I found IOMMI With Glenn Hughes – the 1996 Dep Sessions on the Century Media Records online store CM Distro.com. This CD set me back 3 bucks plus shipping. (I bought a few CD’s so the total shipping cost of 5 bucks was reasonable to me). This CD was in the clearance section at CM Distro.com, proving to be a cool Metal find for me. Tony Iommi is the lead guitarist for the ultra legendary/Rock and Roll Hall of Fame inductee – Black Sabbath. Glenn Hughes has had a stellar career of his own, most notably being a vocalist and bass guitarist for Deep Purple on their Burn and Stormbringer studio albums from 1974. Glenn Hughes is also on the Deep Purple studio album – Come Taste the Band from 1975, as well as several Deep Purple live albums, the most notable being Deep Purple – Made In Europe, from 1976. Glenn Hughes was a member of Black Sabbath, (hey, it is an official Black Sabbath album – Black Sabbath Featuring Tony Iommi – Seventh Star). This studio album, Seventh Star, was released back in January of 1986 and Glenn Hughes was the lead vocalist only… Dave Spitz played bass on Seventh Star. This background information on Glenn Hughes is to help anyone who may be unfamiliar with his musicianship and/or career. Trust me, it would be a very long post to acknowledge everything Glenn Hughes has done during his illustrious music career dating back to 1968.
I have always revered the vocals of Glenn Hughes, not to mention his bass guitar exploits. When I listen to Glenn Hughes sing, it is the real deal for me… real Hard Rock vocals, real Heavy Metal vocals and yes, even soulful vocals on some of his solo work as well. Tony Iommi in my Metal opinion, is… if not the founding father of Heavy Metal guitar, then one of the very first. The combination of Glenn Hughes on vocals and Tony Iommi on guitar worked just fine for me on the Black Sabbath album, Seventh Star. Certainly, it was not the most famous music achievement for either Tony Iommi or Glenn Hughes, still it remains a standout album for me due to it’s Old School – Heavy Metal resonance and quality of songs.
This 1996 DEP Sessions album seems to rekindle that Old School Heavy Metal and Old School Hard Rock sound from the late 1970’s into the ’80’s. Do not expect a layered and very heavy album here, you will not be listening to Heaven and Hell or Sabbath Bloody Sabbath. Even the Heavy Metal fog storm of Seventh Star is not revisited here by Iommi and Hughes. What I hear, is an appropriate blend of Rock, Hard Rock and Heavy Metal vocals from Glenn Hughes, to correspond with the diverse guitar brilliance of Tony Iommi. The riffs are plentiful, extremely distinguishable that this is Tony Iommi – the Old School, Heavy Metal riff king himself. Iommi does not shy away from writing and playing tremendously melodic leads as well, in a Metal nutshell… Tony Iommi’s guitar is the dominant musical force on this 1996 DEP Sessions album, (of course). Unlike the Black Sabbath albums with Geezer Butler on bass and Bill Ward on drums, the rhythm section on this album honestly does take a back seat… albeit intentional during production or it just may be my aging Metal ears.
My three favorite songs on this 1996 DEP Sessions album are: Gone – which plays out as the heaviest song, the opening riff is vintage Tony Iommi. I‘m Not The Same Man – has reality check lyrics and is driven with melodic hardness at every nook and cranny. Fine – is a Hard Rock ballad that just grabs my attention on a personal level, plus Tony Iommi and Glenn Hughes really deliver a genuine song here. All eight songs are memorable and good quality, both musically and lyrically. I won’t yell out loud that this album is unreal great and the best stuff these two Heavy Music legends have ever done. I will attest that this album has been a damn cool listening experience for me though. 1996 DEP Sessions is definitely worth picking up if you are a fan of Old School Heavy Metal and/or Hard Rock, Deep Purple and Black Sabbath. Glenn Hughes and Tony Iommi fans have to own this album of course, the value is in the overall musicianship and diversity in songs. I will be playing this album regularly in the future, the combination of Glenn Hughes and Tony Iommi is just too cool to ignore.
