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W.A.S.P. “THE HEADLESS CHILDREN” 1989 PICTURE DISC IS FOR KEEPS!

I bought this W.A.S.P. – The Headless Children picture disc way back in 1989, I don’t remember the actual month, all I remember is being completely thrilled by this W.A.S.P. album. I initially bought The Headless Children on cassette… I still have it too… in super duper mint condition. I’ve mentioned in past posts, that I am fortunate by keeping some of my Heavy Metal picture discs from the 1980’s. I really am psyched that I did keep this W.A.S.P. picture disc, especially since W.A.S.P. has never ceased with Heavy Metal output over the years. Add the fact that W.A.S.P. is in my top 5 of favorite lifetime bands and that about says it all. Now that I have immersed myself so deeply into the 2009 release from W.A.S.P. – Babylon, I find myself wanting to collect more offbeat and collectible W.A.S.P. stuff. Time, patience and greenbacks are all key, in striving to achieve any collection that I so crave. I will stumble upon some W.A.S.P. stuff in 2010… and when I do, I will blab away about it right here on Metal Odyssey, you betcha.

Metal Odyssey Note: I just cannot wait to hit up the flea markets and thrift stores in 2010… Metal Music hunting will be turned up a notch this coming year, I vow to make the finds a Metal reality, at low end prices to boot! All of the discarded and unloved Metal memorabilia out there, shall be saved upon my finds! (That felt so tremendously great, to get that out of my system).

Uh, yeah, back to this unreal great picture disc. Blackie Lawless started to get a bit more serious with his song lyrics and themes on The Headless Children, the proof is in the listening and/or reading of these lyrics. My Metal buddy Scott agrees with me on that statement… I think he is the one who actually stated it to me! Blackie Lawless either wrote or co-wrote every song on this album, with the exception of The Real Me, (which was written by Pete Townshend – guitarist/vocalist for the ultra legendary The Who). The Heretic (The Lost Child) and Thunderhead are two songs on this album that Blackie Lawless co-wrote with lead guitarist Chris Holmes. The Headless Children and The Real Me are my two favorite songs on this album. Let me just say that every song on The Headless Children is Old School – wrecking ball – Heavy Metal. No one Metalhead out there can do wrong by buying this album, Metal truth be spoken… it is a must own. In my Metal opinion, I consider The Headless Children to be a very strong W.A.S.P. album, the foundation for the great run of albums Blackie Lawless delivered in the 1990’s. The Headless Children picture disc I have owned for so long, well, it IS a keeper.

The front cover/side A of this picture disc, has the original front cover album artwork, (see image below). On the B side of this picture disc are the complete lyrics to the songs, printed right onto the vinyl. The thick plastic sleeve that this picture disc has been safely stored in, for over 20 years, also came with a cardboard backing insert too… it has a black & white photo of Blackie Lawless with Chris Holmes to his left and Johnny Rod to his right. The cardboard backing – cover photo is right here… look below:

W.A.S.P. as they appeared on The Headless Children:

Blackie Lawless – lead vocals & guitar

Chris Holmes – lead guitar

Johnny Rod – bass guitar & vocals

Frankie Banali – drums

** Lita Ford – provides backing vocals on Thunderhead

The complete track listing, for the original 1989 album release and picture disc of The Headless Children:

Side One:

The Heretic (The Lost Child)

The Real Me

The Headless Children

Thunderhead

Side Two:

Mean Man

The Neutron Bomber

Mephisto Waltz

Forever Free

Maneater

Rebel In The F.D.G.

* A Metal Note: Maneater is NOT the Hall & Oates song, NOT! Ugh.

Release date for The Headless Children original album: April 15, 1989

Release date for The Headless Children picture disc: Sometime in 1989

Record Label: Capitol Records

The Headless Children picture disc code, (whatever that is, it’s on it anyways): ESTPD 2087

Here is what The Headless Children picture disc looks like, front/A side:

If you look really closely at the artwork on The Headless Children, there are quite a few real life bad dudes on the cover. How many can you identify?

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SCORPIONS – “SAVAGE AMUSEMENT” 1988 ALBUM FLASHBACK

Scorpions. Scorps. Thank you very, very, much Germany. How much Metal praise can I really give this band without sounding too smoochy? Since 1972, the Scorpions have created twenty plus albums, (both studio & live), etching out an undisputed place in Heavy Metal history… better yet, Rock history. I have numerous favorite albums from the Scorpions, one such album is Savage Amusement, released back in 1988. O.k., this album leans towards commercial appeal… quite frankly, I don’t give a crap. The songs on Savage Amusement are solid and laced with quality from every Metal angle. I can never resist listening to Don’t Stop At The Top repeatedly and very loud. Savage Amusement has the late ’80’s Arena Rock atmosphere encompassing each song, a sound that is so identifiable to that decade. I am currently listening to Savage Amusement while I write this post… I am starting to get psyched out at the moment… We Let It Rock… We Let It Roll is playing right now… excuse me please while I go and play some spastic air drums.

Alright, I’m back, man that song is a Metal kick for me. You know, when I go off playing air drums while I am sitting at a red light in my car, people look at me with such amazing disgust… go figure. Nothing beats the privacy of your own home for letting loose with Heavy Metal… Scorps Metal too. When music, Heavy Metal Music, can affect my mind and soul like this Savage Amusement album can, it reminds me how great it is to be alive. Listening to this album reminds me of the day I bought it on vinyl back in 1988. I bought this album along with Sevent Son Of A Seventh Son by Iron Maiden. If I am not mistaken, both of these albums were released the same week back in 1988. I remember walking into my graphic design class, (at Northwestern Connecticut Community College), with both new albums under my arm… one damn happy Metalhead I was that day. I was showing off both of these albums to my fellow classmates like they were baby pictures in my wallet.

Saying this once again – I have never been the huge fan of Heavy Metal ballads. However, the Scorpions always know how to do a Heavy Metal ballad right. Believe In Love is one Heavy Metal ballad that gives me those Metal duck bumps up and down my arms. Klaus Meine… his vocals are insanely unreal great. When Klaus Meine sings a ballad, he does so with profound emotion, nothing sounds fake about it. Rhythm Of Love is another powerful Scorps song for me, one that received plenty of FM airplay back in the late ’80’s too. I remember daze, I mean days, when I used to cruise to this song… with little cares in the world to ruffle my Metal feathers. It just seems that a great album like Savage Amusement will always stand the test of time… that is what elite musicianship does, weaving through the decades and sounding better with each listen.

Thank you Scott for hooking me up with this classic Scorpions album, I now finally have it on CD.

Track Listing For Savage Amusement:

Don’t Stop At The Top

Rhythm Of Love

Passion Rules The Game

Media Overkill

Walking On The Edge

We Let It Rock… We Let It Roll

Every Minute Every Day

Love On The Run

Believe In Love

Scorpions, as they appeared on Savage Amusement:

Klaus Meine – lead vocals

Rudolf Schenker – rhythm guitar, backing vocals

Matthias Jabs – lead guitar, backing vocals

Francis Buchholz – bass guitar, backing vocals

Herman Rarebell – drums, percussion, backing vocals

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BLACK ‘N BLUE – 1988 ALBUM “IN HEAT” AND BLACK ‘N BLUE… TODAY!

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, current heavy metal bands, Hair Metal, hair metal albums, hair metal bands, hair metal music, heavy metal album review, heavy metal albums, heavy metal albums 1988, heavy metal bands, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal music 1988, heavy metal vocalists, metal odyssey, Music, new heavy metal music, old school hair metal bands, old school heavy metal, rock music with tags 1980's hair metal bands, 1980's heavy metal albums, 1980's hair metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, black 'n blue, black 'n blue 2009, black 'n blue hair metal band, black 'n blue hell yeah album, black 'n blue in heat album, black n' blue heavy metal band, heavy metal album review, heavy metal albums 2010, heavy metal music, heavy metal music 2010, jaime st. james vocalist, metalodyssey, Music, old school heavy metal bands, old school heavy metal music, patrick young bass guitarist, pete holmes drummer, rock music, tommy thayer guitarist, woop guitarist on December 16, 2009 by Metal Odyssey

I made a rediscovery of a Heavy Metal band and album. Black ‘N Blue is the band, In Heat is the album. Just last week, I was in my 2000 Ford Tauras running errands. Realizing that my urge to hear some Heavy Metal was peaking, I began to rummage through the car glove compartment for some cassette tapes… that is cassette tapes – you just read. Understand that I was not rummaging for a cassette tape while I was driving, the car was in park. This car of mine does not have a CD player, (back in 2000, the auto industry was not regarding CD players as part of any standard equipment, obviously). So, instead, my trusty 2000 Ford Tauras has a built in cassette player instead. That is… a cassette player – you read. I have not listened to this Black ‘N Blue cassette for quite some time, so it proved to be quite a cool listen.

While I have listened to In Heat a few times since last week, I cannot help but be grateful for not getting rid of my Hard Rock and Heavy Metal cassettes. Quite a bit of titles are rather pricey on CD nowadays, being imports or out of print altogether. In Heat is selling for around $27 on Amazon Music as an import CD… now that is reason enough for me to hold onto this cassette and play it on my car stereo and combo home stereo – until it wears out. Gee whiz… import regardless, sometimes the prices out there for Heavy Metal CD’s border on the outrageous.

Black ‘N Blue released In Heat back in 1988, I do remember seeing their videos on the MTV rotation… and of course, Headbangers Ball. Call Black ‘N Blue a Hair Metal Band or just good ol’ Heavy Metal, it makes no difference to me. This band made an album that is loud, melodic, riff and groove laden and infused with every flamboyant aspect of late 1980’s Heavy/Hair Metal. While I listen to In Heat, the thought comes to my mind of just letting it’s good time sound and feel take over any negativity that is currently weighing in on me. The Metal pluses are numerous with In Heat, here is a breakdown of why I feel this way:

#1 Reason why Black ‘N Blue and this album, uh, cassette Rocks hard is – Tommy Thayer on lead guitar. KISS was in his future then… who would have predicted that?

#2 – Genes Simmons produced In Heat. Believe me, you can tell… song structure and power.

#3 – Jaime St. James on vocals. He doesn’t whine when he sings and the flamboyancy and bad boy image of Heavy Metal just resonates from his voice. In other Metal words… a classic front man.

#4 – There are no sappy songs to be heard on In Heat. Stranger is about as close as it gets here… and I really like this song, a power ballad that, uh, Rocks.

#5 – Each song is saturated with enough hooks and grooves that it is flat out – ridiculously great.

#6 – Did I mention Tommy Thayer on lead guitar?

#7 – It’s all about the songs, man. Infectiously good songs all, on In Heat.

#8 – How can I not get enthusiastic about a song as good as – Get Wise To The Rise?

