I picked up my copy of Charm City Devils – Let’s Rock-N-Roll this past Summer, it was towards the end of July. On July 10, my mother passed away, she was as splendid, caring, giving and loving as a mother could possibly be for me. I received the news of her passing from my father… over the cell phone. We, (my wife and I with our twin daughters), were on our way to Connecticut by car with my courageous wife driving when this tragic news was conveyed to me by my father. We live in Pennsylvania, a solid three and a half hours away from our parents and relatives. The shock and sadness we all felt in the car at that moment can not be expressed in words here. Why I am telling this story is due to the Charm City Devils song Almost Home. You see, upon my first listen to Almost Home, I felt instant sadness, goose bumps formed all over my body and my thoughts instantly were directed to that awful moment in time – of receiving my fathers phone call about my own mothers passing away. It was only a couple of weeks after losing my mother that I first listened to this song.
I had not listened to Almost Home again until today, October 17, 2009. (I just could not bring myself to listening to this song again right away, I needed time to heal, so to speak). The emotional feeling of sadness still erupts within me when I listened to this song again, however, Almost Home actually has now helped me deal with my very own personal experience. It feels good to get this off of my chest… this is a perfect example of how Hard Rock Music or any music for that matter, can connect with you on such a deeply personal level. If this song is to be a true story, connected to any member of Charm City Devils, then I express my deepest sympathy to that person who experienced that phone call too. The lyrics of Almost Home are just too deep and emotional to be fiction.
Alright, now for the cool and Hard Rockin’ part of this album. I will start with stating that the first three songs come out of the Hard Rock gates with the sincerest of enthusiasm and energy. Very memorable are these songs, sing-a-longs if you will. Let’s Rock-N-Roll (Endless Road), House Fire and 10,000 Miles have all the sound and flavor of a hungry up and coming Hard Rock Band. The youthful energy I hear is a kick to my butt to stay in shape and think and act young! (Within reason of course). Best Of the Worst is a mid-paced ballad that sounds like the hit to me, a very commercial sounding song that won’t hurt this bands career. I am a ballad frowner my whole life, still this song has an almost uplifting sensory feel about it. Money has a Punk Rock vibe happening, especially with the rhythm section and arguably with the vocals as well… very cool song for me.
By me stating that Let’s Rock-N-Roll is a charming album, I am not trying to sound sappy, cute or funny here. I really mean it, this is a damn decent – Rock and Roll meets Hard Rock album here. A viable nod to Old School Hard Rock has been established, with Charm City Devils first album. Based on what I here from this album, Charm City Devils can use that old cliche and say the Hard Rock sky is the limit. There is heaping pounds of Hard Rock potential for Charm City Devils to get even better… and they already are quite the Hard Rock band on the rise. Heck, if Bon Jovi could become a household name writing and playing this kind of music, then why not Charm City Devils? I also like to compare this band to Airbourne, although I hear more diversity in song from Charm City Devils which is admirable. At the end of my Metal day, I concede that Let’s Rock-N-Roll is an album worth catching onto and Charm City Devils is a Hard Rock Band worth keeping an eye on.
* Let’s Rock-N-Roll was released on May 26, 2009, on Tenth Street Entertainment/Eleven Seven Music. * Eleven Seven Music has as it’s label president, the legendary Nikki Sixx.
* Charm City Devils hail from the Charm City itself – Baltimore, Maryland.
Charm City Devils as they appear on Let’s Rock-N-Roll:
John Allen – lead vocalist
Vic Karrera – guitar
Anthony Arambula – bass
Nick Kay – guitar
Jason Heiser – drums
Crowbar was my Metal band of choice today. Sludge Metal with a healthy slice of Doom Metal at it’s very best is Crowbar. I gave another listen to Sonic Excess In It’s Purest Form and have walked away with the same Metal satisfaction as always – ultra Sludge Metal satisfaction that is. The slow trudging and heavy duty guitar riffs combined with the slow paced rhythm section, makes me scream in Metal glee that Crowbar has taken Old School Heavy Metal to a more dark and doom ridden place. The lyrics heard in the songs on Sonic Excess In It’s Purest Form are gloomy, mournful and visits the realms of self suffering, doubt and infliction. Well, that is what Doom Metal delves into, topics too touchy for the faint at heart mainstream. These lyrics explore what it must feel like when one is truly suffering from extreme mental anguish. Now, if you are to look past the psychologically driven lyrics, the Metal Music is an ear crushing experience and/or escape that seems to come at me from all sides. Crowbar plays their Sludge Metal like it surrounds me, repeatedly encircling my space like a slow marching invasion of Metal giants from a far away and spooky place. Cool.
