Archive for the rock music Category

HAPPY METAL BIRTHDAY ANTHONY KIEDIS! PLUS “ONE HOT MINUTE” REVISITED

Posted in 1980's classic rock bands, 1980's rock music, 1980's rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's classic rock vocalists, 1990's college music, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, Album Review, alternative rock bands, alternative rock music, alternative rock music albums, classic rock music, essential classic rock albums, essential classic rock songs, essential hard rock albums, essential rock albums, hard rock music, hard rock vocalists, metal odyssey, Music, rock & roll, rock album review, rock and roll, rock celebrity birthdays, rock guitarists, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2009 by Metal Odyssey

Red Hot Chili Peppers logoMetal Odyssey extends a loud Happy Metal Birthday to Anthony Kiedis! Anthony was born on November 1, 1962 and he turns 47 today. Anthony co-founded and is the lead singer for The Red Hot Chili Peppers. My favorite Red Hot Chili Peppers album is one hot minute, (released on September 12, 1995 on Warner Bros). My three favorite songs from one hot minute are Warped, Aeroplane and My Friends. It is surprising to even me, that I really like the song My Friends such a great deal, due to it being a mid paced Rock ballad. Still, this song seemed to capture my attention back upon it’s release, it still does when I listen to it. The presence of Dave Navarro on guitar makes one hot minute a more heavier sounding version of The Red Hot Chili Peppers, in my Metal opinion. This is an album that I have to honestly say, bridged the gap between Grunge gradually losing it’s stranglehold on popularity and Heavy Metal making a comeback in the public eye. (That is my Metal opinion, I cannot help myself).

One hot minute made total sense to me upon it’s release back in 1995, it still does. The songs carry out a continuous Rock vibe while not adhering to one specific trend of the day. A very polished album, (produced by Rick Rubin), one hot minute is exemplary of what the mainstream was embracing as acceptable heavy, whenever it came anywhere near Hard Rock or (gasp), Heavy Metal. With a toned down Metallica on the loose in the mid 1990’s, The Red Hot Chili Peppers were not toning it down with one hot minute… based on their style of Rock. Their sixth studio album and a multi-platinum seller, one hot minute obviously had some hot chart success. (With that said, I have never been one to judge an album based on chart positions). I have always appreciated this band, what is there not to like about the musicianship of Flea on bass and Chad Smith on drums as well? A Rock rhythm section solidified.

Getting back to Anthony Kiedis… I have and always will be greatly entertained by his vocals. Anthony also has written some clever lyrics that many times touched on his own inner battles with addictions. The diverse style of Anthony’s vocals make him a Rock singer that is without question, truly one of a kind. From Funk to Heavy Metal and everything in-between, The Red Hot Chili Peppers have touched on it all, with Anthony Kiedis cementing his dynamic vocal stamp on each song in their extensive catalog. From my perception, listening to Anthony Kiedis sing using so many styles, leads me to believe he has an admirable respect for all genres of music. The alternative and artistic overlays of The Red Hot Chili Peppers brand of Rock cannot be discounted… neither can the vocals of Anthony Kiedis ever be denied.

The Red Hot Chili Peppers "one hot minute" large album pic

I BOUGHT MISFITS “LAND OF THE DEAD” AND IT SERVES ME RIGHT!

Posted in 1970's punk rock, 1980's punk rock bands, 1980's punk rock music, 1990's punk rock bands, 1990's punk rock music, Album Review, classic punk rock, collecting rock music, cool album covers, creepy album covers, current punk rock music, current punk rock songs, essential punk rock albums, essential punk rock songs, extreme music, guitar legends, halloween, halloween rock music songs, halloween songs, horror punk, horror punk album covers, horror punk album review, horror punk albums, horror punk rock bands, horror punk rock music, horror punk songs, independent record labels, Metal, metal odyssey, misfits album covers, Music, new punk rock album, new punk rock music, old school punk rock, Punk rock, punk rock album covers, punk rock album review, punk rock albums, punk rock bands, punk rock bands today, punk rock music, punk rock music 2009, punk rock music today, punk rock musicians, punk rock songs, rock & roll, rock and roll, rock music, scary album covers, scary halloween songs, spooky album covers, vintage punk rock bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2009 by Metal Odyssey

MISFITS. Jerry Only, Dez Cadena and Robo. Punk Rock royalty. Horror Punk Royalty. Yup, I am a fan, excuse me if you please. I bought the brand spanking new… Land Of The Dead maxi single off of itunes on Halloween. I deliberately waited to buy these two new songs on Halloween too… it is only fitting and it has served me right. The two new Misfits songs are: Land Of The Dead and Twilight Of The Dead, both songs paying tribute to the Geoege A. RomeroLiving Dead movie series. Land Of The Dead clocks in at 2:13 and Twilight Of The Dead clocks in at 2:45. I will take this five minutes of new Misifts Horror Punk and thank my damn lucky dark skies, that this legendary band still Rocks in 2009. Jerry Only has taken his Misfits and Horror Punk into a fourth decade, recruiting new generations of fiends along the way.

Yes, the lyrics are Horror themed… blood runs cold… ’nuff said. Yes, Jerry Only sounds outrageously great on lead vocals and bass. Yes, Dez Cadena delivers the licks as profusely solid as ever. Yes, Robo is on drums and hits the skins with vintage Punk beats. In comparison to past Misfits sound, both new songs follow in the Misfits Punk footsteps of their Project 1950 album. The Horror Punk and Roll of Misfits is alive and well in 2009. I am so gloriously thrilled to have these two new Misfits songs in my personal collection. You too can serve yourself right this Halloween weekend by snagging these two new Misfits songs off of itunes – they are only 99 cents each!!!! Hell, that is way less expensive than a damn large fry, burger and milk shake from a plastic fast food chain! Plus these Misfits songs are not a detriment to your health either! Make your life that much better and GET THESE NEW MISFITS SONGS TODAY! I’m not bashful about any of my recommendations, obviously. Happy Halloween Weekend – fellow Fiends.

For those who are new to Misfits and need to know more about their spooky background, check out their MySpace Music page http://www.myspace.com/themisfits

Misfits "Land of the Dead" large album artwork

U.D.O. – “DOMINATOR” Unleashes Potent Heavy Metal

Posted in 1970's heavy metal music, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal, collecting metal music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from germany, heavy metal music, heavy metal music 2009, heavy metal solo vocalists, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music today, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

U.D.O. "Dominator" small album picU.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.

Listening to Udo sing on Infected, I imagine him atop a high mountain, looking down upon a land of chaos and condemning all to hell. Udo’s vocals are more than steely and mean streaked, they encompass Heavy Metal theater. Cast me off into damnation for having imaginary thoughts while I listen to Heavy Metal Music, that is how my mind reacts and I’m damn proud. Anyone who says they do not create their own mental imagery to music is either a liar or a cyborg. Doom Ride takes the more consistent approach of Old School Heavy Metal, no real blazing guitar licks or profound moments. Still, Doom Ride gets it’s doom message across and that is Metal enough for me. Stillness of Time is a (gulp), U.D.O. ballad. Well, a fast paced ballad it is. Udo has his unique vocals for sure, he pulls me into Stillness of Time, like a glazed over Old School loyalist that I am. Having a piano included into any U.D.O. song is quite the diverse moment and I admire that. Stillness of Time just might be the best kept secret on Dominator.

Devil’s Rendezvous has me itching to get up off my butt and… do some wacky dance. You know, the kind of dance that drunk people do at weddings. Or, the kind of spastic dance that you can only do in the privacy of your own home… with the blinds shut. Quite the Metal surprise is Devil’s Rendezvous, U.D.O. put some fun into this Dominator album. Crap, did I just use the “F” word? This is starting to become a semi-habit of mine… I must be be too happy or something. Speed Demon is the fastest song on Dominator. No, no, no, it is not because the word speed is in the song title. Speed Demon really does crank up the Metal meter a few bars and it kicks. To sum up my Metal feelings on this U.D.O. Dominator album, it rightfully cements all things great about Heavy Metal… Old School Heavy Metal that is. Dominator is a standout Heavy Metal album for 2009, no Metal questions asked. I thank my best Metal buddy Scott for steering me to Dominator… a Metal referral that is incredibly appreciated.

U.D.O. "Dominator" large album pic

MEAT LOAF – Appears In Commercial Endorsing A-1 Steak Sauce!

Posted in 1970's classic rock bands, 1970's classic rock vocalists, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's rock music, 1980's classic rock bands, 1980's classic rock vocalists, 1980's rock music, 1980's classic rock music, 1980's hard rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's classic rock vocalists, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, cool album covers, essential classic rock songs, food commercials, hard rock music, metal odyssey, Music, old school hard rock, rock & roll, rock and roll, rock and roll commercials, rock and roll news, rock music, rock music in commercials, rock music on television, rock music vocals, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , on October 30, 2009 by Metal Odyssey

MetalOdysseyMeat Loaf, Rock Music legend. Meat Loaf, lead vocalist on Ted Nugent’s 1976 Free For All album. Meat Loaf, a guest investigator on Ghost Hunters. Meat Loaf playing the role of Eddie in the cult film classic – The Rocky Horror Picture Show. Oh, heck, I could make quite the list of Meat Loaf career achievements here. I have not even touched on awards, records sold or concert receipts. Meat Loaf has been a lifetime favorite Rock/Hard Rock vocalist for me. I get all happy to see Meat Loaf in the limelight, no matter what the platform may be. I have said it before, Meat Loaf just seems like a down to earth guy that has continuously risen above the star status of plasticity.