Track Listing For: IOMMI with Glenn Hughes the 1996 Dep Sessions:
Gone
From Another World
Don’t You Tell Me
Don’t Drag The River
Fine
Time Is The Healer
I’m Not The Same Man
It Falls Through Me
* the 1996 Dep Sessions IOMMI with Glenn Hughes was released on September 28, 2004, on Sanctuary and Mayan Records.
It’s always great to vent. Vent I did in my last post – where I needed over 1,100 words to express my disappointment in not being able to purchase the new KISS CD – Sonic Boom at my local Super Walmart on October 6, 2009, (the release date for it). Just as I hoped for and predicted, at 4:00 p.m. EST, I entered the Trexlertown, Pennsylvania, Super Walmart and took hold of my very own copy of Sonic Boom. (Phew). I can now say I bought this new KISS CD on it’s release date… yes, it means something to me. I have my core Heavy Metal and Hard Rock Bands that I have followed for decades, when they release a new album I try my very best to buy it on the release day. Metal case closed. I went to this Super Walmart twice during the morning of October 6, (the release date), my last visit was at 9;30 a.m. EST, as I left empty handed. I will say this much… the packaging for this Sonic Boom CD is INCREDIBLE! Once I get to crank up Sonic Boom for a couple of listens, I will post my Metal jubilation. Here are some quick tidbits about my Sonic Boom shopping experience at Super Walmart, plus other related notes:
Slaughter – Stick It To Ya 
I have owned for some time, the CD – The Best Of by Slaughter, the ten songs on this disc are great, only Fly To The Angels and Spend My Life are missing from the song selection. Not cool. So, I promised myself to add the real Slaughter albums to my CD collection over time, starting with Stick It To Ya. About one week ago, I found the used copy of Stick It To Ya at my local f.y.e., the astounding Metal price of $4.49 is all it took for me to claim this CD as my own. Man, I cannot get enough of this album… every single song too. Going back to 1990 for just a 
Edguy F***ing With Fire Live is entertaining as Metal hell. Released on July 28, 2009, on Nuclear Blast Records, this is the second album released by Edguy this year, (Tinnitus Sanctus was released on January 27, 2009). A huge Metal kudos to Edguy for releasing two albums within the same year, they are not the only band out there to do so, still it is cool for fans like me. In a Metal day and age where there are those select few prima donna – let’s take everything serious Metal Bands out there, Edguy seems to grasp hold of the positive and accentuates the (gasp) fun in Heavy Metal Music. The title of this live album alone, gives me the impression that Edguy has thrown caution to the Metal wind and could care less about those who don’t get it. In my Metal opinion, Tobias Sammet and his band Edguy have snickered at their antagonists since the late 90’s… and Edguy gets the last laugh every time. From my Metal research, it seems that Europe and Brazil really gets into Edguy big time, uh, I am just like Europe and Brazil with my Metal tastes then. It seems so obvious to me, by listening to Edguy’s catalog of albums, that they really dug the power and enthusiasm of 1980’s Heavy Metal Music. Thus they now turn around and record a live album that has that all encompassing, 1980’s Arena Heavy Metal thrill. By no means am I labeling Edguy as having a dated 1980’s sound about them, no way in Metal hell. I only want to point out that Edguy evokes a feel good emotion inside of me, rekindling some of the 1980’s Heavy Metal spirit that I so embraced. Tobias Sammet seems to write songs that are hook filled and melodically oozing from every crevice. F***ing With Fire Live is an Edguy album that I do give a F*** about.
