Archive for the Heavy Metal Category

MARIA BRINK/IN THIS MOMENT “PRAYERS” PICTURE DISC – PLUS IN THIS MOMENT DISCOGRAPHY

Posted in alternative metal music, collecting heavy metal albums, collecting metal music, cool album covers, current heavy metal bands, current heavy metal music, diverse metal music, female heavy metal vocalists, female rock vocalists, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal bands, heavy metal cover songs, heavy metal favorites, heavy metal memorabilia, heavy metal music, heavy metal music 2009, heavy metal on vinyl, heavy metal picture discs, heavy metal records, Heavy Metal Reviews, heavy metal vocalists, melodic heavy metal music, metal music, metal music today, metal odyssey, metalcore bands, metalcore music, Music, rare picture discs, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 19, 2009 by Metal Odyssey

I am always keeping a keen Metal eye out for Heavy Metal collectibles. Picture discs of my favorite bands are an irresistible item for me, with their usual low print run and display appeal. Picture discs are vinyl records, they come as either 7″ or 12″ and have graphics and/or images actually printed on the vinyl itself. Sometimes, picture discs can be found that are die-cut as well, making for an even more unique Heavy Metal collectible. Recently, I have been unearthing some of my Heavy Metal picture discs from years/decades passed, while picking up some new picture disc finds as well. I try not to spend a ton of money on these picture discs either, getting a great Metal deal is my long standing goal. One particular picture disc I purchased this past year is a Maria Brink/ In This Moment – Prayers 7″ and it is hand numbered 292/600. That is a very limited print run… just 600 of these picture discs exist! Um, I would lean towards this picture disc being considered rare. This picture disc was originally released in 2007. I bought this fine Maria Brink/In This Moment picture disc at Century Media Records online or CM Distro… for a whopping five dollars. Five dollars!

The two songs on this picture disc are taken from the In This Moment debut album – Beautiful Tragedy. The two songs are: prayers and daddy’s fallen angel.

This is the Maria Brink/In This Moment – Prayers 7″ Picture Disc I Bought Earlier In 2009:

Maria Brink is the lead vocalist for In This Moment, a Metalcore Band that released their U.S. debut album Beautiful Tragedy on March 20, 2007. Maria Brink delivered some of the heaviest vocals I have ever heard from a female lead Metal vocalist, her Death Metal growls caught my attention very quickly on this terrific album. Don’t be fooled however… Maria Brink can sing lights out, make no Metal mistake about it. This album I highly recommend, especially for fans of Metalcore and Metal female vocalists. Honestly, Beautiful Tragedy should pacify any yearning Extreme Metal fan.

The second album from In This Moment, features much more diverse and matured vocals from Maria Brink. A tremendously more commercial path In This Moment took, with The Dream. Released in the U.S. on September 30, 2008, The Dream not only took me by surprise with it’s 180 degree Metal Music turnaround, it is also one of my favorite albums from that year. The Dream in my Metal opinion, is a top ten Heavy Metal album from 2008. Maria Brink delivers harmonious and melodic vocals on The Dream. Her soothing and ultra emotional vocals on The Promise: Into The Light are beyond memorable for me.

You can read a more detailed album review I wrote on The Dream, by clicking here: IN THIS MOMENT – THE DREAM

Maria Brink has an amazing voice and is an extremely talented lyricist, in my Metal opinion. In 2009, In This Moment re-issued an expanded edition of The Dream, with several new bonus tracks. The one new song, (bonus track), that caught my Metal attention the most is the cover song Call Me from the legendary/Rock And Roll Hall Of Fame inductee… Blondie. You can read more details I wrote about this song by clicking the heading below:

IN THIS MOMENT – Covers “Call Me” with Heavy Metal respect

A cool CD single I picked up from In This Moment is titled Prayers. I bought it due to my needing anything and everything that Maria Brink’s vocals are on. Plus, I am a collector of this band, so getting ahold of this CD single for only two bucks is a Metal deal of the century. Yes, this CD single was on the clearance rack at Century Media Records online… CM Distro.

Two other In This Moment CD singles are out there that I do not own, yet I will eventually. They are:

Beautiful Tragedy – released in 2007

Forever – released in 2008

I can’t say enough about the musicianship of the entire In This Moment band… both past and present members. After just two studio albums, this is a Metal Band that can only get even better… and I will be as eager as ever to listen. Maria Brink has already elevated herself to the very top of today’s female Metal vocalists, that is my Metal opinion and I am not bashful to admit it.

If anyone out there knows of any other Maria Brink and/or In This Moment picture discs, imports or CD singles that exist, feel free to comment… it would be appreciated with the highest Metal gratitude.

IRON MAIDEN – “KILLERS” STILL REIGNS AS A KILLER OF A METAL ALBUM

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1981 heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal bands, essential heavy metal albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1981, heavy metal bands, heavy metal bands from england, heavy metal drummers, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, progressive metal, rock music, scary album covers, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 12, 2009 by Metal Odyssey

As decades pass and thousands of Heavy Metal albums are released, there will always be those select titles that are still left standing tall. Iron Maiden Killers is one of those select albums that reigns as a killer for me… 28 years after it’s June 1981, U.S. release. Killers epitomizes Old School Heavy Metal, plus Iron Maiden legitimizes the single word – Metal, as it’s very own sub genre. Whenever I think of “Metal” the first band that comes to my mind is Iron Maiden. I sometimes debate myself senseless, asking why isn’t Iron Maiden my favorite Heavy Metal band of all time? Then, I ease my confusion by just knowing that Iron Maiden is and forever will be a “core” band of mine. Killers essentially was faster and harder than many traditional Heavy Metal albums of it’s time… the great part is that Iron Maiden was just beginning to “touch upon” the progressive side of Metal Music, an attribute they became so legendary for.

Back in 1981, the Thrash Metal movement was the welcomed storm on the horizon… Iron Maiden was the baddest and heaviest outside of just a select group of their peers. Motorhead, Black Sabbath, Judas Priest, Scorpions and Accept come to mind, when deciphering which Metal bands were as hard and heavy as Iron Maiden, back in 1981. Still, outside of Motorhead, Iron Maiden was about speed, the songs on Killers are overall – fast. Exceptions do exist, Prodigal Son is a slower paced Iron Maiden song without a doubt. The tempo being dictated by the acoustic guitars only magnifies the slender tempered sound of Prodigal Son. (Going back to the debut Iron Maiden album, Remember Tomorrow signified the flirtation with somberness that this legendary band would revisit in future albums, Prodigal Son carry’s over this assertion).

Backtracking to the intro of Killers, The Ides Of March, I insist that this was the sign of all Metal things to come on this prolific album. The Ides Of March is heavy, it is melancholy, dark and foreboding… in essence, a Metal prelude or warning if you will, that Iron Maiden was not fabricating or pretending. Twilight Zone is the song from Killers, where I feel Paul Di’Anno is at his giant best, vocally. Certainly, it is my personal opinion, as is the case with this entire article. Genghis Khan is the Metal instrumental that catapulted the musical identity of Iron Maiden, the trademark sound of this soon to be – historic Metal band. My eyeballs still pop open wide, to this very day, each time I listen to Genghis Khan.

When it comes down to musicianship, what honestly can be nit picked here? Iron Maiden as a unit on Killers made layering famous and vogue – basically instigating Progressive Metal from it’s dormancy. I cannot and never will find a fault with this legendary Iron Maiden lineup, Paul Di’Anno was the lead singer for this band in 1981 and a damned great one too… Metal case closed. Even back in the mid 1980’s, I never gave a damn about comparing Paul Di’Anno to Bruce Dickinson… what’s the point? Any seasoned Metalhead knew then and should know now, that these two lead singers are worlds apart with technique and range. In my Metal opinion, one is not better than the other, they are both unique and stylistically genuine. Paul Di’Anno gave the songs on Killers a mysterious tone, his vocals created a fog invading sound scape that bordered on macabre.

Murders In The Rue Morgue is my favorite song on Killers. Again, it’s speed, hard and heavy that this song illuminates. Paul Di’Anno never needed to hit the highest note on the planet to make Murders In The Rue Morgue an Iron Maiden classic, instead his fiery swagger is not just heard vocally, it is felt. Dave Murray and Adrian Smith unleashing their duo guitar leads proved that there was another one-two Metal guitar punch out there… alongside Metal guitar legends Glenn Tipton and K.K. Downing of Judas Priest. Clive Burr on drums was not an enigma, he was THE drummer for Iron Maiden during the most important years of their maturation. And then, there is THE bass guitarist for Iron Maiden. To better accentuate my Metal point here, what Babe Ruth will forever be to the history of baseball, what the Mona Lisa will forever be to the history of fine art portraits, Steve Harris will forever be of equal importance to the history of Heavy Metal and Metal Music. Go ahead, listen or re-listen to Iron Maiden Killers… then listen really closely to the bass guitar playing of Steve Harris, hopefully you might just understand what I mean.

