Archive for October, 2009

HAPPY HALLOWEEN FELLOW HEAVY METAL FANS WORLDWIDE!!

Posted in collecting metal music, creepy album covers, current death metal albums, current death metal music, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal music, essential death metal albums, essential thrash metal albums, extreme metal music, halloween, Heavy Metal, heavy metal album covers, heavy metal music, heavy metal music 2009, Metal, metal music, metal music today, metal odyssey, Music, old school death metal music, old school thrash metal music, thrash metal 2009, thrash metal albums, thrash metal bands, thrash metal legends, thrash metal music, thrash metal today, vintage death metal bands, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

HAPPY HALLOWEEN! To all of the visitors both past and present to Metal Odyssey, may this Halloween of 2009 be the spookiest, creepiest and darn right darkest it has ever been in your entire life. Halloween is also a time to celebrate the greatest music that exists… METAL. Pick your Metal genre and blast it louder than HELL this Halloween. So to all of my fellow Metalheads worldwide – horns up!

Obituary "Darkest Day" little album picMetal Odyssey’s Metal Album Recommendation For Your Halloween Listening Enjoyment: OBITUARY – DARKEST DAY – These Death Metal Legends are not fooling around with their June 30th, 2009 release. Darkest Day is without Metal hesitation, one of my top three albums of 2009… spanning all the Metal genres.

 

Slayer small logoPlus, the Grim Reaper wants to warn you all… the brand new SLAYER album World Painted Blood gets released on Tuesday, November 3rd. I am counting down the minutes in my Metal mind to this great moment in Slayer history.

Grim Reaper x-large image!!

U.D.O. – “DOMINATOR” Unleashes Potent Heavy Metal

Posted in 1970's heavy metal music, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal, collecting metal music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from germany, heavy metal music, heavy metal music 2009, heavy metal solo vocalists, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music today, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

U.D.O. "Dominator" small album picU.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.

Listening to Udo sing on Infected, I imagine him atop a high mountain, looking down upon a land of chaos and condemning all to hell. Udo’s vocals are more than steely and mean streaked, they encompass Heavy Metal theater. Cast me off into damnation for having imaginary thoughts while I listen to Heavy Metal Music, that is how my mind reacts and I’m damn proud. Anyone who says they do not create their own mental imagery to music is either a liar or a cyborg. Doom Ride takes the more consistent approach of Old School Heavy Metal, no real blazing guitar licks or profound moments. Still, Doom Ride gets it’s doom message across and that is Metal enough for me. Stillness of Time is a (gulp), U.D.O. ballad. Well, a fast paced ballad it is. Udo has his unique vocals for sure, he pulls me into Stillness of Time, like a glazed over Old School loyalist that I am. Having a piano included into any U.D.O. song is quite the diverse moment and I admire that. Stillness of Time just might be the best kept secret on Dominator.

Devil’s Rendezvous has me itching to get up off my butt and… do some wacky dance. You know, the kind of dance that drunk people do at weddings. Or, the kind of spastic dance that you can only do in the privacy of your own home… with the blinds shut. Quite the Metal surprise is Devil’s Rendezvous, U.D.O. put some fun into this Dominator album. Crap, did I just use the “F” word? This is starting to become a semi-habit of mine… I must be be too happy or something. Speed Demon is the fastest song on Dominator. No, no, no, it is not because the word speed is in the song title. Speed Demon really does crank up the Metal meter a few bars and it kicks. To sum up my Metal feelings on this U.D.O. Dominator album, it rightfully cements all things great about Heavy Metal… Old School Heavy Metal that is. Dominator is a standout Heavy Metal album for 2009, no Metal questions asked. I thank my best Metal buddy Scott for steering me to Dominator… a Metal referral that is incredibly appreciated.

U.D.O. "Dominator" large album pic

SLAYER – Revolver Magazine Salutes Thrash Metal Legends With The Book Of Slayer

Posted in 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's metal music, 1990's heavy metal bands, 1990's metal bands, 1990's thrash metal bands, collecting metal music, current thrash metal music, extreme metal music, guitar legends, heavy metal magazines, heavy metal music, Metal, metal music, metal odyssey, Music, old school thrash metal music, shopping for music, Thrash Metal, thrash metal 2009, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal magazines, thrash metal music, thrash metal music books, thrash metal today, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , , , on October 30, 2009 by Metal Odyssey

Slayer small logoSlayer. Thrash Metal Legends without any doubt in my Metal mind. I caught onto Slayer from the very beginning. I ordered Slayer’s first album, Show No Mercy, through mail order – direct from Metal Blade Records, back in 1984. Since then, Slayer has been a band that I uphold as one of the greatest Thrash Metal Bands ever, (if not the greatest).I have seen Slayer live in a small club setting back in the late 1980’s, a fortunate Metal experience that I will never forget. Yes, Slayer is a core favorite of mine and that will never change.

Revolver Magazine has recently devoted a special issue to just Slayer. This special issue aptly called The Book Of Slayer, should be quite easy to locate at newsstands or large book stores. I actually found my Revolver Book Of Slayer at a Weis Grocery Store, this week of October 25th. I have been a subscriber to Revolver for several years now, this is a magazine that delves into all of the Metal Music genres. Revolver, in my Metal opinion, is the best mainstream Metal Music magazine out there today – based on it’s writing, reviews, content and interviews.

Slayer small logoThe Book Of Slayer covers the band from it’s infancy in 1981 to present day. Anecdotes, interviews, tons of photos and details abound and it is 100% Slayer. Plus there are four feature articles included about Slayer, from past issues of Revolver. Revolver documents Slayer throughout their entire career in excellent Metal fashion. Kerry King, Tom Araya, Jeff Hanneman, Dave Lombardo and Paul Bostaph are all included in the story telling and interviews. This is one Slayer collectible worth picking up – the content within it’s pages and Slayer knowledge you will gain is well worth the $5.99 cover price. New fans can catch up on some great Slayer history and veteran fans should find it hard to put down. I know I will be taking it with me just about everywhere.

You can also purchase The Book Of Slayer by going to http://www.revolvermag.com

The Book of Slayer - Revolver Magazine - large pic 2009

MEAT LOAF – Appears In Commercial Endorsing A-1 Steak Sauce!

Posted in 1970's classic rock bands, 1970's classic rock vocalists, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's rock music, 1980's classic rock bands, 1980's classic rock vocalists, 1980's rock music, 1980's classic rock music, 1980's hard rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's classic rock vocalists, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, cool album covers, essential classic rock songs, food commercials, hard rock music, metal odyssey, Music, old school hard rock, rock & roll, rock and roll, rock and roll commercials, rock and roll news, rock music, rock music in commercials, rock music on television, rock music vocals, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , on October 30, 2009 by Metal Odyssey

MetalOdysseyMeat Loaf, Rock Music legend. Meat Loaf, lead vocalist on Ted Nugent’s 1976 Free For All album. Meat Loaf, a guest investigator on Ghost Hunters. Meat Loaf playing the role of Eddie in the cult film classic – The Rocky Horror Picture Show. Oh, heck, I could make quite the list of Meat Loaf career achievements here. I have not even touched on awards, records sold or concert receipts. Meat Loaf has been a lifetime favorite Rock/Hard Rock vocalist for me. I get all happy to see Meat Loaf in the limelight, no matter what the platform may be. I have said it before, Meat Loaf just seems like a down to earth guy that has continuously risen above the star status of plasticity.

I have never been a fan of using vintage Rock songs for commercial purposes. Attaching a legendary song of any Rock or Metal Music genre, to a product for the sole purpose of marketing and selling such product, just takes away from the original Rock spirit of the song. That is my Metal opinion. Step in A-1 Steak Sauce, um, please. You see, I witnessed the other night, while watching whatever on television… Meat Loaf in an A-1 Steak Sauce commercial. Yes I did. Meat Loaf… steak sauce. (I think this commercial appeared during the Yankees vs. Angels game 6 playoff game on Fox). All I know is this commercial came on late, therefore my Metal memory has a few cobwebs. Meat Loaf looked fine, just as he looked on a recent episode of Ghost Hunters. In this A-1 Steak Sauce commercial, he actually looked like a dude you would approach at a family or company picnic… asking him where the cold beer is hidden.

The classic Meat Loaf song – I’d Do Anything For Love (But I Won’t Do That), is heard during this A-1 Steak Sauce commercial. Plus, Meat Loaf is shown singing along to this song, apparently showing his affection towards A-1 Steak Sauce. Meat Loaf is also shown wearing a bath robe and bunny slippers too. Yup. Hey, I’m all for a free enterprise, this is America. I also believe in the semi-fabulous words of wisdom… live and let live. Metal be damned though, I will forever now attach this great Meat Loaf song to a stinking bottle of steak sauce. The marriage of commercial products and my favorite Rock songs have an imbedding power within my Metal mind, this has always been the case my entire life. Once the attachment of a Rock song and it’s commercially related product occurs… that’s it. I cannot shake the connection loose once I hear such song(s) again.

There are many positives to be explored with this Meat Loaf meets A-1 Steak Sauce commercial just the same. Three quick positives come to my Metal mind: One – Meat Loaf is in the public eye, where he rightfully should be. Two – Meat Loaf is working and getting paid. Three – I will now and forever link and associate the A-1 Steak Sauce bottle that sits atop many restaurant tables, to a Rock Music icon whose voice has entertained and inspired me for decades. Reaching for that bottle of A-1 Steak Sauce will never be the same for me again. Long live Meat Loaf.

* I’d Do Anything For Love (But I Won’t Do That) appears on the 1993 Meat Loaf album – Bat Out of Hell ll: Back Into Hell. This fantastic song was written by Jim Steinman.

