The Casualties are a smack to the head reminder that Punk Rock is not dead… one listen to we are all we have and I listened again. The Casualties new album, (released August 25, 2009 on SIDEONEDUMMY Records), comes across fast, heavy and embracingly aggressive. Standing amidst what I consider, an enduring crowd of veteran and rising Punk Rock and Hardcore Punk bands that are all current and real, The Casualties approach is take no damn crap or prisoners, in my Metal opinion. The Casualties have never been bashful about making a social statement lyrically, we are all we have gives more than a nod to what is pissing off this band. I cannot resist the Old School backing/gang vocals that makes this album so darned Punk infused. If we are all we have was a book, an appropriate title very well could be Real Punk Rock and The System Sucks. Integrity heard and felt in music is open for interpretation, a personal opinion, if you will… I hear and feel the upmost integrity from The Casualties, always have, there is no saran wrap shrouding this band from their convictions.
The United States has without doubt, gone through a major political change within the past year, along with an unprecedented mortgage crisis, throw in the environmental issues of the day and The Casualties will inevitably get their point across with a new album. One of the greatest freedoms I cherish and hope will never be tinkered with by my government, is freedom of speech. When a band I like has something to say through song, I’ll listen, I always find it damned cool when a band like The Casualties have opinions. Apocalypse Today and War is Business are the two meaty social songs that gets their messages out with true Punk angst and bite. Hey, I have always been concerned about my drinking water too… The Casualties make a damned good and cool point on Apocalypse Today, with vintage Punk driven intensity. War is Business has The Casualties reminding me that yeah… I am thankful the war is not here and it’s over there. Despite the location of war, The Casualties sadly remind me that innocent families and children fall victim to war overseas… war does suck, war is hell. Nevertheless, I am grateful to the service men and women who have protected my country from terror. War has unfortunately followed societies around since the dawn of time. I could not agree more with the lyrics to Life Clone, I can’t stomach plastic/artificial people who buy themselves through life either. I raise my fist in the air to this song and bellow – hell yeah! The Casualties bring forth the social images and opinions that are either too taboo or uncomfortable for some of us to speak up about in a public or open forum.
Putting the social factor aside, we are all we have is as pronounced a Hardcore Punk Rock album as you can hear, vocally, musically and lyrically in sync, producing a bastion of Punk vibe. The album finishes off with Rocker’s Reggae (Working Man’s Dub), it is laced with a Reggae sound, with the messages of Punk pride through Punk songs and these same songs will never be taken from the Punk genre by anyone, for the Punk genre knows the true meaning and feelings of these working man/Punk songs. I am not out to fool anyone, I will never pose… I am not a Punk myself, yet I still will get the maximum Punk enjoyment from The Casualties as I always have. I listen to many Punk Rock bands, I have for decades. I am a Metalhead who has expanded his Extreme Music appreciation a very long time ago… with no regrets.
The Casualties are:
Jorge– vocals
Rick – bass
Meggers– drums
Jake – guitar
Alright, I am more than thrilled at this new Obituary album, “Darkest Day”, I am enthralled with Metal jubilation. Death Metal jubilation. I am also reminded as to why I am lured into the heaviest, most Metal bludgeoning genre there is… it is Obituary. These guys are not about making nice with the trend setters… forget about it. Obituary is Old School Death Metal lathered with extreme. Understand, however, that Obituary delivers grooves by the Death Metal bushels. From it’s deadly beginning track – “List of Dead” to it’s deadly ending “Left To Die”, I am going out on a Metal limb here by stating… “Darkest Day” is one of 2009’s best Metal albums period. Being one of the true forefathers of the Death Metal genre, Obituary lays their Death Metal cards out on the table here, you either are with them or with them. This is not a Death Metal band that you just want to try out, if you buy an Obituary album, you are either a fan or your about to become one. 