STRYPER – “EXTENDED VERSIONS” IS A LIVE AND ROCKIN’ GOOD TIME CD

Posted in christian heavy metal bands, christian metal, christian rock, classic rock, hair metal music, Hard Rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, metal music, Music, rock music, rock music news with tags , , , , , on November 29, 2009 by Metal Odyssey

I could not resist the urge to buy this Stryper Extended Versions CD, (Sony/BMG). Two reasons I needed this Stryper Extended Versions: it being a live CD, coupled with the fact I was fortunate enough to see Stryper live, back in the ’80’s on their To Hell With The Devil Tour. Yup, I made up my Metal mind a long time ago, that Stryper is my favorite Christian Heavy Metal Band. Let’s face it, Stryper back in the 1980’s were easily part of the Hair Metal invasion as well. I like the accessibility of Stryper’s songs, they are inspiring and motivating for certain, combined with all of the dynamics and elements of 1980’s Heavy Metal. This Extended Versions CD was recorded back on November 11, 2003, at Earthlink Live in Atlanta, Georgia. The release year for this CD was 2006. The overall production of this live CD sits just fine with me. I will admit, after 12 years of Stryper not touring before this concert was recorded, they sound pretty darned good. (Michael Sweet actually remarks about their return after 12 years to the audience, during the opening song Makes Me Wanna Sing).

As with any live album, there are those – as they happen moments, such as Michael Sweet talking to the audience and an over excited crowd of fans shouting, screaming and singing along. Those aspects have always been what I find most refreshing about a live album… especially when the band plays as tight and good as Stryper does here. Free is and always has been a tremendously favorite Stryper song of mine, hearing Michael Sweet sing this song as the audience sings along sends chills up and down my arms. Oz Fox on guitar sounds unreal good in this 2003 concert recording, just as he did when I saw him for myself so many years ago. You Won’t Be Lonely is a great up tempo ballad for my Metal tastes… it makes for a nice fit into this live set list. Calling On You, being one of the more famous Stryper songs ever, has all of the melodic power and harmony as the original studio version, a fantastic song from this band.

Reach Out is a sure-fire crowd sing-along, yet, what Stryper song isn’t? The Way is arguably one of the fastest and heaviest Stryper song on this live Extended Versions, Oz Fox energizes this song with his stealth guitar leads and hot solo. Soldiers Under Command plays out in the same fast and heavy fashion as The Way, a Stryper song that is a necessity in any of their live gigs. Again, Oz Fox stimulates my Metal senses with his guitar brilliance on Soldiers Under Command – oh yeah. Timothy Gaines on bass and backing vocals along with Robert Sweet on drums are the Heavy Metal nuts and bolts that keeps this live album rhythmically astounding. Brent Jeffers is on keyboards and backing vocals, making for a nice addition to this Stryper concert.

Another favorite Stryper classic of mine is To Hell With The Devil, it is song #9 in the set list and it flat out rocks this Extended Versions into a Christian Heavy Metal winner. Stryper plays this song live quite powerfully, based on my remembrance of actually seeing them live and hearing it on this CD. Honestly closes out this Stryper Extended Versions CD. The live version of Honestly is not any heavier than the studio version, this ballad has its rightful place in any Stryper concert. Before this song even begins, Michael Sweet tells the audience, Honestly is the song that took them out of the clubs and put them into the arenas. I will not disagree with Michael Sweet on that evaluation whatsoever.

I bought this Stryper Extended Versions CD over this past Summer of 2009, I’m glad for it. I am also happy to know that Stryper is still around and making their brand of Heavy Metal Music, their new album Murder By Pride is an enormous album of songs. Sometime in the future I will blab about how much I enjoy the newest Stryper album. I am a fan of all Heavy Metal genres, Stryper is and always will be a mainstay band of mine.

MOTORHEAD – “THE ONE TO SING THE BLUES” WAS MY 1991 RECORD CONVENTION FIND

Posted in 1970's heavy metal bands, 1980's heavy metal bands, 1990's heavy metal bands, 1990's heavy metal songs, 1990's heavy metal music, classic hard rock music, classic heavy metal, collecting heavy metal albums, collecting music, collecting rock music, essential heavy metal songs, everyday experiences, feel good stories, hard rock music, Heavy Metal, heavy metal 45 rpm records, heavy metal bands, heavy metal memorabilia, heavy metal music, heavy metal music 1991, heavy metal on vinyl, heavy metal record finds, heavy metal records, metal music, metal odyssey, Music, old school heavy metal, personal stories, rare heavy metal albums, rare vinyl record imports, record conventions, rock & roll, rock and roll, rock music, shopping for rock music, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 26, 2009 by Metal Odyssey

Back in the early Spring of 1991, my girlfriend, (now my wife), and I ventured down to the New Haven Coliseum in New Haven, Connecticut… to frolic through a record convention. Record conventions are the best. I am guilty of not going to enough of these glorious events in my lifetime. Regardless, this record convention was chock full of vinyl, CD’s and all things Rock memorabilia that I could ever wish for. Oh yeah, there was Heavy Metal aplenty at this record convention back then… tons of it. The only parameter I needed to follow at this show was to narrow down my search, (I was not loaded with cash back then and I’m still not). Motorhead was at the top of my search list, going to this record convention. There was quite the choice of Motorhead vinyl, cassettes and CD’s to buy there… I settled on the 7″ vinyl, (45 rpm), The One To Sing The Blues. Even though I can’t remember what I actually paid for this Motorhead record, compared to purchasing a 12″ album import at the time, it was a good deal. Seven dollars keeps coming back to me, as to the purchase price though.

We left that record convention that day with just a couple of purchases. The other purchase I will save for a future post, (it was a cool piece of vinyl as well). I still own this Motorhead 45 rpm, rediscovering it recently as it was hidden away in my collection. Am I psyched that I still have it after 19 years? You betcha. I would safely guess this Motorhead record is kinda rare. The backside cover to this record sleeve has the header – Motorhead On Tour, it lists the U.K. concert dates for February 1991. There are 14 concert dates listed. Also on this backside record sleeve cover, are the complete lyrics to The One To Sing The Blues. Sure, I look back and wish I gobbled up every Motorhead vinyl treasure there was at that record convention, nonetheless, I am content with what I do have. This little record has it’s rightful place in my record collection, it being a Motorhead collectible and finding it with my wife, (then girlfriend), makes for a great memento.

Here is additional info on this Motorhead 45 rpm, The One To Sing The Blues:

Side A: The One To Sing The Blues

Side B: Dead Man’s Hand

* This record being bought in the U.S., is an import… with a Made In The U.K. sticker on the front sleeve of my copy I own.

* The One To Sing The Blues later appears on the Motorhead 1991 album – 1916. The backside record sleeve states this song as: Taken from the forthcoming LP/MC/CD “1916”

* The record label(s) as designated on the backside of the record sleeve and record: WTG Records and Epic

Motorhead, as they appeared on The One To Sing The Blues and Dead Man’s Hand:

Lemmy Kilmister – bass and lead vocals

Wurzel – guitar

Phil Campbell – guitar

Philthy Animal Taylor – drums

BRITNY FOX – 1989 “BOYS IN HEAT” IS A GLAM SLAM OF A HEAVY METAL ALBUM

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1989 heavy metal music, Album Review, collecting heavy metal albums, cool album covers, cover songs, glam metal, glam metal music, Hair Metal, hair metal music, hair metal music genre, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 1989, heavy metal vocalists, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2009 by Metal Odyssey

The 1980’s, here I go again. There were Heavy Metal Bands aplenty to choose from back in the ’80’s, Britny Fox being one. Only thing is, I never bought any Britny Fox albums back then. It wasn’t because I did not like this band, it all came down to choice and what albums would I throw my (little) money at. Now it is 2009, (obviously) and the Britny Fox Boys In Heat CD is blaring it’s Hair Metal glory for me today. Um, I have to thank my best Metal buddy, Scott, for landing me this CD. Thanks dude. Would I have eventually bought this Britny Fox CD or any Britny Fox CD for that matter? The Metal answer is… probably yes. I just don’t know when precisely that would have happened. The same mindset holds true for me today, with so many choices out there and a reality cap of spending. I am in awe at times, realizing how much catching up I have in Heavy Metal listening. Catching up on Heavy Metal albums going back decades is not a bad hobby, I am not complaining. For all Metal intents and purposes, this Britny Fox CD, Boys In Heat, is some decent Hair Metal candy for my ears.

Cutting to the Metal chase here, my favorite song on Boys In Heat is the cover song – Hair of the Dog. With that stated, I do revere the original version of Hair of the Dog by that legendary band known as Nazareth. This cover of Hair of the Dog is not better than the original, however, Britny Fox did a glam slam job of covering it. Not that it matters, yet Britny Fox gets my Metal approval for their version of Hair of the Dog. Throughout this entire Boys In Heat album, the one constant that I notice is… Britny Fox can play. Britny Fox obviously came out with a throng of other Hair Metal Bands back in the mid to late ’80’s, what really sets this album apart from the Hair Metal pack? I always like quality, not quantity. Boys In Heat is a 13 song album that is consistent with quality, both in it’s Metal and vocals.

Long Way From Home has a kickin’ guitar solo, plus the song has more grooves than I can count. Dean Davidson on lead vocals and rhythm guitar, has those vintage Hair Metal pipes. I truly compare his vocals to that of Tom Keifer of Cinderella. Quite frankly, that is not a bad dude to be compared to. Stevie is as rock solid a Hair Metal song as I have ever heard. Shine On is a song that carries the beat non-stop, it is that kind of song I want to crank up extremely loud on my car CD player, with the windows down on a long drive. The melodic drive of each song on Boys In Heat, never ceases from the opening track of In Motion… this album epitomizes Hair Metal heavy. I also liken this album to be a funk buster, if Boys In Heat can’t get me out of a funk I’m in, then nothing will. What’s that? Did someone say feel good? Once again, if Boys In Heat can’t make me feel good, uh, then something is wrong.