Meat Loaf "Bat Out Of Hell ll" large album pic

LITA FORD – “Wicked Wonderland” Is Naughty And Bad Combined

Posted in 1980's hair metal bands, 1980's heavy metal ballads, 1980's heavy metal bands, 1980's heavy metal music, 1989 heavy metal music, Album Review, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, guitar legends, hair metal music, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , on October 29, 2009 by Metal Odyssey

Lita Ford "Wicked Wonderland" small album picAh, Lita Ford. Reflecting on the 1980’s would not be quite the same without her being in the Heavy Metal world. Lita Ford proved back in those glorious ’80’s that she was more than just eye candy, she really did shred on the guitar for her albums. Plus, Lita Ford’s vocals always had the harmonic, Heavy Metal diva flare happening. Lita Ford even did a very sappy duet with Ozzy Osbourne, Close My Eyes Forever, that I honestly could never stomach back in 1989 and my opinion has not wavered since. Well, it is 2009 and Lita Ford is back, uh, yeah. Wicked Wonderland is her new album, the title really sums it all up quite well. The lyrics throughout this entire album are wicked indeed… with nuances, imagery and flat out references to sex and lust galore. I want to taste your goddess flesh and I penetrate you are two lines taken from the song Indulge… pretty hot stuff if you are a young dude that can’t buy a date for Saturday night. Lita Ford should have known that the majority of her audience buying Wicked Wonderland are the Old School Heavy Metal crowd and we are no longer eighteen and pissed off at our parents anymore.

In the very recent issue of Revolver Magazine, (December 2009), Lita Ford states that “There’s no law that says just because you grow up, you have to stop being naughty”. Oh, it gets better… “The album is pretty much based on our home life”. Lita, Lita, oh, Lita Ford. I will interject here by saying – and this is my quote here – there is a Metal law that says just because you grow up, YOU HAVE TO STOP making annoying music. Plus, it is NOT a turn on for me, to know what goes on in your bedroom. Ew. Now, this is coming from a middle aged Metalhead who is extremely open minded to all Metal Music that has ever existed, plus I kinda like to keep the intimacy that occurs in my home, with my wife, a secret. That is the REAL turn on for me. Sure, there will be a crowd out there that wants to know what Lita Ford does in her, um, spare time, I am not one of them.

To actually listen to all fifteen songs on Wicked Wonderland was like listening to a once glorified Heavy Metal star just pushing out tunes because she’s famous and she can. It appears that Lita Ford’s husband Jim Gillette lends his background vocals throughout Wicked Wonderland. Man, this guy sounds not just creepy, he is a major league part of the ANNOYING FACTOR that this album illuminates. Ugh. I guess Jim Gillette used to be the lead vocalist for some band called… Nitro. Nitro? Does not ring a Metal bell for me. Let me put this in perspective here… Bed is the worst song I have ever listened to in my life. Wicked Wonderland is without question, the worst “Heavy Metal” album that I have bought since, well, since ever. “Tie me to the bed”… these lyrics alongside some of the most bothersome guitar you will ever listen to, throw in the constant ANNOYING keyboards and you have the epitome of BAD.

Is there at least one song on Wicked Wonderland that is at least… tolerable? Uh, let’s see… maybe Scream 4 Me is a bit groovy. Metal truth be told, if Lita Ford created more songs like Scream 4 Me on this album, it would have been a more credible project in the end. It is extremely rare for me to put any album or band through the Metal wringer on Metal Odyssey. Really, it has to be a monumental bad listening experience in Heavy Metal for me to bark this fierce. After listening to Wicked Wonderland twice, I felt an obligation to the Metal world to give my fair warning regarding this Lita Ford album, uh, disaster. In the end, Wicked Wonderland makes for a decent comedy album, the ending song is Push. Uh, yeah, there is sexual innuendo stacked up to the ceiling on Push. Weeeeeeeeeee! I’m selling my Wicked Sensation CD first thing Thursday morning to the used CD dealer, (I hope he buys it). Sometimes immaturity is best expressed through song, yet to combine it with lack of integrity as Lita Ford did with Wicked Wonderland is simply astonishing.

To my best Metal buddy Scott… I should have heeded your warning about this album, Metal lesson learned.

Lita Ford "Wicked Wonderland" large album pic

RANCID “…And Out Come The Wolves” – Punk Rock To Cure The Rainy Day Blues

Posted in 1990's punk rock bands, 1990's punk rock music, Album Review, american punk rock bands, classic punk rock, collecting rock music, cool album covers, current punk rock music, essential punk rock albums, everyday experiences, feel good stories, independent record labels, legends of punk rock, metal odyssey, Music, old school punk rock, personal stories, Punk rock, punk rock album covers, punk rock album review, punk rock albums, punk rock bands, punk rock bands today, punk rock music, punk rock music 1995, punk rock music 2009, punk rock music today, punk rock musicians, recent punk rock albums, rock & roll, rock and roll with tags , , , , , , , , , , , , , , , , , , , , , , , on October 28, 2009 by Metal Odyssey

RANCID "...And Out Come The Wolves" small album picI am listening to Rancid today, all day. In my house, in my car, it does not matter. Rancid is my band of choice due to the slick and groove saturated Punk Rock style they bestow. They are Street Punk at many turns, yet they are so much from the Old School Punk Rock mold of the Ramones too. Kickin’ and fun, (gasp), did I just use the F word there? In my area today, the weather is miserable – rainy, semi-cold, of course cloudy and dank. What better band for me, than Rancid… to get my energy level back on high and to kick start my day and attitude. I am actually going to settle on one Rancid CD to crank today – …And Out Come The Wolves. The richness and foundation of Rock and Roll 101 is so evident in the Punk Rock of Rancid, especially on this album. My adoration for Rancid grows each and every time I listen to their Punk Rock. Out of the nineteen songs on this album, there is not one to skip over. I apologize to no one for being a rabid Rancid fan. Life is too short, I love the music I listen to – end of Metal story. Uh, not really… Rancid rules.

I have my core Punk Rock Band favorites… getting swallowed up by this addicting genre is an easy thing to do. It is funny, to see me today, driving the family taxi and picking up my daughters from school… you would never know that I am a devout lifetime Metalhead, who is experiencing his Punk Rock fever of Rancid. I’m certain I am not alone… there are too many of us out there who look like the average Johnny or Beatrice… and were cranking up the Metal and/or Punk Rock in the family taxi’s or mini vans. Funny stuff, however, it is the Metal truth.

RANCID "Let The Dominoes Fall" small album picI just can’t explain it though, there are those certain bands that just make you feel like everything is cool and alright. Rancid is just that band for me. Over the weekend, I just hung up the very large Rancid poster that comes inside their new CD – let the dominoes fall. The front of the poster is the front cover group photo on that CD, (pictured to the left of this paragraph). On the back of the poster are all of the songs lyrics – real cool. I put this poster inside a very large, thick plastic sleeve for protection too. It is hanging up in my Rocked out basement. It serves me right. Plus, my daughters dig Rancid like there is no tomorrow and this poster being hung makes the basement that much more homey for us all. Rancid is a Punk Rock Band that you should give a try, especially those who are sitting on the fence about wanting some Punk Music in their life. The social commentary and relevance of Rancid’s lyrics are entertaining as they are legitimate. In my most honest of Metal opinions, I just cannot resist the damn credibility of Rancid. The overall realness of …And Out Come The Wolves and any of the other Rancid albums overflows. I can’t ever jump onto that dreaded word – Pop, and attach it to this band… never. Rancid is not Pop Punk – period.

So, if you are looking for something really cool to do today, take my advice and buy RancidAnd Out Come The Wolves. If you already have it, you know what I am talking about. (Hey, it is not like I am telling you to go out and buy the latest artificial crap from some televised talent show winner). Here is some more solid advice to adhere to from Metal Odyssey – buy any Rancid CD today and know that this is Punk Rock that was Made In America.

RANCID IS:

Tim Armstrong – vocalist, guitarist and all around musician

Lars Frederiksen – guitarist and vocalist

Matt Freeman – bass guitarist

Branden Steineckert – drums

** Brett Reed was the drummer for Rancid on …And Out Come The Wolves

* …And Out Come The Wolves was released on August 22, 1995.

* let the dominoes fall was released on June 2, 2009.

RANCID "...And Out Come The Wolves" large album pic

My Mom Supported Heavy Metal Music

Posted in 1970's heavy metal music, 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, classic rock music, family, feel good stories, heavy metal albums, heavy metal music, life stories, Metal, metal odyssey, Music, old school heavy metal, people, personal stories, rock music, scary album covers, shopping for music with tags , , , , , , , , , , , , , , , , , on October 27, 2009 by Metal Odyssey

MetalOdysseyMy unreal great and undeniably loving Mother passed away on July 10, 2009. She just turned seventy years old this past April of 2009. To look at her, you would never know she was seventy, really. My Mom is a true hero and inspiration to me, always will be. She suffered a series of strokes in the Fall of 1990, therefore my Mom was a courageous survivor for nearly twenty years. Not being able to speak and having paralysis on the right side of her body were the two biggest obstacles that my Mom endured for two decades. That did not stop her from enjoying life, seeing her children get married and enjoying four grandchildren. Thanks to my heroic Father who became my Mom’s full time caregiver, many people and family members were given the gift of my Mom’s presence, thoughts and love for much longer than was initially predicted by doctors. Being born from my Mom was a gift and she was a gift to me for forty three years of my life. I now am convinced, that my Mom can speak and walk again up in heaven, where she has been reunited with her parents and without any doubt… my incredible sister too. I am at peace knowing my Mom is healthy again in heaven, no more suffering… my Mom has earned her place with the angels.