My favorite Edguy song of all-time, Tears Of A Mandrake takes the Metal prize on this album, as well as Superheroes, Lavatory Love Machine and King Of Fools. The live versions of these Edguy songs only adds fuel to the intense Power Metal energy that they bestow. Tobias Sammet gets Avantasia into this set of songs as well, (from his side project Avantasia), it fits right into the Metal mix of this Edguy set list. The main theme I stress with F***ing With Fire Live is the consistent energy and emotion that Tobias Sammet seems to summon up within himself and his band. I don’t think you need to be an Edguy fan to actually hear and feel the excitement on this live album, then again, this Edguy album will have it’s detractors… so F***ing Metal be it. Tobias Sammet does become quite the talker during this concert. He takes his Metal time to introduce each band member, requests the crowd of Edguy fans to turn on their cell phone’s (and not their lighters), during the Power Metal ballad Save Me and thanks/compliments the fans of Sao Paulo, Brazil quite eloquently. Hey, this is a recorded – live concert for Metal sakes, these type of moments do occur during Heavy Metal shows, so F***ing Metal be it. At the end of the Metal day, I cannot listen to F***ing With Fire Live as a once through, nope, instead, each time I slap this double CD on I need to hear it a second time through too… so F***ing Metal be it.
Ace Frehley has waited a long time to create and produce a new album, Anomaly is so incredibly worth the wait. I finally bought Anomaly today, (September 23, ’09, yeah, I am a week late from it’s release date), what an album of 12 songs. An unreal good album, a can’t miss for any fan of any Rock genre. I cannot stop listening to this new Ace Frehley album, oh darn. Anomaly for me, is one of those albums that I get contagious about and addicted to… oh darn. Before buying this album, I had not a clue as to what any of the songs sounded like. Man, what an incredible surprise to hear these songs for the first time… this album leans more towards Ace Frehley’s 1978 KISS solo album – not towards the sound of his Frehley’s Comet band from the late 1980’s. The Metal kicker is this… Anomaly rocks harder and heavier than the Ace Frehley 1978 KISS solo album, my ears cannot tell a lie. Where Anomaly gives a nod to 1978 is this: Old School Hard Rock and Heavy Metal. With that being said, Anomaly definitely embodies the grooves and heaviness of today’s Heavy Metal sound, while veering away from any resemblance of late 1980’s commercial heavy sound that was so popular in it’s day.
As I listen to Ace Frehley play guitar throughout Anomaly, all I can say to those who want to listen is this – Ace Frehley is back!! Ace Frehley shall remind the Rock and Roll world with all of it’s genres that yes, he can play guitar very well… and sing too. Ace Frehley’s vocals do not sound like a man who has been out of the recording studio for so many years, instead, it is my Metal opinion that Ace Frehley’s vocals are damn good and cool. Just listening to Anomaly takes me back to the days when quality songs were an important staple to Hard Rock and Heavy Metal bands. A sense of urgency to be real, is what I hear through the entirety of Anomaly, Ace Frehley has fused his very own Hard Rock and Heavy Metal sound with a nod to yesteryear, making Anomaly an album that far extends any relevance factor. From the song writing to the band backing up Ace Frehley here, this is a total album package. Ace Frehley has plenty of cool and damn good solo’s throughout this entire album, one of the many quality points of Anomaly.
King Diamond, the legendary Metal front man for Mercyful Fate and Horror Metal/Heavy Metal icon. King Diamond and his band have left more than a mark on Heavy Metal history, a chunk of Heavy Metal history is King Diamond. On October 13, 2009, the infamous Metal Blade Records will reissue two King Diamond Classics… The Graveyard and The Spider’s Lullabye. Very cool. Just in time for Halloween… very cool again. Both albums have been re-mastered by King Diamond guitarist Andy LaRocque. The Spider’s Lullabye was originally released in 1995, with The Graveyard originally released in 1996. Bonus live bootleg footage will be available for download, for those who purchase either of these two reissues. The bonus footage for download will be these three King Diamond songs: The Spider’s Lullabye, Trick Or Treat and Up From The Grave. Reissue’s are always great, especially when they include new songs and/or videos – downloading the bonus content for these albums is fine with me, especially when King Diamond is looking at giving the fans the highest quality in sound and video. Man, I better start saving up some spare change or my Christmas want list is going to be very long with all of the new Metal CD’s that are coming out next month! Metal rules. King Diamond is a big reason why. King Diamond is delivering a Happy Halloween to his fans and all fans of Metal on October 13, 2009.