There are those select few bands, select few albums throughout my life that I have listened to, that I can say – resonates with me. Drivin N Cryin is one of those bands and their 1993 album – Smoke
There is no hiding from the fact that I uphold Metal Music and I am a Metalhead, with that said, I also uphold quality Rock and Hard Rock Music as well. Drivin N Cryin enables me to embrace their songs through their vivid musicianship and clarity of their lyrics. With Smoke, there are no illusions going on, no flamboyant and over the ropes attitudes to be heard, just straight -up Rock Music that hits home for me. The first three songs, Back Against The Wall, She Doesn’t Wanna Go and Smoke on Smoke are a 1-2-3 Hard Rock can of whoop ass. 1000 Swings and 1988 are by far cool Rockers as well. Whiskey Soul Woman is just one incredible Rock song to cruise to, it has a Classic Rock vibe swirling all around. When You Come Back is a laid back, Blues Rockin’ song that shows just how diverse Drivin N Cryin can be with Rock. Patron Lady Beautiful can be justified as an epic Rock song for Drivin N Cryin, at 7:36 it plays out with the Rock mellowness that I need to hear every so often and takes it’s twists and turns with Hard Rock heaviness – in real Classic Rock style. What’s The Difference 
SKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.
Today I found myself in another one of those funks, where the melancholy feelings just won’t subside. So, earlier tonight, I turned to music, Metal Music, to settle my thoughts, nerves and soul. I chose to listen to Entombed, Wolverine Blues. Released back in 1993, on Earache/Columbia Records, I find it startling that this album is around seventeen years old already. An excellent listening choice I made, Entombed was the Metal elixir and their album Wolverine Blues was the Metal prescription that served me right tonight. Entombed delivers their original style of Death Metal or Death N’ Roll with Wolverine Blues, it is as groove charged as it is sinister. With each listen, I can still hear some Thrash Metal being fused within Entombed’s songs on this album. In a Metal nutshell, Entombed covers some ground with Extreme Metal genres. This is one hell of a heavy and hard album, the righteous Metal remedy for curing my blues – let me tell you. Lyrically, there is no bashfulness to be found when it comes to topics and imagery on Wolverine Blues. The combination of the aggressive lyrics and Death N’ Roll charge makes this album sound like it belongs on top of the Metal heap in 2009.
I have owned the vinyl album of No Mean City by Nazareth since 1983. No, I could never part with this album at all over the years, never. For years I could never find No Mean City on CD, it most likely had been out of print for some time. To this day, No Mean City does not seem to be that readily available anywhere, on CD and especially on vinyl. Who knows, maybe there is an independent record store somewhere that has dozens of copies in their inventory… I just never come across this Nazareth classic myself. With the brilliant, Old School, Classic Hard Rock heard on this album, combined with the album cover artwork, makes for a keeper. I actually bought this album as a cut-out, back when Strawberries Records & Tapes was around. Back in the early 1980’s, cut-out bins found in any record store was Rock and Roll Heaven! You could always find cool albums in these cut-out bins at real discounted prices, many times there were hidden heavy gems in them. My copy of No Mean City has a cut in the top right corner of the album jacket – this never bothered me one bit. The enjoyment this album’s music has given me all these years more than makes up for any cosmetic defect on it’s exterior.
ANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.
Lynyrd Skynyrd are Southern Rock Legends and Rock and Roll Hall of Famers. What more does Lynyrd Skynyrd have to prove? What keeps the motivation meter running with this band? In my Metal opinion, it is a combination of many things… the Skynyrd Nation and the fact that this band has never lost touch with their roots are two quick examples. Southern Music roots… family roots… old school values, these three attributes come out Southern Rockin’ loud and clear on God & Guns
The Heavy Metal genre and all of it’s mind bending sub genres can be quite the vast musical Universe to explore. There are countless bands that make these Heavy Music genres quake and explode with excitement at every turn. For me to say I have listened to every band out there would be an outright Metal lie… I have stated this before. Come forward please, Loudness and their 1986 album Shadows of War. Whoa. Whoa again. Why on Metal Earth, did it take me 23 years to finally listen to Loudness and Shadows of War? (See previous explanation within this paragraph for the Metal answer). Man, the outright powerful, Heavy Metal thunder of Loudness, is overwhelmingly great on Shadows of War. This album is the Japanese version with a different album/CD cover of it’s twin – American release Lightning Strikes. The only differences between Shadows of War and Lightning Strikes are: the order of the track listing, slight differences in the vocal melodies and Ashes In The Sky (from Lightning Strikes) and Shadows of War (from Shadows of War) are the same song. Buying one version over the other is basically an identical listen of Loudness Heavy Metal here. In this Metal situation, recommending either version is the way to go.