KISS Alive ll - small album pictureAlright, as my Mom would probably say right about now… enough with all of the sad stuff, let’s have a good time. I cannot resist reflecting on good times, heck, that is why they are called that in the first place. You see, my Mom was in her own special right… a fan of Heavy Metal. She was without question, one of the biggest advocates for Heavy Metal amongst any other Mom I knew, while growing up as a teenager back in the 1980’s. Her knowledge of the past and current bands back in the late 1970’s and through the 1980’s was admirable. There was a hiccup, however, when I was in sixth grade, in regards to my being allowed to have a KISS album in the house. My Mom took one look at the cover of KISS Alive ll and she said – no way. The blood spewing from the mouth of Gene Simmons was over the top for her. She specifically said that no son of hers would have that in her house. Well, to make a long story short, after she heard the song I was Made For Lovin’ You by KISS, the decision to allow KISS and any of their albums into our house was cleared to go. KISS was in… the world of Heavy Metal had a new fan… my Mom.

The neighborhood in which I grew up in, was a definite attachment to the downtown area of the small city it belonged to. There was a surplus of families living around me for blocks, that struggled to make ends meet. I was the luckiest kid in my neighborhood, having the record and tape collection that I bestowed. This collection of Heavy Metal was earned, I worked many different part time jobs after school and did a bounty of chores around the house and yard. Every penny I made… went to Hard Rock/Heavy Metal albums and tapes. No regrets ever, just a cool life of Heavy Metal enjoyment. My neighborhood buddies and me, well, none of us had a car until our senior year of High School, so making any out of town treks to the “real” record stores was out of the question. Step in my Mom.

Iron Maiden - debut album small picYes, my Mom would go out of her way to drive me and my buddies thirty minutes – out of town, to Strawberries Records and Tapes. These Heavy Metal excursions, (as we called them back then), would happen at the drop of a dime! After school, on the weekends, on days off from school and during the Summer… with my Mom it was no problem. She loved those trips to Strawberries. We sometimes would have four dudes in the back seat, with me up front and my Mom leading the way behind the wheel – those Heavy Metal journeys, (we called them that too), are memories that no money can buy. At least half of my Heavy Metal collection of albums and tapes, were courtesy of what my Mom would pick out on her own back then. We would storm into Strawberries and my Mom would seek out albums like a bobcat seeking out it’s prey. She is responsible for my having every Rainbow album ever made at the time. Iron Maiden too. Honestly, I never would have listened to Scorpions World Wide Live if not for my Mom, she would find and buy some prime albums for me back then.

This last memory I will reveal is one for the Heavy Metal record books. It is true and quite unbelievable. I would have many of my buddies from the neighborhood over to my house, almost on a daily basis. The door was always open to them… per orders from my Mom. Listening to Hard Rock and Heavy Metal albums was our number one priority back then. We played the music loud, as all of us have done and still do… no big deal. One day, while a few of my buddies and me were cranking up the Metal tunes in my bedroom, there was a knock at the door. Crap, I thought. Has my Mom finally had enough of these Heavy Metal hang outs? We all stared at each other not knowing really what to do or say. Again, the knocking at my bedroom door continued. One of us was knowledgeable enough to turn the music down low. I opened the door, hesitantly with a semi-gulp in my throat. Behold it was my Mom standing there with a plate of freshly baked chocolate chip cookies!! She smiled at all of us and said, you can’t go hungry while having so much fun with your music. Needless to say, my buddies were stunned. Unreal memory. A real memory. An unreal Mom that I will love and cherish forever, even if she is far away in heaven.

MetalOdyssey

BADLANDS – 1989 Heavy Metal Debut Album Still Reigns Supreme

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's hard rock bands, Album Review, classic hard rock music, classic heavy metal, classic heavy metal albums, classic rock, collecting heavy metal albums, cool album covers, essential hard rock albums, essential heavy metal albums, essential heavy metal songs, guitar legends, hard rock music, hard rock vocalists, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 1989, heavy metal vocalists, metal odyssey, Music, old school hard rock, old school heavy metal, rock guitarists, rock music, rock vocalists, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 26, 2009 by Metal Odyssey

BADLANDS "Badlands" large album picBadlands was a Heavy Metal band that I caught onto the instant they released their debut/self titled album – Badlands, (on Atlantic Records), back in 1989. I purchased this Badlands cassette at Strawberries Records & Tapes, located right around the corner from Central Connecticut State University on New Britain Avenue. I was a student at CCSU back in 1989, very much broke to the Metal wind. Therefore, my Heavy Music purchases were not abundant, I chose quality over quantity. With so little funds to buy music as a college student back then, being choosy was a necessity. Badlands with their classic and ultra talented lineup of musicians became a necessity for me. From the very first listen through of this album, (in my case cassette), to say that Badlands left an earthshaking mark on me is the understatement of the decade. The Heavy Metal onslaught of cool and psyched out vibrations, that this Badlands album gave me back in 1989, has once again reintroduced me to that same experience this past weekend.

My best buddy – a.k.a. – best Metal buddy – a.k.a. – Scott, well, he remembered just how much Badlands and their debut album resonated with me back in the day, therefore Scott landed me a CD copy of Badlands. Scott was my roommate at CCSU, my best man at my wedding and if anyone knows my Metal tastes and background… it is him. Thank you Scott, for this Metal gift of Badlands this past Saturday. Getting Badlands on CD in the mail was like experiencing Christmas Day on this cold, dank and rainy day in October. F’n unbelievable surprise.

It is an unreal great feeling to have this Badlands CD finally in my collection. I have never let go of my Badlands cassette since 1989… and I never will. To the best of my Metal research, this Badlands CD is extremely hard to find at retail. Out of print perhaps? Badlands is definitely one of my favorite Heavy Metal albums that I have ever listened to. I only wish this band was able to stay together forever, yet lead vocalist Ray Gillen was called to heaven a little early, on December 1, 1993 at the age of 34. The unreal great guitarist – Jake E. Lee and Ray Gillan on vocals may be the two main musical focal points of Badlands, yet Eric Singer on drums and Greg Chaisson on bass make for an ear bending and jaw dropping rhythm section – stuff of legend. Anyone that knows and enjoys Old School Heavy Metal can certainly identify with Badlands, this band is from that mold. Jake E. Lee proved with Badlands that there was definitely a Heavy Metal life for him away from Ozzy Osbourne.

The eleven songs on Badlands encompass the melodic driven side of Heavy Metal enormously, with the late Ray Gillen’s unique vocals surpassing many of his peers of that time, when it came to harmony and range. I include the late Ray Gillen in with Tony Martin, Jeff Scott Soto, Gary Barden, Jorn Lande and Joe Lynn Turner when it comes to lead vocals status in Old School Heavy Metal. He belongs with this select group of singers. (I definitely left out some names here, yet I think my point is made). If not for his passing away at age 34, I am convinced Ray Gillen would have been a top tier Heavy Metal and/or Hard Rock vocalist to this very day. With so many new vocalists coming out of the woodwork in all of the Metal genres since the 1990’s, too many of them sound like each other or have little regard for originality. This is why I can never tire from the late Ray Gillen’s vocal talent.

My favorite song on Badlands is Dreams In The Dark, I played it six times over, very loud the other night and it served me right. Yes, I acted very silly jumping around in my basement like a psyched out kid, while this song and the rest of Badlands cranked. As the ultra great Blackie Lawless would say… I don’t need no doctor. All I need is to delve back into the Metal world of Old School Heavy Metal, (on a very consistent basis), turn on some Badlands and let the bull crap of the world around me, wallow in it’s own decrepit stank. I don’t look back upon Badlands as a supergroup, instead I look upon them as a fabulously talented Heavy Metal band that was too short lived. Long live the legacy of Badlands – their Heavy Metal still reigns supreme for me.

Track List For Badlands:

High Wire

Dreams in the Dark

Jade’s Song

Winter’s Call

Dancing on the Edge

Streets Cry Freedom

Hard Driver

Rumblin’ Train

Devil’s Stomp

Seasons

Ball & Chain – (this song is not on the vinyl record version of Badlands)

BADLANDS "Badlands" large album pic

My Least Favorite Ozzy Osbourne Song Ever Is…

Posted in 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, classic heavy metal, classic heavy metal albums, classic rock music, cool album covers, creepy album covers, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal guitarists, heavy metal music, heavy metal music 1983, heavy metal solo vocalists, heavy metal songs 1983, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, rock music, scary album covers, spooky metal album covers, vintage heavy metal albums, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2009 by Metal Odyssey

MetalOdysseyOzzy Osbourne, the Heavy Metal Prince of Darkness. Ozzy Osbourne – Rock and Roll Hall of Fame inductee with Black Sabbath. Honestly, I revere the living hell out of this Heavy Metal legend. I did get to see Ozzy Osbourne live in concert twice during my lifetime. For me, those two concerts were unbelievable, with Metallica opening up for Ozzy in New Haven Connecticut, (at the spooky New Haven Coliseum) – it was The Ultimate Sin Tour for Ozzy and Metallica was promoting their legendary Master of Puppets album. The other Ozzy concert I saw had Queensryche open for Ozzy in Springfield, Massachusetts, (at the Springfield Civic Center), on this same Ultimate Sin Tour. Alright, so it is obvious I think the Metal world of Ozzy Osbourne… fine. However, by process of elimination, there has to be my least favorite Ozzy Osbourne song out there and there is one. I do not think much of the song, uh, ballad So Tired from Ozzy’s Bark At The Moon album. This song, ugh, ballad is responsible for my distaste of most Heavy Metal ballads ever released since, by any band. This album was released on December 10, 1983. Don’t get me wrong here, the Bark At The Moon album as a whole, is unreal good. Three songs on this album are incredible for me… Rock ‘n’ Roll Rebel, You’re No Different and of course – Bark At The Moon. These three Ozzy songs I can hold up on a Metal pedestal forever. Plus, Jake E. Lee on guitar is a Metal bonus to listen to.

