. How do you act when this situation arises? Do you show emotion? Maybe you hide your psyched out – inner feelings and pretend that nothing is going on at all, you are in a public setting… a damn grocery store for Metal sakes. Let’s explore this incredibly taboo subject together now, shall we?
It is really senseless to ignore that this grocery store song phenomenon exists… it is o.k. to hear a song playing in a grocery store that psyches you out. My top three grocery store songs ever are: Lido Shuffle by Boz Skaggs, Sweet Talkin’ Woman by The Electric Light Orchestra and Call Me by Blondie. Seriously, I really strain to hold back my psyched out feelings when Lido Shuffle gets played at the grocery store – really. I can remember each moment when I heard these three songs in the grocery store… I felt so good I wanted to run up and down the aisles, high five strangers while shouting yeah! I have been fortunate enough to have heard Sweet Talkin’ Woman several times at the grocery store now, each time is a psyched out charm. Now, for the truth… when I do hear a grocery store song that gets me riveted, I stay cool and collected. My face may show signs of Rock Music satisfaction, a semi-grin if you will, however, staying cool is the best advice I can give anyone who hears a song they like in the grocery store. Just this evening, I was meandering about in an antiques mall, my wife and one half of my twin daughters were close by. Anyhow, inside this antiques mall, Old School Country Music was being played through the stores speaker system. No songs were psyching me out… no problem, until… Carly Simon came on with Your So Vain.
Uh, Carly Simon did get me semi-psyched out at the antiques mall tonight. Maybe it was due to my surroundings… all of this old stuff… antiques everywhere, the ambiance within the framework of this store is quite calm and somewhat like a rerun of The Walton’s. With all of this mellow and old fashioned stimulus around me, hearing Carly Simon sing Your So Vain in the midst of all the Old School Country Music just did it for me. Honestly, I now understand why Faster Pussycat did a cover of Your So Vain… this song most likely struck a chord with Taime Downe (lead singer of Faster Pussycat), like it did me tonight. Weird stuff. Remember, we as a society, are most likely 35 years away from hearing Megadeth and Obituary songs being played as grocery store songs. This is a shame. I have to take what is given to me here, then my Rock and Roll mind filters out the very best of what I do hear with these current grocery store songs that are being played… the psyche me out ones. Now, before you ever step foot into a grocery store again, please take some solid Metal advice in regards to getting psyched out by a song you may hear once there…
The Heavy Metal genre and all of it’s mind bending sub genres can be quite the vast musical Universe to explore. There are countless bands that make these Heavy Music genres quake and explode with excitement at every turn. For me to say I have listened to every band out there would be an outright Metal lie… I have stated this before. Come forward please, Loudness and their 1986 album Shadows of War. Whoa. Whoa again. Why on Metal Earth, did it take me 23 years to finally listen to Loudness and Shadows of War? (See previous explanation within this paragraph for the Metal answer). Man, the outright powerful, Heavy Metal thunder of Loudness, is overwhelmingly great on Shadows of War. This album is the Japanese version with a different album/CD cover of it’s twin – American release Lightning Strikes. The only differences between Shadows of War and Lightning Strikes are: the order of the track listing, slight differences in the vocal melodies and Ashes In The Sky (from Lightning Strikes) and Shadows of War (from Shadows of War) are the same song. Buying one version over the other is basically an identical listen of Loudness Heavy Metal here. In this Metal situation, recommending either version is the way to go.
Yes Virginia, there is a Metal Santa Claus and his name is my best buddy Scott. You see, Scott gets quite giddy about sending CD’s of Metal through the mail to me… especially CD’s of Metal Bands that I have never delved into with unrestrained Metal abandon. Loudness Shadows of War came in the mail last week, courtesy of my buddy. This album is so damn cool, the songs on Shadows of War is yet another reminder to me, that 1986 was an incredible year, from an amazing decade for Heavy Metal album releases. Loudness could have easily named this album – psyche you out of your Heavy Metal mind – for all nine songs encompass a continuous and momentous listen in electrifying Heavy Metal power. Believe me, the last thing I want to come across as doing here is being rah, rah, rah, about Loudness and this album. I could never be more Metal serious by stating… Loudness and their 1986 album, Shadows of War, is one fine Heavy Metal blast from the past.
This is the Shadows of War cover! (Japanese version)
As a life long Metalhead, whenever you see a Heavy Metal Band crack the Billboard Top 200 Album Chart it is cause for Metal celebration. With that said, whenever I witness an Extreme Metal Band crack this same album chart, well, the world suddenly becomes a better place indeed. Step in The Black Dahlia Murder… please. Their newest album – Deflorate, (Metal Blade Records), debuted at #43 on the Billboard Top 200 Album Chart the week of September 15, 2009. (12,000 units were sold in the first week of this albums release). YEAH! In the midst of dozens of bubble gum – Pop Music new releases, there arises… The Black Dahlia Murder. Let this debut week showing of this incredible band and album, be a Metal reminder to the commercial Pop/Elevator Music world, that Extreme Music lurks around every corner, back road, corn field, city street and CD aisle. Earlier this year, Cannibal Corpse cracked this same Billboard Top 200 Album Chart as well, I see an Extreme Metal pattern of awareness starting to develop here in 2009. Metal Odyssey is Extreme Metal proud of The Black Dahlia Murder, (and still damn Metal proud of Cannibal Corpse too). Real music… Metal Music. All of us Metalheads and the Metal Bands we follow are not going away anytime soon… METAL RULES.