Yes Virginia, there is a Metal Santa Claus and his name is my best buddy Scott. You see, Scott gets quite giddy about sending CD’s of Metal through the mail to me… especially CD’s of Metal Bands that I have never delved into with unrestrained Metal abandon. Loudness Shadows of War came in the mail last week, courtesy of my buddy. This album is so damn cool, the songs on Shadows of War is yet another reminder to me, that 1986 was an incredible year, from an amazing decade for Heavy Metal album releases. Loudness could have easily named this album – psyche you out of your Heavy Metal mind – for all nine songs encompass a continuous and momentous listen in electrifying Heavy Metal power. Believe me, the last thing I want to come across as doing here is being rah, rah, rah, about Loudness and this album. I could never be more Metal serious by stating… Loudness and their 1986 album, Shadows of War, is one fine Heavy Metal blast from the past.
This is the Shadows of War cover! (Japanese version)
Edguy F***ing With Fire Live is entertaining as Metal hell. Released on July 28, 2009, on Nuclear Blast Records, this is the second album released by Edguy this year, (Tinnitus Sanctus was released on January 27, 2009). A huge Metal kudos to Edguy for releasing two albums within the same year, they are not the only band out there to do so, still it is cool for fans like me. In a Metal day and age where there are those select few prima donna – let’s take everything serious Metal Bands out there, Edguy seems to grasp hold of the positive and accentuates the (gasp) fun in Heavy Metal Music. The title of this live album alone, gives me the impression that Edguy has thrown caution to the Metal wind and could care less about those who don’t get it. In my Metal opinion, Tobias Sammet and his band Edguy have snickered at their antagonists since the late 90’s… and Edguy gets the last laugh every time. From my Metal research, it seems that Europe and Brazil really gets into Edguy big time, uh, I am just like Europe and Brazil with my Metal tastes then. It seems so obvious to me, by listening to Edguy’s catalog of albums, that they really dug the power and enthusiasm of 1980’s Heavy Metal Music. Thus they now turn around and record a live album that has that all encompassing, 1980’s Arena Heavy Metal thrill. By no means am I labeling Edguy as having a dated 1980’s sound about them, no way in Metal hell. I only want to point out that Edguy evokes a feel good emotion inside of me, rekindling some of the 1980’s Heavy Metal spirit that I so embraced. Tobias Sammet seems to write songs that are hook filled and melodically oozing from every crevice. F***ing With Fire Live is an Edguy album that I do give a F*** about.
My favorite Edguy song of all-time, Tears Of A Mandrake takes the Metal prize on this album, as well as Superheroes, Lavatory Love Machine and King Of Fools. The live versions of these Edguy songs only adds fuel to the intense Power Metal energy that they bestow. Tobias Sammet gets Avantasia into this set of songs as well, (from his side project Avantasia), it fits right into the Metal mix of this Edguy set list. The main theme I stress with F***ing With Fire Live is the consistent energy and emotion that Tobias Sammet seems to summon up within himself and his band. I don’t think you need to be an Edguy fan to actually hear and feel the excitement on this live album, then again, this Edguy album will have it’s detractors… so F***ing Metal be it. Tobias Sammet does become quite the talker during this concert. He takes his Metal time to introduce each band member, requests the crowd of Edguy fans to turn on their cell phone’s (and not their lighters), during the Power Metal ballad Save Me and thanks/compliments the fans of Sao Paulo, Brazil quite eloquently. Hey, this is a recorded – live concert for Metal sakes, these type of moments do occur during Heavy Metal shows, so F***ing Metal be it. At the end of the Metal day, I cannot listen to F***ing With Fire Live as a once through, nope, instead, each time I slap this double CD on I need to hear it a second time through too… so F***ing Metal be it.