In a Metal nutshell, In Heat should be considered as a late 1980’s Heavy Metal listening experience of dual guitars, anthems and power slick songs. Riffs abound on In Heat… for all of you riff addicts out there. Woop on guitar proved to be no slouch either. Patrick Young on bass guitar and Pete Holmes on drums make for a dominant rhythm section, very good at what they do on In Heat. Listening to Black ‘N Blue on In Heat, gives me the impression that they had a real good time making this album. Hopefully that was the case.

If you are looking for a patented good time Heavy Metal album… well then it is In Heat. Black ‘N Blue made a name for themselves for sure, rediscovering their sound again and listening to In Heat makes this Metalhead… Metal content.

Track listing for In Heat:

Side One:

Rock On

Sight For Sore Eyes

Heat It Up! Burn It Out!

Suspicious

The Snake

Side Two

Live It Up

Gimme Your Love

Get Wise To The Rise

Great Guns Of Fire

Stranger

* Check out Black ‘N Blue’s official myspace music page: Black ‘N Blue – MySpace Music Page

Black ‘N Blue is currently planning to finish and release a new album, titled: Hell Yeah!

Look For This New Black ‘N Blue Album In 2010!

The current 2009 Black ‘N Blue band lineup:

Jaime St. James – vocals

Jef Warner – guitar

Patrick Young – bass

Pete Holmes – drums

Shawn Sonnenschein – guitar

This is what the Import CD cover of In Heat looks like . My cassette front cover only has the band logo that you see in this import version, (no band photo).

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IRON MAIDEN – “KILLERS” STILL REIGNS AS A KILLER OF A METAL ALBUM

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1981 heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal bands, essential heavy metal albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1981, heavy metal bands, heavy metal bands from england, heavy metal drummers, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, progressive metal, rock music, scary album covers, vintage heavy metal albums with tags 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, adrian smith guitarist, Album Review, classic heavy metal, clive burr drummer, dave murray guitarist, Heavy Metal, heavy metal albums, Iron Maiden, iron maiden 1981, iron maiden heavy metal band, iron maiden killers album, iron maiden killers album cover, iron maiden songs, killers album 1981, metal odyssey, Music, old school heavy metal, paul dianno vocalist, progressive heavy metal, rock music, steve harris bass guitarist, the ides of march song on December 12, 2009 by Metal Odyssey

As decades pass and thousands of Heavy Metal albums are released, there will always be those select titles that are still left standing tall. Iron Maiden Killers is one of those select albums that reigns as a killer for me… 28 years after it’s June 1981, U.S. release. Killers epitomizes Old School Heavy Metal, plus Iron Maiden legitimizes the single word – Metal, as it’s very own sub genre. Whenever I think of “Metal” the first band that comes to my mind is Iron Maiden. I sometimes debate myself senseless, asking why isn’t Iron Maiden my favorite Heavy Metal band of all time? Then, I ease my confusion by just knowing that Iron Maiden is and forever will be a “core” band of mine. Killers essentially was faster and harder than many traditional Heavy Metal albums of it’s time… the great part is that Iron Maiden was just beginning to “touch upon” the progressive side of Metal Music, an attribute they became so legendary for.

Back in 1981, the Thrash Metal movement was the welcomed storm on the horizon… Iron Maiden was the baddest and heaviest outside of just a select group of their peers. Motorhead, Black Sabbath, Judas Priest, Scorpions and Accept come to mind, when deciphering which Metal bands were as hard and heavy as Iron Maiden, back in 1981. Still, outside of Motorhead, Iron Maiden was about speed, the songs on Killers are overall – fast. Exceptions do exist, Prodigal Son is a slower paced Iron Maiden song without a doubt. The tempo being dictated by the acoustic guitars only magnifies the slender tempered sound of Prodigal Son. (Going back to the debut Iron Maiden album, Remember Tomorrow signified the flirtation with somberness that this legendary band would revisit in future albums, Prodigal Son carry’s over this assertion).

Backtracking to the intro of Killers, The Ides Of March, I insist that this was the sign of all Metal things to come on this prolific album. The Ides Of March is heavy, it is melancholy, dark and foreboding… in essence, a Metal prelude or warning if you will, that Iron Maiden was not fabricating or pretending. Twilight Zone is the song from Killers, where I feel Paul Di’Anno is at his giant best, vocally. Certainly, it is my personal opinion, as is the case with this entire article. Genghis Khan is the Metal instrumental that catapulted the musical identity of Iron Maiden, the trademark sound of this soon to be – historic Metal band. My eyeballs still pop open wide, to this very day, each time I listen to Genghis Khan.

When it comes down to musicianship, what honestly can be nit picked here? Iron Maiden as a unit on Killers made layering famous and vogue – basically instigating Progressive Metal from it’s dormancy. I cannot and never will find a fault with this legendary Iron Maiden lineup, Paul Di’Anno was the lead singer for this band in 1981 and a damned great one too… Metal case closed. Even back in the mid 1980’s, I never gave a damn about comparing Paul Di’Anno to Bruce Dickinson… what’s the point? Any seasoned Metalhead knew then and should know now, that these two lead singers are worlds apart with technique and range. In my Metal opinion, one is not better than the other, they are both unique and stylistically genuine. Paul Di’Anno gave the songs on Killers a mysterious tone, his vocals created a fog invading sound scape that bordered on macabre.

Murders In The Rue Morgue is my favorite song on Killers. Again, it’s speed, hard and heavy that this song illuminates. Paul Di’Anno never needed to hit the highest note on the planet to make Murders In The Rue Morgue an Iron Maiden classic, instead his fiery swagger is not just heard vocally, it is felt. Dave Murray and Adrian Smith unleashing their duo guitar leads proved that there was another one-two Metal guitar punch out there… alongside Metal guitar legends Glenn Tipton and K.K. Downing of Judas Priest. Clive Burr on drums was not an enigma, he was THE drummer for Iron Maiden during the most important years of their maturation. And then, there is THE bass guitarist for Iron Maiden. To better accentuate my Metal point here, what Babe Ruth will forever be to the history of baseball, what the Mona Lisa will forever be to the history of fine art portraits, Steve Harris will forever be of equal importance to the history of Heavy Metal and Metal Music. Go ahead, listen or re-listen to Iron Maiden Killers… then listen really closely to the bass guitar playing of Steve Harris, hopefully you might just understand what I mean.

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IRON MAIDEN “RUN TO THE HILLS” PICTURE DISC – AN ANTIQUE STORE FIND!

Heavy Metal memorabilia and records can be found in antique stores… and why not? Heavy Metal does go back at least four decades, for sake of argument. I am a collector, of various things… probably too many things! Oh well, you only live once. One of my favorite “things” to collect are Heavy Metal picture discs, records that are adorned with graphics/photos and artwork. These Heavy Metal picture discs bestow the images that are usually tied into the band itself, being the band’s logo and/or mascot and at times the album or song’s theme. The images on these type of picture discs are often times attention grabbing. Heavy Metal picture discs always have been and still are intended to catch your eye, therefore making the respective picture disc into a collectible you display, more than the record you play.

Today, I strolled about an antique store not very far from my home, it just opened for business around the third week of November, 2009. Great place, loaded with great stuff… lot’s of records too, vinyl that is! Yes, based on the number of vinyl record albums I have been coming across lately, on my antique store journey’s, there obviously is a market out there for this vintage form of music media. I am part of that market, you betcha. The adrenaline rush I experienced today, while perusing the hundreds of vinyl albums at this new found antique store, well, it was memorable. There were dozens of Heavy Metal titles in the mix, from the late 1970’s right through the 1980’s. Hard Rock and Southern Rock titles caught my eye too… I stayed in control and only bought what I could afford. Here is one of the two records that I did buy today, (I will save the other record purchase for a future post):

IRON MAIDEN – RUN TO THE HILLS 7″ PICTURE DISC

Please note, that upon my eyes becoming affixed upon this incredible Iron Maiden picture disc, it took approximately one second for me to have it in my grasp. Oh man, the thrill of the Heavy Metal hunt is a sweet and glorious feeling. As I held onto this Iron Maiden picture disc, the thought crossed my mind… Heavy Metal hunting victory is mine! To find such a sensational collectible, especially of a band that I have listened to, collected and followed since the early 1980’s… wow. I felt as if this was my moment, a moment to cherish, while walking towards my wife, with my face filled with Heavy Metal glee. My wonderful wife then made the purchase for me… she wanted to be the one to pay for this joyous find. I thank my wife from the bottom of my Heavy Metal heart for treating me to this Iron Maiden picture disc. Here are the specs on this Iron Maiden picture disc:

Iron Maiden Run To The Hills 7″ picture disc

Price Paid – $10 (U.S.) – this price is just unreal good for me!

Original Year of Release – 1982

Age of Picture Disc – 28 years – yeah, I cannot believe it’s been that long.

Record Label – EMI

# of Songs – 2, Run To The Hills and Total Eclipse

* Run To The Hills is found on the original 1982 and 1995 reissue version of The Number Of The Beast album.

* Total Eclipse being the b-side to this picture disc, was not on the original 1982 album The Number Of The Beast. Total Eclipse was later included in the reissue version of The Number Of The Beast, released in 1995. The 1998 reissue and the 2002 ECD version also include Total Eclipse as well.

Picture Disc Country of Origin – United Kingdom

Check out the front and back artwork of Derek Riggs on this sensational Iron Maiden Run To The Hills 7″ picture disc below. The photo of Iron Maiden shows, from top left to top right, Adrian Smith, guitarist and Steve Harris, bass guitarist. The bottom row, from left to right, Clive Burr, drummer, Bruce Dickinson, vocalist and Dave Murray, guitarist. Man, I always seem to find the coolest Heavy Metal collectible when I least expect it.

A – SIDE:

B – SIDE:

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WE’VE ADOPTED A CAT! HIS NAME IS TOBY.

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's hard rock bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's rock bands, classic rock, classic rock music, cool album covers, everyday experiences, family, family pets, feel good stories, hair metal music, hard rock music, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal guitarists, heavy metal music, heavy metal vocalists, lists, metal odyssey, Music, old school hair metal bands, personal stories, real life experiences, rock & roll, rock and roll, rock music with tags 1980's hair metal bands, 1980's heavy metal bands, cats, eye of the tiger song, family, family pets, faster pussycat debut album, hard rock music, heavy metal album covers, heavy metal bands, heavy metal music, metal odyssey, Music, pets, rock and roll, rock music, survivor rock band, tygertailz hair metal band, vito bratta guitarist, white lion hair metal band on December 2, 2009 by Metal Odyssey

On November 21, 2009, my family and I adopted a two year old cat named Toby. He is healthy as can be, we updated all of his required shots and he passed a physical too. Toby is a domestic house cat, a very curious and gentle animal. Yes, he does like to get cozy, especially at night when we are all trying to sleep. Just like the classic Slaughter song goes… Up All Night, Sleep All Day! Toby really enjoys our front reading room during the day, taking turns sleeping on each chair and love seat. There is not a window sill this cat does not like to perch on either. Toby gets box seats to watch the birds, squirrels, rabbits and chipmunks do their thing… in the outside world. Toby does not seem to mind that he cannot go outside though… too many times he hears dogs barking.