So Tired is a song that in my Metal opinion, is overwhelmingly dull and depressing and does absolutely nothing but annoy me beyond belief. Who exactly is supposed to be so tired in this song? Is it Ozzy himself? Someone that Ozzy knows? I really do not care in the darn least who is tired. I get tired too, yet I never whine about it like Ozzy did in this song. Sure, maybe the tired theme was about waiting around for a love lost… who cares. So Tired is a perfect example of what happens when a Heavy Metal icon decides to go the Pop and Bubble Gum Music route with a song. Sappy city is open for tourists with So Tired. Get out the kleenex, So Tired is now playing… sniffle, sniffle, I am so moved. The orchestration in this song only annoys me more.

To me, So Tired just never seemed to fit in with the Bark At The Moon album. So Tired is a downer in the midst of some riveting Heavy Metal songs, a huge let down, like the depressed dude at a party trying to bring everyone else down with him. The video for So Tired, (which was on MTV too often back in the day), was so ridiculous that even I felt embarrassed for Ozzy. When the Bark At The Moon album was reissued, So Tired should have been omitted from the track list… it is that lousy – for me. In my Metal opinion, So Tired is the lowest moment of Ozzy Osbournes unparalleled and ultra legendary Heavy Metal career.

Ozzy Osbourne "Bark At The Moon" Large album picture

I LIVED IN A HAUNTED HOUSE – PARANORMAL FILES PART ONE

Posted in everyday experiences, family, ghost encounters, ghost stories, ghostly tales, haunted houses, haunting true tales, hauntings, living with ghosts, metal odyssey, old country homes, old houses in the country, paranormal experiences, paranormal stories, personal ghost stories, personal paranormal experiences, specters, spooky stories, strange stories, things that go bump in the night, true ghost stories, true paranormal experiences with tags , , , , , , , , , , , , , , , on October 24, 2009 by Metal Odyssey

An introduction to a haunted house…

Years ago, I lived in an old, very old, white brick colonial house with my parents and sister. This aging and mysterious house was, (still is), located in the country outskirts of Northwestern Connecticut. This house was built in 1853… that is why I referred to it as very old. The four of us moved into this home in December of 1985. I was nineteen years old, going on twenty the very next month. Upon my very first look and subsequent tour of this house, I felt and observed it’s age almost immediately. The country atmosphere made it all the more colonial and inviting, with it’s white brick surface and black shudders against a backdrop of dense woods. The curbside view of this house could very well have been a postcard image of the dreamy New England country homestead. What you see is not always what you get, a book cannot be judged by it’s cover… and this book, (house), should be filed under haunting tales.

My family and I moved from living in a downtown neighborhood of a small city, the population being around 40,000 or so. Therefore, moving to the country and settling down in what was actually declared, a historical site by the city itself, had it’s rosy ambiance of moving up and starting anew. This was the first time in my life that I moved to a different house, the butterflies were out of control inside my stomach, anticipating a new life away from the noisy downtown hustle and bustle that I grew up with. I would later find out, as some years passed by, that starting anew in a much older and established home can have it’s dark and eerie disadvantages. Living far away from the downtown hustle and bustle could and would be a regrettable drawback.

An addition was built onto this house sometime in the 1970’s, this addition extended horizontally from the original structure. The prior owners had built the addition, my parents decided to use it as a dining room and television seating area. (It was a very large addition, the actual dimensions I cannot give with integrity, plus do actual dimensions really matter?). I point out this addition and for what purpose it served, for I and others had many paranormal experiences inside this newer addition of this house as well. Many, oh many, creepy stories I can and will spill out in regards to living in this house. I did at times enjoy living there, there are many cool and happy memories I reflect on. Still, the spooky and paranormal incidents that I experienced in this house makes me feel relieved I am no longer there. As I look back on living there, I have the desire to disclose the stories that have been locked up inside of me for the past 25 years… stories of personal encounters with the paranormal. This house proved to me, that there are times when the bad far outweigh the good. I moved to this house as the ever glowing skeptic of the paranormal, I left as a believer that there are specters and many other unexplained phenomenon that modern science has yet to find answers for.

To be continued…

MetalOdyssey

EXODUS – “Bonded By Blood” I Still Bond To For Old School Thrash Metal

Posted in 1980's heavy metal albums, 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's thrash metal music, Album Review, classic metal, collecting metal music, cool album covers, creepy album covers, current thrash metal music, essential heavy metal albums, essential metal music albums, essential thrash metal albums, extreme metal music, heavy metal album covers, heavy metal album reissued, heavy metal albums, heavy metal albums 1985, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal vocalists, independent record labels, Metal, metal music, metal music albums, metal music today, metal odyssey, Music, old school heavy metal, old school thrash metal music, scary album covers, spooky album covers, Thrash Metal, thrash metal album review, thrash metal albums, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal music, thrash metal music reviews, thrash metal songs, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2009 by Metal Odyssey

EXODUS "Bonded By Blood" original album cover large picExodus… a Thrash Metal originator. Exodus… Old School Thrash Metal. Exodus… Bonded By Blood, was the first album released by this very important Thrash Metal Band, (back in 1985). Why I feel Exodus is a very important Thrash Metal Band is due to their being one of the first Metal Bands to introduce this genre to the world. Back in 1985, there were not the hundreds of thousands of Thrash Metal Bands there are now… you can thank Exodus for influencing countless musicians and bands alike for embarking on their careers in Metal… Thrash Metal. Just seek out and read some interviews of past and current Thrash Metal musicians, you discover after awhile, that Exodus and especially their initial album Bonded By Blood is ultra revered. Yes, I am an Exodus fan, since 1985 until this very day. Lineup changes within Exodus has not made me wince one Metal bit. Guitarist Gary Holt and drummer Tom Hunting have held the Thrash Metal fort for Exodus over the past three decades, serving Exodus and their fans well… extremely well. (Note: Paul Bostaph has stepped in on drums for Exodus, he is an unreal great Metal drummer at large).

Last night, I watched my beloved New York Yankees lose to the Angels… ugh. A great game, yet I was anticipating the Yankees to close things out and head to the World Series to beat down the Phillies. Not feeling the cheeriest, I headed down to the basement… to my Metal oasis. Once I began staring at my CD racks, I decided I needed a lift-me-up, some Metal to clear my senses and put me back in the game of life. Exodus Bonded By Blood caught my eye… this CD was just aching to get heard – once again. I put this CD on, sat back and let the Thrash Metal of Exodus infiltrate my senses. Well, it was only halfway into the first song – Bonded By Blood, that I then got off of my butt and began to stalk around my basement like the fiendish Metalhead that I have been my entire life. I raised and pumped my fists into the air, played air guitar and bass, then did some pummeling air drums like there was no freaking tomorrow. Yes, life is not good, it is great when I can turn to Metal… turn to vintage Exodus, to whip my mood into the positive realm where it belongs.

Exodus "Bonded By Blood" alternate cover small picListening to the late and unreal great – Paul Baloff on lead vocals is as inspiring to me as all damn hell. His vocals were not your stereotypical Thrash Metal type… he resonated with the influence of early Rob Halford of Judas Priest… in my Metal opinion, still exuding his very own style that to this day is untouched. I reached for my CD jewel case of Bonded By Blood, (my copy is the reissue by Combat Records, it also has the alternate cover that is shown at the left and bottom of this post). The original front cover artwork is damn more cool than the alternate version, just look at it at the top of this post for proof. On the back cover of Bonded By Blood, it has a group photo of Exodus… Paul Baloff is shown wearing a Pipers Pit sleeveless t-shirt. Rowdy Roddy Piper… Paul Baloff… man, that is as fitting a shirt as any for him to wear back then. I used to be the f’n biggest Rowdy Roddy Piper fan around, imitating his wrestling moves and voice too… silly and cool memories, all courtesy of one photo of Exodus.

This Bonded By Blood album kicked my butt last night, just as it did back in the day. Having the private freedom to go bonkers to the Old School Thrash Metal of Exodus last night exhilarated me into feeling tired enough to finally go to sleep. Exodus was a friend to me last night, their music strikes that Metal chord with me. No Love and Deliver Us To Evil are my two extra favorite tracks on Bonded By Blood… holy crap, does the psyche out meter catch on fire for me when these songs are cranked up. I can’t use the word recommend to prospective fans when discussing Bonded By Blood, instead the words I will use are: get this album if you have not already – otherwise you are missing out on a Thrash Metal achievement that catapulted Thrash Metal into what it is today.

Exodus as they appeared on their first album Bonded By Blood:

Gary Holt on guitar

Rick Hunolt on guitar

Paul Baloff on lead vocals

Tom Hunting on drums

Rob McKillop on bass

Track Listing for Bonded By Blood:

Bonded By Blood

Exodus

And Then There Were None

A Lesson In Violence

Metal Commando

Piranha

No Love

Deliver Us To Evil

Strike Up The Beast

* Two bonus tracks are found on the Combat Records reissue that I own… they are both live recordings of: And Then There Were None and A Lesson In Violence. Steve Souza is the lead vocalist on these live tracks… yeah, I think Steve Souza is really cool too… convict me of being an Exodus fan boy already, that is just the damn way it is. I am a Metal fan that has been around the Metal block a few times, paid my Metal fan dues and could give a rats rotting and infected butt if anyone out there considers me a fan boy of any band.