Michael Kelly Smith on lead guitar is as cool as they come, his guitar licks are impressive on Boys In Heat. This album does not lack in the powered up lead and solo department, thanks to him. Billy Childs on bass and Johnny Dee on drums, give me every reason in the Metal world, to turn the bass control up to high, while this album is busting out. It is always a great experience to hear an album that is from years past and like it, especially when it is of the Heavy Metal genre. Britny Fox may not have been on my purchase list back in 1989, yet they are on my current playlist today… courtesy of my best Metal buddy Scott and this CD – Boys In Heat.

W.A.S.P. COVERS CHUCK BERRY CLASSIC – “PROMISED LAND” ON “BABYLON” ALBUM

Posted in 1960's rock and roll albums, 1960's vintage rock albums, 1960's rock & roll, 1960's rock music, 1980's heavy metal bands, 1990's heavy metal bands, collecting rock music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, essential rock and roll albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal cover songs, heavy metal music, heavy metal music 2009, heavy metal songs 2009, heavy metal vocalists, independent metal music record labels, metal music, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock & roll, rock & roll hall of fame inductees, rock and roll, rock music, scary album covers, vintage rock and roll songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on November 14, 2009 by Metal Odyssey

Chuck Berry "St. Louis to Liverpool" small album picW.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.

Nothing is overdone with W.A.S.P. covering Promised Land. This is not a cover song that is a filler for this Babylon album. I always feel, that if you are going to cover a Rock and Roll Classic, there better be plenty of emotional integrity with the music and vocals combined. A cover song has to really convey the original song’s essence and fire. Blackie Lawless does live up to my expectations with covering Promised Land vocally, he really sings the lyrics as if he penned them himself. Blackie Lawless sings the lyrics of Promised Land as if he truly was the poor boy, (in this song), traveling across the country to California. To camouflage oneself within a song’s lyrics, to make the song sound so believable as Blackie Lawless does with his vocals, is worth taking a bow. In my Metal opinion, listening to Blackie Lawless sing Promised Land makes me believe that he would have owned an enormous crowd of frenzied Rock and Roll fans back in 1964. This same sentiment goes to the entire W.A.S.P. band here, based on how authentic Promised Land plays out on Babylon. W.A.S.P. would have torn the roof down, (literally), at any given theater that catered to Rock and Roll concerts – back in the early 1960’s.

Anytime a band of any Rock or Heavy Metal genre pays tribute to such an icon such as Chuck Berry, it makes for quite the Rock and Roll history lesson. Younger bands should take notice, saluting a Rock and Roll originator such as Chuck Berry, through a high quality cover song such as W.A.S.P. has done, is of the highest compliment to this Rock and Roll legend. This cover version of Promised Land had me hooked from the opening note, it is the Heavy Metal of W.A.S.P. taking over a soda hop from 1964 and bringing it into 2009.

W.A.S.P. is not the first band in Rock and Roll history to cover Promised Land. This song is too great for it not to have been previously covered. The late and unreal legendary Elvis Presley covered this song, found on his 1975 album Promised Land. Rock icon The Grateful Dead have covered this song, (it was a staple in their live sets), plus other Rock luminaries such as Meat Loaf, James Taylor and Dave Edmunds have covered Promised Land on album too.

W.A.S.P. "Babylon" large album pic #2

DEEP PURPLE – “MACHINE HEAD” A Once In A Lifetime Hard Rock Album

Posted in Album Review, classic hard rock, classic rock, Hard Rock, Heavy Metal, Music, rock albums, rock and roll, rock guitarists, rock music, rock music news with tags , , , , , , , , on November 4, 2009 by Metal Odyssey

Deep Purple "Machine Head" small album picDeep Purple is the Hard Rock band, that deserves so much more respect and attention than what is normally given them. How often are the usual cast of characters brought up in Rock and Hard Rock conversations, articles and televised documentaries; you know the ones and these bands deserve their just due, praise and remembrance. Still, in the midst of Led Zeppelin, The Who, Black Sabbath, The Doors and of course, the Beatles… was Deep Purple. Deep Purple made some momentous and historical Rock Music of their own. Can I confidently say that Deep Purple was a band as commercially big as the other’s just mentioned? Of course no. I will state, that in my Metal opinion, Deep Purple was and always will be considered just as important of a contributor, to the history of Rock and Roll. Consistency in the form of personnel at the lead guitar and lead singer positions are two critical elements missing from the biography of Deep Purple. If this is what sets them apart from ever being inducted into the Rock and Roll Hall of Fame, then that is pathetic foolishness on the part of that Cleveland, Ohio country club. With a mid 1980’s reunion, (1984 Perfect Strangers album), Deep Purple has been intact to this very day, with lineup changes being a normal course of their history.

Onward with my saluting Machine Head, the 1972 album from Deep Purple that I consider to be a once in a lifetime Hard Rock achievement. I mean this in the most sincerest of complimentary form. It is not as if Deep Purple never made a great album before or after Machine Head, it is that this album truly dictated a resonating Hard Rock sound that was absent in the mainstream of the early 1970’s. It’s so cliché to point out this Machine Head album as laying down the foundation for Heavy Metal. Instead, I like to insist on this album’s importance in quality Hard Rock songs, all seven to be exact. How can anyone refute the significance of Smoke On The Water? The ultra classic opening riff in this song from Ritchie Blackmore, is a study in non-technical guitar genius. Compared to today’s competitive and dueling nature of Metal guitarists, a slow down and reflection to some old school Machine Head just might cause an epiphany.

Oh, Ritchie Blackmore has his technical guitar skills without a Metal doubt, only his bluesy Rock roots stood out often enough to fuel the Deep Purple sound that set them apart from their peers. On Highway Star, the bluesy Hard Rock guitar is evident in its gleaming repetition. Space Truckin’ is as thunderous of a Hard Rock song mastering the blues as you will ever hear, I have never heard anything else like it in all the years I’ve been alive. Let’s not forget to applaud the vocals of Ian Gillan, probably the single most underrated lead singer in Hard Rock and Rock history combined. The opening yell, if you will, from Ian Gillan on Highway Star introduced to the world what Bruce Dickinson, (of Iron Maiden) and Geoff Tate, (of Queensryche) would be emulating years later… whether they knew it or not.

While Yes was introducing to the world in the early 70’s a progressive and futuristic sound through the hammond organ and keyboards, Deep Purple gave the reigns to Jon Lord to basically pound out chord sequences that dictated the hardness of their songs. Jon Lord was not looking to amaze anybody, he was looking to Rock your head off. Roger Glover on bass and Ian Paice on drums likewise, their rhythm section steered clear of the doom and gloom sound being raised in its infancy by Black Sabbath and to an extent, Iron Butterfly. Providing the undertow of harmony while establishing the trademark beats that this Machine Head album beheld, Roger Glover and Ian Paice were the Hard Rock glue that held Deep Purple together here.

I could not find it in myself, to proclaim Machine Head as the greatest Heavy Metal album of all time. I anoint Machine Head to be my greatest Hard Rock album of all time, to some it may sound like a consolation prize, instead I see this album as bigger than most music scholars may tend to ponder. I have searched high and low, for many, many, years to find another Hard Rock album filled with as much originality and straight forward Rock musicianship that sounds as dynamic as Machine Head. I am still searching… in the meantime, I declare that Machine Head is a once in a lifetime Hard Rock album.

Track Listing For Machine Head, (original 1972 release/not reissue):

Highway Star

Maybe I’m a Leo

Pictures of Home

Never Before

Smoke on the Water

Lazy

Space Truckin’

Deep Purple "Machine Head" large album pic

HAPPY HALLOWEEN FELLOW HEAVY METAL FANS WORLDWIDE!!

Posted in collecting metal music, creepy album covers, current death metal albums, current death metal music, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal music, essential death metal albums, essential thrash metal albums, extreme metal music, halloween, Heavy Metal, heavy metal album covers, heavy metal music, heavy metal music 2009, Metal, metal music, metal music today, metal odyssey, Music, old school death metal music, old school thrash metal music, thrash metal 2009, thrash metal albums, thrash metal bands, thrash metal legends, thrash metal music, thrash metal today, vintage death metal bands, vintage thrash metal bands with tags , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

HAPPY HALLOWEEN! To all of the visitors both past and present to Metal Odyssey, may this Halloween of 2009 be the spookiest, creepiest and darn right darkest it has ever been in your entire life. Halloween is also a time to celebrate the greatest music that exists… METAL. Pick your Metal genre and blast it louder than HELL this Halloween. So to all of my fellow Metalheads worldwide – horns up!

Obituary "Darkest Day" little album picMetal Odyssey’s Metal Album Recommendation For Your Halloween Listening Enjoyment: OBITUARY – DARKEST DAY – These Death Metal Legends are not fooling around with their June 30th, 2009 release. Darkest Day is without Metal hesitation, one of my top three albums of 2009… spanning all the Metal genres.

 

Slayer small logoPlus, the Grim Reaper wants to warn you all… the brand new SLAYER album World Painted Blood gets released on Tuesday, November 3rd. I am counting down the minutes in my Metal mind to this great moment in Slayer history.

Grim Reaper x-large image!!

U.D.O. – “DOMINATOR” Unleashes Potent Heavy Metal

Posted in 1970's heavy metal music, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal, collecting metal music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from germany, heavy metal music, heavy metal music 2009, heavy metal solo vocalists, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music today, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

U.D.O. "Dominator" small album picU.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.