Twisted Sister – Love Is For Suckers was released on August 13, 1987, on Atlantic Records. Back then, as a Metal fan, I was totally engulfed with Thrash and Speed Metal. To make a Metal confession, I never bought this Twisted Sister album, after owning their first four albums. I was not overly impressed with Come Out And Play, (released in 1985), I guess the first three Twisted Sister albums really spoiled me. So, I took in whatever songs MTV or the FM stations were playing from Love Is For Suckers. Seeing the video for Hot Love and hearing it played on FM radio very frequently, back in 1987-1988 was, I thought, the coolest extent of this album. I always liked Hot Love, this song reminds me of some cool times back in 1987-88… and there isn’t anything wrong with that. Hot Love is upbeat and (gasp), commercially catchy in it’s unique Heavy Metal way. A few years ago, I bought Twisted Sister’s Big Hits and Nasty Cuts: The Best of Twisted Sister, it contains several cool live bonus tracks that enticed me… unreal great songs at that. The Metal kicker here, is that there are no songs from Love is for Suckers on this Best of album… I smell controversy. Therefore, my continuation of never hearing more than Hot Love from Love is for Suckers continued… Fast forward to September 18, 2009… Twisted Sister – Love is for Suckers has for all Metal intents and purposes, made a sucker out of me.
Highly recommended to all Metal fans all over the globe! That is just how unreal good Retribution from Shadows Fall is… that I start off by just bluntly recommending this new album. Seriously, Retribution is one solid chunk of Thrash Metal Music for me. On this new release, (released September 15, 2009), Shadows Fall sounds as if they are not holding back the hard and heavy for no one. I am not taking the easy way out by saying all ten songs are damn incredible. The all encompassing barrage of Metal fury, that highlights each turn and corner on Retribution, is like a Metal power rush to my brain that I do not want to end. In my Metal opinion, it very much seems as if Shadows Fall took a long and hard listen to the once in a millennium, Metal masterpiece from Slipknot called All Hope Is Gone… and decided they too wanted to raise their own Metal bar. The All Hope Is Gone influence I hear on Retribution, is deserving of a raucous Metal applause for Shadows Fall, for if this influence is to be true… Shadows Fall surely knows real Metal when they hear it. The unrelenting surge of Metal power both musically and vocally, (both lead and backing/gang vocals), found within Retribution, are the best ways I can describe my All Hope Is Gone comparison. 
Masters Of Reality – Sunrise On The Sufferbus was released back in 1992, on Chrysalis Records. I already owned the 1988 debut album, (self titled), from Masters Of Reality when I jumped on this album back in 1992. The best way I can describe this band is Old School Stoner Rock/Hard Rock, in my Metal opinion. This is a grossly underrated Rock album, the musicianship, songs and total grooviness on Sunrise On The Sufferbus makes this a lifetime keeper, for me. My favorite song on this album is J.B. Witchdance, a non stop bass groove with a semi-haunting overall sound, always seems to put me in a cool mood. My second choice pick from Sunrise On The Sufferbus is She Got Me (When She Got Her Dress On) – this song as with the entire album, is unbelievably unique, I just never heard a band sound like Masters Of Reality back then, nor do I now. This album is the closest thing to heavy without being so… I know that sounds crazy, I just cannot explain this music any better than that. O.K., maybe I’ll try this… cool under heavy… now that might work. (If you are wincing at the use of words here, just go with Stoner Rock).
KISS. I have the fever… it is the addiction to this enormous American Heavy Metal juggernaut that hooked me back in grammar school… the (gulp), 1970’s that is. Over this past Summer of 2009, (actually it goes back to last Winter too), I have ultra consistently listened to the KISS album “Unmasked”… after each listen I am a better Metalhead for it. Unmasked was released back on May 20, 1980, right before I embarked on my High School years. By now, for anyone who reads my stuff regularly, may be tired of my mentioning that I owned 8 track tapes… still, I need to tell the world that I owned Unmasked on 8 track, thank you all for understanding. The memories that get stirred up inside my Metal mind, each time I listen to Unmasked are good ones… the Summer of 1980… going to the UCONN Basketball Camp, collecting odd and evil looking spiders in my backyard and having no worries in the world other than entering a new teenage chapter in my life.
Gene Simmons, The Demon, bass guitarist for KISS, music producer and actor. (The many hats this legend has worn are numerous, quite the achiever is Gene Simmons, in my Metal opinion). Gene Simmons always seems to stay in the public eye, the limelight follows this Heavy Metal icon everywhere he goes… with “Celebrity Apprentice” and his very own family reality series “The Family Jewels” making his presence seen and known while KISS is idle. A short while back, I started writing about my favorite KISS solo albums, in preferential order, no less. Why am I doing this? First, I am celebrating the four original members of KISS, their solo albums being what I consider to be quite a historical achievement in Heavy Metal and Rock history. The quality across the board is apparent in the music that Gene, Paul, Ace and Peter created with their solo albums… my reminding and/or informing anyone who is interested in these great KISS solo albums makes for a fine Metal deed. For me to list in order, my favorite KISS solo albums, (it is not etched in Metal stone here), deciding the sequence of which album ranks 1 thru 4, is based on which album has given me the biggest Metal listening thrill over the decades.