I have never been a fan of using vintage Rock songs for commercial purposes. Attaching a legendary song of any Rock or Metal Music genre, to a product for the sole purpose of marketing and selling such product, just takes away from the original Rock spirit of the song. That is my Metal opinion. Step in A-1 Steak Sauce, um, please. You see, I witnessed the other night, while watching whatever on television… Meat Loaf in an A-1 Steak Sauce commercial. Yes I did. Meat Loaf… steak sauce. (I think this commercial appeared during the Yankees vs. Angels game 6 playoff game on Fox). All I know is this commercial came on late, therefore my Metal memory has a few cobwebs. Meat Loaf looked fine, just as he looked on a recent episode of Ghost Hunters. In this A-1 Steak Sauce commercial, he actually looked like a dude you would approach at a family or company picnic… asking him where the cold beer is hidden.

The classic Meat Loaf song – I’d Do Anything For Love (But I Won’t Do That), is heard during this A-1 Steak Sauce commercial. Plus, Meat Loaf is shown singing along to this song, apparently showing his affection towards A-1 Steak Sauce. Meat Loaf is also shown wearing a bath robe and bunny slippers too. Yup. Hey, I’m all for a free enterprise, this is America. I also believe in the semi-fabulous words of wisdom… live and let live. Metal be damned though, I will forever now attach this great Meat Loaf song to a stinking bottle of steak sauce. The marriage of commercial products and my favorite Rock songs have an imbedding power within my Metal mind, this has always been the case my entire life. Once the attachment of a Rock song and it’s commercially related product occurs… that’s it. I cannot shake the connection loose once I hear such song(s) again.

There are many positives to be explored with this Meat Loaf meets A-1 Steak Sauce commercial just the same. Three quick positives come to my Metal mind: One – Meat Loaf is in the public eye, where he rightfully should be. Two – Meat Loaf is working and getting paid. Three – I will now and forever link and associate the A-1 Steak Sauce bottle that sits atop many restaurant tables, to a Rock Music icon whose voice has entertained and inspired me for decades. Reaching for that bottle of A-1 Steak Sauce will never be the same for me again. Long live Meat Loaf.

* I’d Do Anything For Love (But I Won’t Do That) appears on the 1993 Meat Loaf album – Bat Out of Hell ll: Back Into Hell. This fantastic song was written by Jim Steinman.

Meat Loaf "Bat Out Of Hell ll" large album pic

LITA FORD – “Wicked Wonderland” Is Naughty And Bad Combined

Posted in 1980's hair metal bands, 1980's heavy metal ballads, 1980's heavy metal bands, 1980's heavy metal music, 1989 heavy metal music, Album Review, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, guitar legends, hair metal music, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , on October 29, 2009 by Metal Odyssey

Lita Ford "Wicked Wonderland" small album picAh, Lita Ford. Reflecting on the 1980’s would not be quite the same without her being in the Heavy Metal world. Lita Ford proved back in those glorious ’80’s that she was more than just eye candy, she really did shred on the guitar for her albums. Plus, Lita Ford’s vocals always had the harmonic, Heavy Metal diva flare happening. Lita Ford even did a very sappy duet with Ozzy Osbourne, Close My Eyes Forever, that I honestly could never stomach back in 1989 and my opinion has not wavered since. Well, it is 2009 and Lita Ford is back, uh, yeah. Wicked Wonderland is her new album, the title really sums it all up quite well. The lyrics throughout this entire album are wicked indeed… with nuances, imagery and flat out references to sex and lust galore. I want to taste your goddess flesh and I penetrate you are two lines taken from the song Indulge… pretty hot stuff if you are a young dude that can’t buy a date for Saturday night. Lita Ford should have known that the majority of her audience buying Wicked Wonderland are the Old School Heavy Metal crowd and we are no longer eighteen and pissed off at our parents anymore.

In the very recent issue of Revolver Magazine, (December 2009), Lita Ford states that “There’s no law that says just because you grow up, you have to stop being naughty”. Oh, it gets better… “The album is pretty much based on our home life”. Lita, Lita, oh, Lita Ford. I will interject here by saying – and this is my quote here – there is a Metal law that says just because you grow up, YOU HAVE TO STOP making annoying music. Plus, it is NOT a turn on for me, to know what goes on in your bedroom. Ew. Now, this is coming from a middle aged Metalhead who is extremely open minded to all Metal Music that has ever existed, plus I kinda like to keep the intimacy that occurs in my home, with my wife, a secret. That is the REAL turn on for me. Sure, there will be a crowd out there that wants to know what Lita Ford does in her, um, spare time, I am not one of them.

To actually listen to all fifteen songs on Wicked Wonderland was like listening to a once glorified Heavy Metal star just pushing out tunes because she’s famous and she can. It appears that Lita Ford’s husband Jim Gillette lends his background vocals throughout Wicked Wonderland. Man, this guy sounds not just creepy, he is a major league part of the ANNOYING FACTOR that this album illuminates. Ugh. I guess Jim Gillette used to be the lead vocalist for some band called… Nitro. Nitro? Does not ring a Metal bell for me. Let me put this in perspective here… Bed is the worst song I have ever listened to in my life. Wicked Wonderland is without question, the worst “Heavy Metal” album that I have bought since, well, since ever. “Tie me to the bed”… these lyrics alongside some of the most bothersome guitar you will ever listen to, throw in the constant ANNOYING keyboards and you have the epitome of BAD.

Is there at least one song on Wicked Wonderland that is at least… tolerable? Uh, let’s see… maybe Scream 4 Me is a bit groovy. Metal truth be told, if Lita Ford created more songs like Scream 4 Me on this album, it would have been a more credible project in the end. It is extremely rare for me to put any album or band through the Metal wringer on Metal Odyssey. Really, it has to be a monumental bad listening experience in Heavy Metal for me to bark this fierce. After listening to Wicked Wonderland twice, I felt an obligation to the Metal world to give my fair warning regarding this Lita Ford album, uh, disaster. In the end, Wicked Wonderland makes for a decent comedy album, the ending song is Push. Uh, yeah, there is sexual innuendo stacked up to the ceiling on Push. Weeeeeeeeeee! I’m selling my Wicked Sensation CD first thing Thursday morning to the used CD dealer, (I hope he buys it). Sometimes immaturity is best expressed through song, yet to combine it with lack of integrity as Lita Ford did with Wicked Wonderland is simply astonishing.

To my best Metal buddy Scott… I should have heeded your warning about this album, Metal lesson learned.

Lita Ford "Wicked Wonderland" large album pic

My Mom Supported Heavy Metal Music

Posted in 1970's heavy metal music, 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, classic rock music, family, feel good stories, heavy metal albums, heavy metal music, life stories, Metal, metal odyssey, Music, old school heavy metal, people, personal stories, rock music, scary album covers, shopping for music with tags , , , , , , , , , , , , , , , , , on October 27, 2009 by Metal Odyssey

MetalOdysseyMy unreal great and undeniably loving Mother passed away on July 10, 2009. She just turned seventy years old this past April of 2009. To look at her, you would never know she was seventy, really. My Mom is a true hero and inspiration to me, always will be. She suffered a series of strokes in the Fall of 1990, therefore my Mom was a courageous survivor for nearly twenty years. Not being able to speak and having paralysis on the right side of her body were the two biggest obstacles that my Mom endured for two decades. That did not stop her from enjoying life, seeing her children get married and enjoying four grandchildren. Thanks to my heroic Father who became my Mom’s full time caregiver, many people and family members were given the gift of my Mom’s presence, thoughts and love for much longer than was initially predicted by doctors. Being born from my Mom was a gift and she was a gift to me for forty three years of my life. I now am convinced, that my Mom can speak and walk again up in heaven, where she has been reunited with her parents and without any doubt… my incredible sister too. I am at peace knowing my Mom is healthy again in heaven, no more suffering… my Mom has earned her place with the angels.

KISS Alive ll - small album pictureAlright, as my Mom would probably say right about now… enough with all of the sad stuff, let’s have a good time. I cannot resist reflecting on good times, heck, that is why they are called that in the first place. You see, my Mom was in her own special right… a fan of Heavy Metal. She was without question, one of the biggest advocates for Heavy Metal amongst any other Mom I knew, while growing up as a teenager back in the 1980’s. Her knowledge of the past and current bands back in the late 1970’s and through the 1980’s was admirable. There was a hiccup, however, when I was in sixth grade, in regards to my being allowed to have a KISS album in the house. My Mom took one look at the cover of KISS Alive ll and she said – no way. The blood spewing from the mouth of Gene Simmons was over the top for her. She specifically said that no son of hers would have that in her house. Well, to make a long story short, after she heard the song I was Made For Lovin’ You by KISS, the decision to allow KISS and any of their albums into our house was cleared to go. KISS was in… the world of Heavy Metal had a new fan… my Mom.

The neighborhood in which I grew up in, was a definite attachment to the downtown area of the small city it belonged to. There was a surplus of families living around me for blocks, that struggled to make ends meet. I was the luckiest kid in my neighborhood, having the record and tape collection that I bestowed. This collection of Heavy Metal was earned, I worked many different part time jobs after school and did a bounty of chores around the house and yard. Every penny I made… went to Hard Rock/Heavy Metal albums and tapes. No regrets ever, just a cool life of Heavy Metal enjoyment. My neighborhood buddies and me, well, none of us had a car until our senior year of High School, so making any out of town treks to the “real” record stores was out of the question. Step in my Mom.