Listening to Udo sing on Infected, I imagine him atop a high mountain, looking down upon a land of chaos and condemning all to hell. Udo’s vocals are more than steely and mean streaked, they encompass Heavy Metal theater. Cast me off into damnation for having imaginary thoughts while I listen to Heavy Metal Music, that is how my mind reacts and I’m damn proud. Anyone who says they do not create their own mental imagery to music is either a liar or a cyborg. Doom Ride takes the more consistent approach of Old School Heavy Metal, no real blazing guitar licks or profound moments. Still, Doom Ride gets it’s doom message across and that is Metal enough for me. Stillness of Time is a (gulp), U.D.O. ballad. Well, a fast paced ballad it is. Udo has his unique vocals for sure, he pulls me into Stillness of Time, like a glazed over Old School loyalist that I am. Having a piano included into any U.D.O. song is quite the diverse moment and I admire that. Stillness of Time just might be the best kept secret on Dominator.

Devil’s Rendezvous has me itching to get up off my butt and… do some wacky dance. You know, the kind of dance that drunk people do at weddings. Or, the kind of spastic dance that you can only do in the privacy of your own home… with the blinds shut. Quite the Metal surprise is Devil’s Rendezvous, U.D.O. put some fun into this Dominator album. Crap, did I just use the “F” word? This is starting to become a semi-habit of mine… I must be be too happy or something. Speed Demon is the fastest song on Dominator. No, no, no, it is not because the word speed is in the song title. Speed Demon really does crank up the Metal meter a few bars and it kicks. To sum up my Metal feelings on this U.D.O. Dominator album, it rightfully cements all things great about Heavy Metal… Old School Heavy Metal that is. Dominator is a standout Heavy Metal album for 2009, no Metal questions asked. I thank my best Metal buddy Scott for steering me to Dominator… a Metal referral that is incredibly appreciated.

U.D.O. "Dominator" large album pic

LITA FORD – “Wicked Wonderland” Is Naughty And Bad Combined

Posted in 1980's hair metal bands, 1980's heavy metal ballads, 1980's heavy metal bands, 1980's heavy metal music, 1989 heavy metal music, Album Review, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, guitar legends, hair metal music, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , on October 29, 2009 by Metal Odyssey

Lita Ford "Wicked Wonderland" small album picAh, Lita Ford. Reflecting on the 1980’s would not be quite the same without her being in the Heavy Metal world. Lita Ford proved back in those glorious ’80’s that she was more than just eye candy, she really did shred on the guitar for her albums. Plus, Lita Ford’s vocals always had the harmonic, Heavy Metal diva flare happening. Lita Ford even did a very sappy duet with Ozzy Osbourne, Close My Eyes Forever, that I honestly could never stomach back in 1989 and my opinion has not wavered since. Well, it is 2009 and Lita Ford is back, uh, yeah. Wicked Wonderland is her new album, the title really sums it all up quite well. The lyrics throughout this entire album are wicked indeed… with nuances, imagery and flat out references to sex and lust galore. I want to taste your goddess flesh and I penetrate you are two lines taken from the song Indulge… pretty hot stuff if you are a young dude that can’t buy a date for Saturday night. Lita Ford should have known that the majority of her audience buying Wicked Wonderland are the Old School Heavy Metal crowd and we are no longer eighteen and pissed off at our parents anymore.

In the very recent issue of Revolver Magazine, (December 2009), Lita Ford states that “There’s no law that says just because you grow up, you have to stop being naughty”. Oh, it gets better… “The album is pretty much based on our home life”. Lita, Lita, oh, Lita Ford. I will interject here by saying – and this is my quote here – there is a Metal law that says just because you grow up, YOU HAVE TO STOP making annoying music. Plus, it is NOT a turn on for me, to know what goes on in your bedroom. Ew. Now, this is coming from a middle aged Metalhead who is extremely open minded to all Metal Music that has ever existed, plus I kinda like to keep the intimacy that occurs in my home, with my wife, a secret. That is the REAL turn on for me. Sure, there will be a crowd out there that wants to know what Lita Ford does in her, um, spare time, I am not one of them.

To actually listen to all fifteen songs on Wicked Wonderland was like listening to a once glorified Heavy Metal star just pushing out tunes because she’s famous and she can. It appears that Lita Ford’s husband Jim Gillette lends his background vocals throughout Wicked Wonderland. Man, this guy sounds not just creepy, he is a major league part of the ANNOYING FACTOR that this album illuminates. Ugh. I guess Jim Gillette used to be the lead vocalist for some band called… Nitro. Nitro? Does not ring a Metal bell for me. Let me put this in perspective here… Bed is the worst song I have ever listened to in my life. Wicked Wonderland is without question, the worst “Heavy Metal” album that I have bought since, well, since ever. “Tie me to the bed”… these lyrics alongside some of the most bothersome guitar you will ever listen to, throw in the constant ANNOYING keyboards and you have the epitome of BAD.

Is there at least one song on Wicked Wonderland that is at least… tolerable? Uh, let’s see… maybe Scream 4 Me is a bit groovy. Metal truth be told, if Lita Ford created more songs like Scream 4 Me on this album, it would have been a more credible project in the end. It is extremely rare for me to put any album or band through the Metal wringer on Metal Odyssey. Really, it has to be a monumental bad listening experience in Heavy Metal for me to bark this fierce. After listening to Wicked Wonderland twice, I felt an obligation to the Metal world to give my fair warning regarding this Lita Ford album, uh, disaster. In the end, Wicked Wonderland makes for a decent comedy album, the ending song is Push. Uh, yeah, there is sexual innuendo stacked up to the ceiling on Push. Weeeeeeeeeee! I’m selling my Wicked Sensation CD first thing Thursday morning to the used CD dealer, (I hope he buys it). Sometimes immaturity is best expressed through song, yet to combine it with lack of integrity as Lita Ford did with Wicked Wonderland is simply astonishing.

To my best Metal buddy Scott… I should have heeded your warning about this album, Metal lesson learned.

Lita Ford "Wicked Wonderland" large album pic

My Least Favorite Ozzy Osbourne Song Ever Is…

Posted in 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, classic heavy metal, classic heavy metal albums, classic rock music, cool album covers, creepy album covers, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal guitarists, heavy metal music, heavy metal music 1983, heavy metal solo vocalists, heavy metal songs 1983, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, rock music, scary album covers, spooky metal album covers, vintage heavy metal albums, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2009 by Metal Odyssey

MetalOdysseyOzzy Osbourne, the Heavy Metal Prince of Darkness. Ozzy Osbourne – Rock and Roll Hall of Fame inductee with Black Sabbath. Honestly, I revere the living hell out of this Heavy Metal legend. I did get to see Ozzy Osbourne live in concert twice during my lifetime. For me, those two concerts were unbelievable, with Metallica opening up for Ozzy in New Haven Connecticut, (at the spooky New Haven Coliseum) – it was The Ultimate Sin Tour for Ozzy and Metallica was promoting their legendary Master of Puppets album. The other Ozzy concert I saw had Queensryche open for Ozzy in Springfield, Massachusetts, (at the Springfield Civic Center), on this same Ultimate Sin Tour. Alright, so it is obvious I think the Metal world of Ozzy Osbourne… fine. However, by process of elimination, there has to be my least favorite Ozzy Osbourne song out there and there is one. I do not think much of the song, uh, ballad So Tired from Ozzy’s Bark At The Moon album. This song, ugh, ballad is responsible for my distaste of most Heavy Metal ballads ever released since, by any band. This album was released on December 10, 1983. Don’t get me wrong here, the Bark At The Moon album as a whole, is unreal good. Three songs on this album are incredible for me… Rock ‘n’ Roll Rebel, You’re No Different and of course – Bark At The Moon. These three Ozzy songs I can hold up on a Metal pedestal forever. Plus, Jake E. Lee on guitar is a Metal bonus to listen to.

So Tired is a song that in my Metal opinion, is overwhelmingly dull and depressing and does absolutely nothing but annoy me beyond belief. Who exactly is supposed to be so tired in this song? Is it Ozzy himself? Someone that Ozzy knows? I really do not care in the darn least who is tired. I get tired too, yet I never whine about it like Ozzy did in this song. Sure, maybe the tired theme was about waiting around for a love lost… who cares. So Tired is a perfect example of what happens when a Heavy Metal icon decides to go the Pop and Bubble Gum Music route with a song. Sappy city is open for tourists with So Tired. Get out the kleenex, So Tired is now playing… sniffle, sniffle, I am so moved. The orchestration in this song only annoys me more.

To me, So Tired just never seemed to fit in with the Bark At The Moon album. So Tired is a downer in the midst of some riveting Heavy Metal songs, a huge let down, like the depressed dude at a party trying to bring everyone else down with him. The video for So Tired, (which was on MTV too often back in the day), was so ridiculous that even I felt embarrassed for Ozzy. When the Bark At The Moon album was reissued, So Tired should have been omitted from the track list… it is that lousy – for me. In my Metal opinion, So Tired is the lowest moment of Ozzy Osbournes unparalleled and ultra legendary Heavy Metal career.

Ozzy Osbourne "Bark At The Moon" Large album picture

RAVAGE – “The End Of Tomorrow” – A Monster Of A Heavy Metal Album

Posted in Album Review, classic heavy metal, classic heavy metal albums, classic metal, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, cover songs, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, essential heavy metal songs, essential metal music albums, halloween songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from boston, heavy metal cover songs, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal music today, metal odyssey, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, speed metal, spooky album covers, spooky metal album covers, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2009 by Metal Odyssey

Ravage - Banner group photo  2009

Ravage is a Heavy Metal Band from Boston, (actually Malden), Massachusetts and is hell bent on keeping Classic Metal Music alive, loud and damn proud. Every song on this second album from Ravage, The End Of Tomorrow, (their Metal Blade Records debut, released on August 18, 2009), is writhing with Old School Heavy Metal influence. Ravage does a credible job at flexing their Metal muscles on each song, heavy, hard and speed are irreversible elements that dominate The End Of Tomorrow. No where is the Old School Heavy Metal influence more evident than in the cover of the Judas Priest classic – Nightcrawler. Ravage shows Judas Priest their deserved Metal respect by not ripping Nightcrawler to pieces with any unnecessary fills or excessiveness. A fabulous cover Ravage does with this song, Nightcrawler is a genius choice to add to their track list on this album, based on it’s creepy and dark theme.

