KROKUS – Alive and Screamin’, on vinyl and in mint condition, with it’s original album plastic still covering it… there it was, on one of my recent Heavy Metal hunting expeditions, sitting in an antique mall screamin’ for me to buy it. Five bucks I shelled out to bring this vintage, Old School Heavy Metal album home with me. Five bucks. This great Krokus album was opened by someone in the past, still, the vinyl and original inner sleeve itself is mint! Plus, as a Metal bonus, it plays just fine! I deliberately went to visit this antique mall for a find … a Metal find that is. It’s not as if there are truck loads of vintage or current Heavy Metal albums and memorabilia at this antique mall, not in the least. I really have to scour the goods, peruse the aisles and sniff out the Heavy Metal from where it is hiding. It’s good times for me, searching for Heavy Metal albums or anything Hard Rock/Heavy Metal related at these kind of places. I’m a nostalgic Metalhead, always was, always will be. Finding and collecting the Heavy Metal vinyl I once owned or never owned is a natural Metal high for me, especially when I land them mint and cheap! As long as I have a turntable or two to play these albums on, the Metal enjoyment shall carry on long after the purchase.
Alive and Screamin’ marked the first live album released by Krokus. Overall, this live album has fantastic sound quality, a very well produced live album. This live Krokus album proves for me, to be an Old School and heavy warm-up to the new upcoming Krokus album – Hoodoo, that is set for a February 26, 2010 release! What a heavy duty way for Alive and Screamin’ to start off, kicking into Heavy Metal gears with Long Stick Goes Boom, Krokus sets the tone for the remainder of this live album, they made the statement a long time ago… that they came to kick some Heavy Metal ass.
Stayed Awake All Night and Eat The Rich sound unreal great, with all of the heavy and live elements happening, it’s psyche you-out city! Metal truth be told, I really had a blast revisiting Alive and Screamin’… I actually spun this album on the turntable four times in a row! No skips or crackles… just a real mint album I found here. I actually wonder if this album was ever played in the past at all. I’m playing this album on a regular basis, loud too!
Headhunter is certainly the heaviest Krokus song on Alive and Screamin’, an all-time favorite Krokus song of mine too. Another Metal truth be told is: I actually like the live version of Midnite Maniac better than the studio version. Often times it happens this way for my Metal ears.
Screaming In The Night proves to be a quintessential Heavy Metal ballad, of historical Krokus importance. To this very day, I cannot get enough of Screaming In The Night, this song just seems to flow in it’s heavy uniqueness. Marc Storace on vocals sounds terrific on each song, the same can be said for each member of Krokus on Alive and Screamin’. Fernando Von Arb and Marc Kohler on guitars just seem to ignite these classic Krokus songs.
Krokus, as they appeared on Alive and Screamin’:
Marc Storace – lead vocals
Fernando Von Arb – lead guitar
Mark Kohler – rhythm guitar
Tommy Keiser – bass guitar
Jeff Klaven – drums
* Alive and Screamin’ was recorded live in the following cities: Amarillo, Texas, Cincinnati Ohio, Baltimore Maryland, Poughkeepsie, New York and Toronto, Canada. (Source: liner notes on the inside album sleeve).
Track listing for Alive and Screamin’:
(Note: Krokus studio album from where song originated in parentheses)
Long Stick Goes Boom – (One Vice At A Time)
Eat The Rich – (Headhunter)
Screaming In The Night – (Headhunter)
Hot Shot City – (Change Of Address)
Midnite Maniac – (The Blitz)
Bedside Radio – (Metal Rendez-vous)
Lay Me Down – (Alive and Screamin’)
Stayed Awake All Night – (Headhunter)
Headhunter – (Headhunter)
* Lay Me Down was the first time this song appeared on a Krokus album.
* Alive and Screamin’ was released in October of 1986, on Arista Records.
* The front cover of Alive and Screamin’ was created by world renowned illustrator – Les Edwards.
* I really, really, really, dig the front cover album artwork of Les Edwards – that is one evil looking vampire. If it’s not a vampire, then it is one vile and evil looking dude that I would not want to encounter in a dark alley. Metal be damned, this evil face sincerely reminds me of my old High School chemistry teacher as well. I wouldn’t want to encounter a vampire or my old H.S. chemistry teacher in a dark alley either.














































Tonight I was going through a stash of Heavy Metal albums I own. This particular pile I have not looked at for about three years, since my family and I escaped from expensive Connecticut. Honestly, I don’t recall really looking

Masterplan released the MK ll album back on February 23, 2007. I have never regretted with catching onto Masterplan. Half the fun of being into Heavy Metal, is knowing there are so many bands from so many genres to sink your ears into… ah, the world of Metal is a good thing. For those not familiar, Masterplan is a Power Metal Band, 100% through and through with no gimmicks. Melodic Metal and Symphonic Metal are two other labels that are just as fitting for Masterplan, the three genres I attribute to this band are adequately interlocking. Masterplan is led by former Helloween guitarist, Roland Grapow, he takes on the roles of guitarist, composer and producer. I gravitate very often to the Power Metal genre, finding this form of Metal Music to be inspiring and ultra credible. I find the Power Metal songs from Masterplan MK ll to be like a Metal soundtrack for my mind… uplifting and scenic thoughts appear for me, reflective thoughts too. Getting revved up is not difficult while listening to Masterplan either, there are plenty of psyche out moments in their songs. Masterplan goes full throttle with their Power Metal, there never seems to be a dull moment, for me.
Thank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.
Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.
W.A.S.P. has me burning up with an extreme Heavy Metal fever. Their new studio album, Babylon, is the total Old School Heavy Metal package. I am so excited about this new W.A.S.P. album, I need to calm down. Alright, if you have never purchased a W.A.S.P. album in your life and you are into Metal, do the right thing and buy Babylon. Veteran W.A.S.P. fans should understand why I am pumped up about Babylon… it is the quintessential Heavy Metal album for 2009. Am I saying it is the best Heavy Metal album of 2009? I am sure leaning in that direction for certain. Remember, this is Heavy Metal, no strings attached. Blackie Lawless has proven once again he is not about to back down, cow tow or change for anyone. Blackie Lawless has my total Metal support and praise for his convictions, which he so eloquently states within the liner notes of Babylon.
I will always believe, that it is extremely hard to cover a song of this magnitude, without tripping up somewhere along the way. Nothing beats a Hard Rock Classic, especially one from Deep Purple. David Coverdale will forever have the notoriety of originally vocalizing Burn with Deep Purple. David Coverdale’s vocal signature on the original version of Burn, plus his historical importance to Heavy Metal is immeasurable, in my most honest Metal opinion. Fast forward to 2009 and Burn is resurrected from the archives of Hard Rock history, thanks to W.A.S.P.. Blackie Lawless maintains the signature keyboards of Burn, reestablishing the importance this instrument has within this song. Doug Blair on lead guitar, cements himself as an asset, to the Heavy Metal identity that is W.A.S.P., on this amazing cover song. Burn returns and rises like a flaming phoenix, with Blackie Lawless unleashing this song’s power and exposing it’s grandeur for all Heavy Metal time.


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