Iron Maiden - debut album small picYes, my Mom would go out of her way to drive me and my buddies thirty minutes – out of town, to Strawberries Records and Tapes. These Heavy Metal excursions, (as we called them back then), would happen at the drop of a dime! After school, on the weekends, on days off from school and during the Summer… with my Mom it was no problem. She loved those trips to Strawberries. We sometimes would have four dudes in the back seat, with me up front and my Mom leading the way behind the wheel – those Heavy Metal journeys, (we called them that too), are memories that no money can buy. At least half of my Heavy Metal collection of albums and tapes, were courtesy of what my Mom would pick out on her own back then. We would storm into Strawberries and my Mom would seek out albums like a bobcat seeking out it’s prey. She is responsible for my having every Rainbow album ever made at the time. Iron Maiden too. Honestly, I never would have listened to Scorpions World Wide Live if not for my Mom, she would find and buy some prime albums for me back then.

This last memory I will reveal is one for the Heavy Metal record books. It is true and quite unbelievable. I would have many of my buddies from the neighborhood over to my house, almost on a daily basis. The door was always open to them… per orders from my Mom. Listening to Hard Rock and Heavy Metal albums was our number one priority back then. We played the music loud, as all of us have done and still do… no big deal. One day, while a few of my buddies and me were cranking up the Metal tunes in my bedroom, there was a knock at the door. Crap, I thought. Has my Mom finally had enough of these Heavy Metal hang outs? We all stared at each other not knowing really what to do or say. Again, the knocking at my bedroom door continued. One of us was knowledgeable enough to turn the music down low. I opened the door, hesitantly with a semi-gulp in my throat. Behold it was my Mom standing there with a plate of freshly baked chocolate chip cookies!! She smiled at all of us and said, you can’t go hungry while having so much fun with your music. Needless to say, my buddies were stunned. Unreal memory. A real memory. An unreal Mom that I will love and cherish forever, even if she is far away in heaven.

MetalOdyssey

BADLANDS – 1989 Heavy Metal Debut Album Still Reigns Supreme

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's hard rock bands, Album Review, classic hard rock music, classic heavy metal, classic heavy metal albums, classic rock, collecting heavy metal albums, cool album covers, essential hard rock albums, essential heavy metal albums, essential heavy metal songs, guitar legends, hard rock music, hard rock vocalists, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 1989, heavy metal vocalists, metal odyssey, Music, old school hard rock, old school heavy metal, rock guitarists, rock music, rock vocalists, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 26, 2009 by Metal Odyssey

BADLANDS "Badlands" large album picBadlands was a Heavy Metal band that I caught onto the instant they released their debut/self titled album – Badlands, (on Atlantic Records), back in 1989. I purchased this Badlands cassette at Strawberries Records & Tapes, located right around the corner from Central Connecticut State University on New Britain Avenue. I was a student at CCSU back in 1989, very much broke to the Metal wind. Therefore, my Heavy Music purchases were not abundant, I chose quality over quantity. With so little funds to buy music as a college student back then, being choosy was a necessity. Badlands with their classic and ultra talented lineup of musicians became a necessity for me. From the very first listen through of this album, (in my case cassette), to say that Badlands left an earthshaking mark on me is the understatement of the decade. The Heavy Metal onslaught of cool and psyched out vibrations, that this Badlands album gave me back in 1989, has once again reintroduced me to that same experience this past weekend.

My best buddy – a.k.a. – best Metal buddy – a.k.a. – Scott, well, he remembered just how much Badlands and their debut album resonated with me back in the day, therefore Scott landed me a CD copy of Badlands. Scott was my roommate at CCSU, my best man at my wedding and if anyone knows my Metal tastes and background… it is him. Thank you Scott, for this Metal gift of Badlands this past Saturday. Getting Badlands on CD in the mail was like experiencing Christmas Day on this cold, dank and rainy day in October. F’n unbelievable surprise.

It is an unreal great feeling to have this Badlands CD finally in my collection. I have never let go of my Badlands cassette since 1989… and I never will. To the best of my Metal research, this Badlands CD is extremely hard to find at retail. Out of print perhaps? Badlands is definitely one of my favorite Heavy Metal albums that I have ever listened to. I only wish this band was able to stay together forever, yet lead vocalist Ray Gillen was called to heaven a little early, on December 1, 1993 at the age of 34. The unreal great guitarist – Jake E. Lee and Ray Gillan on vocals may be the two main musical focal points of Badlands, yet Eric Singer on drums and Greg Chaisson on bass make for an ear bending and jaw dropping rhythm section – stuff of legend. Anyone that knows and enjoys Old School Heavy Metal can certainly identify with Badlands, this band is from that mold. Jake E. Lee proved with Badlands that there was definitely a Heavy Metal life for him away from Ozzy Osbourne.

The eleven songs on Badlands encompass the melodic driven side of Heavy Metal enormously, with the late Ray Gillen’s unique vocals surpassing many of his peers of that time, when it came to harmony and range. I include the late Ray Gillen in with Tony Martin, Jeff Scott Soto, Gary Barden, Jorn Lande and Joe Lynn Turner when it comes to lead vocals status in Old School Heavy Metal. He belongs with this select group of singers. (I definitely left out some names here, yet I think my point is made). If not for his passing away at age 34, I am convinced Ray Gillen would have been a top tier Heavy Metal and/or Hard Rock vocalist to this very day. With so many new vocalists coming out of the woodwork in all of the Metal genres since the 1990’s, too many of them sound like each other or have little regard for originality. This is why I can never tire from the late Ray Gillen’s vocal talent.

My favorite song on Badlands is Dreams In The Dark, I played it six times over, very loud the other night and it served me right. Yes, I acted very silly jumping around in my basement like a psyched out kid, while this song and the rest of Badlands cranked. As the ultra great Blackie Lawless would say… I don’t need no doctor. All I need is to delve back into the Metal world of Old School Heavy Metal, (on a very consistent basis), turn on some Badlands and let the bull crap of the world around me, wallow in it’s own decrepit stank. I don’t look back upon Badlands as a supergroup, instead I look upon them as a fabulously talented Heavy Metal band that was too short lived. Long live the legacy of Badlands – their Heavy Metal still reigns supreme for me.

Track List For Badlands:

High Wire

Dreams in the Dark

Jade’s Song

Winter’s Call

Dancing on the Edge

Streets Cry Freedom

Hard Driver

Rumblin’ Train

Devil’s Stomp

Seasons

Ball & Chain – (this song is not on the vinyl record version of Badlands)

BADLANDS "Badlands" large album pic

My Least Favorite Ozzy Osbourne Song Ever Is…

Posted in 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, classic heavy metal, classic heavy metal albums, classic rock music, cool album covers, creepy album covers, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal guitarists, heavy metal music, heavy metal music 1983, heavy metal solo vocalists, heavy metal songs 1983, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, rock music, scary album covers, spooky metal album covers, vintage heavy metal albums, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2009 by Metal Odyssey

MetalOdysseyOzzy Osbourne, the Heavy Metal Prince of Darkness. Ozzy Osbourne – Rock and Roll Hall of Fame inductee with Black Sabbath. Honestly, I revere the living hell out of this Heavy Metal legend. I did get to see Ozzy Osbourne live in concert twice during my lifetime. For me, those two concerts were unbelievable, with Metallica opening up for Ozzy in New Haven Connecticut, (at the spooky New Haven Coliseum) – it was The Ultimate Sin Tour for Ozzy and Metallica was promoting their legendary Master of Puppets album. The other Ozzy concert I saw had Queensryche open for Ozzy in Springfield, Massachusetts, (at the Springfield Civic Center), on this same Ultimate Sin Tour. Alright, so it is obvious I think the Metal world of Ozzy Osbourne… fine. However, by process of elimination, there has to be my least favorite Ozzy Osbourne song out there and there is one. I do not think much of the song, uh, ballad So Tired from Ozzy’s Bark At The Moon album. This song, ugh, ballad is responsible for my distaste of most Heavy Metal ballads ever released since, by any band. This album was released on December 10, 1983. Don’t get me wrong here, the Bark At The Moon album as a whole, is unreal good. Three songs on this album are incredible for me… Rock ‘n’ Roll Rebel, You’re No Different and of course – Bark At The Moon. These three Ozzy songs I can hold up on a Metal pedestal forever. Plus, Jake E. Lee on guitar is a Metal bonus to listen to.

So Tired is a song that in my Metal opinion, is overwhelmingly dull and depressing and does absolutely nothing but annoy me beyond belief. Who exactly is supposed to be so tired in this song? Is it Ozzy himself? Someone that Ozzy knows? I really do not care in the darn least who is tired. I get tired too, yet I never whine about it like Ozzy did in this song. Sure, maybe the tired theme was about waiting around for a love lost… who cares. So Tired is a perfect example of what happens when a Heavy Metal icon decides to go the Pop and Bubble Gum Music route with a song. Sappy city is open for tourists with So Tired. Get out the kleenex, So Tired is now playing… sniffle, sniffle, I am so moved. The orchestration in this song only annoys me more.

To me, So Tired just never seemed to fit in with the Bark At The Moon album. So Tired is a downer in the midst of some riveting Heavy Metal songs, a huge let down, like the depressed dude at a party trying to bring everyone else down with him. The video for So Tired, (which was on MTV too often back in the day), was so ridiculous that even I felt embarrassed for Ozzy. When the Bark At The Moon album was reissued, So Tired should have been omitted from the track list… it is that lousy – for me. In my Metal opinion, So Tired is the lowest moment of Ozzy Osbournes unparalleled and ultra legendary Heavy Metal career.