I have found that, the more I listen to The End Of Tomorrow, the more I am being convinced that this album was released back around 1985. Alas, that is not such the Metal case… Ravage brings forth to 2009 the Heavy Metal song structures and ambiance of what I have come to expect from vintage Metal Church and early Judas Priest and Armored Saint albums, to name just a few Old Schoolers. After each listen to this album, it is very obvious that the members of Ravage have done their Classic Heavy Metal homework. Knowing and creating all of the heavy nuances of their influences only catapults quality and integrity, on an upmost consistent level throughout The End Of Tomorrow. The Halls Of Madness not only has a vintage Metal title, it also is quite the convincing Heavy Metal instrumental intro that brings back memories of early Helloween and Savatage, for me. There really is not a scapegoat song to point out on The End Of Tomorrow, all twelve songs have their own distinctive Metal bite, an album that I can hit play and let the Heavy Metal assault take it’s natural course. Excuse me for a Metal second as I proclaim The End Of Tomorrow as being a top favorite Heavy Metal album for me in 2009, in my Metal opinion. Ravage can play Heavy Metal… their original brand too… I would not tell a Metal lie.

Ravage "The End Of Tomorrow" tiny picReign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.

My other favorite songs on this album are: The Grapes Of Wrath, which takes a Heavy Metal swipe at all the idiot talking heads on television, these plastic morons get called out on the Metal carpet by Al Ravage here rather eloquently. Plus, The Grapes Of Wrath is authentically memorable for my Metal mind, I just cannot shake this song out of my senses. The Shredder is another manifestation of early Judas Priest influence, only it takes on it’s own Ravage originality… reminding me of the Judas Priest classic – The Ripper, only The Shredder is absolutely not a knock off or copy cat by any means. The End Of Tomorrow is one powerful way to conclude this album, fittingly the title song… lyrically doom laden, the end result is a reality check on the life we are leading and living now. The End Of Tomorrow has a Power Metal approach that echos of great Heavy Metal triumphs to come in the future for this killer “new” band they call Ravage.

Ravage, as they appear on The End Of Tomorrow:

Al Ravage on lead vocals

Eli Firicano on lead and rhythm guitars

Nick Izzo on lead and rhythm guitars

G.T.B. on drums

Howie Snow on bass

Track Listing for The End Of Tomorrow:

The Halls Of Madness

Reign Fall

Freedom Fighter

Damn Nation

The Shredder

Into The Shackles

In Shattered Dreams

The Nightmare’s Hold: Part One

Nightcrawler

The Nightmare’s Hold: Part Two

Grapes Of Wrath

The End Of Tomorrow

C’mon, is this album cover OLD SCHOOL HEAVY METAL or what? Not only does the Heavy Metal of Ravage stand on it’s own, (they could have issued a plain blue cover and that would not change the quality of Metal songs heard inside one bit), yet man, this is cool throwback artwork happening here. I cry out a huge Metal bravo! – to artist Edward J. Repka for creating a REAL Heavy Metal album cover for Ravage.

Ravage - "The End Of Tomorrow" x-large pic

How I Discovered Motorhead And My Favorite Motorhead Song Ever

Posted in 1970's classic rock bands, 1970's hard rock bands, 1970's heavy metal music, 1980's heavy metal albums, 1980's rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's metal bands, 1990's rock music, classic heavy metal, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock bands, classic rock music, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, current heavy metal bands, essential heavy metal albums, essential heavy metal songs, feel good stories, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal albums 1984, heavy metal memorabilia, heavy metal music, heavy metal music 1984, heavy metal on vinyl, heavy metal vocalists, Metal, metal odyssey, Motorhead, Music, old school heavy metal, rock & roll, rock and roll, rock music, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2009 by Metal Odyssey

Motorhead "No Remorse" small album picMotorhead is and always will be a core favorite Heavy Metal Band of mine, (a top 3 band without a doubt). I was first introduced to this prolific band back around 1983, a friend of mine in high school gave me an 8-track of a live Motorhead bootleg. (This dudes name was Rich, I am glad we had crossed paths back then). The sound was enormously awful, (the actual 8-track didn’t help), the lead vocals were beyond raspy and unclear and the Heavy Metal Music being played was raw, uncommercial and unlike anything I had ever heard before in my young life. I loved it. I was beyond thrilled at listening to this Motorhead 8-track. I was enamored by every unpolished intricacy that my rookie Metalhead ears heard. Here is this band, on a beat up 8-track, recorded as a live bootleg somewhere far away in the world, that only a dozen or so dudes in my high school even knew about at that time in 1983. All  that was written on the blank white sticker on this 8-track was a barely legible – Motorhead Live. I’ll never forget that… an Old School Metal memory at it’s most innocent. I was awe struck by the unnatural vocals of Lemmy Kilmister and his bass was over powering to boot. Gimme some more Motorhead is what I said.

I wound up buying the Iron Fist album by Motorhead first, (on vinyl of course). This Iron Fist album was released on April 17, 1982, I bought it sometime in 1983… owning a real Motorhead album became a dire Metal necessity then, I needed to get the Metal ball rolling in starting my Motorhead collection. Not having too much money as a teenager, I did not make another Motorhead album purchase until the double album No Remorse was released – which was September 15, 1984. (I can’t recall if I actually bought No Remorse on it’s release date, who would care now? I do remember that I bought it right away though!). Buying No Remorse heightened my awareness, attitude and respect for Metal Music in 1984 – I now had a legitimate greatest hits of Motorhead in my possession. My favorite Motorhead song ever, is on No Remorse, it actually was a brand new song added to this greatest hits track list at the time. Killed By Death. An unreal and damn incredible Metal song for me then… still is now in 2009.

Motorhead "No Remorse" small album picWhen I listen to Killed By Death today, it is like I am hearing it for the very first time again. I cannot figure that out, why bother? All I know is what this song does for me, it gets me extremely pumped up and motivated beyond Metal belief. The Heavy Metal and Roll vibe and groove that Killed By Death bestows is unlike any Motorhead song pre-1984. I was so fascinated back in 1984, while holding the double album jacket, staring at the front cover artwork of Snaggletooth, a.k.a. War-Pig and having my ears being ignited by Motorhead Metal. It felt like my little teenage world was made into a more tolerable place to exist in, with the Heavy Metal of Motorhead being at the ready for me to escape in. I could never forget just how much this No Remorse album of greatest hits means to me still, especially the song Killed By Death. Yes, I still have this No Remorse album, this double album is like Metal gold to me. I have kept it in pristine condition since September of 1984, this album is one of the fortunate ones that never was traded, sold, lost or given away by me.

I bought No Remorse at the no longer existing – Strawberries Records & Tapes. I even begged, bribed and pestered the Strawberries manager for months, to give me the Motorhead No Remorse promotional poster that hung on the store wall. (Back then, large record stores had class, they would actually give away any and all promotional posters for free, that is correct… for free). This Strawberries manager turned out to be a Metal hero for me… upon one of my extremely many trips there, he saw me enter the store and informed me the No Remorse promo poster was mine. That’s one cool memory – simple, innocent and Metal. This Motorhead No Remorse promo poster was hung up on my college dorm wall at Central Connecticut State University and survived. (I don’t know how it survived either). This same poster now adorns my basement wall… surrounded by many, many other Metal posters. However, this Motorhead No Remorse promo poster will forever remain as the Metal epicenter of my Rocked out basement, while the No Remorse album will remain as an integral reason as to why I revere Motorhead and Metal Music in the first place.

*My original copy of this Motorhead No Remorse – double album, depicts the same artwork on the front cover, however, the graphics Motorhead No Remorse are in deep red type.

Motorhead "No Remorse" large album pic

CROWBAR “Sonic Excess In It’s Purest Form” – Sludge Metal At It’s Finest

Posted in 1990's doom metal bands, 1990's heavy metal albums, 1990's metal bands, 1990's sludge metal albums, 1990's sludge metal bands, 1990's heavy metal music, Album Review, collecting metal music, cool album covers, doom metal albums, doom metal bands this decade, doom metal music, essential metal music albums, essential sludge metal albums, extreme metal music, Heavy Metal, heavy metal album covers, metal music, metal music albums, metal odyssey, Metal Reviews, Music, new orleans metal bands, new orleans metal music, sludge metal albums, sludge metal albums this decade, sludge metal bands, sludge metal bands this decade, sludge metal guitarists, sludge metal music 2001, sludge metal vocalists with tags , , , , , , , , , , , , , , , , , , , , , , on October 17, 2009 by Metal Odyssey

Crowbar - "Sonic Excess" small album picCrowbar was my Metal band of choice today. Sludge Metal with a healthy slice of Doom Metal at it’s very best is Crowbar. I gave another listen to Sonic Excess In It’s Purest Form and have walked away with the same Metal satisfaction as always – ultra Sludge Metal satisfaction that is. The slow trudging and heavy duty guitar riffs combined with the slow paced rhythm section, makes me scream in Metal glee that Crowbar has taken Old School Heavy Metal to a more dark and doom ridden place. The lyrics heard in the songs on Sonic Excess In It’s Purest Form are gloomy, mournful and visits the realms of self suffering, doubt and infliction. Well, that is what Doom Metal delves into, topics too touchy for the faint at heart mainstream. These lyrics explore what it must feel like when one is truly suffering from extreme mental anguish. Now, if you are to look past the psychologically driven lyrics, the Metal Music is an ear crushing experience and/or escape that seems to come at me from all sides. Crowbar plays their Sludge Metal like it surrounds me, repeatedly encircling my space like a slow marching invasion of Metal giants from a far away and spooky place. Cool.