On Saturday, of this 2009 Labor Day Weekend, I set out on a trip to buy back to school necessities for my daughters. The local mall, which is only minutes away, provides for a cool stroll… an f.y.e. is located inside. (Yessssss!). As my daughters and wife are perusing the kids sneakers, all I kept thinking was… what is currently hiding in the batch of used CD’s over at f.y.e.? The trip to this particular mall proved to be very worthwhile, no sneakers were found that my daughter liked, however, we had some fine pizza slices for lunch while we were there, plus I found The Law. The debut album The Law 
Masters Of Reality – Sunrise On The Sufferbus was released back in 1992, on Chrysalis Records. I already owned the 1988 debut album, (self titled), from Masters Of Reality when I jumped on this album back in 1992. The best way I can describe this band is Old School Stoner Rock/Hard Rock, in my Metal opinion. This is a grossly underrated Rock album, the musicianship, songs and total grooviness on Sunrise On The Sufferbus makes this a lifetime keeper, for me. My favorite song on this album is J.B. Witchdance, a non stop bass groove with a semi-haunting overall sound, always seems to put me in a cool mood. My second choice pick from Sunrise On The Sufferbus is She Got Me (When She Got Her Dress On) – this song as with the entire album, is unbelievably unique, I just never heard a band sound like Masters Of Reality back then, nor do I now. This album is the closest thing to heavy without being so… I know that sounds crazy, I just cannot explain this music any better than that. O.K., maybe I’ll try this… cool under heavy… now that might work. (If you are wincing at the use of words here, just go with Stoner Rock).
I am Metal psyched about another great Metal album coming out in this month of September of 2009, Children of Bodom – Skeletons In The Closet
I cannot wait to get my hands on this new album and crank it up extremely loud, on September 23, 2009, I will. I am just very curious as to how the Britney Spears cover of Oooops! I Did It Again… is going to sound like. What about the Kenny Rogers song? Man, that should be a Metal hoot. Knowing the way Children of Bodom play their Metal, I am confident they will rage these songs into Extreme Metal bliss. Still, I cannot believe I am writing about Britney Spears, Kenny Rogers and Children of Bodom in the same post. One thing is for sure here, Children of Bodom can never be accused of not being diversified. The cover songs represent a darn cool list of bands here… Slayer, W.A.S.P., Iron Maiden, Alice Cooper, Scorpions, Ramones – these are legendary bands without question. Thank you, Finland, for the fine Metal export they call Children of Bodom.
On October 28, 1977, Queen – News Of The World was released. I was eleven years old, not interested very much at the time about owning this album. Sometime within the first year of this albums release, I ventured into the local Bradlees department store, took one look at the 45 rpm sleeve of the Queen – We Are The Champions/We Will Rock You, (double A single), the very large head of that somber, yet spooked out robot head had me hooked and intrigued. I was just as enthralled by the artwork of this robot head as I was the two songs on the 45 record. I treated this 45 record and sleeve like it was pure gold… staring into the eyes of this nightmarish robot head, becoming transfixed by this image. Of course, I listened to this 45 record like there was no tomorrow, as an eleven year old in 1978, just owning this stuff was bragging material at the Parochial School I was enrolled at. I no longer have this memorable 45 record with it’s alluring sleeve, I positively do not remember how I let it go. Fast forward to 2009, I now am the proud owner of two album copies of this incredible Hard Rock masterpiece, both copies are vinyl too, not CD. I have spent fifty cents on each album, for one dollar… two copies of the Queen album News Of The World. I will never buy the third copy of this album I find, I’d rather leave it to the next collector or fan of exceptional Hard Rock Music and/or Queen, to be just as thrilled as I am of it’s artistic and musical importance.
KISS. I have the fever… it is the addiction to this enormous American Heavy Metal juggernaut that hooked me back in grammar school… the (gulp), 1970’s that is. Over this past Summer of 2009, (actually it goes back to last Winter too), I have ultra consistently listened to the KISS album “Unmasked”… after each listen I am a better Metalhead for it. Unmasked was released back on May 20, 1980, right before I embarked on my High School years. By now, for anyone who reads my stuff regularly, may be tired of my mentioning that I owned 8 track tapes… still, I need to tell the world that I owned Unmasked on 8 track, thank you all for understanding. The memories that get stirred up inside my Metal mind, each time I listen to Unmasked are good ones… the Summer of 1980… going to the UCONN Basketball Camp, collecting odd and evil looking spiders in my backyard and having no worries in the world other than entering a new teenage chapter in my life.