Ozzy Osbourne "Bark At The Moon" Large album picture

RAVAGE – “The End Of Tomorrow” – A Monster Of A Heavy Metal Album

Posted in Album Review, classic heavy metal, classic heavy metal albums, classic metal, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, cover songs, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, essential heavy metal songs, essential metal music albums, halloween songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from boston, heavy metal cover songs, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal music today, metal odyssey, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, speed metal, spooky album covers, spooky metal album covers, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2009 by Metal Odyssey

Ravage - Banner group photo  2009

Ravage is a Heavy Metal Band from Boston, (actually Malden), Massachusetts and is hell bent on keeping Classic Metal Music alive, loud and damn proud. Every song on this second album from Ravage, The End Of Tomorrow, (their Metal Blade Records debut, released on August 18, 2009), is writhing with Old School Heavy Metal influence. Ravage does a credible job at flexing their Metal muscles on each song, heavy, hard and speed are irreversible elements that dominate The End Of Tomorrow. No where is the Old School Heavy Metal influence more evident than in the cover of the Judas Priest classic – Nightcrawler. Ravage shows Judas Priest their deserved Metal respect by not ripping Nightcrawler to pieces with any unnecessary fills or excessiveness. A fabulous cover Ravage does with this song, Nightcrawler is a genius choice to add to their track list on this album, based on it’s creepy and dark theme.

I have found that, the more I listen to The End Of Tomorrow, the more I am being convinced that this album was released back around 1985. Alas, that is not such the Metal case… Ravage brings forth to 2009 the Heavy Metal song structures and ambiance of what I have come to expect from vintage Metal Church and early Judas Priest and Armored Saint albums, to name just a few Old Schoolers. After each listen to this album, it is very obvious that the members of Ravage have done their Classic Heavy Metal homework. Knowing and creating all of the heavy nuances of their influences only catapults quality and integrity, on an upmost consistent level throughout The End Of Tomorrow. The Halls Of Madness not only has a vintage Metal title, it also is quite the convincing Heavy Metal instrumental intro that brings back memories of early Helloween and Savatage, for me. There really is not a scapegoat song to point out on The End Of Tomorrow, all twelve songs have their own distinctive Metal bite, an album that I can hit play and let the Heavy Metal assault take it’s natural course. Excuse me for a Metal second as I proclaim The End Of Tomorrow as being a top favorite Heavy Metal album for me in 2009, in my Metal opinion. Ravage can play Heavy Metal… their original brand too… I would not tell a Metal lie.

Ravage "The End Of Tomorrow" tiny picReign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of MetalThe End Of Tomorrow is an unleashed monster of what I am talking about here.

My other favorite songs on this album are: The Grapes Of Wrath, which takes a Heavy Metal swipe at all the idiot talking heads on television, these plastic morons get called out on the Metal carpet by Al Ravage here rather eloquently. Plus, The Grapes Of Wrath is authentically memorable for my Metal mind, I just cannot shake this song out of my senses. The Shredder is another manifestation of early Judas Priest influence, only it takes on it’s own Ravage originality… reminding me of the Judas Priest classic – The Ripper, only The Shredder is absolutely not a knock off or copy cat by any means. The End Of Tomorrow is one powerful way to conclude this album, fittingly the title song… lyrically doom laden, the end result is a reality check on the life we are leading and living now. The End Of Tomorrow has a Power Metal approach that echos of great Heavy Metal triumphs to come in the future for this killer “new” band they call Ravage.

Ravage, as they appear on The End Of Tomorrow:

Al Ravage on lead vocals

Eli Firicano on lead and rhythm guitars

Nick Izzo on lead and rhythm guitars

G.T.B. on drums

Howie Snow on bass

Track Listing for The End Of Tomorrow:

The Halls Of Madness

Reign Fall

Freedom Fighter

Damn Nation

The Shredder

Into The Shackles

In Shattered Dreams

The Nightmare’s Hold: Part One

Nightcrawler

The Nightmare’s Hold: Part Two

Grapes Of Wrath

The End Of Tomorrow

C’mon, is this album cover OLD SCHOOL HEAVY METAL or what? Not only does the Heavy Metal of Ravage stand on it’s own, (they could have issued a plain blue cover and that would not change the quality of Metal songs heard inside one bit), yet man, this is cool throwback artwork happening here. I cry out a huge Metal bravo! – to artist Edward J. Repka for creating a REAL Heavy Metal album cover for Ravage.

Ravage - "The End Of Tomorrow" x-large pic

How I Discovered Motorhead And My Favorite Motorhead Song Ever

Posted in 1970's classic rock bands, 1970's hard rock bands, 1970's heavy metal music, 1980's heavy metal albums, 1980's rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's metal bands, 1990's rock music, classic heavy metal, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock bands, classic rock music, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, current heavy metal bands, essential heavy metal albums, essential heavy metal songs, feel good stories, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal albums 1984, heavy metal memorabilia, heavy metal music, heavy metal music 1984, heavy metal on vinyl, heavy metal vocalists, Metal, metal odyssey, Motorhead, Music, old school heavy metal, rock & roll, rock and roll, rock music, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2009 by Metal Odyssey

Motorhead "No Remorse" small album picMotorhead is and always will be a core favorite Heavy Metal Band of mine, (a top 3 band without a doubt). I was first introduced to this prolific band back around 1983, a friend of mine in high school gave me an 8-track of a live Motorhead bootleg. (This dudes name was Rich, I am glad we had crossed paths back then). The sound was enormously awful, (the actual 8-track didn’t help), the lead vocals were beyond raspy and unclear and the Heavy Metal Music being played was raw, uncommercial and unlike anything I had ever heard before in my young life. I loved it. I was beyond thrilled at listening to this Motorhead 8-track. I was enamored by every unpolished intricacy that my rookie Metalhead ears heard. Here is this band, on a beat up 8-track, recorded as a live bootleg somewhere far away in the world, that only a dozen or so dudes in my high school even knew about at that time in 1983. All  that was written on the blank white sticker on this 8-track was a barely legible – Motorhead Live. I’ll never forget that… an Old School Metal memory at it’s most innocent. I was awe struck by the unnatural vocals of Lemmy Kilmister and his bass was over powering to boot. Gimme some more Motorhead is what I said.

I wound up buying the Iron Fist album by Motorhead first, (on vinyl of course). This Iron Fist album was released on April 17, 1982, I bought it sometime in 1983… owning a real Motorhead album became a dire Metal necessity then, I needed to get the Metal ball rolling in starting my Motorhead collection. Not having too much money as a teenager, I did not make another Motorhead album purchase until the double album No Remorse was released – which was September 15, 1984. (I can’t recall if I actually bought No Remorse on it’s release date, who would care now? I do remember that I bought it right away though!). Buying No Remorse heightened my awareness, attitude and respect for Metal Music in 1984 – I now had a legitimate greatest hits of Motorhead in my possession. My favorite Motorhead song ever, is on No Remorse, it actually was a brand new song added to this greatest hits track list at the time. Killed By Death. An unreal and damn incredible Metal song for me then… still is now in 2009.

Motorhead "No Remorse" small album picWhen I listen to Killed By Death today, it is like I am hearing it for the very first time again. I cannot figure that out, why bother? All I know is what this song does for me, it gets me extremely pumped up and motivated beyond Metal belief. The Heavy Metal and Roll vibe and groove that Killed By Death bestows is unlike any Motorhead song pre-1984. I was so fascinated back in 1984, while holding the double album jacket, staring at the front cover artwork of Snaggletooth, a.k.a. War-Pig and having my ears being ignited by Motorhead Metal. It felt like my little teenage world was made into a more tolerable place to exist in, with the Heavy Metal of Motorhead being at the ready for me to escape in. I could never forget just how much this No Remorse album of greatest hits means to me still, especially the song Killed By Death. Yes, I still have this No Remorse album, this double album is like Metal gold to me. I have kept it in pristine condition since September of 1984, this album is one of the fortunate ones that never was traded, sold, lost or given away by me.

I bought No Remorse at the no longer existing – Strawberries Records & Tapes. I even begged, bribed and pestered the Strawberries manager for months, to give me the Motorhead No Remorse promotional poster that hung on the store wall. (Back then, large record stores had class, they would actually give away any and all promotional posters for free, that is correct… for free). This Strawberries manager turned out to be a Metal hero for me… upon one of my extremely many trips there, he saw me enter the store and informed me the No Remorse promo poster was mine. That’s one cool memory – simple, innocent and Metal. This Motorhead No Remorse promo poster was hung up on my college dorm wall at Central Connecticut State University and survived. (I don’t know how it survived either). This same poster now adorns my basement wall… surrounded by many, many other Metal posters. However, this Motorhead No Remorse promo poster will forever remain as the Metal epicenter of my Rocked out basement, while the No Remorse album will remain as an integral reason as to why I revere Motorhead and Metal Music in the first place.

*My original copy of this Motorhead No Remorse – double album, depicts the same artwork on the front cover, however, the graphics Motorhead No Remorse are in deep red type.