Kirk Windstein on guitar and vocals is in my Metal opinion, a true non-glamorized hero of Metal. Kirk Windstein does not need any damn red carpet to walk down on… his blue collar Metal ethic is too good for that crap. Besides, hearing is believing, listening to Kirk play guitar is dark, creeping and heavy – a wonderland of gray clouds amidst a stormy sky over a bayou. His vocals are dominant and angry enough to be considered Hardcore, the enormity of emotions that are heard when he bellows out the lyrics are mesmerizing. Plus, Kirk Windstein is one hell of a riff enthusiast, he must have millions of dark and scary riffs recorded in his mind that are still waiting to be let out. There is nothing plastic about Crowbar, no artificial ingredients to be heard on this album. Unreal. All eleven songs on Sonic Excess In It’s Purest Form are a journey into the Doom and Sludge Metal world of Crowbar, a journey I find worth repeating. Hey, it is like the melancholy movie that grips you, a mood intense book that you don’t mind reading again and again… each time you catch onto something that you may have missed before.

* Sonic Excess In It’s Purest Form was released on August 21, 2001 on Spitfire Records.

Crowbar are they appeared on Sonic Excess In It’s Purest Form:

Kirk Windstein on guitar and vocals

Sammy Pierre Duet on guitar

Jeff  (Okie) Okoneski on bass

Tony Costanza on drums

Sonic Excess In It’s Purest Form Track Listing:

The Lasting Dose

To Build a Mountain

Thru the Ashes (I’ve Watched You Burn)

Awakening

Repulsive In It’s Spendid Beauty

Counting Daze

In Times of Sorrow

It Pours From Me

Suffering Brings Wisdom

Failure to Delay Gratifacation

Empty Room

Crowbar "Sonic Excess"  large album pic

SKELETONWITCH – “Breathing the Fire” Set My Metal World Ablaze

Posted in Album Review, Black Metal, black metal 2009, black metal albums 2009, collecting heavy metal albums, cool album covers, creepy album covers, current black metal albums, current black metal music, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, Death Metal, death metal 2009, death metal guitarists, death metal music, death metal vocalists, essential death metal albums, essential heavy metal albums, essential metal music albums, essential thrash metal albums, Extreme Metal, extreme metal bands, extreme metal music, extreme metal music albums, extreme music, Heavy Metal, heavy metal album covers, heavy metal albums 2009, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, melodic death metal albums, melodic death metal music, Metal, metal music, metal music today, metal odyssey, Metal Reviews, Music, new thrash metal albums, scary album covers, scary rock music songs, spooky album covers, spooky metal album covers, thrash metal 2009, thrash metal music, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 14, 2009 by Metal Odyssey

Skeletonwitch "Breathing The Fire" small album picSKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.

Skeletonwitch brings forth the Thrash Metal attack combined with Old School Speed Metal, adding Death Metal and Black Metal influences just for great Metal measure. With all of these incredible Metal genres explored here, Skeletonwitch is a Metal band that I cannot pigeonhole into one genre. That is fine with me, I am sure Skeletonwitch could care in the least as well… Metal is… Metal. Breathing the Fire is one incredible Metal album to look back upon for 2009, it is like the late season, supercharged and extreme power blast of Metal Music that has set my Metal world ablaze. I always say, that with Metal bands like this, it makes me feel confident knowing that the flag for Metal will be waving high for years to come. Chance Garnette on lead vocals is as mean and talented as I could hope for – his dual Death Metal growls and Black Metal screams are what this music is about. Anyone familiar with Extreme Metal should agree, that this style of Metal was not meant for crooning out the ballads. Chance Garnette gets my Metal horns with thunderous praise. In my Metal opinion, Skeletonwitch can play, it’s not the easiest task to make an album of this Metal genre sound like a standout.

The guitar leads, dual leads and solos have a melodic, Old School – Speed Metal appeal, while never taking away from the overall dark mood of any of the songs. The rhythm section holds everything together like a vice and these songs grip my Metal psyche with pure Metal domination. I once read a professionally paid Rock critic write – melodic and heavy do not coexist… uh, they do. The Metal proof is in actually listening to Skeletonwitch and Breathing the Fire… the rest is Extreme and at times, melodic Metal candy for your ears. To extract each song and dissect it here would be nonsense, the overall themes to know are that these songs are about death and submitting to evil. ‘Nuff said. Ah, Metal. I will state, Blinding Black Rage is as horrific, evil and nightmarish of a song lyrically that I have ever heard. Ah, Metal… Extreme Metal, I love this stuff. This is the new generation of Extreme Metal, take it or leave it… I’m taking it. If you are looking for the current Metal that is happening now, take my advice and give Skeletonwitch – Breathing the Fire a thorough listen… it served me right.

Skeletonwitch as they appear on Breathing the Fire:

Nate “N8 Feet Under” Garnette – guitars

Chance Garnette – lead vocals

Derrick “Mullet Chad” Nau – drums

Scott “Scunty D.” Hedrick – guitars

Evan “Loosh” Linger – bass

Track Listing For Breathing the Fire:

Submit to the Suffering

Longing for Domination

Where the Light has Failed

Released from the Catacombs

Stand Fight and Die

The Despoiler of Human Life

Crushed Beyond Dust

Blinding Black Rage

Gorge Upon My Soul

Repulsive Salvation

Strangled by Unseen Hands

… And into the Flame

Skeletonwitch "Breathing The Fire" large album pic

KISS “KLASSICS” – ROCKS HARDER THAN EVER!

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's hard rock, 1970's heavy metal, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's heavy metal hits, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's classic rock songs, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's rock bands, 1990's classic rock music, 1990's heavy metal bands, 1990's rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal, classic rock, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, collecting classic rock, collecting heavy metal albums, collecting rock music, cool album covers, current heavy metal albums, current heavy metal music, essential classic rock albums, essential classic rock songs, essential heavy metal albums, essential heavy metal songs, guitar legends, hard rock album review, hard rock music, hard rock music 2009, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock and roll, rock music, vintage hard rock bands, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 10, 2009 by Metal Odyssey

The second studio CD packaged inside the new KISS –  Sonic Boom is KISS Klassics. I am not holding back on this – Whoa. Whoa does KISS rock harder than ever on these re-recorded KISS “greatest hits” – (oops), Klassics that is. I slapped in the Klassics CD, preparing to hear some subtle differences in these re-recorded songs, instead I opened up my mind and ears to a can of KISS whoop ass! Metal be damned, Tommy Thayer can play his Metal heart out – Black Diamond is unreal heavy and good. After just one listen to Lick It Up and I was re-enrolled into KISS Rock and Roll 101 – all over again. Lick It Up has a ton more KISS attitude now, (sounds unreal, understand it is holy crap good). Harder, heavier, with heaping Metal waves of relevance crashing all around is this KISS Klassics. For many KISS fans, Animalize was an album that, well, was very much a commercial Hair Metal phase for this band. Let KISS introduce you to their re-recorded – 2009 version of Heaven’s On Fire… I really, really, really, like this song a Metal ton now.

In my most honest Metal opinion, Paul Stanley sings like he has been reincarnated into his 1977 body. Gene Simmons vocally sounds like a man who has been reborn himself. Metal be my witness, this KISS Klassics has done to me, what it was probably intended to do by KISS in the first place… realize that this band is age defying and generation fusing and yes, damn great at playing these songs that are decades old. The last thing I want to sound here is as a biased, middle aged KISS fan… hell, if KISS was to have dropped the Metal ball on this one, I would be the first one screaming NO! What once was old is new again, for Metal sakes, KISS is new again! There are subtle differences in guitar leads, solo’s, riffs, yet Tommy Thayer plays each and every song like a Metal pro. Ace Frehley is legend, no question, yet Tommy Thayer has taken these songs from the master and has put his very own KISS signature on them. Eric Singer is just an excellent drummer period. His years with KISS alone, has established his icon status for me.

Back to more of these Klassics… I Was Made For Lovin’ You still holds that melodic extremity to it that some misguided folks confused with – disco. I will fight till the end of Metal time and refute any damn comparison of this song to disco. Hotter Than Hell is just that… this 2009 version has given me a brand new, psyche me out song to crank up LOUD. I Love It Loud is cool, yet this re-recorded version does not beat out the original, thank you very Metal much. Don’t get me wrong now, I will still raise my Metal fist in the air to this 2009 version of I Love It Loud – hell yeah. Christine Sixteen has always been a genius of a KISS song, Gene Simmons gives it a robust Metal boost in this 2009 recording, his vocals this time around has re-energized this Klassic. I always get a Metal kick out of the piano intro to Christine Sixteen. What would a KISS Klassics be without Rock And Roll All Nite? It is here on this Klassics CD, more emboldened by KISS than ever before. Forever is the lone KISS ballad to be found on Klassics… since I belong to the KISS Army, I will listen to this ballad. Forever is a good song, Paul Stanley and KISS bring it back for this Klassics curtain call for that same reason. There are throngs of fans who emotionally relate to this KISS song, heck, that is what ballads do.