* Exodus under the leadership of Gary Holt, covered the entire Bonded By Blood album, with the current Exodus lineup and released it on October 28, 2008. Yeah, I own that version too and I have nothing but Metal praise for Rob Dukes, the guy is the real deal for Exodus. Again, see my fan boy explanation above in regards to my being enthralled by Exodus’s Rob Dukes. I am quite Metal certain, that I am not alone in my reverence for this band… both past and present. Exodus does not need any stinking Guitar Hero game named after them or useless strolls down any damed red carpet to be considered unreal great by me. I have spoken my Metal mind and it feels really, really, good.

Exodus "Bonded By Blood" alternate cover large pic

RAVAGE – “The End Of Tomorrow” – A Monster Of A Heavy Metal Album

Posted in Album Review, classic heavy metal, classic heavy metal albums, classic metal, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, cover songs, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, essential heavy metal songs, essential metal music albums, halloween songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from boston, heavy metal cover songs, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal music today, metal odyssey, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, speed metal, spooky album covers, spooky metal album covers, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2009 by Metal Odyssey

Ravage - Banner group photo  2009

Ravage is a Heavy Metal Band from Boston, (actually Malden), Massachusetts and is hell bent on keeping Classic Metal Music alive, loud and damn proud. Every song on this second album from Ravage, The End Of Tomorrow, (their Metal Blade Records debut, released on August 18, 2009), is writhing with Old School Heavy Metal influence. Ravage does a credible job at flexing their Metal muscles on each song, heavy, hard and speed are irreversible elements that dominate The End Of Tomorrow. No where is the Old School Heavy Metal influence more evident than in the cover of the Judas Priest classic – Nightcrawler. Ravage shows Judas Priest their deserved Metal respect by not ripping Nightcrawler to pieces with any unnecessary fills or excessiveness. A fabulous cover Ravage does with this song, Nightcrawler is a genius choice to add to their track list on this album, based on it’s creepy and dark theme.

I have found that, the more I listen to The End Of Tomorrow, the more I am being convinced that this album was released back around 1985. Alas, that is not such the Metal case… Ravage brings forth to 2009 the Heavy Metal song structures and ambiance of what I have come to expect from vintage Metal Church and early Judas Priest and Armored Saint albums, to name just a few Old Schoolers. After each listen to this album, it is very obvious that the members of Ravage have done their Classic Heavy Metal homework. Knowing and creating all of the heavy nuances of their influences only catapults quality and integrity, on an upmost consistent level throughout The End Of Tomorrow. The Halls Of Madness not only has a vintage Metal title, it also is quite the convincing Heavy Metal instrumental intro that brings back memories of early Helloween and Savatage, for me. There really is not a scapegoat song to point out on The End Of Tomorrow, all twelve songs have their own distinctive Metal bite, an album that I can hit play and let the Heavy Metal assault take it’s natural course. Excuse me for a Metal second as I proclaim The End Of Tomorrow as being a top favorite Heavy Metal album for me in 2009, in my Metal opinion. Ravage can play Heavy Metal… their original brand too… I would not tell a Metal lie.

Ravage "The End Of Tomorrow" tiny picReign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of MetalThe End Of Tomorrow is an unleashed monster of what I am talking about here.

My other favorite songs on this album are: The Grapes Of Wrath, which takes a Heavy Metal swipe at all the idiot talking heads on television, these plastic morons get called out on the Metal carpet by Al Ravage here rather eloquently. Plus, The Grapes Of Wrath is authentically memorable for my Metal mind, I just cannot shake this song out of my senses. The Shredder is another manifestation of early Judas Priest influence, only it takes on it’s own Ravage originality… reminding me of the Judas Priest classic – The Ripper, only The Shredder is absolutely not a knock off or copy cat by any means. The End Of Tomorrow is one powerful way to conclude this album, fittingly the title song… lyrically doom laden, the end result is a reality check on the life we are leading and living now. The End Of Tomorrow has a Power Metal approach that echos of great Heavy Metal triumphs to come in the future for this killer “new” band they call Ravage.

Ravage, as they appear on The End Of Tomorrow:

Al Ravage on lead vocals

Eli Firicano on lead and rhythm guitars

Nick Izzo on lead and rhythm guitars

G.T.B. on drums

Howie Snow on bass

Track Listing for The End Of Tomorrow:

The Halls Of Madness

Reign Fall

Freedom Fighter

Damn Nation

The Shredder

Into The Shackles

In Shattered Dreams

The Nightmare’s Hold: Part One

Nightcrawler

The Nightmare’s Hold: Part Two

Grapes Of Wrath

The End Of Tomorrow

C’mon, is this album cover OLD SCHOOL HEAVY METAL or what? Not only does the Heavy Metal of Ravage stand on it’s own, (they could have issued a plain blue cover and that would not change the quality of Metal songs heard inside one bit), yet man, this is cool throwback artwork happening here. I cry out a huge Metal bravo! – to artist Edward J. Repka for creating a REAL Heavy Metal album cover for Ravage.

Ravage - "The End Of Tomorrow" x-large pic

How I Discovered Motorhead And My Favorite Motorhead Song Ever

Posted in 1970's classic rock bands, 1970's hard rock bands, 1970's heavy metal music, 1980's heavy metal albums, 1980's rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's metal bands, 1990's rock music, classic heavy metal, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock bands, classic rock music, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, current heavy metal bands, essential heavy metal albums, essential heavy metal songs, feel good stories, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal albums 1984, heavy metal memorabilia, heavy metal music, heavy metal music 1984, heavy metal on vinyl, heavy metal vocalists, Metal, metal odyssey, Motorhead, Music, old school heavy metal, rock & roll, rock and roll, rock music, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2009 by Metal Odyssey

Motorhead "No Remorse" small album picMotorhead is and always will be a core favorite Heavy Metal Band of mine, (a top 3 band without a doubt). I was first introduced to this prolific band back around 1983, a friend of mine in high school gave me an 8-track of a live Motorhead bootleg. (This dudes name was Rich, I am glad we had crossed paths back then). The sound was enormously awful, (the actual 8-track didn’t help), the lead vocals were beyond raspy and unclear and the Heavy Metal Music being played was raw, uncommercial and unlike anything I had ever heard before in my young life. I loved it. I was beyond thrilled at listening to this Motorhead 8-track. I was enamored by every unpolished intricacy that my rookie Metalhead ears heard. Here is this band, on a beat up 8-track, recorded as a live bootleg somewhere far away in the world, that only a dozen or so dudes in my high school even knew about at that time in 1983. All  that was written on the blank white sticker on this 8-track was a barely legible – Motorhead Live. I’ll never forget that… an Old School Metal memory at it’s most innocent. I was awe struck by the unnatural vocals of Lemmy Kilmister and his bass was over powering to boot. Gimme some more Motorhead is what I said.

I wound up buying the Iron Fist album by Motorhead first, (on vinyl of course). This Iron Fist album was released on April 17, 1982, I bought it sometime in 1983… owning a real Motorhead album became a dire Metal necessity then, I needed to get the Metal ball rolling in starting my Motorhead collection. Not having too much money as a teenager, I did not make another Motorhead album purchase until the double album No Remorse was released – which was September 15, 1984. (I can’t recall if I actually bought No Remorse on it’s release date, who would care now? I do remember that I bought it right away though!). Buying No Remorse heightened my awareness, attitude and respect for Metal Music in 1984 – I now had a legitimate greatest hits of Motorhead in my possession. My favorite Motorhead song ever, is on No Remorse, it actually was a brand new song added to this greatest hits track list at the time. Killed By Death. An unreal and damn incredible Metal song for me then… still is now in 2009.

Motorhead "No Remorse" small album picWhen I listen to Killed By Death today, it is like I am hearing it for the very first time again. I cannot figure that out, why bother? All I know is what this song does for me, it gets me extremely pumped up and motivated beyond Metal belief. The Heavy Metal and Roll vibe and groove that Killed By Death bestows is unlike any Motorhead song pre-1984. I was so fascinated back in 1984, while holding the double album jacket, staring at the front cover artwork of Snaggletooth, a.k.a. War-Pig and having my ears being ignited by Motorhead Metal. It felt like my little teenage world was made into a more tolerable place to exist in, with the Heavy Metal of Motorhead being at the ready for me to escape in. I could never forget just how much this No Remorse album of greatest hits means to me still, especially the song Killed By Death. Yes, I still have this No Remorse album, this double album is like Metal gold to me. I have kept it in pristine condition since September of 1984, this album is one of the fortunate ones that never was traded, sold, lost or given away by me.

I bought No Remorse at the no longer existing – Strawberries Records & Tapes. I even begged, bribed and pestered the Strawberries manager for months, to give me the Motorhead No Remorse promotional poster that hung on the store wall. (Back then, large record stores had class, they would actually give away any and all promotional posters for free, that is correct… for free). This Strawberries manager turned out to be a Metal hero for me… upon one of my extremely many trips there, he saw me enter the store and informed me the No Remorse promo poster was mine. That’s one cool memory – simple, innocent and Metal. This Motorhead No Remorse promo poster was hung up on my college dorm wall at Central Connecticut State University and survived. (I don’t know how it survived either). This same poster now adorns my basement wall… surrounded by many, many other Metal posters. However, this Motorhead No Remorse promo poster will forever remain as the Metal epicenter of my Rocked out basement, while the No Remorse album will remain as an integral reason as to why I revere Motorhead and Metal Music in the first place.

*My original copy of this Motorhead No Remorse – double album, depicts the same artwork on the front cover, however, the graphics Motorhead No Remorse are in deep red type.