Motorhead "No Remorse" large album pic

TONY IOMMI & GLENN HUGHES – 1996 DEP SESSIONS ALBUM- OLD SCHOOL HEAVY METAL

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's classic rock guitarists, 1980's heavy metal albums, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, 1990's classic rock albums, 1990's classic rock music, 1990's hard rock music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's rock music, 1990's hard rock bands, 1990's heavy metal music, Album Review, Black Sabbath, century media records, classic hard rock, classic hard rock music, classic heavy metal, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock vocalists, collecting classic rock, collecting heavy metal albums, collecting music, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, hard rock music, hard rock songs, hard rock vocalists, hard to find rock albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal vocalists, Metal, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock and roll, rock and roll hall of fame inductees, rock music, rock vocalists, tony iommi heavy metal guitarist, vintage hard rock bands, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 20, 2009 by Metal Odyssey

HUGHES large album picI found IOMMI With Glenn Hughes – the 1996 Dep Sessions on the Century Media Records online store CM Distro.com. This CD set me back 3 bucks plus shipping. (I bought a few CD’s so the total shipping cost of 5 bucks was reasonable to me). This CD was in the clearance section at CM Distro.com, proving to be a cool Metal find for me. Tony Iommi is the lead guitarist for the ultra legendary/Rock and Roll Hall of Fame inductee – Black Sabbath. Glenn Hughes has had a stellar career of his own, most notably being a vocalist and bass guitarist for Deep Purple on their Burn and Stormbringer studio albums from 1974. Glenn Hughes is also on the Deep Purple studio album – Come Taste the Band from 1975, as well as several Deep Purple live albums, the most notable being Deep Purple – Made In Europe, from 1976. Glenn Hughes was a member of Black Sabbath, (hey, it is an official Black Sabbath album – Black Sabbath Featuring Tony Iommi – Seventh Star). This studio album, Seventh Star, was released back in January of 1986 and Glenn Hughes was the lead vocalist only… Dave Spitz played bass on Seventh Star. This background information on Glenn Hughes is to help anyone who may be unfamiliar with his musicianship and/or career. Trust me, it would be a very long post to acknowledge everything Glenn Hughes has done during his illustrious music career dating back to 1968.

I have always revered the vocals of Glenn Hughes, not to mention his bass guitar exploits. When I listen to Glenn Hughes sing, it is the real deal for me… real Hard Rock vocals, real Heavy Metal vocals and yes, even soulful vocals on some of his solo work as well. Tony Iommi in my Metal opinion, is… if not the founding father of Heavy Metal guitar, then one of the very first. The combination of Glenn Hughes on vocals and Tony Iommi on guitar worked just fine for me on the Black Sabbath album, Seventh Star. Certainly, it was not the most famous music achievement for either Tony Iommi or Glenn Hughes, still it remains a standout album for me due to it’s Old School – Heavy Metal resonance and quality of songs.

This 1996 DEP Sessions album seems to rekindle that Old School Heavy Metal and Old School Hard Rock sound from the late 1970’s into the ’80’s. Do not expect a layered and very heavy album here, you will not be listening to Heaven and Hell or Sabbath Bloody Sabbath. Even the Heavy Metal fog storm of Seventh Star is not revisited here by Iommi and Hughes. What I hear, is an appropriate blend of Rock, Hard Rock and Heavy Metal vocals from Glenn Hughes, to correspond with the diverse guitar brilliance of Tony Iommi. The riffs are plentiful, extremely distinguishable that this is Tony Iommi – the Old School, Heavy Metal riff king himself. Iommi does not shy away from writing and playing tremendously melodic leads as well, in a Metal nutshell… Tony Iommi’s guitar is the dominant musical force on this 1996 DEP Sessions album, (of course). Unlike the Black Sabbath albums with Geezer Butler on bass and Bill Ward on drums, the rhythm section on this album honestly does take a back seat… albeit intentional during production or it just may be my aging Metal ears.

My three favorite songs on this 1996 DEP Sessions album are: Gone – which plays out as the heaviest song, the opening riff is vintage Tony Iommi. I‘m Not The Same Man – has reality check lyrics and is driven with melodic hardness at every nook and cranny. Fine – is a Hard Rock ballad that just grabs my attention on a personal level, plus Tony Iommi and Glenn Hughes really deliver a genuine song here. All eight songs are memorable and good quality, both musically and lyrically. I won’t yell out loud that this album is unreal great and the best stuff these two Heavy Music legends have ever done. I will attest that this album has been a damn cool listening experience for me though. 1996 DEP Sessions is definitely worth picking up if you are a fan of Old School Heavy Metal and/or Hard Rock, Deep Purple and Black Sabbath. Glenn Hughes and Tony Iommi fans have to own this album of course, the value is in the overall musicianship and diversity in songs. I will be playing this album regularly in the future, the combination of Glenn Hughes and Tony Iommi is just too cool to ignore.

Track Listing For: IOMMI with Glenn Hughes the 1996 Dep Sessions:

Gone

From Another World

Don’t You Tell Me

Don’t Drag The River

Fine

Time Is The Healer

I’m Not The Same Man

It Falls Through Me

* the 1996 Dep Sessions IOMMI with Glenn Hughes was released on September 28, 2004, on Sanctuary and Mayan Records.

HUGHES large album pic

DOMMIN – “E.P.” Has Me Hooked

Posted in Album Review, alternative rock bands, alternative rock music, alternative rock music albums, collecting rock music, cool album covers, creepy album covers, current alternative rock music, current hard rock albums, current hard rock bands, current hard rock music, current hard rock songs, current heavy metal music, current rock albums 2009, diverse metal music, essential hard rock albums, essential rock albums, gothic hard rock bands, gothic hard rock music, gothic metal bands, gothic metal music, hard rock music, hard rock music 2009, hard rock songs, hard rock vocalists, heavy metal album covers, heavy metal music, heavy metal music 2009, heavy metal vocalists, horror metal, melodic hard rock songs, melodic rock bands, melodic rock songs, metal odyssey, Music, rock & roll, rock album review, rock and roll, rock music, rock music reviews, rock music vocals, rock vocalists, scary album covers, shopping for music, spooky album covers, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 19, 2009 by Metal Odyssey

Dommin - Group Photo banner 2009

I picked up the Dommin E.P. at Hot Topic today and man, this band has me hooked. This Dommin E.P. has been available as a Hot Topic exclusive since July 7, 2009. This band caught my attention over the last few months as I scoured the web looking for new and cool albums to potentially buy. Buying this E.P. was a necessity for me, I have already listened to some of Dommin’s songs already and really liked what I heard. Plus this E.P. will make for a cool prelude to my finally picking up the new album from Dommin – Love Is Gone. The price I paid for E.P. is unreal great – $1.99. Uh, again, that’s $1.99! My copy I bought was the last one, (or only one), left in this specific Hot Topic store… that tells me E.P. sold quite well since July 7th. The price and obvious popularity is not too shabby for a brand new CD with four outstanding songs. E.P. contains a track that is not found on the Love Is Gone album – Awake. I have always been open minded to all Rock, Hard Rock and Metal genres, listening to a bountiful mix of bands over the decades has been my Metal way. With that said, this is how I describe the music of Dommin, in my Metal opinion:

Dommin - "Eyes" Banner - 2009

The vocals of Kristofer Dommin are extremely confident and powerful. His vocals alone are what draws me into the music, I am not ashamed to say that they are riveting… for me. When I listen to Kristofer Dommin sing, my ears detect some Glenn Danzig meets David Bowie – really. This is not to say that his vocals are unoriginal, not in the least. Kristofer Dommin’s vocals are very different from what I have been listening to in recent memory. I will confidently state, it is hard to pigeonhole Dommin into one specific music genre. Gothic, Heavy Alternative, Rock, Hard Rock, Melodic Goth or Modern Heavy Metal genres are all represented quite amazingly well with the music of Dommin. If that causes a stir, so be it… this band has been a tough Metal cookie for me to pinpoint with accuracy as to their specific placement in genre. Yet this is what makes Dommin so damn cool from the start, does it really matter anyways which genre a band adheres to? Take it from me, (if you want to), that Dommin belongs in the Heavy Music world with their dark, hard and artistic style of music. Heavy Music this outrageously melodic and hard gets me listening. Dommin takes Rock simplicity from decades past and elevates it into their very own Heavy and dark stratosphere of interpretation, exposing it for all to hear in 2009.

DOMMIN is:

Kristofer Dommin on vocals & guitar

Billy James on bass

Konstantine on keyboards

Cameron Morris on drums

** Track Listing For E.P. is:

My Heart, Your Hands

Dark Holiday

Without End

Awake – (only available on E.P., not included on Love Is Gone album)

DOMMIN is on a record label that in my Metal opinion, knows something about Rock and Roll… ROADRUNNER Records.

DOMMIN - "E.P." album pic

Charm City Devils “Let’s Rock-N-Roll” – A Charming Hard Rock Album

Posted in Album Review, baltimore hard rock bands, collecting rock music, cool album covers, current hard rock albums, current hard rock bands, current hard rock music, current hard rock songs, current rock albums 2009, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock albums 2009, hard rock bands 2009, hard rock drummers, hard rock guitarists, hard rock music, hard rock music 2009, hard rock songs, hard rock vocalists, heavy metal music, independent record labels, melodic rock bands, metal odyssey, Music, new hard rock album, old school hard rock, Rock, rock & roll, rock album review, rock and roll, rock music, rock music reviews, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 18, 2009 by Metal Odyssey

Charm City Devils "Let's Rock N Roll" large album picI picked up my copy of Charm City Devils – Let’s Rock-N-Roll this past Summer, it was towards the end of July. On July 10, my mother passed away, she was as splendid, caring, giving and loving as a mother could possibly be for me. I received the news of her passing from my father… over the cell phone. We, (my wife and I with our twin daughters), were on our way to Connecticut by car with my courageous wife driving when this tragic news was conveyed to me by my father. We live in Pennsylvania, a solid three and a half hours away from our parents and relatives. The shock and sadness we all felt in the car at that moment can not be expressed in words here. Why I am telling this story is due to the Charm City Devils song Almost Home. You see, upon my first listen to Almost Home, I felt instant sadness, goose bumps formed all over my body and my thoughts instantly were directed to that awful moment in time – of receiving my fathers phone call about my own mothers passing away. It was only a couple of weeks after losing my mother that I first listened to this song.