In closing Metal summary, if you are a KISS fan, (no matter for how long), you NEED to buy Sonic Boom with this KISS Klassics included. The time to re-enlist into the KISS Army is NOW. If you never have been a fan of KISS, do not buy Sonic Boom with KISS Klassics… hell, the KISS Army is looking for Rock and Roll warriors anyway – so critics can stay away.

Track Listing For KISS Klassics:

* Deuce

* Detroit Rock City

* Shout It Out Loud

* Hotter Than Hell

* Calling Dr. Love

* Love Gun

* I Was Made For Lovin’ You

* Heaven’s On Fire

* Lick It Up

* I Love It Loud

* Forever

* Christine Sixteen

* Do You Love Me

* Black Diamond

* Rock And Roll All Nite

KISS "Sonic Boom" x-large album pic 2009

My Favorite KISS Song From “SONIC BOOM” Is…

Posted in 1970's classic rock music, 1970's heavy metal, 1970's heavy metal music, 1970's rock music, 1980's classic rock bands, 1980's heavy metal albums, 1980's classic rock music, 1980's heavy metal bands, 1990's heavy metal bands, 1990's heavy metal music, Album Review, classic heavy metal, classic heavy metal albums, classic rock albums, classic rock music, collecting rock music, cool album covers, current heavy metal albums, current heavy metal music, essential heavy metal albums, essential heavy metal songs, Hard Rock, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal odyssey, Music, old school heavy metal, rock and roll, rock music, vintage hard rock bands, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , on October 7, 2009 by Metal Odyssey

I’m on a KISS high right now, thank you very Metal much. Sonic Boom is a tremendous album from the legendary KISS. Anyone who slams KISS and Sonic Boom either has never liked KISS to begin with or they are extremely constipated or they just don’t get it at all.  Sonic Boom is rooted with a Classic KISS sound from the 1970’s… I don’t hear any influence from the KISS Asylum or Animalize albums from the roaring ’80’s – nope. This is one hell of a legitimate album of Heavy Metal songs from KISS. Tommy Thayer is unreal good on lead guitar, (I didn’t expect anything less), Gene Simmons sounds great on bass and vocals and Eric Singer is his usual outstanding self on drums. Onward with my favorite song from Sonic Boom – Never Enough. I always liked Paul Stanley’s vocals the best, (my personal preference), plus this song’s lyrics are upbeat as hell. Paul Stanley f***n nails it down on vocals with this song. Never Enough psyches me out of my Metal mind and that serves me right. I listened to this song at least six times before I continued forward through Sonic Boom… holy Metal crap is this song great. The whole Sonic Boom album is great. I am such a happy KISS fan right now, I am farting rose scented happy faces all over the place. Long live KISS Rock and Roll!

KISS "Sonic Boom" x-large album pic 2009

MY SUPER WALMART FINALLY PUT OUT KISS “SONIC BOOM” TODAY, OCTOBER 6, 2009

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's rock music, 1980's classic rock bands, 1980's heavy metal bands, 1990's heavy metal bands, classic hard rock, classic heavy metal, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, collecting classic rock, collecting heavy metal albums, collecting music, collecting rock music, cool album covers, current hard rock albums, current heavy metal albums, essential hard rock albums, essential heavy metal albums, hard rock music, hard rock music 2009, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, metal odyssey, Music, old school hard rock, old school heavy metal, rock and roll, rock music, vintage heavy metal albums, vintage heavy metal bands, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 7, 2009 by Metal Odyssey

MetalOdysseyIt’s always great to vent. Vent I did in my last post – where I needed over 1,100 words to express my disappointment in not being able to purchase the new KISS CD – Sonic Boom at my local Super Walmart on October 6, 2009, (the release date for it). Just as I hoped for and predicted, at 4:00 p.m. EST, I entered the Trexlertown, Pennsylvania, Super Walmart and took hold of my very own copy of Sonic Boom. (Phew). I can now say I bought this new KISS CD on it’s release date… yes, it means something to me. I have my core Heavy Metal and Hard Rock Bands that I have followed for decades, when they release a new album I try my very best to buy it on the release day. Metal case closed. I went to this Super Walmart twice during the morning of October 6, (the release date), my last visit was at 9;30 a.m. EST, as I left empty handed. I will say this much… the packaging for this Sonic Boom CD is INCREDIBLE!  Once I get to crank up Sonic Boom for a couple of listens, I will post my Metal jubilation. Here are some quick tidbits about my Sonic Boom shopping experience at Super Walmart, plus other related notes:

* I give credit where credit is due – Sonic Boom, is being sold (exclusively) at Walmart for a cool $12! The credit is the price of $12 – not the “exclusive” part.

* As a 3 disc set, Sonic Boom is: disc 1 – is 11 new KISS songs! disc 2 – is 15 KISS Klassics! (re-recorded with the current KISS lineup and disc 3 – is a DVD of KISS live in Buenos Aires! Not too shabby for $12!

* The Sonic Boom digipak opens up four times across – 4 panels! With each KISS member having his own image on a panel. Cool.

* The liner notes are a Metal kick! 20 pages of complete lyrics! A center photo spread of the entire KISS Band! Facsimile autographs of each KISS member are on the center spread photo as well. (They aren’t real autographs just to make it very clear). Cool enough for me. These liner notes are like a Sonic Boom mini-book.

* There is a KISS KORNER after all! (It did not exist at my Super Walmart the morning of October 6th). My daughters actually found it… up in front of the store, just in front of one register lane. It is not as big as I anticipated, still it is cool enough for me. You can buy a complete set of KISS cards, (33 card set), that are inside a very cool box. I bought the Gene Simmons box version… it has the classic Gene Simmons “The Demon” face all over it. There are also some crazy looking KISS character dolls, blankets and tee shirts too. The blankets and tee shirts have the Sonic Boom album cover artwork all over them! I was unfortunately pressed for time on my third trip to Super Walmart today, therefore on my next visit there I will inspect the KISS KORNER thoroughly, making certain I know of every little KISS goodie that is available to buy.

* The Sonic Boom CD was in the front rack of the CD aisle – filed under new releases. Sonic Boom also was found in the area of CD’s which housed the re-issued Beatles CD’s for the last couple of weeks. Sorry, Beatles. (And I do revere the Beatles). Again, this was not the case at this Super Walmart on my first two trips there that morning. No Sonic Boom CD’s were in sight between 8:00 and 9:30 a.m. EST.

* Another credit goes to Walmart – you can buy KISS CD’s from their 1970’s catalog for – $5!!! You read that right… five bucks man! I did not see or find any 1980’s KISS CD’s for this price. That is cool, for the CD’s priced at $5 that I did see were: Dressed To Kill, Hotter Than Hell and Rock and Roll Over. These KISS CD’s might have been the first batch or whatever to get into this Super Walmart, the selection hopefully will grow into the whole catalog of KISS CD’s. Again, these were the only KISS CD’s that I for certain identified and were there for $5.

Am I still upset with Super Walmart for not having Sonic Boom stocked at 8:00 and then 9:30 a.m. EST – the morning of it’s release? You bet I am. This is not the first time I have gone to this Super Walmart on a new release Tuesday… several times in the past few years I have had to make a return trip later in the day, (or go to Best Buy, Target or f.y.e. instead), to get a newly released CD that I wanted to initially buy at Super Walmart. This instance where it involved the new KISS Sonic Boom, well, it just was the Metal straw that broke the donkey’s back for me. The service or vendor that Walmart uses to stock their CD’s should be held accountable for failing to get new releases on the shelves before the doors open to the public. I still hope Gene Simmons would somehow get wind of this blunder that has occurred at Super Walmart in Trexlertown, Pennsylvania… it’s the fans that get screwed out of enjoying Sonic Boom for the whole first day of it’s release like I did.  I guess you just can’t get between, (or mess with), a middle aged, (male), Metalhead and his adoration and loyalty to KISS.

KISS "Sonic Boom" x-large album pic 2009

MY SUPER WALMART HAS NOT PUT OUT KISS “SONIC BOOM” AS OF 9:30 A.M. EST ON IT’S RELEASE DATE!

Posted in 1970's classic rock bands, 1970's heavy metal, 1970's heavy metal music, 1970's rock music, 1980's classic rock bands, 1980's classic rock, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, bad shopping experiences, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal, classic rock, classic rock bands, classic rock music, collecting classic rock, collecting music, collecting rock music, common complaints, corporate greed, current heavy metal albums, essential heavy metal albums, Heavy Metal, heavy metal albums, heavy metal albums 2009, heavy metal music, heavy metal music 2009, heavy metal music shopping, metal odyssey, Music, new heavy metal album, old school heavy metal, personal list of complaints, rock and roll, rock music, rural pennsylvania, shopping for music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 6, 2009 by Metal Odyssey

MetalOdysseyWay to go Super Walmart. With all of the hoopla leading up to the new KISS album in well over a decade, throw in an “Only at Walmart” exclusive for this KISS album, then… do NOT HAVE Sonic Boom out on the shelves for sale at 8:00 a.m. EST, on it’s release date of October 6, 2009!! I went to the Super Walmart located in Trexlertown, Pennsylvania, first thing at 8:00 a.m. EST this morning… with my twin daughters who were very excited about getting the new KISS CD with their daddy. The disappointment was even greater for them, for they love KISS and wanted to hear a few new songs before they went to school. To make matters even more somber, Sonic Boom was playing extremely loud in the CD/electronics department at this Super Walmart too… obviously a Super Walmart employee had a copy of it – forget about the customers!! I thought for certain, my daughters as well, that by hearing the new KISS being played, that there would have been the great KISS KORNER awaiting us – no such luck. Why advertise a release date and then not honor it? Why advertise a KISS KORNER and then not have one? Oh, Super Walmart with their trillions of dollars in profits could care in the least.