Megadeth. Just the name alone sounds like true Metal. Thrash Metal. The name Megadeth alone, reaches out and stuns the uninformed as to the fact, that this band is seriously heavy about all things Metal. One of the kings of Thrash Metal. Dave Mustaine… a founding father of Thrash Metal and unreal good guitarist, a Metal legend. (Gee, did I leave out any other important accolades here?). Really, any Metal fan has to agree that Dave Mustaine has the Megadeth Metal machine running full tilt… for quite a long time too. I am Metal giddy that “Endgame” is coming out on September 15th… the month of September looks better already, for me. If you do not count today, (September 2nd), there are just 13 days left until the Megadeth Thrash Metal onslaught of new material becomes heard in it’s entirety. That is less than two weeks away. I am Metal psyched. I was fortunate enough to see back in the late 80’s, a Metal triple bill of Savatage, Megadeth and DIO. The New Haven Coliseum was never the same after that show… that structure no longer exists. What a night of Metal it was… Megadeth blew me away, Dave Mustaine earned a fan for life. Dave Mustaine… Thrash Metal Champion. Megadeth shall return… Endgame.
Man, is it just me or does the world, national and even local news stink? Not just lately but for quite awhile now too. I was foolish in watching more news than usual on the television last night… ugh. Ugh again. The norm for me in obtaining any type of news has been to grab a sound bite or headline and be done with it. This is my own filtering process… it works for me. Certainly I will read many a news article, it is just that the messenger(s) of these news articles need to know the meaning of redundant. There is plenty of cool and inspiring news out there to be reported, however, feel good news stories don’t sell. What a shame. So, I have picked a Heavy Metal Song of the Day, for September 1, 2009! This Heavy Metal song is as righteous a statement, regarding the nature of the news as any song I have ever heard. “Somebody Save Me” by the Heavy Metal band – Cinderella. This cool and heavy song is found on the Cinderella album “Night Songs”. The “NIght Songs” album was released in June of 1986. “Somebody Save Me” was released on February 10, 1987… peaking at #66 on the Billboard Hot 100 Chart. (The “Night Songs” album peaked at #3 back in 1986… not too shabby). Not only does this song ROCK, the lyrics are right on the Metal money when it comes to the bull crap/hot air that is thrown at us from every direction, courtesy of the mainstream television news networks and/or outlets.
Gene Simmons, The Demon, bass guitarist for KISS, music producer and actor. (The many hats this legend has worn are numerous, quite the achiever is Gene Simmons, in my Metal opinion). Gene Simmons always seems to stay in the public eye, the limelight follows this Heavy Metal icon everywhere he goes… with “Celebrity Apprentice” and his very own family reality series “The Family Jewels” making his presence seen and known while KISS is idle. A short while back, I started writing about my favorite KISS solo albums, in preferential order, no less. Why am I doing this? First, I am celebrating the four original members of KISS, their solo albums being what I consider to be quite a historical achievement in Heavy Metal and Rock history. The quality across the board is apparent in the music that Gene, Paul, Ace and Peter created with their solo albums… my reminding and/or informing anyone who is interested in these great KISS solo albums makes for a fine Metal deed. For me to list in order, my favorite KISS solo albums, (it is not etched in Metal stone here), deciding the sequence of which album ranks 1 thru 4, is based on which album has given me the biggest Metal listening thrill over the decades.
If I had to choose one of my favorite Rock instrumental songs of all time, there is no doubt “Frankenstein” comes to mind. The Edgar Winter Group released “They Only Come Out At Night” in November of 1972, this is the album you will find this original song on. Written by Edgar Winter, how ahead of it’s time was this song? Realistically, this now Classic Rock masterpiece of an instrumental song was as diversified as it was heavy. The multi talented musicianship of Edgar Winter is standout on “Frankenstein”, with the keyboards creating enough spookiness to validate the song’s title. The saxophone, in my Metal opinion, has always had a macabre sounding affect on me, only adding to the overall eerie coolness that “Frankenstein” erupts. I fell Metal head over heels for this song decades ago… I still slap this song on very frequently, especially around Halloween. Seriously, this song just goes perfect when Autumn arrives… once October hits, I have plenty of scary and heavy songs to bust out and revel in their dark side glory, “Frankenstein” leads the pack. No Halloween season can ever get by me, without listening to this song on a consistent basis. The Edgar Winter Group released a mammoth of a Rock album with “They Only Come Out At Night”, “Frankenstein” just made this release immensely complete, with it’s inclusion.