Edguy F***ing With Fire Live is entertaining as Metal hell. Released on July 28, 2009, on Nuclear Blast Records, this is the second album released by Edguy this year, (Tinnitus Sanctus was released on January 27, 2009). A huge Metal kudos to Edguy for releasing two albums within the same year, they are not the only band out there to do so, still it is cool for fans like me. In a Metal day and age where there are those select few prima donna – let’s take everything serious Metal Bands out there, Edguy seems to grasp hold of the positive and accentuates the (gasp) fun in Heavy Metal Music. The title of this live album alone, gives me the impression that Edguy has thrown caution to the Metal wind and could care less about those who don’t get it. In my Metal opinion, Tobias Sammet and his band Edguy have snickered at their antagonists since the late 90’s… and Edguy gets the last laugh every time. From my Metal research, it seems that Europe and Brazil really gets into Edguy big time, uh, I am just like Europe and Brazil with my Metal tastes then. It seems so obvious to me, by listening to Edguy’s catalog of albums, that they really dug the power and enthusiasm of 1980’s Heavy Metal Music. Thus they now turn around and record a live album that has that all encompassing, 1980’s Arena Heavy Metal thrill. By no means am I labeling Edguy as having a dated 1980’s sound about them, no way in Metal hell. I only want to point out that Edguy evokes a feel good emotion inside of me, rekindling some of the 1980’s Heavy Metal spirit that I so embraced. Tobias Sammet seems to write songs that are hook filled and melodically oozing from every crevice. F***ing With Fire Live is an Edguy album that I do give a F*** about.
My favorite Edguy song of all-time, Tears Of A Mandrake takes the Metal prize on this album, as well as Superheroes, Lavatory Love Machine and King Of Fools. The live versions of these Edguy songs only adds fuel to the intense Power Metal energy that they bestow. Tobias Sammet gets Avantasia into this set of songs as well, (from his side project Avantasia), it fits right into the Metal mix of this Edguy set list. The main theme I stress with F***ing With Fire Live is the consistent energy and emotion that Tobias Sammet seems to summon up within himself and his band. I don’t think you need to be an Edguy fan to actually hear and feel the excitement on this live album, then again, this Edguy album will have it’s detractors… so F***ing Metal be it. Tobias Sammet does become quite the talker during this concert. He takes his Metal time to introduce each band member, requests the crowd of Edguy fans to turn on their cell phone’s (and not their lighters), during the Power Metal ballad Save Me and thanks/compliments the fans of Sao Paulo, Brazil quite eloquently. Hey, this is a recorded – live concert for Metal sakes, these type of moments do occur during Heavy Metal shows, so F***ing Metal be it. At the end of the Metal day, I cannot listen to F***ing With Fire Live as a once through, nope, instead, each time I slap this double CD on I need to hear it a second time through too… so F***ing Metal be it.
Foghat Live was released in the Summer of 1977. I did not own this album in 1977, instead I got my ears tuned into this Hard Rock Classic right when I was entering High School, just a few short years ago in 1980. Yeah, yeah, yeah… I bought this Classic Hard Rock gem on 8-track as well in 1980. I played it until all you could eventually hear was – hiiiisssssss. This Foghat Live album introduced to me back then, an unreal good sound of live and powerful Hard Rock Music. Being fourteen years old at the time, I was not yet the concert goer, no adult in my young life was into Rock concerts, plus I obviously was not old enough to drive a set of wheels just yet. Therefore, Foghat Live was the Hard Rock concert that entertained me for hours and nights on end. As a young teen, this album was my Hard Rock concert, it took me right there… I imagined seeing Foghat live, center stage in a middle row, on the floor. I will forever look back upon Foghat Live as an album that enriched my Hard Rock soul… an album that was a stepping stone or prelude, if you will, to the incredible world of Metal Music. This album helped soften me up and navigate me towards even heavier music. Hearing the Hard Rock – live power of Foghat made me hunger for more, to hear more heavier bands that were out there. Fast forward to 2009 and I still reach out for some classic Foghat – Hard Rock boogie… it will never grow old on me.
I first stumbled across Hallowmas – The Road To Hallow’s Eve on the Century Media Records online store – CM Distro.com. The CD cover artwork took my Metal breath away, I am a huge Metal sucker for the scary and horrific album covers… this goes back decades for me. You cannot always judge a book, uh, album by it’s cover. In the case of my purchasing The Road To Hallow’s Eve based on the artwork and song titles, well, I proclaim a Horror Punk victory! This album is on Coffin Records, a recognized label notorious for underground talent. Hallowmas released this album back in 2005, I bought it about one year ago, during one of my Halloween spirited moods. Cutting to the Metal chase here, this is one dandy of a Horror Punk Band, a terrorizing thrill a second is The Road To Hallow’s Eve. It’s all good… Horror Punk style. I have numerous times, since buying this CD, have tried to read and/or find out more about this cool Hallowmas band… all in vain however. The only trail I find on the world wide web about them are the basics I found in the liner notes of this very album. Hallowmas is without question an underground Horror Punk band. I sincerely hope they resurface and continue their Horror Punk path… The Road To Hallow’s Eve makes for an intense foundation for them to build upon.
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