As a family, Toby has embraced us all and likewise. We look forward to many great years with him. Toby is only looking for some food, a box to poop in, water, a house to prowl around in and playtime with our daughters, (with some added attention from my wife and I). He really isn’t asking for too much. I posted recently that we were searching to adopt a cat, in this post a nifty list of cat/feline/tiger bands was created, from Rock to Metal. Well, since we finally have Toby, here is another list of such bands associated with this ever popular animal… the cat.

First however, may I introduce to you, Toby:

Here is a Hair Metal Band that I have always liked a lot – Faster Pussycat. Their debut album, released in 1987, is one to own. My favorite song from this initial Faster Pussycat release is Don’t Change That Song. Taime Downe has some unique vocals, plus this band knew how to make some hard rockin’ and good time songs.

Here is another Hair Metal Band that I never covered my ears to, I will listen to this band. I actually caught this band live back in the late ’80’s at a small club. White Lion. I can’t recall what other band or bands played with White Lion that night I saw them… that was a night when the good times made things rather fuzzy. Vito Bratta, (the original guitarist) for White Lion, is very, very, good at playing guitar, no doubt in my Metal mind.

O.k., so Survivor is NOT a Heavy Metal Band or even a bona fide Hard Rock Band. They are a Rock Band still. Their band name does not have a feline connection, their biggest selling single ever does, for that matter. Furthermore, they did psyche me out at age 16, with their huge hit single from 1982, Eye Of The Tiger. I am not bashful, about admitting the affect this song had on me, back in 1982. This was the theme song for the Rocky lll movie sequel as well. From what I have researched, this song alone, sold over two million copies in the U.S., count me as one of those two million who bought the 45 rpm back then. Uh, this one I wound up selling, giving away or (gulp), discarding. I really wish I kept this 45 rpm with the original sleeve intact.

Tigertailz – Hair Metal, Glam Metal… either or – you pick ’em. Their 1987 debut album Young And Crazy I still own… on (gulp), cassette. Metal be damned I’m going to keep it too… and listen to it whenever I feel like it. No, I’m NOT kidding either.

Well, that is all for now. My previous cat related bands/songs list was a little longer, I’m running out of ideas with this now. If anyone has a Rock/Hard Rock/Metal related example for this list, that comes to mind, feel free to comment it.

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A HEAVY METAL MUSIC FLASHBACK FROM 1987!

Posted in 1980's hair metal bands, 1980's heavy metal albums, 1980's hair metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's thrash metal, 1987 heavy metal music, 1990's heavy metal bands, classic heavy metal, current heavy metal bands, heavy metal albums 1987, heavy metal bands, heavy metal concert posters, heavy metal festivals, heavy metal history, heavy metal memorabilia, heavy metal music, metal music, metal odyssey, Music, old school heavy metal, old school thrash metal music, rock music, thrash metal albums, thrash metal bands, thrash metal legends, vintage heavy metal albums, vintage heavy metal bands, vintage thrash metal bands with tags 1980's thrash metal bands, 1980's heavy metal bands, 1980's heavy metal music, anthrax thrash metal band, Blackie Lawless, bon jovi, cinderella heavy metal band, dio, heavy metal bands 1987, heavy metal flashback 1987, heavy metal music, metal odyssey, Metallica, monsters of rock 1987, monsters of rock promo advertisement, Music, old school heavy metal bands, w.a.s.p. heavy metal band on November 30, 2009 by Metal Odyssey

Now this is a flashback of Heavy Metal history. This is a promotional advertisement from 1987 for the Monsters Of Rock (festival) at Donington Park out in the U.K., the lineup of bands was obviously powerhouse! This huge Heavy Metal event took place on August 22, 1987. Metallica was just on the rise, (sounds weird saying that), with their unreal great, 1986 Master Of Puppets album, which catapulted them to historical Metal heights. Cinderella was still promoting their debut album Night Songs. Anthrax was supporting their Among The Living album, a great Thrash Metal album indeed. DIO being on the bill was perfect timing, with Dream Evil being released on July 21, 1987. W.A.S.P. was a hot ticket for this Monsters Of Rock, after their Inside The Electric Circus album’s release in November of 1986. Then there was the headliner, Bon Jovi, being almost a year to the date of the Slippery When Wet album release of August 18, 1986.

Would these same bands actually be included in a Heavy Metal festival like this in 2009? I doubt it, especially when you look at the direction in which Bon Jovi has taken musically. Anthrax and Cinderella are not in the spotlight currently. DIO is touring, only not at a level of intensity of the late 1980’s, nonetheless, Ronnie James Dio and his band would be a solid compliment to a Heavy Metal jamboree anywhere today. Metallica would be the headliner in 2009, without question!! W.A.S.P. would be a perfect band for any Heavy Metal event in 2009, not a second thought about that one!

Over the years, um, decades, I have seen Cinderella, DIO and Metallica live. Memorable Metal moments for me, each one. I would still be ecstatic to see W.A.S.P. someday live… man, that would be the Metal icing on the cake for me. W.A.S.P. is definitely my favorite band out of this group. I would gladly accept a chance to see Anthrax live somewhere in the future as well, regardless of who is at lead vocals. The artwork on this promo is, in my Metal opinion, old school 1980’s Heavy Metal. Neat stuff.

HEAVY METAL 101: GREATEST HITS CD’S WORTH OWNING

Posted in 1970's heavy metal albums, 1970's heavy metal music, 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1990's heavy metal bands, 1990's heavy metal music, Album Review, cool album covers, essential heavy metal albums, guitar legends, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands, heavy metal guitarists, heavy metal music, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, progressive metal music, rock music, vintage heavy metal albums, vintage heavy metal bands with tags 1970's heavy metal music, 1980's heavy metal bands, 1990's heavy metal bands, Alice cooper, alice cooper the band, Black Sabbath, dee snider, dio, heaven and hell band, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal best of albums, heavy metal greatest hits albums, heavy metal guitarists, heavy metal music, jimi hendrix, kiss double platinum album, kiss heavy metal band, lemmy kilmister, metal odyssey, Motorhead, motorhead songs, Music, queensryche progressive metal band, ronnie james dio, ted nugent, twisted sister on November 22, 2009 by Metal Odyssey

In striving to make the world a better place, by spreading the blissful two words of Heavy Metal (and any and all Extreme Music), here is a cool list of Greatest Hits CD’s from some very worthy bands and musicians. This list may quite possibly trigger a mad dash to itunes or your nearest record/CD store upon your review. Greatest Hits or Best Of CD’s are sometimes the perfect fix if you do not have any of the respective band’s albums/CD’s already. If you are like me, (a collector and sometimes over excited fan), you may like some or many bands so much, you just need to own everything that is available by such bands, including Greatest Hits. If this list of incredible Greatest Hits CD’s recruits even one new fan to the Heavy/Extreme Music genres, then I have done a fine Metal deed. Please note, I own each Greatest Hits or so named CD on this list… I could never recommend an album/CD without listening to it’s entirety and/or having ownership of. Integrity in Heavy Metal Music recommendations is an ethical must.

The Best Of Ted Nugent – Great Gonzos! – Absolutely a Hard Rock meets Heavy Metal fusion with The Motor City Madman. Cat Scratch Fever, Stranglehold, Wango Tango, Free For All and Dog Eat Dog are late 1970’s into early 1980’s FM radio Classics. Old School and not a lick here that isn’t memorable for Metal life. Plus, the reissue has 3 bonus tracks too.

IRON MAIDEN – Somewhere Back In Time/The Best Of 1980 – 1989 – An undeniably great assortment of Iron Maiden classics, spanning the unreal Metal ’80’s. 2 Minutes To Midnight and The Trooper are enough to get me psyched out of my Metal mind for at least an hour. In my Metal opinion, Iron Maiden could have/should have released a 2 – disc greatest hits, they have that many incredible songs in their Metal catalog. Yes they do.

Jimi Hendrix – Experience Hendrix: The Best of Jimi Hendrix – A Hard Rock evolving into Heavy Metal history lesson is heard here on this album. This album of Jimi Hendrix songs are beyond great… their damn sacred. Purple Haze, The Wind Cries Mary, Hey Joe, Foxy Lady, All Along The Watchtower and the Rock historical – Star Spangled Banner… c’mon, these songs are the Metal building blocks of every Heavy Metal and/or Hard Rock genre out there today. 20 songs total on this masterful collection, not a must have… a no brainer must own.

DIO – The Very Beast Of DIO – Ronnie James Dio is a living Metal legend. His vocals for me, are the epitome of what Heavy Metal singing is all about. Dio’s solo career takes center stage on this amazing collection of greatest hits. Holy Diver, Rainbow In The Dark, Rock and Roll Children, Mystery and The Last In Line are DIO songs that pack the same potent Metal punch to my ears and senses… as they did back in the 1980’s. 16 songs total on this DIO disc. Metal masterpieces only sound better with age.

Black Sabbath – The Dio Years – I find this collection of Black Sabbath songs to be uncannily irresistible. These are the Black Sabbath songs from the Ronnie James Dio era, with the Heaven and Hell, Mob Rules, Live Evil and Dehumanizer albums all represented. This same Black Sabbath lineup may be called Heaven and Hell in 2009, yet does it really matter? Their still Black Sabbath to me.

Twisted Sister – Big Hits and Nasty Cuts – Dee Snider made Heavy Metal all the more visible on MTV with the Twisted Sister video We’re Not Gonna Take It, back in 1984. This Twisted Sister greatest hits album is loaded with 6 live bonus tracks as well. This is another band that could easily fill up more than one disc of great songs from their Heavy Metal catalog. Under The Blade and The Kids Are Back are my two favorites on this one.

KISS – Double Platinum – I have proudly owned this album since it’s release back in 1978. I was in seventh grade back then and this was my very first KISS album. My Double Platinum album is still in beautiful condition too. A 2 record set, opening up as a gatefold, this album also included a platinum record certificate to the fan who purchased it. (I wish I kept this piece of KISS memorabilia, it was just made of paper and it hung on my bedroom wall for several years, when I was a kid of course). The important thing is I still have Double Platinum on vinyl… plus I upgraded Double Platinum by buying the CD many years ago too. (It is not a double CD, all the songs are on just one… I don’t know if this ever changed over to a double CD over the years). Just about every important and cool KISS song from the 1970’s is on Double Platinum, with Hard Luck Woman and Calling Dr. Love being my two vintage KISS favorites.