Twisted Sister – Love Is For Suckers was released on August 13, 1987, on Atlantic Records. Back then, as a Metal fan, I was totally engulfed with Thrash and Speed Metal. To make a Metal confession, I never bought this Twisted Sister album, after owning their first four albums. I was not overly impressed with Come Out And Play, (released in 1985), I guess the first three Twisted Sister albums really spoiled me. So, I took in whatever songs MTV or the FM stations were playing from Love Is For Suckers. Seeing the video for Hot Love and hearing it played on FM radio very frequently, back in 1987-1988 was, I thought, the coolest extent of this album. I always liked Hot Love, this song reminds me of some cool times back in 1987-88… and there isn’t anything wrong with that. Hot Love is upbeat and (gasp), commercially catchy in it’s unique Heavy Metal way. A few years ago, I bought Twisted Sister’s Big Hits and Nasty Cuts: The Best of Twisted Sister, it contains several cool live bonus tracks that enticed me… unreal great songs at that. The Metal kicker here, is that there are no songs from Love is for Suckers on this Best of album… I smell controversy. Therefore, my continuation of never hearing more than Hot Love from Love is for Suckers continued… Fast forward to September 18, 2009… Twisted Sister – Love is for Suckers has for all Metal intents and purposes, made a sucker out of me.
I am Metal psyched about another great Metal album coming out in this month of September of 2009, Children of Bodom – Skeletons In The Closet
I cannot wait to get my hands on this new album and crank it up extremely loud, on September 23, 2009, I will. I am just very curious as to how the Britney Spears cover of Oooops! I Did It Again… is going to sound like. What about the Kenny Rogers song? Man, that should be a Metal hoot. Knowing the way Children of Bodom play their Metal, I am confident they will rage these songs into Extreme Metal bliss. Still, I cannot believe I am writing about Britney Spears, Kenny Rogers and Children of Bodom in the same post. One thing is for sure here, Children of Bodom can never be accused of not being diversified. The cover songs represent a darn cool list of bands here… Slayer, W.A.S.P., Iron Maiden, Alice Cooper, Scorpions, Ramones – these are legendary bands without question. Thank you, Finland, for the fine Metal export they call Children of Bodom.
KISS. I have the fever… it is the addiction to this enormous American Heavy Metal juggernaut that hooked me back in grammar school… the (gulp), 1970’s that is. Over this past Summer of 2009, (actually it goes back to last Winter too), I have ultra consistently listened to the KISS album “Unmasked”… after each listen I am a better Metalhead for it. Unmasked was released back on May 20, 1980, right before I embarked on my High School years. By now, for anyone who reads my stuff regularly, may be tired of my mentioning that I owned 8 track tapes… still, I need to tell the world that I owned Unmasked on 8 track, thank you all for understanding. The memories that get stirred up inside my Metal mind, each time I listen to Unmasked are good ones… the Summer of 1980… going to the UCONN Basketball Camp, collecting odd and evil looking spiders in my backyard and having no worries in the world other than entering a new teenage chapter in my life.
Megadeth. Just the name alone sounds like true Metal. Thrash Metal. The name Megadeth alone, reaches out and stuns the uninformed as to the fact, that this band is seriously heavy about all things Metal. One of the kings of Thrash Metal. Dave Mustaine… a founding father of Thrash Metal and unreal good guitarist, a Metal legend. (Gee, did I leave out any other important accolades here?). Really, any Metal fan has to agree that Dave Mustaine has the Megadeth Metal machine running full tilt… for quite a long time too. I am Metal giddy that “Endgame” is coming out on September 15th… the month of September looks better already, for me. If you do not count today, (September 2nd), there are just 13 days left until the Megadeth Thrash Metal onslaught of new material becomes heard in it’s entirety. That is less than two weeks away. I am Metal psyched. I was fortunate enough to see back in the late 80’s, a Metal triple bill of Savatage, Megadeth and DIO. The New Haven Coliseum was never the same after that show… that structure no longer exists. What a night of Metal it was… Megadeth blew me away, Dave Mustaine earned a fan for life. Dave Mustaine… Thrash Metal Champion. Megadeth shall return… Endgame.