Ted Nugent “Free For All”, (released in 1976), is an album of Hard Rock songs that I slap the label of greatness on. There is no one you can compare Ted Nugent to… he was and still is his own Rock and Roll Warrior. Meat Loaf’s vocals and Ted Nugent’s guitar are a double dose of Classic Hard Rock superiority on this album. Meat Loaf is the lead vocalist on the songs: “Writing On The Wall”, “Street Rats”, “Together”, “Hammerdown” and “I Love You So I Told You A Lie”. Meat Loaf is the real deal vocally, on these songs. “Free For All” was an accomplishment of incredible songs that just continue to knock me over to this day. This album just carries me off into the thunderous land of Hard Rock glory. Ted Nugent is truly an originator of 1970’s Hard Rock guitar… listening to the guitar play of this legend makes me want to stand atop a crowd of onlookers and scream hell yeah!! In my Metal opinion, Ted Nugent and “Free For All” is all about 1970’s Hard Rock in it’s most genuine and heaviest state. An uncompromising group of songs that are Hard Rock personified, aimed at stirring up a good time and feeling the Ted Nugent power of guitar cool. I finally had my first introduction to this album and other Ted Nugent albums at that, in the early 1980’s. Ted Nugent quickly made me aware that Hard Rock music should never be watered down, it should be hard driven and fostered with head turning guitar licks aplenty. With “Free For All”, there are so many Hard Rock attributes happening that this album could easily be labeled as The Great Reference Book of Hard Rock, in my Metal opinion.
Blue Oyster Cult released “Fire Of Unknown Origin” in 1981, which was perfect timing for me. I already had Kiss, Foreigner, Cheap Trick, Queen, Ozzy Osbourne, AC/DC and Bad Company in my system back then, being wowed by Blue Oyster Cult was my ears next step in branching out into the Heavy Music world. Back in 1981, there was the choice of buying music on 8 track, I bought “Fire Of Unknown Origin” on this medium – thank you very much. (I no longer have this 8 track from yesteryear, the 8 track player is a memory as well). This album is just another example of what melded my Metal and Hard Rock Music tastes at a young age, (I was fifteen years old in 1981). Another stepping stone album, if you will, towards the lifetime of Metal and Hard Rock Music adoration that I behold. In my Metal opinion, this BOC album is an early 1980’s Heavy Metal meets Hard Rock album, that has consistently lured me back for many a listen over the years.
I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all time is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.
On one of my recent Hard Rock/Heavy Metal hunts via the second hand route, I came across a true Classic Rock album that I grabbed ahold of within milliseconds of spotting it… Boston “Don’t Look Back”. As a Metal bonus, this great album is also – still factory sealed. That is so right, this vintage Boston album which was released on August 2, 1978, has still, it’s original plastic wrapping protecting it for thirty one years. I never owned “Don’t Look Back” on album before, finding a mint copy of it now, in 2009, is so fine. Sure, I have Boston on CD, yet landing one of my favorite Classic Rock bands on sealed vinyl, on a trip to a thrift store unleashes a cool high for me… every time. I realize this price always gets mentioned when I write about my vintage album finds, it is the truth when reveal it only cost fifty cents. Yikes, that is cheaper than most of the plastic prizes my daughters pay for at the (what I still call) bubble gum machines in front of the grocery stores.
Foreigner, a Hard Rock band that opened the doors to the world of Heavy Music for me. “Double Vision”, an album that I consider to be one of the greatest Rock or Hard Rock albums ever created. On June 20, 1978, “Double Vision” was released. On January 26, 1979, I received this revered album as a birthday gift from my late mother. I was able to choose an album, just one album, on a trip to the Caldor department store… Foreigner “Double Vision” was my choice, on that birthday. Each year that passes by, these fond memories only grow stronger. Man, if I was to say I have listened to this album more times than any other album, it would not be a stretch. Back in 1979, I was only listening to a handful of Hard Rock bands that would eventually guide me into evolving into the Metal Music loyalist that I am today. I was thirteen years old and completely blown away by this album and band… I listened to every lyric, every chord, every note, that erupted from these songs. Foreigner was actually teaching me, at this very young age, that Hard Rock music this enormous could and would make my life enjoyable. I continue to reflect, to revisit often, the bands and albums that molded my heavy music tastes. 