Ted Nugent “Free For All”, (released in 1976), is an album of Hard Rock songs that I slap the label of greatness on. There is no one you can compare Ted Nugent to… he was and still is his own Rock and Roll Warrior. Meat Loaf’s vocals and Ted Nugent’s guitar are a double dose of Classic Hard Rock superiority on this album. Meat Loaf is the lead vocalist on the songs: “Writing On The Wall”, “Street Rats”, “Together”, “Hammerdown” and “I Love You So I Told You A Lie”. Meat Loaf is the real deal vocally, on these songs. “Free For All” was an accomplishment of incredible songs that just continue to knock me over to this day. This album just carries me off into the thunderous land of Hard Rock glory. Ted Nugent is truly an originator of 1970’s Hard Rock guitar… listening to the guitar play of this legend makes me want to stand atop a crowd of onlookers and scream hell yeah!! In my Metal opinion, Ted Nugent and “Free For All” is all about 1970’s Hard Rock in it’s most genuine and heaviest state. An uncompromising group of songs that are Hard Rock personified, aimed at stirring up a good time and feeling the Ted Nugent power of guitar cool. I finally had my first introduction to this album and other Ted Nugent albums at that, in the early 1980’s. Ted Nugent quickly made me aware that Hard Rock music should never be watered down, it should be hard driven and fostered with head turning guitar licks aplenty. With “Free For All”, there are so many Hard Rock attributes happening that this album could easily be labeled as The Great Reference Book of Hard Rock, in my Metal opinion.
I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all time is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.
On one of my recent Hard Rock/Heavy Metal hunts via the second hand route, I came across a true Classic Rock album that I grabbed ahold of within milliseconds of spotting it… Boston “Don’t Look Back”. As a Metal bonus, this great album is also – still factory sealed. That is so right, this vintage Boston album which was released on August 2, 1978, has still, it’s original plastic wrapping protecting it for thirty one years. I never owned “Don’t Look Back” on album before, finding a mint copy of it now, in 2009, is so fine. Sure, I have Boston on CD, yet landing one of my favorite Classic Rock bands on sealed vinyl, on a trip to a thrift store unleashes a cool high for me… every time. I realize this price always gets mentioned when I write about my vintage album finds, it is the truth when reveal it only cost fifty cents. Yikes, that is cheaper than most of the plastic prizes my daughters pay for at the (what I still call) bubble gum machines in front of the grocery stores.
Foreigner, a Hard Rock band that opened the doors to the world of Heavy Music for me. “Double Vision”, an album that I consider to be one of the greatest Rock or Hard Rock albums ever created. On June 20, 1978, “Double Vision” was released. On January 26, 1979, I received this revered album as a birthday gift from my late mother. I was able to choose an album, just one album, on a trip to the Caldor department store… Foreigner “Double Vision” was my choice, on that birthday. Each year that passes by, these fond memories only grow stronger. Man, if I was to say I have listened to this album more times than any other album, it would not be a stretch. Back in 1979, I was only listening to a handful of Hard Rock bands that would eventually guide me into evolving into the Metal Music loyalist that I am today. I was thirteen years old and completely blown away by this album and band… I listened to every lyric, every chord, every note, that erupted from these songs. Foreigner was actually teaching me, at this very young age, that Hard Rock music this enormous could and would make my life enjoyable. I continue to reflect, to revisit often, the bands and albums that molded my heavy music tastes. 
Manowar plays Heavy Metal, their name screams Heavy Metal and they are Heavy Metal with a hundred exclamation points. “Battle Hymns” (released in 1982), was the first album from this prolific and what I consider historic Heavy Metal band. Why historic? Well, the last time I checked, Manowar held the Guinness Book of World Records title for having the loudest live performance. (I always disliked the word performance, especially when it relates to Heavy Metal). Besides being extremely loud, Manowar presented upon the world of Heavy Metal a gloriously lean, mean and heavy album with “Battle Hymns.” All eight songs on this album are laced with forcefully driven guitar leads, riffs and all things sacred to Heavy Metal. The first two song titles say it all – “Death Tone” and “Metal Daze”. What I like most about this album is that there is absolutely not one second of waste to be heard… from start to finish this is muscular, Old School, 500% – Heavy Metal. Of course, this Metal adulation I have for Manowar and “Battle Hymns” is all my Metal opinion, however, this is an album that needs to be heard by todays younger generation of Heavy Metal fans.
Metal Odyssey > Heavy Metal Music Blog 
You must be logged in to post a comment.