Gene Simmons, The Demon, bass guitarist for KISS, music producer and actor. (The many hats this legend has worn are numerous, quite the achiever is Gene Simmons, in my Metal opinion). Gene Simmons always seems to stay in the public eye, the limelight follows this Heavy Metal icon everywhere he goes… with “Celebrity Apprentice” and his very own family reality series “The Family Jewels” making his presence seen and known while KISS is idle. A short while back, I started writing about my favorite KISS solo albums, in preferential order, no less. Why am I doing this? First, I am celebrating the four original members of KISS, their solo albums being what I consider to be quite a historical achievement in Heavy Metal and Rock history. The quality across the board is apparent in the music that Gene, Paul, Ace and Peter created with their solo albums… my reminding and/or informing anyone who is interested in these great KISS solo albums makes for a fine Metal deed. For me to list in order, my favorite KISS solo albums, (it is not etched in Metal stone here), deciding the sequence of which album ranks 1 thru 4, is based on which album has given me the biggest Metal listening thrill over the decades.
I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all time is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.
Manowar plays Heavy Metal, their name screams Heavy Metal and they are Heavy Metal with a hundred exclamation points. “Battle Hymns” (released in 1982), was the first album from this prolific and what I consider historic Heavy Metal band. Why historic? Well, the last time I checked, Manowar held the Guinness Book of World Records title for having the loudest live performance. (I always disliked the word performance, especially when it relates to Heavy Metal). Besides being extremely loud, Manowar presented upon the world of Heavy Metal a gloriously lean, mean and heavy album with “Battle Hymns.” All eight songs on this album are laced with forcefully driven guitar leads, riffs and all things sacred to Heavy Metal. The first two song titles say it all – “Death Tone” and “Metal Daze”. What I like most about this album is that there is absolutely not one second of waste to be heard… from start to finish this is muscular, Old School, 500% – Heavy Metal. Of course, this Metal adulation I have for Manowar and “Battle Hymns” is all my Metal opinion, however, this is an album that needs to be heard by todays younger generation of Heavy Metal fans.
You know those moments or days when you experience a song that just seems to arrive or enter your mind, without being invited? It is subconscious for certain, something triggers a particular song to begin playing in my brain, be it secondary thoughts, reflections, images and/or events that happen in the course of a day’s routine. Today, I had the Savatage cover song of “Day After Day” playing repeat in my head. I honestly do not know why. I have not listened to this song from Savatage for many years, possibly a couple of decades. “Day After Day” is a song from the Savatage album “Fight For The Rock”, (released back in 1986). It is a cool song, without doubt a Hard Rock, borderline Heavy Metal cover version, compared to the original 1971 Rock version from Badfinger. I used to have this original “Fight For The Rock” vinyl, heck, I bought it back when it first came out. Over the years, I sold it for some oddball reason or another.
I received in the mail today, a package from my best buddy, Scott. In this package was a CD, “In Rock We Trust” by Y&T. Now, this is the kind of mail that I like receiving… not bills or junk mail, just pure 1980’s vintage Heavy Metal. Talk about a solid Metal reminder of how power grooved this Y&T band was back in the ’80’s. This album was released way back in 1984, (the year I was supposed to graduate High School). I opted for an extra half year of High School back then, yet that is Metal history now. I listened to “In Rock We Trust” in it’s Metal entirety, just minutes after it was unleashed from the bubble mailer that brought it to my Metal safe haven. Every song on this album is a Heavy Metal winner, for me. From the Heavy Metal chorus to the riffs and leads and everything else heavy in between, makes this album ripple with thunderous Metal might. I just have recently been listening to the Y&T album “Contagious”, take my Metal word on this… “In Rock We Trust” out heavies “Contagious”. I have never been a strong advocate for comparisons within a Metal band’s music catalog, I feel each album that is created is unique. There are those times, where exceptions are made on Metal Odyssey. Seriously, if anyone out there is considering to buy some Heavy Metal from the ’80’s, this album I undoubtedly recommend.
Metal Odyssey > Heavy Metal Music Blog 
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