I had not listened to Almost Home again until today, October 17, 2009. (I just could not bring myself to listening to this song again right away, I needed time to heal, so to speak). The emotional feeling of sadness still erupts within me when I listened to this song again, however, Almost Home actually has now helped me deal with my very own personal experience. It feels good to get this off of my chest… this is a perfect example of how Hard Rock Music or any music for that matter, can connect with you on such a deeply personal level. If this song is to be a true story, connected to any member of Charm City Devils, then I express my deepest sympathy to that person who experienced that phone call too. The lyrics of Almost Home are just too deep and emotional to be fiction.

Alright, now for the cool and Hard Rockin’ part of this album. I will start with stating that the first three songs come out of the Hard Rock gates with the sincerest of enthusiasm and energy. Very memorable are these songs, sing-a-longs if you will. Let’s Rock-N-Roll (Endless Road), House Fire and 10,000 Miles have all the sound and flavor of a hungry up and coming Hard Rock Band. The youthful energy I hear is a kick to my butt to stay in shape and think and act young! (Within reason of course). Best Of the Worst is a mid-paced ballad that sounds like the hit to me, a very commercial sounding song that won’t hurt this bands career. I am a ballad frowner my whole life, still this song has an almost uplifting sensory feel about it. Money has a Punk Rock vibe happening, especially with the rhythm section and arguably with the vocals as well… very cool song for me.

By me stating that Let’s Rock-N-Roll is a charming album, I am not trying to sound sappy, cute or funny here. I really mean it, this is a damn decent – Rock and Roll meets Hard Rock album here. A viable nod to Old School Hard Rock has been established, with Charm City Devils first album. Based on what I here from this album, Charm City Devils can use that old cliche and say the Hard Rock sky is the limit. There is heaping pounds of Hard Rock potential for Charm City Devils to get even better… and they already are quite the Hard Rock band on the rise. Heck, if Bon Jovi could become a household name writing and playing this kind of music, then why not Charm City Devils? I also like to compare this band to Airbourne, although I hear more diversity in song from Charm City Devils which is admirable. At the end of my Metal day, I concede that Let’s Rock-N-Roll is an album worth catching onto and Charm City Devils is a Hard Rock Band worth keeping an eye on.

* Let’s Rock-N-Roll was released on May 26, 2009, on Tenth Street Entertainment/Eleven Seven Music. * Eleven Seven Music has as it’s label president, the legendary Nikki Sixx.

* Charm City Devils hail from the Charm City itself – Baltimore, Maryland.

Charm City Devils as they appear on Let’s Rock-N-Roll:

John Allen – lead vocalist

Vic Karrera – guitar

Anthony Arambula – bass

Nick Kay – guitar

Jason Heiser – drums

Charm City Devils "Let's Rock n Roll" x-large album pic

DRIVIN N CRYIN – 1993 ALBUM “SMOKE” IS HARD ROCK BLISS

Posted in 1980's rock music, 1980's hard rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's college music, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, Album Review, classic hard rock bands, classic rock, classic rock album finds, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, collecting classic rock, collecting rock music, current hard rock bands, essential classic rock albums, essential classic rock songs, essential hard rock albums, essential rock albums, feel good stories, Hard Rock, hard rock album review, hard rock bands from georgia, hard rock drummers, hard rock guitarists, hard rock music, hard rock songs, hard rock vocalists, metal odyssey, Music, old school hard rock, rock & roll, rock album review, rock and roll, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 16, 2009 by Metal Odyssey

Drivin N Cryin "Smoke" small album picThere are those select few bands, select few albums throughout my life that I have listened to, that I can say – resonates with me. Drivin N Cryin is one of those bands and their 1993 album – Smoke, (on Island Records). I confess, I never owned a copy of Smoke until October 14, 2009. Unbelievable, how great Rock Music can slip by you. I have vindicated this slip-up by now taking ownership of this great album… finding it on CD during one of my many thrift store Hard Rock and Metal hunts. Rock diversity is a strong point with Drivin N Cryin, their talent to create credible and memorable songs are sensationally a musical characteristic. Smoke is a Rock meets Hard Rock album that even upon it’s initial 1993 release, can be construed as a throwback – to the days when writing Rock songs wasn’t about a race to the commercial finish line. After three consecutive and thorough listens to Smoke on Wednesday, all I could think about that night was listening to Smoke on Thursday! For me, this album is that good… I mean great.

Drivin N Cryin does bring back a very cool Rock memory for me. I saw Drivin N Cryin open up for the ultra legendary – The Who. This concert was at the Meadows Music Theater in Hartford, Connecticut, I think the year was around 1997. (Heck, I cannot remember the exact year). My wife and best buddy Scott were with me for this unreal great night of Rock and Roll. We did not know upon entering this outdoor amphitheater that Drivin N Cryin were opening for The Who that night… we were beyond thrilled when Drivin N Cryin hit the stage, they were simply put – tremendous. I will always remember that night, for Metal sakes, it was The Who taking center stage after all! However, Drivin N Cryin was the Hard Rock bonus that was so unexpected that evening… an unbelievable bonus it was!

Drivin N Cryin "Smoke" small album picThere is no hiding from the fact that I uphold Metal Music and I am a Metalhead, with that said, I also uphold quality Rock and Hard Rock Music as well. Drivin N Cryin enables me to embrace their songs through their vivid musicianship and clarity of their lyrics. With Smoke, there are no illusions going on, no flamboyant and over the ropes attitudes to be heard, just straight -up Rock Music that hits home for me. The first three songs, Back Against The Wall, She Doesn’t Wanna Go and Smoke on Smoke are a 1-2-3 Hard Rock can of whoop ass. 1000 Swings and 1988 are by far cool Rockers as well. Whiskey Soul Woman is just one incredible Rock song to cruise to, it has a Classic Rock vibe swirling all around. When You Come Back is a laid back, Blues Rockin’ song that shows just how diverse Drivin N Cryin can be with Rock. Patron Lady Beautiful can be justified as an epic Rock song for Drivin N Cryin, at 7:36 it plays out with the Rock mellowness that I need to hear every so often and takes it’s twists and turns with Hard Rock heaviness – in real Classic Rock style. What’s The Difference and Eastern European Carny Man has some Tom Petty influence happening, both vocally and musically, not a bad influence for my ears to hear at all.

My favorite song on Smoke, (if I am forced to choose), has to be Turn It Up Or Turn It Off… this is a Hard Rock Classic for me, man these guys jam on this song. There is a hidden track on Smoke, right after the last song, therefore there are really thirteen songs on this album. This hidden song has Classic Rock oozing from it’s every crevice, with the guitars giving way to 1970’s style licks that are beyond cool for me. When it is all said and done, quality Rock musicianship and vocals will always save the day and stay relevant for decades on end. Drivin N Cryin is just this band, extremely credible song writing and musicianship and Rockin’ to this very day. I really dig the vocals of Kevin Kinney, he is at his unreal best on Smoke. I most highly recommend Drivin N Cryin and all of their music to any fan of Rock, Classic Rock and Hard Rock. Smoke turned out to be a hidden Rock gem for me, sending me off to Hard Rock bliss.

* I have not seen this CD for sale on Best Buy online, I have seen it for sale at Amazon.com, as recent as today.

Drivin N Cryin as they appeared on Smoke:

Kevin Kinney – vocals and guitar

Tim Nielsen – bass

Jeff Sullivan – drums

Buren Fowler – lead guitar

DRIVIN N CRYIN "SMOKE" X-LARGE ALBUM PIC

MISFITS – “LAND OF THE DEAD”, 2 NEW SONGS AND COVER ART! RELEASE DATE IS OCTOBER 27, 2009!

Posted in 1970's punk rock, 1980's punk rock bands, 1980's punk rock music, 1990's punk rock bands, 1990's punk rock music, collecting rock music, cool album covers, creepy album covers, current punk rock music, current punk rock songs, essential punk rock songs, extreme music, halloween rock music songs, hardcore punk rock music, hardcore punk rock songs, horror punk, horror punk album covers, horror punk rock bands, horror punk rock music, horror punk songs, metal odyssey, misfits album covers, Music, old school punk rock, Punk rock, punk rock album covers, punk rock bands, punk rock music, punk rock music 2009, punk rock music today, punk rock musicians, punk rock songs, Rock, rock & roll, rock and roll, rock music, scary album covers, scary halloween songs, scary rock music songs, spooky album covers, vintage punk rock bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 12, 2009 by Metal Odyssey

ATTENTION ALL FIENDS WORLDWIDE:

Misfits Records.com has reported, (on Saturday, October 10, 2009), that the first NEW Misifts songs since their 2003’s Project 1950 album, will be released on October 27, 2009! The title of this new 2 song maxi-single is Land Of The Dead. The two songs are: Land Of The Dead and Twilight Of The Dead. Both of these songs will be available to purchase and download for 99 cents each at itunes on 10-27-09. I am extremely thrilled beyond Metal belief, that new songs from the Misfits are on the way! The extra special release being the week of Halloween, makes it a true gift from the Misfits to their fans! Jerry Only and the Misfits are titanic legends of Punk Rock – Horror Punk Rock. Halloween 2009 just got fiendishly better and spookier with the news of new Misfits songs coming out! F’n Yeah!