Motorhead "No Remorse" large album pic

TONY IOMMI & GLENN HUGHES – 1996 DEP SESSIONS ALBUM- OLD SCHOOL HEAVY METAL

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's classic rock guitarists, 1980's heavy metal albums, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, 1990's classic rock albums, 1990's classic rock music, 1990's hard rock music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's rock music, 1990's hard rock bands, 1990's heavy metal music, Album Review, Black Sabbath, century media records, classic hard rock, classic hard rock music, classic heavy metal, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock vocalists, collecting classic rock, collecting heavy metal albums, collecting music, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, hard rock music, hard rock songs, hard rock vocalists, hard to find rock albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal vocalists, Metal, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock and roll, rock and roll hall of fame inductees, rock music, rock vocalists, tony iommi heavy metal guitarist, vintage hard rock bands, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 20, 2009 by Metal Odyssey

HUGHES large album picI found IOMMI With Glenn Hughes – the 1996 Dep Sessions on the Century Media Records online store CM Distro.com. This CD set me back 3 bucks plus shipping. (I bought a few CD’s so the total shipping cost of 5 bucks was reasonable to me). This CD was in the clearance section at CM Distro.com, proving to be a cool Metal find for me. Tony Iommi is the lead guitarist for the ultra legendary/Rock and Roll Hall of Fame inductee – Black Sabbath. Glenn Hughes has had a stellar career of his own, most notably being a vocalist and bass guitarist for Deep Purple on their Burn and Stormbringer studio albums from 1974. Glenn Hughes is also on the Deep Purple studio album – Come Taste the Band from 1975, as well as several Deep Purple live albums, the most notable being Deep Purple – Made In Europe, from 1976. Glenn Hughes was a member of Black Sabbath, (hey, it is an official Black Sabbath album – Black Sabbath Featuring Tony Iommi – Seventh Star). This studio album, Seventh Star, was released back in January of 1986 and Glenn Hughes was the lead vocalist only… Dave Spitz played bass on Seventh Star. This background information on Glenn Hughes is to help anyone who may be unfamiliar with his musicianship and/or career. Trust me, it would be a very long post to acknowledge everything Glenn Hughes has done during his illustrious music career dating back to 1968.

I have always revered the vocals of Glenn Hughes, not to mention his bass guitar exploits. When I listen to Glenn Hughes sing, it is the real deal for me… real Hard Rock vocals, real Heavy Metal vocals and yes, even soulful vocals on some of his solo work as well. Tony Iommi in my Metal opinion, is… if not the founding father of Heavy Metal guitar, then one of the very first. The combination of Glenn Hughes on vocals and Tony Iommi on guitar worked just fine for me on the Black Sabbath album, Seventh Star. Certainly, it was not the most famous music achievement for either Tony Iommi or Glenn Hughes, still it remains a standout album for me due to it’s Old School – Heavy Metal resonance and quality of songs.

This 1996 DEP Sessions album seems to rekindle that Old School Heavy Metal and Old School Hard Rock sound from the late 1970’s into the ’80’s. Do not expect a layered and very heavy album here, you will not be listening to Heaven and Hell or Sabbath Bloody Sabbath. Even the Heavy Metal fog storm of Seventh Star is not revisited here by Iommi and Hughes. What I hear, is an appropriate blend of Rock, Hard Rock and Heavy Metal vocals from Glenn Hughes, to correspond with the diverse guitar brilliance of Tony Iommi. The riffs are plentiful, extremely distinguishable that this is Tony Iommi – the Old School, Heavy Metal riff king himself. Iommi does not shy away from writing and playing tremendously melodic leads as well, in a Metal nutshell… Tony Iommi’s guitar is the dominant musical force on this 1996 DEP Sessions album, (of course). Unlike the Black Sabbath albums with Geezer Butler on bass and Bill Ward on drums, the rhythm section on this album honestly does take a back seat… albeit intentional during production or it just may be my aging Metal ears.

My three favorite songs on this 1996 DEP Sessions album are: Gone – which plays out as the heaviest song, the opening riff is vintage Tony Iommi. I‘m Not The Same Man – has reality check lyrics and is driven with melodic hardness at every nook and cranny. Fine – is a Hard Rock ballad that just grabs my attention on a personal level, plus Tony Iommi and Glenn Hughes really deliver a genuine song here. All eight songs are memorable and good quality, both musically and lyrically. I won’t yell out loud that this album is unreal great and the best stuff these two Heavy Music legends have ever done. I will attest that this album has been a damn cool listening experience for me though. 1996 DEP Sessions is definitely worth picking up if you are a fan of Old School Heavy Metal and/or Hard Rock, Deep Purple and Black Sabbath. Glenn Hughes and Tony Iommi fans have to own this album of course, the value is in the overall musicianship and diversity in songs. I will be playing this album regularly in the future, the combination of Glenn Hughes and Tony Iommi is just too cool to ignore.

Track Listing For: IOMMI with Glenn Hughes the 1996 Dep Sessions:

Gone

From Another World

Don’t You Tell Me

Don’t Drag The River

Fine

Time Is The Healer

I’m Not The Same Man

It Falls Through Me

* the 1996 Dep Sessions IOMMI with Glenn Hughes was released on September 28, 2004, on Sanctuary and Mayan Records.

HUGHES large album pic

DOMMIN – “E.P.” Has Me Hooked

Posted in Album Review, alternative rock bands, alternative rock music, alternative rock music albums, collecting rock music, cool album covers, creepy album covers, current alternative rock music, current hard rock albums, current hard rock bands, current hard rock music, current hard rock songs, current heavy metal music, current rock albums 2009, diverse metal music, essential hard rock albums, essential rock albums, gothic hard rock bands, gothic hard rock music, gothic metal bands, gothic metal music, hard rock music, hard rock music 2009, hard rock songs, hard rock vocalists, heavy metal album covers, heavy metal music, heavy metal music 2009, heavy metal vocalists, horror metal, melodic hard rock songs, melodic rock bands, melodic rock songs, metal odyssey, Music, rock & roll, rock album review, rock and roll, rock music, rock music reviews, rock music vocals, rock vocalists, scary album covers, shopping for music, spooky album covers, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 19, 2009 by Metal Odyssey

Dommin - Group Photo banner 2009

I picked up the Dommin E.P. at Hot Topic today and man, this band has me hooked. This Dommin E.P. has been available as a Hot Topic exclusive since July 7, 2009. This band caught my attention over the last few months as I scoured the web looking for new and cool albums to potentially buy. Buying this E.P. was a necessity for me, I have already listened to some of Dommin’s songs already and really liked what I heard. Plus this E.P. will make for a cool prelude to my finally picking up the new album from Dommin – Love Is Gone. The price I paid for E.P. is unreal great – $1.99. Uh, again, that’s $1.99! My copy I bought was the last one, (or only one), left in this specific Hot Topic store… that tells me E.P. sold quite well since July 7th. The price and obvious popularity is not too shabby for a brand new CD with four outstanding songs. E.P. contains a track that is not found on the Love Is Gone album – Awake. I have always been open minded to all Rock, Hard Rock and Metal genres, listening to a bountiful mix of bands over the decades has been my Metal way. With that said, this is how I describe the music of Dommin, in my Metal opinion:

Dommin - "Eyes" Banner - 2009

The vocals of Kristofer Dommin are extremely confident and powerful. His vocals alone are what draws me into the music, I am not ashamed to say that they are riveting… for me. When I listen to Kristofer Dommin sing, my ears detect some Glenn Danzig meets David Bowie – really. This is not to say that his vocals are unoriginal, not in the least. Kristofer Dommin’s vocals are very different from what I have been listening to in recent memory. I will confidently state, it is hard to pigeonhole Dommin into one specific music genre. Gothic, Heavy Alternative, Rock, Hard Rock, Melodic Goth or Modern Heavy Metal genres are all represented quite amazingly well with the music of Dommin. If that causes a stir, so be it… this band has been a tough Metal cookie for me to pinpoint with accuracy as to their specific placement in genre. Yet this is what makes Dommin so damn cool from the start, does it really matter anyways which genre a band adheres to? Take it from me, (if you want to), that Dommin belongs in the Heavy Music world with their dark, hard and artistic style of music. Heavy Music this outrageously melodic and hard gets me listening. Dommin takes Rock simplicity from decades past and elevates it into their very own Heavy and dark stratosphere of interpretation, exposing it for all to hear in 2009.

DOMMIN is:

Kristofer Dommin on vocals & guitar

Billy James on bass

Konstantine on keyboards

Cameron Morris on drums

** Track Listing For E.P. is:

My Heart, Your Hands

Dark Holiday

Without End

Awake – (only available on E.P., not included on Love Is Gone album)

DOMMIN is on a record label that in my Metal opinion, knows something about Rock and Roll… ROADRUNNER Records.

DOMMIN - "E.P." album pic

Charm City Devils “Let’s Rock-N-Roll” – A Charming Hard Rock Album

Posted in Album Review, baltimore hard rock bands, collecting rock music, cool album covers, current hard rock albums, current hard rock bands, current hard rock music, current hard rock songs, current rock albums 2009, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock albums 2009, hard rock bands 2009, hard rock drummers, hard rock guitarists, hard rock music, hard rock music 2009, hard rock songs, hard rock vocalists, heavy metal music, independent record labels, melodic rock bands, metal odyssey, Music, new hard rock album, old school hard rock, Rock, rock & roll, rock album review, rock and roll, rock music, rock music reviews, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 18, 2009 by Metal Odyssey

Charm City Devils "Let's Rock N Roll" large album picI picked up my copy of Charm City Devils – Let’s Rock-N-Roll this past Summer, it was towards the end of July. On July 10, my mother passed away, she was as splendid, caring, giving and loving as a mother could possibly be for me. I received the news of her passing from my father… over the cell phone. We, (my wife and I with our twin daughters), were on our way to Connecticut by car with my courageous wife driving when this tragic news was conveyed to me by my father. We live in Pennsylvania, a solid three and a half hours away from our parents and relatives. The shock and sadness we all felt in the car at that moment can not be expressed in words here. Why I am telling this story is due to the Charm City Devils song Almost Home. You see, upon my first listen to Almost Home, I felt instant sadness, goose bumps formed all over my body and my thoughts instantly were directed to that awful moment in time – of receiving my fathers phone call about my own mothers passing away. It was only a couple of weeks after losing my mother that I first listened to this song.