Queensryche – Sign of the Times, The Best Of Queensryche – Buying this CD suited me well since many of my Queensryche “albums” were purchased on cassette years ago. Queensryche has always been a favorite of mine, a high powered – progressive Metal Band that crossed over into Rock and Hard Rock too. Musical diversity is no stranger to Queensryche. My two favorites are Queen of the Reich and Jet City Woman. Yes, those two songs are tops on my list.

Alice Cooper – Alice Coopers Greatest Hits – This album was released back in 1974, it is the Greatest Hits of Alice Cooper (The Band). Man, this is Old School Heavy Metal. Sure, some may argue it is comprised of Old School Hard Rock as well… that is fine by me. The Metal bottom line is this: Alice Cooper (The Band), was just as much as important to the creation of Heavy Metal as any other band of their time or before them. That is my Metal opinion and I have to tell it to the world. Oh, yeah, my favorite songs from this Greatest Hits are – No More Mr. Nice Guy, Under My Wheels and well, just every song on this Greatest Hits is great.

Motorhead – The Best Of Motorhead – This is one great and comprehensive double disc, greatest hits of Motorhead. I bought this Motorhead disc due to my needing any and all of their releases, regardless if I already have the songs. This Best Of was released in 2000, with two live bonus tracks included. There are 40 songs total on this double disc Motorhead bounty! Also found on The Best Of Motorhead are: Hawkwind playing Motorhead, Girlschool covers Bomber and Headgirl covering Please Don’t Touch. The history of Motorhead is covered up to the year 2000, from Ace of Spades to the Motorhead cover version of God Save The Queen. Plus, my favorite Motorhead song of all time is on here too – Killed By Death, from the No Remorse (Greatest Hits album). Long live Lemmy and Motorhead.

I could go on and on with this list of Heavy Metal Greatest Hits CD’s worth owning. Showing and quipping about some of the Greatest Hits CD’s I own, can maybe help out someone who is on the fence about one of these bands or musicians. These CD’s above are all consistently listened to by me, they are perfect for when I’m in the mood to hear the choice songs from these bands/musicians. As Dee Snider has sung, with Heavy Metal pride: You can’t stop Rock and Roll!

BRITNY FOX – 1989 “BOYS IN HEAT” IS A GLAM SLAM OF A HEAVY METAL ALBUM

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1989 heavy metal music, Album Review, collecting heavy metal albums, cool album covers, cover songs, glam metal, glam metal music, Hair Metal, hair metal music, hair metal music genre, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 1989, heavy metal vocalists, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags 1980's hair metal albums, 1980's hair metal bands, 1980's glam metal bands, 1980's hair metal music, 1980's hair metal songs, 1980's heavy metal music, 1989 glam metal music, Album Review, billy childs bass guitarist, boys in heat album, britny fox, britny fox hair metal band, dean davidson vocalist & guitarist, hair metal albums 1989, hair of the dog cover song, Heavy Metal, heavy metal bands, heavy metal music, johnny dee drummer, metal odyssey, michael kelly smith guitarist, Music, nazareth hard rock band, rock music on November 20, 2009 by Metal Odyssey

The 1980’s, here I go again. There were Heavy Metal Bands aplenty to choose from back in the ’80’s, Britny Fox being one. Only thing is, I never bought any Britny Fox albums back then. It wasn’t because I did not like this band, it all came down to choice and what albums would I throw my (little) money at. Now it is 2009, (obviously) and the Britny Fox Boys In Heat CD is blaring it’s Hair Metal glory for me today. Um, I have to thank my best Metal buddy, Scott, for landing me this CD. Thanks dude. Would I have eventually bought this Britny Fox CD or any Britny Fox CD for that matter? The Metal answer is… probably yes. I just don’t know when precisely that would have happened. The same mindset holds true for me today, with so many choices out there and a reality cap of spending. I am in awe at times, realizing how much catching up I have in Heavy Metal listening. Catching up on Heavy Metal albums going back decades is not a bad hobby, I am not complaining. For all Metal intents and purposes, this Britny Fox CD, Boys In Heat, is some decent Hair Metal candy for my ears.

Cutting to the Metal chase here, my favorite song on Boys In Heat is the cover song – Hair of the Dog. With that stated, I do revere the original version of Hair of the Dog by that legendary band known as Nazareth. This cover of Hair of the Dog is not better than the original, however, Britny Fox did a glam slam job of covering it. Not that it matters, yet Britny Fox gets my Metal approval for their version of Hair of the Dog. Throughout this entire Boys In Heat album, the one constant that I notice is… Britny Fox can play. Britny Fox obviously came out with a throng of other Hair Metal Bands back in the mid to late ’80’s, what really sets this album apart from the Hair Metal pack? I always like quality, not quantity. Boys In Heat is a 13 song album that is consistent with quality, both in it’s Metal and vocals.

Long Way From Home has a kickin’ guitar solo, plus the song has more grooves than I can count. Dean Davidson on lead vocals and rhythm guitar, has those vintage Hair Metal pipes. I truly compare his vocals to that of Tom Keifer of Cinderella. Quite frankly, that is not a bad dude to be compared to. Stevie is as rock solid a Hair Metal song as I have ever heard. Shine On is a song that carries the beat non-stop, it is that kind of song I want to crank up extremely loud on my car CD player, with the windows down on a long drive. The melodic drive of each song on Boys In Heat, never ceases from the opening track of In Motion… this album epitomizes Hair Metal heavy. I also liken this album to be a funk buster, if Boys In Heat can’t get me out of a funk I’m in, then nothing will. What’s that? Did someone say feel good? Once again, if Boys In Heat can’t make me feel good, uh, then something is wrong.

Michael Kelly Smith on lead guitar is as cool as they come, his guitar licks are impressive on Boys In Heat. This album does not lack in the powered up lead and solo department, thanks to him. Billy Childs on bass and Johnny Dee on drums, give me every reason in the Metal world, to turn the bass control up to high, while this album is busting out. It is always a great experience to hear an album that is from years past and like it, especially when it is of the Heavy Metal genre. Britny Fox may not have been on my purchase list back in 1989, yet they are on my current playlist today… courtesy of my best Metal buddy Scott and this CD – Boys In Heat.

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HEAVEN – 1983 HEAVY METAL ALBUM “WHERE ANGELS FEAR TO TREAD” REMEMBERED

Back in the early 1980’s, I would buy just about any Heavy Metal album that had a cool or scary cover. I also would buy a Heavy Metal album just based on the bands name alone… if it was interesting enough. Usually, I was lucky with my choices, although there were those duds that I picked over the decades, (I won’t lie about that). Buying duds happens to any fan of any music genre, I would surmise. Not listening to an album before buying it was, (and still is), a risky Metal proposition, especially if you never heard the respective band before. Step in… Heaven. This Heavy Metal Band was not a dud.

Heaven, a Heavy Metal Band from Australia, released three studio albums during their brief career, (1982-1985), on a major label being RCA. I used to own one of the three Heaven albums – Where Angels Fear To Tread. I bought this album at a Caldor department store, back in 1983. Caldor had one really fine album/records department for a large retail store. Caldor went belly up years ago, it was a shame to see, especially when it was responsible for my having such an array of Heavy Metal albums back in the ’80’s. I bought this Heaven album without ever hearing a single song from it… the bands name being Heaven, along with the front cover logo and artwork was too good to pass up. Plus, the backside of this album had a very large photo of the band, looking real tough, (Heavy Metal tough). In this photo, lead singer Alan Fryer is shown holding a leash with a black panther attached to it. (That is to the best of my Metal memory when describing this back cover photo, if I am in error in any way, please feel free to comment with a correction).

Back in 1983, this was all I needed to see to make a blind Heavy Metal album purchase. I believe the only Heaven song I ever heard on mainstream radio was on WCCC or WHCN, (on the FM dial in expensive Connecticut), the song was Rock School. Quite honestly, I remember really liking this album, yet it was not the Heavy Metal thunder of a Def Leppard, Krokus, Accept or even Helix from that time period. Nonetheless, Heaven was heavy and good enough for me to even be looking back upon, in 2009. Where Angels Fear To Tread was a Heavy Metal album that fit right in during 1983, still Heaven obviously never caught on with the Metal masses… for reasons that I may never know. Let’s face it, I never bought their first album – Twilight of Mischief/In The Beginning, nor did I buy their third album – Knockin’ On Heavens Door, so my Metal loyalty to Heaven was not up to task back in the early ’80’s. What was I supposed to do? There were literally tons of Heavy Metal Bands coming from all sides back then, from Vintage and Classic Rock bands to the birth of the Thrash, Black and Death Metal genres. Heaven just fell victim to choice, when it came to my album purchasing decisions.

As I look back, I really wish I kept Where Angels Fear To Tread, however, it does not appear to be in print on CD. From scoping out the world wide web, it seems that this album is unofficially in print and is referred to as a bootleg version, with five live bonus tracks included. I would be Metal smitten to land a copy of this Heaven album, especially on vinyl once again. Getting ahold of this CD seems to be doable, regardless of any low quality from it being described as a bootleg.

This might sound a tad strange when I state that my favorite song from Where Angels Fear To Tread is the cover song Love Child. Yup, that famous Love Child song originally done by The Supremes. Metal truth be told, Heaven made this song heavy and it Rocked for me back in good ol’ 1983. Aw heck, this entire Heaven album would sound good again for my ears, 26 years after it’s release. It would be interesting to see, with the current Heavy Metal revival ongoing, if Heaven was to resurface in some shape or form. As the old Metal saying goes… you can’t hold onto everything in life, this Heaven album on vinyl is a great example of that, for me anyways.

A quick Metal note: There was another band named Heaven… this particular band goes back to the early 1970’s. From everything I have researched, this Heaven band does not have any association to the Heaven Heavy Metal Band of the early ’80’s. I have never listened to this band, they are categorized as a Rock band and have an album titled: Brass Rock 1, released back in 1971 on Esoteric Records. (See pic of album cover on the left of this paragraph). I found this other Heaven band and Brass Rock 1 album on http://www.fye.com, yup, it was out of stock. This same Brass Rock 1 album is in stock on http://www.bestbuy.com, however, Best Buy categorizes this 1971 Heaven band as “Metal”… go figure. This other Heaven band’s Brass Rock 1 CD is priced at $20.99, U.S. dollars, a bit too pricey for me to take a gamble on. Plus neither f.y.e. or Best Buy offer music samples for this other Heaven Band’s CD, Brass Rock 1.

Here is the front cover for Where Angels Fear To Tread, by the early 1980’s Heavy Metal Band – Heaven. This cover does scream early ’80’s Heavy Metal with it’s color and artwork, the Heaven logo I feel was well done. This cover is nothing too fancy, nor is it uncool, in my Metal opinion.