Here is the breakdown for the vinyl – 12″ version of Land Of The Dead:

* Clear Red Vinyl Version1st pressing is limited to 1,000 pieces! This red vinyl 12 inch version will be available exclusively at the Fiend Store and Misfits Records online store. From the way in which this news release reads, there will be record stores that will carry the vinyl of Land Of The Dead, however, it may not be the first pressing.

*Clear Orange Vinyl Tour Edition – limited to only 1000 pressings! This clear orange vinyl 12 inch will be available exclusively at Misfits shows – *it will not be available in stores.

* Front Cover Artwork – this fiendish new cover painting was created by Arthur Suydam. This new rendering of the Fiend Skull by Arthur Suydam is unreal great and Misfits Horror Punk imagery – at it’s ultimate level.

* Both new songs were written by Misfits founding member and bass guitarist – Jerry Only, in tribute to world famous director George A. Romero and his Living Dead movie series.

Misfits are: Jerry Only on bass guitar, Dez Cadena on guitars and Robo on drums.

Misfits "Land of the Dead" large album artwork

John Fogerty – “Eye of the Zombie” a 1986 Creepy & Rockin’ Halloween Song

Posted in 1970's classic rock bands, 1980's classic rock bands, 1980's classic rock guitarists, 1980's rock albums, 1980's rock music, 1980's rock musicians, 1980's classic rock, 1980's classic rock music, 1980's classic rock songs, 1980's rock bands, classic rock, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, collecting rock music, cool album covers, creepy album covers, essential classic rock albums, essential classic rock songs, halloween songs, metal odyssey, Music, Rock, rock & roll, rock and roll, rock guitarists, rock music, rock music lyrics, rock vocalists, scary album covers, song lyrics, spooky album covers, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , on October 11, 2009 by Metal Odyssey

John Fogerty "Eye of the Zombie" small album picHere I go again… pulling out another great and scary Rock song that is just eerily perfect for the Halloween season. In 1986, the ever legendary John Fogerty released his solo album – Eye of the Zombie, (on Warner Bros. Records). The cool release date of October 1st made this song all the more fitting for Halloween too. I was introduced to this song and album by my late sister, back in ’86, she knew this particular song was right up my Metal alley. With all of my time being occupied by Metal Music back in the ’80’s, I knew I could always count on my sister, to hook me up to some very cool mainstream Rock albums and songs from time to time. If my Metal memory serves me correct, the video for Eye of the Zombie, (which MTV played frequently then), was damn spooky and cool too. Just the way in which John Fogerty sings this song gets the creep out meter moving. Musically, this song Rocks in a very unique and spooky way.

As for the entire album of Eye of the Zombie, I don’t find it difficult to recommend to any Classic Rock or Rock Music fan at all. This song and album may not have been the blockbuster of John Fogerty’s career, still, Eye of the Zombie is a song and album that I reflect upon for it’s originality and cool Rock vibe. Too many times, it is the Rock album and/or song that does not find chart success or critic praise that turns out to be the true Rock and Roll wild card of a musicians career. Change in the Weather was the song talked about most from this album, with it’s Creedence Clearwater Revival roots, yet it is the allure of the song Eye of the Zombie that had me listening to the entire album itself. The front cover album artwork for this album is a visual nightmare image of a horrible looking creature… a zombie perhaps, only to me it appears to be more of a half man, half lion monstrosity. Very cool image nonetheless, something you would expect on a Metal Band’s album cover. In the end, if it has always been construed that John Fogerty took a Rock Music risk with this album, then I will be Metal bound to say it was a fabulous risk to take. The song Eye of the Zombie is one not to miss listening to this Halloween season… nor is it not a risky bet to get into the rest of this album any time of the year.

Here are the lyrics to this great song, if this doesn’t spook you out then you are too cool:

Eye of the Zombie

Hoo! Oooooh!

Shadows on the mountain,
And the night begins to fall;
Gather up the children,
‘Fore the darkness takes us all.
Tribe has come together,
Standin’ naked against the night;
Twenty feet from the fire,
The evil waits with zombie eyes.

Chorus:
Eye-eye-eye eye of the Zombie!
Eye-eye-eye eye of the Zombie!

Oh! Sneakin’ through the long grass
On leopard feet silently,
A beast already dead comes
To join the dance on the zombie.
Ooh! Time has come again
Again the moment of truth;
The terror is at hand,
And there’s nothin’ you can do.

[Chorus]

Oh! Hoo! Aaa-aah! Hoo! Aaa-aaa-aaaah!

From out of nowhere he’s there,
Flashing hideous teeth,
Panic in the crowd,
Helter-skelter,
We’re brought to our knees.
Back to the darkness,
Back on the mountain he stands,
You can’t fight a shadow,
You can’t kill a dead man.

[Chorus x4]

John Fogerty "Eye of the Zombie" large album pic

KISS “KLASSICS” – ROCKS HARDER THAN EVER!

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's hard rock, 1970's heavy metal, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's heavy metal hits, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's classic rock songs, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's rock bands, 1990's classic rock music, 1990's heavy metal bands, 1990's rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal, classic rock, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, collecting classic rock, collecting heavy metal albums, collecting rock music, cool album covers, current heavy metal albums, current heavy metal music, essential classic rock albums, essential classic rock songs, essential heavy metal albums, essential heavy metal songs, guitar legends, hard rock album review, hard rock music, hard rock music 2009, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock and roll, rock music, vintage hard rock bands, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 10, 2009 by Metal Odyssey

The second studio CD packaged inside the new KISS –  Sonic Boom is KISS Klassics. I am not holding back on this – Whoa. Whoa does KISS rock harder than ever on these re-recorded KISS “greatest hits” – (oops), Klassics that is. I slapped in the Klassics CD, preparing to hear some subtle differences in these re-recorded songs, instead I opened up my mind and ears to a can of KISS whoop ass! Metal be damned, Tommy Thayer can play his Metal heart out – Black Diamond is unreal heavy and good. After just one listen to Lick It Up and I was re-enrolled into KISS Rock and Roll 101 – all over again. Lick It Up has a ton more KISS attitude now, (sounds unreal, understand it is holy crap good). Harder, heavier, with heaping Metal waves of relevance crashing all around is this KISS Klassics. For many KISS fans, Animalize was an album that, well, was very much a commercial Hair Metal phase for this band. Let KISS introduce you to their re-recorded – 2009 version of Heaven’s On Fire… I really, really, really, like this song a Metal ton now.

In my most honest Metal opinion, Paul Stanley sings like he has been reincarnated into his 1977 body. Gene Simmons vocally sounds like a man who has been reborn himself. Metal be my witness, this KISS Klassics has done to me, what it was probably intended to do by KISS in the first place… realize that this band is age defying and generation fusing and yes, damn great at playing these songs that are decades old. The last thing I want to sound here is as a biased, middle aged KISS fan… hell, if KISS was to have dropped the Metal ball on this one, I would be the first one screaming NO! What once was old is new again, for Metal sakes, KISS is new again! There are subtle differences in guitar leads, solo’s, riffs, yet Tommy Thayer plays each and every song like a Metal pro. Ace Frehley is legend, no question, yet Tommy Thayer has taken these songs from the master and has put his very own KISS signature on them. Eric Singer is just an excellent drummer period. His years with KISS alone, has established his icon status for me.

Back to more of these Klassics… I Was Made For Lovin’ You still holds that melodic extremity to it that some misguided folks confused with – disco. I will fight till the end of Metal time and refute any damn comparison of this song to disco. Hotter Than Hell is just that… this 2009 version has given me a brand new, psyche me out song to crank up LOUD. I Love It Loud is cool, yet this re-recorded version does not beat out the original, thank you very Metal much. Don’t get me wrong now, I will still raise my Metal fist in the air to this 2009 version of I Love It Loud – hell yeah. Christine Sixteen has always been a genius of a KISS song, Gene Simmons gives it a robust Metal boost in this 2009 recording, his vocals this time around has re-energized this Klassic. I always get a Metal kick out of the piano intro to Christine Sixteen. What would a KISS Klassics be without Rock And Roll All Nite? It is here on this Klassics CD, more emboldened by KISS than ever before. Forever is the lone KISS ballad to be found on Klassics… since I belong to the KISS Army, I will listen to this ballad. Forever is a good song, Paul Stanley and KISS bring it back for this Klassics curtain call for that same reason. There are throngs of fans who emotionally relate to this KISS song, heck, that is what ballads do.

In closing Metal summary, if you are a KISS fan, (no matter for how long), you NEED to buy Sonic Boom with this KISS Klassics included. The time to re-enlist into the KISS Army is NOW. If you never have been a fan of KISS, do not buy Sonic Boom with KISS Klassics… hell, the KISS Army is looking for Rock and Roll warriors anyway – so critics can stay away.