I had not listened to Almost Home again until today, October 17, 2009. (I just could not bring myself to listening to this song again right away, I needed time to heal, so to speak). The emotional feeling of sadness still erupts within me when I listened to this song again, however, Almost Home actually has now helped me deal with my very own personal experience. It feels good to get this off of my chest… this is a perfect example of how Hard Rock Music or any music for that matter, can connect with you on such a deeply personal level. If this song is to be a true story, connected to any member of Charm City Devils, then I express my deepest sympathy to that person who experienced that phone call too. The lyrics of Almost Home are just too deep and emotional to be fiction.

Alright, now for the cool and Hard Rockin’ part of this album. I will start with stating that the first three songs come out of the Hard Rock gates with the sincerest of enthusiasm and energy. Very memorable are these songs, sing-a-longs if you will. Let’s Rock-N-Roll (Endless Road), House Fire and 10,000 Miles have all the sound and flavor of a hungry up and coming Hard Rock Band. The youthful energy I hear is a kick to my butt to stay in shape and think and act young! (Within reason of course). Best Of the Worst is a mid-paced ballad that sounds like the hit to me, a very commercial sounding song that won’t hurt this bands career. I am a ballad frowner my whole life, still this song has an almost uplifting sensory feel about it. Money has a Punk Rock vibe happening, especially with the rhythm section and arguably with the vocals as well… very cool song for me.

By me stating that Let’s Rock-N-Roll is a charming album, I am not trying to sound sappy, cute or funny here. I really mean it, this is a damn decent – Rock and Roll meets Hard Rock album here. A viable nod to Old School Hard Rock has been established, with Charm City Devils first album. Based on what I here from this album, Charm City Devils can use that old cliche and say the Hard Rock sky is the limit. There is heaping pounds of Hard Rock potential for Charm City Devils to get even better… and they already are quite the Hard Rock band on the rise. Heck, if Bon Jovi could become a household name writing and playing this kind of music, then why not Charm City Devils? I also like to compare this band to Airbourne, although I hear more diversity in song from Charm City Devils which is admirable. At the end of my Metal day, I concede that Let’s Rock-N-Roll is an album worth catching onto and Charm City Devils is a Hard Rock Band worth keeping an eye on.

* Let’s Rock-N-Roll was released on May 26, 2009, on Tenth Street Entertainment/Eleven Seven Music. * Eleven Seven Music has as it’s label president, the legendary Nikki Sixx.

* Charm City Devils hail from the Charm City itself – Baltimore, Maryland.

Charm City Devils as they appear on Let’s Rock-N-Roll:

John Allen – lead vocalist

Vic Karrera – guitar

Anthony Arambula – bass

Nick Kay – guitar

Jason Heiser – drums

Charm City Devils "Let's Rock n Roll" x-large album pic

CROWBAR “Sonic Excess In It’s Purest Form” – Sludge Metal At It’s Finest

Posted in 1990's doom metal bands, 1990's heavy metal albums, 1990's metal bands, 1990's sludge metal albums, 1990's sludge metal bands, 1990's heavy metal music, Album Review, collecting metal music, cool album covers, doom metal albums, doom metal bands this decade, doom metal music, essential metal music albums, essential sludge metal albums, extreme metal music, Heavy Metal, heavy metal album covers, metal music, metal music albums, metal odyssey, Metal Reviews, Music, new orleans metal bands, new orleans metal music, sludge metal albums, sludge metal albums this decade, sludge metal bands, sludge metal bands this decade, sludge metal guitarists, sludge metal music 2001, sludge metal vocalists with tags , , , , , , , , , , , , , , , , , , , , , , on October 17, 2009 by Metal Odyssey

Crowbar - "Sonic Excess" small album picCrowbar was my Metal band of choice today. Sludge Metal with a healthy slice of Doom Metal at it’s very best is Crowbar. I gave another listen to Sonic Excess In It’s Purest Form and have walked away with the same Metal satisfaction as always – ultra Sludge Metal satisfaction that is. The slow trudging and heavy duty guitar riffs combined with the slow paced rhythm section, makes me scream in Metal glee that Crowbar has taken Old School Heavy Metal to a more dark and doom ridden place. The lyrics heard in the songs on Sonic Excess In It’s Purest Form are gloomy, mournful and visits the realms of self suffering, doubt and infliction. Well, that is what Doom Metal delves into, topics too touchy for the faint at heart mainstream. These lyrics explore what it must feel like when one is truly suffering from extreme mental anguish. Now, if you are to look past the psychologically driven lyrics, the Metal Music is an ear crushing experience and/or escape that seems to come at me from all sides. Crowbar plays their Sludge Metal like it surrounds me, repeatedly encircling my space like a slow marching invasion of Metal giants from a far away and spooky place. Cool.

Kirk Windstein on guitar and vocals is in my Metal opinion, a true non-glamorized hero of Metal. Kirk Windstein does not need any damn red carpet to walk down on… his blue collar Metal ethic is too good for that crap. Besides, hearing is believing, listening to Kirk play guitar is dark, creeping and heavy – a wonderland of gray clouds amidst a stormy sky over a bayou. His vocals are dominant and angry enough to be considered Hardcore, the enormity of emotions that are heard when he bellows out the lyrics are mesmerizing. Plus, Kirk Windstein is one hell of a riff enthusiast, he must have millions of dark and scary riffs recorded in his mind that are still waiting to be let out. There is nothing plastic about Crowbar, no artificial ingredients to be heard on this album. Unreal. All eleven songs on Sonic Excess In It’s Purest Form are a journey into the Doom and Sludge Metal world of Crowbar, a journey I find worth repeating. Hey, it is like the melancholy movie that grips you, a mood intense book that you don’t mind reading again and again… each time you catch onto something that you may have missed before.

* Sonic Excess In It’s Purest Form was released on August 21, 2001 on Spitfire Records.

Crowbar are they appeared on Sonic Excess In It’s Purest Form:

Kirk Windstein on guitar and vocals

Sammy Pierre Duet on guitar

Jeff  (Okie) Okoneski on bass

Tony Costanza on drums

Sonic Excess In It’s Purest Form Track Listing:

The Lasting Dose

To Build a Mountain

Thru the Ashes (I’ve Watched You Burn)

Awakening

Repulsive In It’s Spendid Beauty

Counting Daze

In Times of Sorrow

It Pours From Me

Suffering Brings Wisdom

Failure to Delay Gratifacation

Empty Room

Crowbar "Sonic Excess"  large album pic

DRIVIN N CRYIN – 1993 ALBUM “SMOKE” IS HARD ROCK BLISS

Posted in 1980's rock music, 1980's hard rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's college music, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, Album Review, classic hard rock bands, classic rock, classic rock album finds, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, collecting classic rock, collecting rock music, current hard rock bands, essential classic rock albums, essential classic rock songs, essential hard rock albums, essential rock albums, feel good stories, Hard Rock, hard rock album review, hard rock bands from georgia, hard rock drummers, hard rock guitarists, hard rock music, hard rock songs, hard rock vocalists, metal odyssey, Music, old school hard rock, rock & roll, rock album review, rock and roll, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 16, 2009 by Metal Odyssey

Drivin N Cryin "Smoke" small album picThere are those select few bands, select few albums throughout my life that I have listened to, that I can say – resonates with me. Drivin N Cryin is one of those bands and their 1993 album – Smoke, (on Island Records). I confess, I never owned a copy of Smoke until October 14, 2009. Unbelievable, how great Rock Music can slip by you. I have vindicated this slip-up by now taking ownership of this great album… finding it on CD during one of my many thrift store Hard Rock and Metal hunts. Rock diversity is a strong point with Drivin N Cryin, their talent to create credible and memorable songs are sensationally a musical characteristic. Smoke is a Rock meets Hard Rock album that even upon it’s initial 1993 release, can be construed as a throwback – to the days when writing Rock songs wasn’t about a race to the commercial finish line. After three consecutive and thorough listens to Smoke on Wednesday, all I could think about that night was listening to Smoke on Thursday! For me, this album is that good… I mean great.

Drivin N Cryin does bring back a very cool Rock memory for me. I saw Drivin N Cryin open up for the ultra legendary – The Who. This concert was at the Meadows Music Theater in Hartford, Connecticut, I think the year was around 1997. (Heck, I cannot remember the exact year). My wife and best buddy Scott were with me for this unreal great night of Rock and Roll. We did not know upon entering this outdoor amphitheater that Drivin N Cryin were opening for The Who that night… we were beyond thrilled when Drivin N Cryin hit the stage, they were simply put – tremendous. I will always remember that night, for Metal sakes, it was The Who taking center stage after all! However, Drivin N Cryin was the Hard Rock bonus that was so unexpected that evening… an unbelievable bonus it was!