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MOTORHEAD – “BEER DRINKERS” PICTURE DISC I HAVE FOR KEEPS!

MetalOdyssey Tonight I was going through a stash of Heavy Metal albums I own. This particular pile I have not looked at for about three years, since my family and I escaped from expensive Connecticut. Honestly, I don’t recall really looking through this pile for years… the movers handled our belongings, I am thankful nothing bad happened to them. Anyhow, there were some really cool picture discs among this pile. Motorhead too! Man, some of the stuff I found tonight I was certain was either sold, lost or given away. To say this pile of Vintage Heavy Metal vinyl put a grin on my face is a huge Metal understatement! One excellent picture disc that caught my eye and brought back neat memories for me is Motorhead Beer Drinkers. I can’t recall the exact year that I bought this gem… 1983 or 1984 is the ballpark for certain. I can remember playing this picture disc on my turntable years, uh, I mean decades ago. Like all picture discs, the overall sound quality is not as clear or good as regular vinyl. Nonetheless, this is a Motorhead picture disc that I played and displayed for quite a few years. I still cannot believe I found it buried in my collection tonight.

I am leaning towards the notion that this Beer Drinkers picture disc is rare. I don’t know and never knew the actual number of pressings that these picture discs had… back in the early ’80’s who gave a crap about that anyways? There are a few other great picture discs I found as well, I will share them with the world in the near future too. The track listing is below, (instead of the word “side”, the word “face” is printed on this picture disc. Check out the views of the front and back of this picture disc, real cool. There is a “Made In France” sticker on the outer plastic sleeve of this picture disc. The date on the picture disc is 1983, along with S.P.I. Paris. The first song – Beer Drinkers (And Hell Raisers) is a ZZ Top cover song. Uh, no, I am not going to part with this Motorhead Beer Drinkers picture disc… not a chance for it serves me right.

Face A:

Beer Drinkers (And Hell Raisers)

On Parole

Vibrator

White Line Fever

City Kids

Face B:

Instro

I’m Your Witch Doctor

Keep Us On The Road

Lost Johnny

Motorhead

Motorhead "Beer Drinkers" picture disc - front cover - x-large

Motorhead "Beer Drinkers" picture disc - back cover x-large

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W.A.S.P. “CRAZY” FROM “BABYLON” ALBUM IS WOVEN WITH HEAVY METAL MATURITY

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1990's heavy metal bands, 1990's metal bands, Album Review, classic heavy metal, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1985, heavy metal albums 2009, heavy metal bands, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, independent record labels, Metal, metal music, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, spooky album covers, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs with tags 1980's heavy metal bands, 1990's heavy metal bands, blackie lawless guitarist, blackie lawless vocalist, demolition records, doug blair guitarist, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal songs, heavy metal vocalists, lyrical messages, metal music, metal odyssey, Music, rock music, W.A.S.P., w.a.s.p. albums, w.a.s.p. babylon album, w.a.s.p. babylon songs, w.a.s.p. crazy song, w.a.s.p. heavy metal band, w.a.s.p. the last command album, w.a.s.p. wild child song on November 11, 2009 by Metal Odyssey

W.A.S.P. Babylon small album pic Thank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.

As I mentioned in my previous post, I will be writing a series of reviews on the new W.A.S.P. studio album, Babylon. Concentrating on individual songs, musical elements and lyrics from Babylon makes for a more enlightening Metal experience for me, hopefully visitors to Metal Odyssey will agree. When an album of Heavy Metal has such a powerful impact on me, as does Babylon, a generalized review is about as fulfilling as a stale beer sitting in the hot sun. Could I have predicted Babylon would have impacted me in such a fantastic way? Of course not, yet the surprise is more expected than unexpected.

Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.

The vocals of Blackie Lawless during Crazy extends maturity, not a voice that needs a stretcher… Blackie Lawless is not fooling anyone or pulling any high tech tricks. Doug Blair on lead guitar sounds like a rising star that Ozzy Osbourne would have plucked out of the bushel to call his own, decades ago. Instead, Blackie Lawless has a guitarist that doesn’t just play… emotion is emanated from the guitar of Doug Blair. Listening to the guitar solo on Crazy reminds me as to why I love Heavy Metal in the first place. Crazy is as commercially viable as any song from the storied Heavy Metal history of W.A.S.P., (only it has never been about accessibility with this band)… thank God for that. This is absolutely not an accusation that Blackie Lawless has set out to make a hit single, rather it is a Heavy Metal song that is so melodically driven that it is awe inspiring.

Lyrics, as with music itself, is art. One persons interpretation of a songs lyrics will differ far and wide against another’s. My interpretation of the lyrics for Crazy is – don’t fall in love with anyone or anything that cannot love you back. The symbolic person or thing that won’t accept love in Crazy sends a deep message of steering clear from personal hurt. Human emotion is a very volatile subject and Blackie Lawless has penned some intriguing lyrics with this song. You cannot draw love from drugs, alcohol or hate. These are things that will make anyone look crazy for loving. Inanimate objects are never going to love anyone. A tremendous Heavy Metal song is Crazy, this is the one song I have listened to the most from Babylon thus far… isn’t that crazy?

W.A.S.P. "Babylon" large album pic #2

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BLACK SABBATH – 1983 “BORN AGAIN” ALBUM IS METAL OF PROFOUND IMPORTANCE

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1980's metal music, Album Review, black metal roots, classic heavy metal, classic metal, collecting metal music, cool album covers, creepy album covers, doom metal music, essential heavy metal albums, essential metal music albums, guitar legends, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal music, heavy metal vocalists, Metal, metal album review, metal music, metal music albums, metal odyssey, Music, old school heavy metal, old school metal bands, rock music, scary album covers, spooky album covers, vintage heavy metal albums, vintage heavy metal bands with tags 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1980's metal music, 1983 born again album, 1983 metal music albums, bill ward drummer, Black Sabbath, black sabbath 1983, black sabbath born again album, black sabbath trashed song, born again album review, born again demon baby artwork, classic metal albums, digital bitch song, disturbing the priest song, geezer butler bass guitarist, heavy metal album review, heavy metal music, ian gillan vocalist, important heavy metal albums, metal music, metal odyssey, Music, old school metal music, stonehenge instrumental song, tony iommi guitarist, zero the hero song on November 7, 2009 by Metal Odyssey

Black Sabbath "Born Again" Back on October 4, 1983, Black Sabbath released their eleventh studio album – Born Again. I was serving time in high school as a senior in 1983, I also became a born again Metalhead that same year, thanks to this most underrated Black Sabbath album. I am not kidding or trying to sound like a yahoo by stating that. Born Again was a match made in Metal heaven for me… the prolific vocals of Ian Gillan uniting with the ultra legendary Black Sabbath. I have to admit, with Ozzy Osbourne and Ronnie James Dio not fronting Black Sabbath, it was common place for professionally paid Rock Music critics to easily overlook the other lead singers this Rock And Roll Hall of Fame band has bestowed over the decades. I never overlooked a damned thing Black Sabbath had done, especially when they joined forces with Ian Gillan. From the front album cover artwork of the demon baby, to the down right eerie and chilling Metal Music heard on Born Again, this album is a must listen and own in Metal Music 101.

When I first listened to Born Again, back in good ol’ 1983, the synthetic instrumentals of Stonehenge and The Dark left a Metal imprint on my subconscious like none other… all I could think back then and now is this is the soundtrack of doom… all hail Black Sabbath. The guitar riffs, leads and solo on Zero The Hero sound as if I am listening to a descent to the darkest depths of inner Earth… I love that descent. Trashed is not just an amazing song lyrically, this is an early introduction of Heavy Metal making the transition to pure… Metal. Comparing Born Again to other Heavy Metal albums of that time is what separates the Heavy Metal label from Black Sabbath, thus anointing this iconic band to true masters of Metal Music.

The Metal of Born Again is not Thrash, yet it is not Accept, Quiet Riot or Saxon of that time period either. With Born Again, a black album was unintentionally or intentionally created, (both with album artwork and the Metal Music within), while Black Metal itself was simultaneously being born into a genre, courtesy of Venom, Bathory and Hellhammer . I can’t compare this Black Sabbath album to their earlier albums with Ozzy. Nor can I make a comparison of Born Again to the Dio led Black Sabbath either. The song Born Again alone is a study in just how far Tony Iommi would go in making a unique Black Sabbath album, one that would stand apart from the entire Black Sabbath catalog… forever. Listening to Ian Gillan’s vocals on this song honestly takes my Metal breathe away. Ian Gillan is beyond unreal great on Born Again – all one needs to do is open their Metal mind to the song Hot Line and thou shall understand and realize why. Seriously, the vocals of Ian Gillan on Hot Line makes me imagine what life would have been like for this Metalhead, if more Black Sabbath albums were created with his legendary voice. I guess it is obvious by now, that I revere Ian Gillan.

Digital Bitch may have been the most popular song from Born Again, the song that advertised their Born Again Tour on FM Radio back in 1983-84. Despite the fondness that commercial FM radio had for this song, it blazed with Metal fury like no other song back then. Disturbing The Priest, this song title alone made for my own personal battle cry for serving eight long years of time – in a parochial school. Trust me on that one. In Metal hindsight, maybe the professionally paid Rock Music critics of the world were never ready for the dark Metal Music that Born Again was about. This was not the Deep Purple version of Ian Gillan, nor was this the Children of the Sea version of Black Sabbath. Keep It Warm actually grounded this Born Again album, keeping it from being a non-stop onslaught of apocalyptic, melancholy and dark sided themes.

In a Metal nutshell, this Born Again album was forged by the union of Ian Gillan joining the legends of Tony Iommi, Geezer Butler and Bill ward. This version of Black Sabbath has suffered through too many years of comparisons to the Ozzy and Dio fronted bands of the same name. All too often, the ignorance of professionally paid Rock Music critics can water down the integrity of a great album from an elite band. Such is the case here with this incredible Born Again album from Black Sabbath. I never saw this Black Sabbath lineup as anything other than Black Sabbath, only with a different lead singer in Ian Gillan who rose to the Metal occasion with unparalleled pipes.

Over the years it has been amusing to me, to even read that Ian Gillan himself was never satisfied, actually displeased, with the music and demon baby artwork of Born Again. (The liner notes of this Born Again CD detail this, as written by writer Hugh Gilmour). If only Ian Gillan knew, just how much this Born Again album has meant to me, as a lifetime fan of his prominent vocals. Black Sabbath fans who appreciate the music created by Tony Iommi, (guitar), Geezer Butler, (bass) and Bill Ward, (drums), know that the Ozzy, Dio and Ian Gillan versions of this band carry their own Metal identity that captivates with it’s own powerful mystique. Born Again by Black Sabbath is more than a vintage Metal album that I recommend, it is a vintage Metal necessity, that should be embraced and heralded as an important contribution and moment – to the history of Metal Music.