Metal Odyssey > Heavy Metal Music Blog 
Why I feel KISS gave Rock n’ Roll back to America and other KISS points too
Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's heavy metal albums, 1980's classic rock, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, current heavy metal music, essential classic rock albums, essential heavy metal albums, Gene Simmons, glam metal music, Heavy Metal, heavy metal albums, heavy metal bands this decade, heavy metal memorabilia, heavy metal music, heavy metal this decade, Metal, metal music, metal music today, metal odyssey, Music, old school heavy metal, Rock, rock & roll, rock and roll, rock and roll hall of fame complaints, rock music, rock music commentary, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands with tags 1970's classic rock music, 1970's hard rock music, 1970's heavy metal music, 1970's rock music, 1980's heavy metal bands, ace frehley guitarist, american rock and roll bands, bruce kulick guitarist, classic heavy metal music, classic rock, classic rock music, eric carr drummer, eric singer drummer, gene simmons bass guitarist, Heavy Metal, heavy metal music, history of rock and roll, kiss albums, kiss army, kiss hard rock band, kiss heavy metal band, kiss rock band, mark st. john guitarist, metal music, metal odyssey, Music, paul stanley guitarist, peter criss drummer, rock and roll hall of fame, rock and roll history, rock and roll music roots, rock music, rock n' roll music, roots of rock and roll, the british invasion of rock and roll, tommy thayer guitarist, vinnie vincent guitarist on August 28, 2009 by Metal OdysseyKiss being introduced to the world in 1974 may have had more of an impact than some Rock historians think… The Grateful Dead, with their extremely loyal and abundant following with unmatched touring was American – I will never disagree with this bands unique impact on Rock Music history. However, Kiss was not about peace and love… this was the loudest band in the land Dressed To kill, singing about girls that are Hotter Than Hell, partying, Makin’ Love, God of Thunder, a Love Gun and all things against the norm in ways that were not quite presented before in Rock Music history. What Rock Band from the 1960’s used Pyrotechnics like Kiss? How many Rock musicians could spit up blood and still play the bass and sing? Who used such an elaborate and eye defying stage show before Kiss? Kiss not only made Rock n’ Roll powerful, they (gasp) made it fun and entertaining too. The marketing blitz of items that portrayed the Kiss logo and band were everywhere during the 1970’s… if you look around today, these same items plus new products bearing Kiss are around us. Any Kiss tour during the 1970’s was nothing to ignore, the Kiss Army was never just a fictitious entity… it was and still is real.
After Kiss broke all the Rock n’ Roll rules, more Rock bands than I could ever mention here took their lead and emulated Kiss either musically, with make-up, through stage shows and/or marketing. When I stop to think about it, what other Rock or Heavy Metal Band garnered more media attention during the 1970’s than Kiss? With their all around power of Rock, Kiss let it be known, through their albums, that they were not fooling themselves or the fans all along. Kiss is setting the stage again, ready to unleash their brand new album Sonic Boom onto the masses… October of 2009 should be quite the month in the life of this middle aged Metalhead, for Kiss shall return… giving back their brand of Rock n’ Roll to us all again. That is why, in my Metal opinion, Kiss gave back Rock n’ Roll to America back in 1974, they are now only going to remind us as to why their music lives on.
It is high time for the so called Rock and Roll Hall of Fame in Cleveland, Ohio, to stop playing nonsensical games and induct an American Rock Band that redefined American Rock n’ Roll history through their music and pop culture impact, Kiss over the decades has become an American institution. Since I am on the topic, I could care less about the voting process or who votes at the Rock and Roll Hall of Fame, all I know is that the ignorance is growing by leaps and bounds over there in each passing year of it’s existence. I do have one word of advice for the Rock and Roll Hall of Fame, (if you can consider this an actual word), DUH? I would guarantee this… more fans will go to this Hall of Fame to see Kiss than than anyone could ever imagine. Once again, this is my Metal opinion and I am steadfast about it.
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