Drivin N Cryin "Smoke" small album picThere is no hiding from the fact that I uphold Metal Music and I am a Metalhead, with that said, I also uphold quality Rock and Hard Rock Music as well. Drivin N Cryin enables me to embrace their songs through their vivid musicianship and clarity of their lyrics. With Smoke, there are no illusions going on, no flamboyant and over the ropes attitudes to be heard, just straight -up Rock Music that hits home for me. The first three songs, Back Against The Wall, She Doesn’t Wanna Go and Smoke on Smoke are a 1-2-3 Hard Rock can of whoop ass. 1000 Swings and 1988 are by far cool Rockers as well. Whiskey Soul Woman is just one incredible Rock song to cruise to, it has a Classic Rock vibe swirling all around. When You Come Back is a laid back, Blues Rockin’ song that shows just how diverse Drivin N Cryin can be with Rock. Patron Lady Beautiful can be justified as an epic Rock song for Drivin N Cryin, at 7:36 it plays out with the Rock mellowness that I need to hear every so often and takes it’s twists and turns with Hard Rock heaviness – in real Classic Rock style. What’s The Difference and Eastern European Carny Man has some Tom Petty influence happening, both vocally and musically, not a bad influence for my ears to hear at all.

My favorite song on Smoke, (if I am forced to choose), has to be Turn It Up Or Turn It Off… this is a Hard Rock Classic for me, man these guys jam on this song. There is a hidden track on Smoke, right after the last song, therefore there are really thirteen songs on this album. This hidden song has Classic Rock oozing from it’s every crevice, with the guitars giving way to 1970’s style licks that are beyond cool for me. When it is all said and done, quality Rock musicianship and vocals will always save the day and stay relevant for decades on end. Drivin N Cryin is just this band, extremely credible song writing and musicianship and Rockin’ to this very day. I really dig the vocals of Kevin Kinney, he is at his unreal best on Smoke. I most highly recommend Drivin N Cryin and all of their music to any fan of Rock, Classic Rock and Hard Rock. Smoke turned out to be a hidden Rock gem for me, sending me off to Hard Rock bliss.

* I have not seen this CD for sale on Best Buy online, I have seen it for sale at Amazon.com, as recent as today.

Drivin N Cryin as they appeared on Smoke:

Kevin Kinney – vocals and guitar

Tim Nielsen – bass

Jeff Sullivan – drums

Buren Fowler – lead guitar

DRIVIN N CRYIN "SMOKE" X-LARGE ALBUM PIC

SKELETONWITCH – “Breathing the Fire” Set My Metal World Ablaze

Posted in Album Review, Black Metal, black metal 2009, black metal albums 2009, collecting heavy metal albums, cool album covers, creepy album covers, current black metal albums, current black metal music, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal guitarists, death metal music, death metal vocalists, essential death metal albums, essential heavy metal albums, essential metal music albums, essential thrash metal albums, Extreme Metal, extreme metal bands, extreme metal music, extreme metal music albums, extreme music, Heavy Metal, heavy metal album covers, heavy metal albums 2009, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, melodic death metal albums, melodic death metal music, Metal, metal music, metal music today, metal odyssey, Metal Reviews, Music, new thrash metal albums, scary album covers, scary rock music songs, spooky album covers, spooky metal album covers, thrash metal 2009, thrash metal music, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 14, 2009 by Metal Odyssey

Skeletonwitch "Breathing The Fire" small album picSKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.

Skeletonwitch brings forth the Thrash Metal attack combined with Old School Speed Metal, adding Death Metal and Black Metal influences just for great Metal measure. With all of these incredible Metal genres explored here, Skeletonwitch is a Metal band that I cannot pigeonhole into one genre. That is fine with me, I am sure Skeletonwitch could care in the least as well… Metal is… Metal. Breathing the Fire is one incredible Metal album to look back upon for 2009, it is like the late season, supercharged and extreme power blast of Metal Music that has set my Metal world ablaze. I always say, that with Metal bands like this, it makes me feel confident knowing that the flag for Metal will be waving high for years to come. Chance Garnette on lead vocals is as mean and talented as I could hope for – his dual Death Metal growls and Black Metal screams are what this music is about. Anyone familiar with Extreme Metal should agree, that this style of Metal was not meant for crooning out the ballads. Chance Garnette gets my Metal horns with thunderous praise. In my Metal opinion, Skeletonwitch can play, it’s not the easiest task to make an album of this Metal genre sound like a standout.

The guitar leads, dual leads and solos have a melodic, Old School – Speed Metal appeal, while never taking away from the overall dark mood of any of the songs. The rhythm section holds everything together like a vice and these songs grip my Metal psyche with pure Metal domination. I once read a professionally paid Rock critic write – melodic and heavy do not coexist… uh, they do. The Metal proof is in actually listening to Skeletonwitch and Breathing the Fire… the rest is Extreme and at times, melodic Metal candy for your ears. To extract each song and dissect it here would be nonsense, the overall themes to know are that these songs are about death and submitting to evil. ‘Nuff said. Ah, Metal. I will state, Blinding Black Rage is as horrific, evil and nightmarish of a song lyrically that I have ever heard. Ah, Metal… Extreme Metal, I love this stuff. This is the new generation of Extreme Metal, take it or leave it… I’m taking it. If you are looking for the current Metal that is happening now, take my advice and give Skeletonwitch – Breathing the Fire a thorough listen… it served me right.

Skeletonwitch as they appear on Breathing the Fire:

Nate “N8 Feet Under” Garnette – guitars

Chance Garnette – lead vocals

Derrick “Mullet Chad” Nau – drums

Scott “Scunty D.” Hedrick – guitars

Evan “Loosh” Linger – bass

Track Listing For Breathing the Fire:

Submit to the Suffering

Longing for Domination

Where the Light has Failed

Released from the Catacombs

Stand Fight and Die

The Despoiler of Human Life

Crushed Beyond Dust

Blinding Black Rage

Gorge Upon My Soul

Repulsive Salvation

Strangled by Unseen Hands

… And into the Flame

Skeletonwitch "Breathing The Fire" large album pic

Entombed – “Wolverine Blues” 1993 Album Sets Me Metal Straight

Posted in 1990's death metal albums, 1990's death metal bands, 1990's death metal music, 1990's death metal songs, 1990's heavy metal bands, Album Review, classic metal, collecting rock music, cool album covers, creepy album covers, death metal guitarists, death metal music, death metal music 1993, death metal vocalists, death n' roll, essential death metal albums, extreme metal bands, extreme metal music, extreme metal music albums, extreme music, heavy metal albums, heavy metal music, melodic death metal albums, melodic death metal bands, melodic death metal music, Metal, metal music, metal odyssey, Music, old school death metal music, spooky album covers, spooky metal album covers, thrash metal music, vintage death metal albums, vintage death metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 13, 2009 by Metal Odyssey

Entombed "Wolverine Blues" small album picToday I found myself in another one of those funks, where the melancholy feelings just won’t subside. So, earlier tonight, I turned to music, Metal Music, to settle my thoughts, nerves and soul. I chose to listen to Entombed, Wolverine Blues. Released back in 1993, on Earache/Columbia Records, I find it startling that this album is around seventeen years old already. An excellent listening choice I made, Entombed was the Metal elixir and their album Wolverine Blues was the Metal prescription that served me right tonight. Entombed delivers their original style of Death Metal or Death N’ Roll with Wolverine Blues, it is as groove charged as it is sinister. With each listen, I can still hear some Thrash Metal being fused within Entombed’s songs on this album. In a Metal nutshell, Entombed covers some ground with Extreme Metal genres. This is one hell of a heavy and hard album, the righteous Metal remedy for curing my blues – let me tell you. Lyrically, there is no bashfulness to be found when it comes to topics and imagery on Wolverine Blues. The combination of the aggressive lyrics and Death N’ Roll charge makes this album sound like it belongs on top of the Metal heap in 2009.

Is Wolverine Blues the heaviest album I ever listened to? Honestly, no. However, this album is one of the most accessibly heavy albums I have listened to… where these songs are not entirely over the top yet they are light years from being mellow too. One song that is quite the enjoyable, extreme listen is Blood Song, with it’s vampire theme that explodes from it’s lyrics and haunting musical tension. My favorite song is Hollowman, it epitomizes the label – groove infested. The lyrics of Hollowman are intensified with messages of death, it reads like Death Metal poetry… if you will. How can an Extreme Metal loyalist like myself not adhere to songs that are titled Rotten Soil, Demon and Full Of Hell… this is the Metal escape I was looking for today, to be shaken back into shape, (courtesy of Entombed) and returned to my normal routine. Out Of Hand is another standout song for me on Wolverine Blues. L-G Petrov on lead vocals is viscous and brutal on Out Of Hand, his accentuating the lyrics only emboldens this songs message of societal distrust and disruption. L-G Petrov is tremendous vocally throughout Wolverine Blues, an unsung Metal legend who deserves any and all accolades that may come his way.

It is the cohesiveness of Entombed that makes Wolverine Blues sound so impeccably strong, all ten songs stand on their own. As this album comes to it’s close with Out Of Hand, I feel not just reinvigorated, I feel Metal empowered knowing that I can turn to Entombed during a personal funk void for a motivational punch in the arm. For seventeen Metal years this album has existed, it deserves to be heard and prescribed to the younger generation of Metal fans across the globe. I am hereby recommending this great album from Entombed to any fan of Metal that might be looking to get out of their own personal mind fog – let the escapism of Wolverine Blues serve you right like it did me today.

Entombed as they appeared on Wolverine Blues:

Nicke Andersson – drums, guitar

Lars-Goran Petrov (L-G Petrov) – lead vocals

U Cederlund (Uffe Cederlund) – guitar, tambourine

Lars Rosenberg – bass

Alx Hellid (Alex Hellid) – guitar

Wolverine Blues Track Listing:

1. Eyemaster

2. Rotten Soil

3. Wolverine Blues

4. Demon

5. Contempt

6. Full Of Hell

7. Blood Song

8. Hollowman

9. Heavens Die

10. Out Of Hand

Entombed "Wolverine Blues" large album pic