To my best Metal buddy Scott… thank you for buying me this hard to find CD. Having owned a copy of Born Again on cassette, spanning three decades, deserved a righteous Metal upgrade. I truly wish I kept the vinyl album of Born Again that once was in my collection.

Black Sabbath "Born Again"

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My Mom Supported Heavy Metal Music

Posted in 1970's heavy metal music, 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, classic rock music, family, feel good stories, heavy metal albums, heavy metal music, life stories, Metal, metal odyssey, Music, old school heavy metal, people, personal stories, rock music, scary album covers, shopping for music with tags 1970's heavy metal music, 1980's hard rock music, 1980's heavy metal music, gene simmons bass guitarist, hard rock music, heavy metal buddies, heavy metal fan, heavy metal music, iron maiden heavy metal band, kiss, kiss alive ll album, kiss heavy metal band, memories of mom, metal odyssey, mom story, Music, scorpions heavy metal band, strawberries records & tapes on October 27, 2009 by Metal Odyssey

MetalOdyssey My unreal great and undeniably loving Mother passed away on July 10, 2009. She just turned seventy years old this past April of 2009. To look at her, you would never know she was seventy, really. My Mom is a true hero and inspiration to me, always will be. She suffered a series of strokes in the Fall of 1990, therefore my Mom was a courageous survivor for nearly twenty years. Not being able to speak and having paralysis on the right side of her body were the two biggest obstacles that my Mom endured for two decades. That did not stop her from enjoying life, seeing her children get married and enjoying four grandchildren. Thanks to my heroic Father who became my Mom’s full time caregiver, many people and family members were given the gift of my Mom’s presence, thoughts and love for much longer than was initially predicted by doctors. Being born from my Mom was a gift and she was a gift to me for forty three years of my life. I now am convinced, that my Mom can speak and walk again up in heaven, where she has been reunited with her parents and without any doubt… my incredible sister too. I am at peace knowing my Mom is healthy again in heaven, no more suffering… my Mom has earned her place with the angels.

KISS Alive ll - small album picture Alright, as my Mom would probably say right about now… enough with all of the sad stuff, let’s have a good time. I cannot resist reflecting on good times, heck, that is why they are called that in the first place. You see, my Mom was in her own special right… a fan of Heavy Metal. She was without question, one of the biggest advocates for Heavy Metal amongst any other Mom I knew, while growing up as a teenager back in the 1980’s. Her knowledge of the past and current bands back in the late 1970’s and through the 1980’s was admirable. There was a hiccup, however, when I was in sixth grade, in regards to my being allowed to have a KISS album in the house. My Mom took one look at the cover of KISS Alive ll and she said – no way. The blood spewing from the mouth of Gene Simmons was over the top for her. She specifically said that no son of hers would have that in her house. Well, to make a long story short, after she heard the song I was Made For Lovin’ You by KISS, the decision to allow KISS and any of their albums into our house was cleared to go. KISS was in… the world of Heavy Metal had a new fan… my Mom.

The neighborhood in which I grew up in, was a definite attachment to the downtown area of the small city it belonged to. There was a surplus of families living around me for blocks, that struggled to make ends meet. I was the luckiest kid in my neighborhood, having the record and tape collection that I bestowed. This collection of Heavy Metal was earned, I worked many different part time jobs after school and did a bounty of chores around the house and yard. Every penny I made… went to Hard Rock/Heavy Metal albums and tapes. No regrets ever, just a cool life of Heavy Metal enjoyment. My neighborhood buddies and me, well, none of us had a car until our senior year of High School, so making any out of town treks to the “real” record stores was out of the question. Step in my Mom.

Iron Maiden - debut album small pic Yes, my Mom would go out of her way to drive me and my buddies thirty minutes – out of town, to Strawberries Records and Tapes. These Heavy Metal excursions, (as we called them back then), would happen at the drop of a dime! After school, on the weekends, on days off from school and during the Summer… with my Mom it was no problem. She loved those trips to Strawberries. We sometimes would have four dudes in the back seat, with me up front and my Mom leading the way behind the wheel – those Heavy Metal journeys, (we called them that too), are memories that no money can buy. At least half of my Heavy Metal collection of albums and tapes, were courtesy of what my Mom would pick out on her own back then. We would storm into Strawberries and my Mom would seek out albums like a bobcat seeking out it’s prey. She is responsible for my having every Rainbow album ever made at the time. Iron Maiden too. Honestly, I never would have listened to Scorpions World Wide Live if not for my Mom, she would find and buy some prime albums for me back then.

This last memory I will reveal is one for the Heavy Metal record books. It is true and quite unbelievable. I would have many of my buddies from the neighborhood over to my house, almost on a daily basis. The door was always open to them… per orders from my Mom. Listening to Hard Rock and Heavy Metal albums was our number one priority back then. We played the music loud, as all of us have done and still do… no big deal. One day, while a few of my buddies and me were cranking up the Metal tunes in my bedroom, there was a knock at the door. Crap, I thought. Has my Mom finally had enough of these Heavy Metal hang outs? We all stared at each other not knowing really what to do or say. Again, the knocking at my bedroom door continued. One of us was knowledgeable enough to turn the music down low. I opened the door, hesitantly with a semi-gulp in my throat. Behold it was my Mom standing there with a plate of freshly baked chocolate chip cookies!! She smiled at all of us and said, you can’t go hungry while having so much fun with your music. Needless to say, my buddies were stunned. Unreal memory. A real memory. An unreal Mom that I will love and cherish forever, even if she is far away in heaven.

MetalOdyssey

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BADLANDS – 1989 Heavy Metal Debut Album Still Reigns Supreme

Badlands was a Heavy Metal band that I caught onto the instant they released their debut/self titled album – Badlands, (on Atlantic Records), back in 1989. I purchased this Badlands cassette at Strawberries Records & Tapes, located right around the corner from Central Connecticut State University on New Britain Avenue. I was a student at CCSU back in 1989, very much broke to the Metal wind. Therefore, my Heavy Music purchases were not abundant, I chose quality over quantity. With so little funds to buy music as a college student back then, being choosy was a necessity. Badlands with their classic and ultra talented lineup of musicians became a necessity for me. From the very first listen through of this album, (in my case cassette), to say that Badlands left an earthshaking mark on me is the understatement of the decade. The Heavy Metal onslaught of cool and psyched out vibrations, that this Badlands album gave me back in 1989, has once again reintroduced me to that same experience this past weekend.

My best buddy – a.k.a. – best Metal buddy – a.k.a. – Scott, well, he remembered just how much Badlands and their debut album resonated with me back in the day, therefore Scott landed me a CD copy of Badlands. Scott was my roommate at CCSU, my best man at my wedding and if anyone knows my Metal tastes and background… it is him. Thank you Scott, for this Metal gift of Badlands this past Saturday. Getting Badlands on CD in the mail was like experiencing Christmas Day on this cold, dank and rainy day in October. F’n unbelievable surprise.

It is an unreal great feeling to have this Badlands CD finally in my collection. I have never let go of my Badlands cassette since 1989… and I never will. To the best of my Metal research, this Badlands CD is extremely hard to find at retail. Out of print perhaps? Badlands is definitely one of my favorite Heavy Metal albums that I have ever listened to. I only wish this band was able to stay together forever, yet lead vocalist Ray Gillen was called to heaven a little early, on December 1, 1993 at the age of 34. The unreal great guitarist – Jake E. Lee and Ray Gillan on vocals may be the two main musical focal points of Badlands, yet Eric Singer on drums and Greg Chaisson on bass make for an ear bending and jaw dropping rhythm section – stuff of legend. Anyone that knows and enjoys Old School Heavy Metal can certainly identify with Badlands, this band is from that mold. Jake E. Lee proved with Badlands that there was definitely a Heavy Metal life for him away from Ozzy Osbourne.

The eleven songs on Badlands encompass the melodic driven side of Heavy Metal enormously, with the late Ray Gillen’s unique vocals surpassing many of his peers of that time, when it came to harmony and range. I include the late Ray Gillen in with Tony Martin, Jeff Scott Soto, Gary Barden, Jorn Lande and Joe Lynn Turner when it comes to lead vocals status in Old School Heavy Metal. He belongs with this select group of singers. (I definitely left out some names here, yet I think my point is made). If not for his passing away at age 34, I am convinced Ray Gillen would have been a top tier Heavy Metal and/or Hard Rock vocalist to this very day. With so many new vocalists coming out of the woodwork in all of the Metal genres since the 1990’s, too many of them sound like each other or have little regard for originality. This is why I can never tire from the late Ray Gillen’s vocal talent.

My favorite song on Badlands is Dreams In The Dark, I played it six times over, very loud the other night and it served me right. Yes, I acted very silly jumping around in my basement like a psyched out kid, while this song and the rest of Badlands cranked. As the ultra great Blackie Lawless would say… I don’t need no doctor. All I need is to delve back into the Metal world of Old School Heavy Metal, (on a very consistent basis), turn on some Badlands and let the bull crap of the world around me, wallow in it’s own decrepit stank. I don’t look back upon Badlands as a supergroup, instead I look upon them as a fabulously talented Heavy Metal band that was too short lived. Long live the legacy of Badlands – their Heavy Metal still reigns supreme for me.

Track List For Badlands:

High Wire

Dreams in the Dark

Jade’s Song

Winter’s Call

Dancing on the Edge

Streets Cry Freedom

Hard Driver

Rumblin’ Train

Devil’s Stomp

Seasons

Ball & Chain – (this song is not on the vinyl record version of Badlands)

BADLANDS "Badlands" large album pic

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My Least Favorite Ozzy Osbourne Song Ever Is…

Ozzy Osbourne, the Heavy Metal Prince of Darkness. Ozzy Osbourne – Rock and Roll Hall of Fame inductee with Black Sabbath. Honestly, I revere the living hell out of this Heavy Metal legend. I did get to see Ozzy Osbourne live in concert twice during my lifetime. For me, those two concerts were unbelievable, with Metallica opening up for Ozzy in New Haven Connecticut, (at the spooky New Haven Coliseum) – it was The Ultimate Sin Tour for Ozzy and Metallica was promoting their legendary Master of Puppets album. The other Ozzy concert I saw had Queensryche open for Ozzy in Springfield, Massachusetts, (at the Springfield Civic Center), on this same Ultimate Sin Tour. Alright, so it is obvious I think the Metal world of Ozzy Osbourne… fine. However, by process of elimination, there has to be my least favorite Ozzy Osbourne song out there and there is one. I do not think much of the song, uh, ballad So Tired from Ozzy’s Bark At The Moon album. This song, ugh, ballad is responsible for my distaste of most Heavy Metal ballads ever released since, by any band. This album was released on December 10, 1983. Don’t get me wrong here, the Bark At The Moon album as a whole, is unreal good. Three songs on this album are incredible for me… Rock ‘n’ Roll Rebel, You’re No Different and of course – Bark At The Moon. These three Ozzy songs I can hold up on a Metal pedestal forever. Plus, Jake E. Lee on guitar is a Metal bonus to listen to.