Track Listing For KISS Klassics:

* Deuce

* Detroit Rock City

* Shout It Out Loud

* Hotter Than Hell

* Calling Dr. Love

* Love Gun

* I Was Made For Lovin’ You

* Heaven’s On Fire

* Lick It Up

* I Love It Loud

* Forever

* Christine Sixteen

* Do You Love Me

* Black Diamond

* Rock And Roll All Nite

KISS "Sonic Boom" x-large album pic 2009

NAZARETH “NO MEAN CITY” – 1979 HARD ROCK ALBUM IS A DIAMOND IN THE ROUGH

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's Rock, 1970's rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal, classic rock, classic rock albums, classic rock bands, classic rock cover songs, classic rock music, classic rock music 1979, classic rock songs, classic rock vocalists, collecting classic rock, collecting rock music, cool album covers, creepy album covers, essential classic rock albums, essential classic rock songs, hard rock music, heavy metal music, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock and roll, rock music, scary album covers, spooky metal album covers, vintage hard rock albums, vintage hard rock bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 9, 2009 by Metal Odyssey

Nazareth "No Mean City" small album picI have owned the vinyl album of No Mean City by Nazareth since 1983. No, I could never part with this album at all over the years, never. For years I could never find No Mean City on CD, it most likely had been out of print for some time. To this day, No Mean City does not seem to be that readily available anywhere, on CD and especially on vinyl. Who knows, maybe there is an independent record store somewhere that has dozens of copies in their inventory… I just never come across this Nazareth classic myself. With the brilliant, Old School, Classic Hard Rock heard on this album, combined with the album cover artwork, makes for a keeper. I actually bought this album as a cut-out, back when Strawberries Records & Tapes was around. Back in the early 1980’s, cut-out bins found in any record store was Rock and Roll Heaven! You could always find cool albums in these cut-out bins at real discounted prices, many times there were hidden heavy gems in them. My copy of No Mean City has a cut in the top right corner of the album jacket – this never bothered me one bit. The enjoyment this album’s music has given me all these years more than makes up for any cosmetic defect on it’s exterior.

Remembering the actual price I paid for No Mean City back in 1983 is a tad gray now… it probably set me back three or four bucks at the most. This is one of those albums that I would hold and stare at the front cover artwork, while my turntable played the tunes. The artwork for No Mean City screams Heavy Metal, still this is a true Hard Rock album from Nazareth. Getting nostalgic about Rock and Roll is something I cannot shake loose, Nazareth is one of those bands that epitomizes Classic Rock and gets my nostalgia adrenaline going. No Mean City takes me back to when I had nothing to worry about other than graduating High School. Whenever I listen to this album, everything feels cool around me, uh, that is real cool.

All eight songs on this great album are terrific, there are a few standout favorites of mine, beginning with Simple Solution Part 1 & 2. This song is loaded with strong grooves, carrying it’s melodic Hard Rock weight due in part to Dan McCafferty on lead vocals, Pete Agnew on bass and backing vocals and Manny Charlton on guitar. Star is a Hard Rock ballad  that maintains it’s heaviness through Dan McCafferty’s raspy, sandpapered vocals. To this very day, I still cannot believe that Star was not a huge hit from this album. The lyrics and music of Star are just as great as the Nazareth cover song Love Hurts from their Hair Of The Dog album, in my Metal opinion. May The Sunshine is a Folk Rock meets Hard Rock song. This song is just a great sing along, upbeat in it’s lyrics and melody, a song I never expected to hear upon my very first listen to No Mean City. Since my first introduction to this album all those years ago, I could not see my music collection being the same without it. If you are into Classic Rock and/or Hard Rock, especially from the late ’70’s, Nazareth and No Mean City is a must listen – Hard Rock treasure.

* The late Darrell Sweet was the drummer and Zal Cleminson was also a guitarist for Nazareth on No Mean City. Both of these musicians were just as important to making this album sound so great to me.

* No Mean City was released on A&M Records, in January of 1979.

* No Mean City was the tenth studio album from Nazareth.

* Nazareth is still Rocking to this day… with original members Dan McCafferty on lead vocals and Pete Agnew on bass. Pete Agnew’s son, Lee Agnew, plays drums and Jimmy Murrison plays guitar. This Nazareth lineup released a new studio album – The Newz, in 2008… and it is damn cool and good. I will leave The Newz album for another post in the future.

Nazareth "No Mean City" large album pic

ANVIL – “THIS IS THIRTEEN” – THIS IS OLD SCHOOL, REAL HEAVY METAL

Posted in 1980's heavy metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, canadian heavy metal bands, classic metal, collecting rock music, cool album covers, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, essential heavy metal albums, essential thrash metal albums, heavy metal album covers, heavy metal album reissued, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from canada, heavy metal bands this decade, heavy metal drummers, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, old school thrash metal music, rock music, spooky metal album covers, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2009 by Metal Odyssey

Anvil "This Is Thirteen" small album picANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.

I would have bought this great DVD today, yet my Super Walmart never put it out for sale along with any other newly released CD’s or DVD’s… and that was at 9:30 a.m. EST on October 6th when I left that store today. I did not have time to drive around to other stores for this Anvil DVD today, thanks for nothing Super Walmart. I will make certain to buy the Anvil DVD at f.y.e. now, you better Metal believe it. Ha, Ha, Super Walmart… you lost a sale on that one.

What a perfect segue for the first song I will mention from This Is ThirteenBig Business. I like this one a Metal ton, a straight on anti-corporate song if there ever was! Anvil’s lyrics are not overdone, they are not out to impress any Rhodes Scholars, ya’ know? Anvil impressed me with Big Business, reminding me that nothing is free and rising fees… oh how true it is. The album opener is This Is Thirteen, with doom laden riffs, my Metal mind wanders over to vintage Tony Iommi and Black Sabbath here. Combined with the slowed down rhythm section here, this song really does take me back to 1982 and I am proud to say that. Bombs Away has Anvil shredding their brand of Thrash, Lips on guitar is not just fundamentally sound, he is Metal be damned… a great guitarist. As a vocalist, Lips never shies away from a bit of diversity, he isn’t fancy yet he is real – I’ll take him over a bushel load of Metal singers I have listened to over the decades. Should’ A Would’ A Could’ A has become my favorite song on This Is Thirteen. Lyrically, this song is right on the Metal money in describing the game of life. Take chances, no regrets, know your enemies, strength to survive and righting a wrong are all covered on Should’ A Would’ A Could’ A, plus it grooves like there is no tomorrow. Game Over, in my Metal opinion, is the heaviest and fastest song on this album… real good. Anvil took out some cool aggression on Game Over, lyrically comparing life to playing a Game Boy game.

Thumb Hang, (the bonus track), has similar, trudging riffs as the opening track This Is Thirteen. Another fine example of a song, that Anvil is not buying into any current trends of Metal anytime soon. Thank God for that. Robb Reiner on drums… what can I say other than he has been damn good his entire career and makes himself heard quite well on this album. Glenn Five makes for more than a Metal compliment on bass guitar, rounding out this trio the outside world is just now embracing as Anvil. In a Metal nutshell, Anvil created fourteen songs that are missing the over produced sheen and gleam of many of today’s Metal albums. There is that blanket of rawness to this album, then again, Anvil was never about being commercially polished anyways. Thank God for that. This is why I always dug the Metal that Anvil has put out over the last three decades. Anvil did not need a billion dollar producer to waltz in the studio and dictate how it’s done… Anvil (and producer Chris Tsangarides) knew what to do all along with This Is Thirteen, one listen through proves it – in my Metal opinion.

Anvil "This Is Thirteen" large album pic

My Favorite KISS Song From “SONIC BOOM” Is…

Posted in 1970's classic rock music, 1970's heavy metal, 1970's heavy metal music, 1970's rock music, 1980's classic rock bands, 1980's heavy metal albums, 1980's classic rock music, 1980's heavy metal bands, 1990's heavy metal bands, 1990's heavy metal music, Album Review, classic heavy metal, classic heavy metal albums, classic rock albums, classic rock music, collecting rock music, cool album covers, current heavy metal albums, current heavy metal music, essential heavy metal albums, essential heavy metal songs, Hard Rock, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal odyssey, Music, old school heavy metal, rock and roll, rock music, vintage hard rock bands, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , on October 7, 2009 by Metal Odyssey

I’m on a KISS high right now, thank you very Metal much. Sonic Boom is a tremendous album from the legendary KISS. Anyone who slams KISS and Sonic Boom either has never liked KISS to begin with or they are extremely constipated or they just don’t get it at all.  Sonic Boom is rooted with a Classic KISS sound from the 1970’s… I don’t hear any influence from the KISS Asylum or Animalize albums from the roaring ’80’s – nope. This is one hell of a legitimate album of Heavy Metal songs from KISS. Tommy Thayer is unreal good on lead guitar, (I didn’t expect anything less), Gene Simmons sounds great on bass and vocals and Eric Singer is his usual outstanding self on drums. Onward with my favorite song from Sonic BoomNever Enough. I always liked Paul Stanley’s vocals the best, (my personal preference), plus this song’s lyrics are upbeat as hell. Paul Stanley f***n nails it down on vocals with this song. Never Enough psyches me out of my Metal mind and that serves me right. I listened to this song at least six times before I continued forward through Sonic Boom… holy Metal crap is this song great. The whole Sonic Boom album is great. I am such a happy KISS fan right now, I am farting rose scented happy faces all over the place. Long live KISS Rock and Roll!

KISS "Sonic Boom" x-large album pic 2009