So Tired is a song that in my Metal opinion, is overwhelmingly dull and depressing and does absolutely nothing but annoy me beyond belief. Who exactly is supposed to be so tired in this song? Is it Ozzy himself? Someone that Ozzy knows? I really do not care in the darn least who is tired. I get tired too, yet I never whine about it like Ozzy did in this song. Sure, maybe the tired theme was about waiting around for a love lost… who cares. So Tired is a perfect example of what happens when a Heavy Metal icon decides to go the Pop and Bubble Gum Music route with a song. Sappy city is open for tourists with So Tired. Get out the kleenex, So Tired is now playing… sniffle, sniffle, I am so moved. The orchestration in this song only annoys me more.

To me, So Tired just never seemed to fit in with the Bark At The Moon album. So Tired is a downer in the midst of some riveting Heavy Metal songs, a huge let down, like the depressed dude at a party trying to bring everyone else down with him. The video for So Tired, (which was on MTV too often back in the day), was so ridiculous that even I felt embarrassed for Ozzy. When the Bark At The Moon album was reissued, So Tired should have been omitted from the track list… it is that lousy – for me. In my Metal opinion, So Tired is the lowest moment of Ozzy Osbournes unparalleled and ultra legendary Heavy Metal career.

Ozzy Osbourne "Bark At The Moon" Large album picture

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EXODUS – “Bonded By Blood” I Still Bond To For Old School Thrash Metal

Posted in 1980's heavy metal albums, 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's thrash metal music, Album Review, classic metal, collecting metal music, cool album covers, creepy album covers, current thrash metal music, essential heavy metal albums, essential metal music albums, essential thrash metal albums, extreme metal music, heavy metal album covers, heavy metal album reissued, heavy metal albums, heavy metal albums 1985, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal vocalists, independent record labels, Metal, metal music, metal music albums, metal music today, metal odyssey, Music, old school heavy metal, old school thrash metal music, scary album covers, spooky album covers, Thrash Metal, thrash metal album review, thrash metal albums, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal music, thrash metal music reviews, thrash metal songs, thrash metal today with tags 1980's heavy metal music, 1980's thrash metal, Album Review, bonded by blood alternate album cover, bonded by blood original album cover, bonded by blood track listing, combat records, deliver us to evil song, exodus, exodus bonded by blood album, exodus thrash metal band, exodus thrash metal band 1985, gary holt guitarist, heavy metal album review, metal music, Music, no love song, old school thrash metal music, paul baloff vocalist, rick hunolt guitarist, rob dukes vocalist, rob mckillop bass guitarist, rowdy roddy piper wrestler, thrash metal albums, tom hunting drummer on October 23, 2009 by Metal Odyssey

Exodus… a Thrash Metal originator. Exodus… Old School Thrash Metal. Exodus… Bonded By Blood, was the first album released by this very important Thrash Metal Band, (back in 1985). Why I feel Exodus is a very important Thrash Metal Band is due to their being one of the first Metal Bands to introduce this genre to the world. Back in 1985, there were not the hundreds of thousands of Thrash Metal Bands there are now… you can thank Exodus for influencing countless musicians and bands alike for embarking on their careers in Metal… Thrash Metal. Just seek out and read some interviews of past and current Thrash Metal musicians, you discover after awhile, that Exodus and especially their initial album Bonded By Blood is ultra revered. Yes, I am an Exodus fan, since 1985 until this very day. Lineup changes within Exodus has not made me wince one Metal bit. Guitarist Gary Holt and drummer Tom Hunting have held the Thrash Metal fort for Exodus over the past three decades, serving Exodus and their fans well… extremely well. (Note: Paul Bostaph has stepped in on drums for Exodus, he is an unreal great Metal drummer at large).

Last night, I watched my beloved New York Yankees lose to the Angels… ugh. A great game, yet I was anticipating the Yankees to close things out and head to the World Series to beat down the Phillies. Not feeling the cheeriest, I headed down to the basement… to my Metal oasis. Once I began staring at my CD racks, I decided I needed a lift-me-up, some Metal to clear my senses and put me back in the game of life. Exodus Bonded By Blood caught my eye… this CD was just aching to get heard – once again. I put this CD on, sat back and let the Thrash Metal of Exodus infiltrate my senses. Well, it was only halfway into the first song – Bonded By Blood, that I then got off of my butt and began to stalk around my basement like the fiendish Metalhead that I have been my entire life. I raised and pumped my fists into the air, played air guitar and bass, then did some pummeling air drums like there was no freaking tomorrow. Yes, life is not good, it is great when I can turn to Metal… turn to vintage Exodus, to whip my mood into the positive realm where it belongs.

Exodus "Bonded By Blood" alternate cover small pic Listening to the late and unreal great – Paul Baloff on lead vocals is as inspiring to me as all damn hell. His vocals were not your stereotypical Thrash Metal type… he resonated with the influence of early Rob Halford of Judas Priest… in my Metal opinion, still exuding his very own style that to this day is untouched. I reached for my CD jewel case of Bonded By Blood, (my copy is the reissue by Combat Records, it also has the alternate cover that is shown at the left and bottom of this post). The original front cover artwork is damn more cool than the alternate version, just look at it at the top of this post for proof. On the back cover of Bonded By Blood, it has a group photo of Exodus… Paul Baloff is shown wearing a Pipers Pit sleeveless t-shirt. Rowdy Roddy Piper… Paul Baloff… man, that is as fitting a shirt as any for him to wear back then. I used to be the f’n biggest Rowdy Roddy Piper fan around, imitating his wrestling moves and voice too… silly and cool memories, all courtesy of one photo of Exodus.

This Bonded By Blood album kicked my butt last night, just as it did back in the day. Having the private freedom to go bonkers to the Old School Thrash Metal of Exodus last night exhilarated me into feeling tired enough to finally go to sleep. Exodus was a friend to me last night, their music strikes that Metal chord with me. No Love and Deliver Us To Evil are my two extra favorite tracks on Bonded By Blood… holy crap, does the psyche out meter catch on fire for me when these songs are cranked up. I can’t use the word recommend to prospective fans when discussing Bonded By Blood, instead the words I will use are: get this album if you have not already – otherwise you are missing out on a Thrash Metal achievement that catapulted Thrash Metal into what it is today.

Exodus as they appeared on their first album Bonded By Blood:

Gary Holt on guitar

Rick Hunolt on guitar

Paul Baloff on lead vocals

Tom Hunting on drums

Rob McKillop on bass

Track Listing for Bonded By Blood:

Bonded By Blood

Exodus

And Then There Were None

A Lesson In Violence

Metal Commando

Piranha

No Love

Deliver Us To Evil

Strike Up The Beast

* Two bonus tracks are found on the Combat Records reissue that I own… they are both live recordings of: And Then There Were None and A Lesson In Violence. Steve Souza is the lead vocalist on these live tracks… yeah, I think Steve Souza is really cool too… convict me of being an Exodus fan boy already, that is just the damn way it is. I am a Metal fan that has been around the Metal block a few times, paid my Metal fan dues and could give a rats rotting and infected butt if anyone out there considers me a fan boy of any band.

* Exodus under the leadership of Gary Holt, covered the entire Bonded By Blood album, with the current Exodus lineup and released it on October 28, 2008. Yeah, I own that version too and I have nothing but Metal praise for Rob Dukes, the guy is the real deal for Exodus. Again, see my fan boy explanation above in regards to my being enthralled by Exodus’s Rob Dukes. I am quite Metal certain, that I am not alone in my reverence for this band… both past and present. Exodus does not need any stinking Guitar Hero game named after them or useless strolls down any damed red carpet to be considered unreal great by me. I have spoken my Metal mind and it feels really, really, good.

Exodus "Bonded By Blood" alternate cover large pic

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How I Discovered Motorhead And My Favorite Motorhead Song Ever

Motorhead is and always will be a core favorite Heavy Metal Band of mine, (a top 3 band without a doubt). I was first introduced to this prolific band back around 1983, a friend of mine in high school gave me an 8-track of a live Motorhead bootleg. (This dudes name was Rich, I am glad we had crossed paths back then). The sound was enormously awful, (the actual 8-track didn’t help), the lead vocals were beyond raspy and unclear and the Heavy Metal Music being played was raw, uncommercial and unlike anything I had ever heard before in my young life. I loved it. I was beyond thrilled at listening to this Motorhead 8-track. I was enamored by every unpolished intricacy that my rookie Metalhead ears heard. Here is this band, on a beat up 8-track, recorded as a live bootleg somewhere far away in the world, that only a dozen or so dudes in my high school even knew about at that time in 1983. All that was written on the blank white sticker on this 8-track was a barely legible – Motorhead Live. I’ll never forget that… an Old School Metal memory at it’s most innocent. I was awe struck by the unnatural vocals of Lemmy Kilmister and his bass was over powering to boot. Gimme some more Motorhead is what I said.

I wound up buying the Iron Fist album by Motorhead first, (on vinyl of course). This Iron Fist album was released on April 17, 1982, I bought it sometime in 1983… owning a real Motorhead album became a dire Metal necessity then, I needed to get the Metal ball rolling in starting my Motorhead collection. Not having too much money as a teenager, I did not make another Motorhead album purchase until the double album No Remorse was released – which was September 15, 1984. (I can’t recall if I actually bought No Remorse on it’s release date, who would care now? I do remember that I bought it right away though!). Buying No Remorse heightened my awareness, attitude and respect for Metal Music in 1984 – I now had a legitimate greatest hits of Motorhead in my possession. My favorite Motorhead song ever, is on No Remorse, it actually was a brand new song added to this greatest hits track list at the time. Killed By Death. An unreal and damn incredible Metal song for me then… still is now in 2009.

When I listen to Killed By Death today, it is like I am hearing it for the very first time again. I cannot figure that out, why bother? All I know is what this song does for me, it gets me extremely pumped up and motivated beyond Metal belief. The Heavy Metal and Roll vibe and groove that Killed By Death bestows is unlike any Motorhead song pre-1984. I was so fascinated back in 1984, while holding the double album jacket, staring at the front cover artwork of Snaggletooth, a.k.a. War-Pig and having my ears being ignited by Motorhead Metal. It felt like my little teenage world was made into a more tolerable place to exist in, with the Heavy Metal of Motorhead being at the ready for me to escape in. I could never forget just how much this No Remorse album of greatest hits means to me still, especially the song Killed By Death. Yes, I still have this No Remorse album, this double album is like Metal gold to me. I have kept it in pristine condition since September of 1984, this album is one of the fortunate ones that never was traded, sold, lost or given away by me.

I bought No Remorse at the no longer existing – Strawberries Records & Tapes. I even begged, bribed and pestered the Strawberries manager for months, to give me the Motorhead No Remorse promotional poster that hung on the store wall. (Back then, large record stores had class, they would actually give away any and all promotional posters for free, that is correct… for free). This Strawberries manager turned out to be a Metal hero for me… upon one of my extremely many trips there, he saw me enter the store and informed me the No Remorse promo poster was mine. That’s one cool memory – simple, innocent and Metal. This Motorhead No Remorse promo poster was hung up on my college dorm wall at Central Connecticut State University and survived. (I don’t know how it survived either). This same poster now adorns my basement wall… surrounded by many, many other Metal posters. However, this Motorhead No Remorse promo poster will forever remain as the Metal epicenter of my Rocked out basement, while the No Remorse album will remain as an integral reason as to why I revere Motorhead and Metal Music in the first place.

*My original copy of this Motorhead No Remorse – double album, depicts the same artwork on the front cover, however, the graphics Motorhead No Remorse are in deep red type.

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TONY IOMMI & GLENN HUGHES – 1996 DEP SESSIONS ALBUM- OLD SCHOOL HEAVY METAL

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's classic rock guitarists, 1980's heavy metal albums, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, 1990's classic rock albums, 1990's classic rock music, 1990's hard rock music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's rock music, 1990's hard rock bands, 1990's heavy metal music, Album Review, Black Sabbath, century media records, classic hard rock, classic hard rock music, classic heavy metal, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock vocalists, collecting classic rock, collecting heavy metal albums, collecting music, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, hard rock music, hard rock songs, hard rock vocalists, hard to find rock albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal vocalists, Metal, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock and roll, rock and roll hall of fame inductees, rock music, rock vocalists, tony iommi heavy metal guitarist, vintage hard rock bands, vintage heavy metal bands with tags 1970's hard rock music, 1970's heavy metal music, 1970's rock music, 1980's heavy metal albums, 1980's heavy metal music, 1990's heavy metal music, Album Review, black sabbath heavy metal band, black sabbath seventh star album, classic hard rock music, classic rock, classic rock albums, classic rock music, deep purple hard rock band, glenn hughes bass guitarist, glenn hughes vocalist, hard rock music, Heavy Metal, heavy metal music, iommi and glenn hughes, iommi with glenn hughes the 1996 dep sessions album, metal music, metal odyssey, Music, old school heavy metal, rock music, the 1996 dep sessions album, tony iommi guitarist on October 20, 2009 by Metal Odyssey

I found IOMMI With Glenn Hughes – the 1996 Dep Sessions on the Century Media Records online store CM Distro.com. This CD set me back 3 bucks plus shipping. (I bought a few CD’s so the total shipping cost of 5 bucks was reasonable to me). This CD was in the clearance section at CM Distro.com, proving to be a cool Metal find for me. Tony Iommi is the lead guitarist for the ultra legendary/Rock and Roll Hall of Fame inductee – Black Sabbath. Glenn Hughes has had a stellar career of his own, most notably being a vocalist and bass guitarist for Deep Purple on their Burn and Stormbringer studio albums from 1974. Glenn Hughes is also on the Deep Purple studio album – Come Taste the Band from 1975, as well as several Deep Purple live albums, the most notable being Deep Purple – Made In Europe, from 1976. Glenn Hughes was a member of Black Sabbath, (hey, it is an official Black Sabbath album – Black Sabbath Featuring Tony Iommi – Seventh Star). This studio album, Seventh Star, was released back in January of 1986 and Glenn Hughes was the lead vocalist only… Dave Spitz played bass on Seventh Star. This background information on Glenn Hughes is to help anyone who may be unfamiliar with his musicianship and/or career. Trust me, it would be a very long post to acknowledge everything Glenn Hughes has done during his illustrious music career dating back to 1968.

I have always revered the vocals of Glenn Hughes, not to mention his bass guitar exploits. When I listen to Glenn Hughes sing, it is the real deal for me… real Hard Rock vocals, real Heavy Metal vocals and yes, even soulful vocals on some of his solo work as well. Tony Iommi in my Metal opinion, is… if not the founding father of Heavy Metal guitar, then one of the very first. The combination of Glenn Hughes on vocals and Tony Iommi on guitar worked just fine for me on the Black Sabbath album, Seventh Star. Certainly, it was not the most famous music achievement for either Tony Iommi or Glenn Hughes, still it remains a standout album for me due to it’s Old School – Heavy Metal resonance and quality of songs.

This 1996 DEP Sessions album seems to rekindle that Old School Heavy Metal and Old School Hard Rock sound from the late 1970’s into the ’80’s. Do not expect a layered and very heavy album here, you will not be listening to Heaven and Hell or Sabbath Bloody Sabbath. Even the Heavy Metal fog storm of Seventh Star is not revisited here by Iommi and Hughes. What I hear, is an appropriate blend of Rock, Hard Rock and Heavy Metal vocals from Glenn Hughes, to correspond with the diverse guitar brilliance of Tony Iommi. The riffs are plentiful, extremely distinguishable that this is Tony Iommi – the Old School, Heavy Metal riff king himself. Iommi does not shy away from writing and playing tremendously melodic leads as well, in a Metal nutshell… Tony Iommi’s guitar is the dominant musical force on this 1996 DEP Sessions album, (of course). Unlike the Black Sabbath albums with Geezer Butler on bass and Bill Ward on drums, the rhythm section on this album honestly does take a back seat… albeit intentional during production or it just may be my aging Metal ears.

My three favorite songs on this 1996 DEP Sessions album are: Gone – which plays out as the heaviest song, the opening riff is vintage Tony Iommi. I‘m Not The Same Man – has reality check lyrics and is driven with melodic hardness at every nook and cranny. Fine – is a Hard Rock ballad that just grabs my attention on a personal level, plus Tony Iommi and Glenn Hughes really deliver a genuine song here. All eight songs are memorable and good quality, both musically and lyrically. I won’t yell out loud that this album is unreal great and the best stuff these two Heavy Music legends have ever done. I will attest that this album has been a damn cool listening experience for me though. 1996 DEP Sessions is definitely worth picking up if you are a fan of Old School Heavy Metal and/or Hard Rock, Deep Purple and Black Sabbath. Glenn Hughes and Tony Iommi fans have to own this album of course, the value is in the overall musicianship and diversity in songs. I will be playing this album regularly in the future, the combination of Glenn Hughes and Tony Iommi is just too cool to ignore.

Track Listing For: IOMMI with Glenn Hughes the 1996 Dep Sessions:

Gone

From Another World

Don’t You Tell Me

Don’t Drag The River

Fine

Time Is The Healer

I’m Not The Same Man

It Falls Through Me

* the 1996 Dep Sessions IOMMI with Glenn Hughes was released on September 28, 2004, on Sanctuary and Mayan Records.

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ANVIL – “THIS IS THIRTEEN” – THIS IS OLD SCHOOL, REAL HEAVY METAL

Posted in 1980's heavy metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, canadian heavy metal bands, classic metal, collecting rock music, cool album covers, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, essential heavy metal albums, essential thrash metal albums, heavy metal album covers, heavy metal album reissued, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from canada, heavy metal bands this decade, heavy metal drummers, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, old school thrash metal music, rock music, spooky metal album covers, vintage heavy metal albums, vintage heavy metal bands with tags 1980's heavy metal albums, 1980's heavy metal, 1980's heavy metal bands, 1980's heavy metal music, Album Review, anvil, anvil 2009, anvil heavy metal band, anvil this is thirteen album, big business song, bombs away song, game over song anvil, glenn five bass guitarist, Heavy Metal, heavy metal album review, heavy metal albums 2009, heavy metal music, heavy metal music 2009, lips anvil guitarist & vocalist, Music, robb reiner drummer, should' a would' a could' a song, Steve "Lips" Kudlow, the story of anvil, this is thirteen song, thumb hang bonus track song on October 8, 2009 by Metal Odyssey

ANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.

I would have bought this great DVD today, yet my Super Walmart never put it out for sale along with any other newly released CD’s or DVD’s… and that was at 9:30 a.m. EST on October 6th when I left that store today. I did not have time to drive around to other stores for this Anvil DVD today, thanks for nothing Super Walmart. I will make certain to buy the Anvil DVD at f.y.e. now, you better Metal believe it. Ha, Ha, Super Walmart… you lost a sale on that one.

What a perfect segue for the first song I will mention from This Is Thirteen… Big Business. I like this one a Metal ton, a straight on anti-corporate song if there ever was! Anvil’s lyrics are not overdone, they are not out to impress any Rhodes Scholars, ya’ know? Anvil impressed me with Big Business, reminding me that nothing is free and rising fees… oh how true it is. The album opener is This Is Thirteen, with doom laden riffs, my Metal mind wanders over to vintage Tony Iommi and Black Sabbath here. Combined with the slowed down rhythm section here, this song really does take me back to 1982 and I am proud to say that. Bombs Away has Anvil shredding their brand of Thrash, Lips on guitar is not just fundamentally sound, he is Metal be damned… a great guitarist. As a vocalist, Lips never shies away from a bit of diversity, he isn’t fancy yet he is real – I’ll take him over a bushel load of Metal singers I have listened to over the decades. Should’ A Would’ A Could’ A has become my favorite song on This Is Thirteen. Lyrically, this song is right on the Metal money in describing the game of life. Take chances, no regrets, know your enemies, strength to survive and righting a wrong are all covered on Should’ A Would’ A Could’ A, plus it grooves like there is no tomorrow. Game Over, in my Metal opinion, is the heaviest and fastest song on this album… real good. Anvil took out some cool aggression on Game Over, lyrically comparing life to playing a Game Boy game.

Thumb Hang, (the bonus track), has similar, trudging riffs as the opening track This Is Thirteen. Another fine example of a song, that Anvil is not buying into any current trends of Metal anytime soon. Thank God for that. Robb Reiner on drums… what can I say other than he has been damn good his entire career and makes himself heard quite well on this album. Glenn Five makes for more than a Metal compliment on bass guitar, rounding out this trio the outside world is just now embracing as Anvil. In a Metal nutshell, Anvil created fourteen songs that are missing the over produced sheen and gleam of many of today’s Metal albums. There is that blanket of rawness to this album, then again, Anvil was never about being commercially polished anyways. Thank God for that. This is why I always dug the Metal that Anvil has put out over the last three decades. Anvil did not need a billion dollar producer to waltz in the studio and dictate how it’s done… Anvil (and producer Chris Tsangarides) knew what to do all along with This Is Thirteen, one listen through proves it – in my Metal opinion.

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Archive for the 1980's heavy metal albums Category

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