I returned to this same Super Walmart at 9:00 a.m. EST, would you believe… SONIC BOOM IS STILL NOT OUT FOR SALE!!!! WTF? So, having a very large grocery list in hand, I proceeded to buy $100 worth of groceries and necessities while there. Just before I was to check out my grocery order, I checked one last time for KISS – Sonic Boom. Forget it – not out. Oh, wait a minute, it kinda was… there were several large boxes in two grocery carts, parked at the end of the CD aisles, right next to the over priced HD televisions. On these large and sealed boxes were very large white stickers… with black printing on them… that read: time sensitive material – street dated material. No music rep to be found though. You see, Super Walmart employees are not allowed to put out the new releases… or any CD’s for that matter. That is exactly what a music rep and Super Walmart employee once told me months ago. I was not about to wait around any longer and allow my time sensitive groceries to thaw out in the cart. Nor was I going to hunt down the music rep who was supposed to be doing his/her job… I have been the KISS Gomer Pyle for too long this morning, enough.

Here are some talking points I have, concerning this inexcusable scenario I endured today:

* If Walmart wants to handcuff music fans with their “exclusive” CD’s… (where you can only buy Sonic Boom at Walmart), then get with the program and have the damn new release out for customers to buy – period. Especially on the release date… there are passionate fans out there like myself who have schedules to follow, I can’t sit on my butt in the middle of the Super Walmart CD aisle all day waiting for the KISS KORNER to get going.

* How come the kiosks were loaded and ready, as soon as the doors opened at this Trexlertown, Pennsylvania, Super Walmart for the release dates of AC/DC Black Ice and the re-issues of the Beatles CD’s and not KISS? Hell, the morning of the release date for Black Ice, I was greeted by a huge, very huge, cardboard advertisement of Angus Young and AC/DC right at the front door of this same Super Walmart!! Plus it was 8:00 a.m. in the morning of the Black Ice release date too!! I was psyched out of my Metal mind that morning… grabbing Black Ice that early on it’s release date was cool.

* Who’s fault is this? Who dropped the Metal ball by not having Sonic Boom on the CD shelves on the morning of it’s release date?

* Music Rep – this is the only person who is supposedly allowed to handle and deliver the CD goods. Where was he or she? Why were the boxes of CD’s left in the aisle unopened until 9:30 a.m. EST on it’s day of release?

* Super Walmart Store Manager – yup, you better believe this person is to blame. This is money we are talking about here, money to be spent. No goods available, no money for the registers. With all of the hype about this Sonic Boom exclusiveness to Super Walmart, plus it is KISS, you would think that the store manager would want to get the ball rolling the night before and have everything set up for loyal customers like myself. My advice for the Trexlertown, Pennsylvania, Super Walmart Store Manager – GET TO WORK AND OVERSEE YOUR DAMN STORE.

* Gene Simmons – you better believe he is to blame too. If Gene Simmons is such a shrewd businessman, I wonder what he would think if he knew his Sonic Boom was not even out, in a Super Walmart CD aisle on it’s release date at 9:30 a.m. EST? Who knows when this Super Walmart will get around to putting out Sonic Boom today, on it’s supposed release date. Gene Simmons could probably care less about my ordeal. Gene Simmons obviously signed an “exclusive” contract with Super Walmart, he obviously thought his new album would be available to customers on it’s release date at ALL Walmarts. I would be bewildered if the contract between KISS and Walmart specified that Sonic Boom would be put on the store shelves, on it’s release date, once the music rep gets around to it. A release date to me, means a new CD is available, once a store opens it’s doors to the buying public – period. Gene Simmons agreed to this “exclusiveness”… instead it is a monopoly. Free enterprise yes, fairness to an open and competitive marketplace, uh, are you kidding?

PLUS, WHY WOULD AN EMPLOYEE OF SUPER WALMART HAVE A COPY OF SONIC BOOM TO PLAY – IN THE CD/ELECTRONICS AREA, WHEN THIS SAME SONIC BOOM CD WAS NOT AVAILABLE TO CUSTOMERS? HYPOCRISY AT IT’S MOST EXTREME LEVEL.

I have learned a long time ago… it does not take a NASA Rocket Scientist to figure this out… Super Walmart is greedy, the record industry is DUH? and too many legendary Rock and Heavy Metal Bands become greedy and corporate as they get bigger. I will listen to a blue collar Heavy Metal Band today, a band that hopefully will never catch onto this mean spirited and greedy Super Walmart “exclusiveness”… ANVIL. Gene Simmons knows he has his loyal KISS ARMY behind him, I will still try once again to buy the new KISS Sonic Boom… hopefully it will be on the Super Walmart shelf by 4:00 p.m. EST today, on it’s release date. There is no other outlet to go and buy Sonic Boom… Walmart and Gene Simmons made it that way with their overpaid plastic lawyers. You can count on seeing that greedy “Only AT Walmart” sticker on the Sonic Boom packaging too. Don’t worry Walmart, you won… you have way too many trillions of dollars to give a crap about screwing the customers like myself.

I know there are worse things in life to worry about than this crap, still, it is defeating when you make an extra 15 minute car trip – twice in one day, for a CD of a band you have been following since you were a kid, only to find out no one has bothered to put out such CD. All the while knowing, that this inconvenience I experienced twice in one day, is all due to people not doing their damn job in the first place.

MetalOdyssey

KROKUS – “ROCK THE BLOCK” Has Rocked My Heavy Metal World

Posted in 1970's heavy metal music, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal cover songs, 1980's heavy metal hits, 1980's classic rock, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic heavy metal, classic heavy metal albums, classic rock music, collecting rock music, cool album covers, essential heavy metal albums, essential heavy metal songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal bands this decade, heavy metal cover songs, heavy metal from switzerland, heavy metal music, heavy metal music 1983, Heavy Metal Reviews, heavy metal this decade, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, rock music, switzerland heavy metal bands, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 4, 2009 by Metal Odyssey

Krokus "Rock The Block" large album picAt the end of the day, I thank my lucky Metal stars that Krokus has existed – and still exists as a Heavy Metal Band. I have listened to Krokus since the early ’80’s, with Headhunter, (released on November 30, 1983), being my favorite Krokus album ever. Krokus has always maintained their straight-up brand of Heavy Metal over the decades, (spanning 4 decades), mixing in a power ballad here and there for good Metal measure. The comparisons to AC/DC over the years have been rather unfair, although I can understand why this comparison exists. (Marc Storace on lead vocals for Krokus does have resemblance to the legendary and late Bon Scott). Krokus has easily differentiated their songs on past albums, Screaming In The Night from Headhunter, Our Love from The Blitz album and Burning Up The Night from the Change of Address album are three cool examples to point out. Plus, Krokus has never been bashful in the past about doing cover songs… they kicked some Metal ass with School’s Out by Alice Cooper, Ballroom Blitz by Sweet and American Woman by The Guess Who. In a Metal nutshell, AC/DC is a legendary – Rock and Roll Hall of Fame Band… Krokus has longevity, a strong and hard work ethic and a catalog of Heavy Metal albums worth their weight in Metal gold. Two different bands, Krokus just never received the popular vote… they are the band that Metalheads from decades past know are damn great at what they do. Krokus does not need acceptance from a Hall of Fame building to feel like they belong or accomplished anything… the fans know the difference.

Krokus collage band photo 2009Phew, now that this Krokus introduction is out of my Metal system, I can get excited now about telling the world about their 2003 album – Rock The Block (on Warner Brothers). You see, I have kept cool Metal tabs on Krokus throughout the years, still, an album will be put on my want list and wind up not being purchased for some unreal reason or another. Skipping over Rock The Block, I wound up buying right away the Hellraiser album by Krokus back in 2006. (Hellraiser by the way is one damn good Krokus album too). Fast forward to October of 2009 and I still do not own the Rock The Block album… until, once again, step in my best buddy – Scott. He sent me the Rock The Block CD via mail last week. On Friday, October 4, 2009 – I officially owned this album on CD and cranked it up for all it’s Heavy Metal worth.

Within a four year period, from 2003 to 2006, Krokus has released two great Heavy Metal albums. All the while, there are those bands who release that one album every ten to fifteen years and because they are elite, the mainstream press goes ape crap over it. With Krokus, there is no Walmart exclusive contract, yet they bring the Old School Heavy Metal that never fails to kick my ass into Heavy Metal shape. Rock The Block never made the cover of any prima donna – mainstream Rock magazines… thank god. This album gets it’s just due here, on Metal Odyssey. Krokus will forever get their just due on Metal Odyssey. All 14 songs are Krokus Heavy Metal… there is no in between. Mad World opens up this album and has me amazed at how strong and relevant the lyrics are. I instantly became absorbed into the Heavy Metal world of Krokus while listening to this album. Mad World is as intensely good a Krokus song I have ever heard. To go through each song that is on Rock The Block would be nonsensical here, this album is as complete a Krokus Heavy Metal album as there ever was. Rock The Block – Rocked my Heavy Metal world this past Friday… as a first time listen nearing seven years after it’s release.

Krokus, as they appeared on Rock The Block:

Marc Storace – lead vocals

Fernando Von Arb – lead guitar

Tony Castell – bass guitar

Dominique Favez – rhythm guitar

Patrick Aeby – drums

Krokus – Rock The Block Track Listing:

  1. Mad World
  2. Leading the Pack
  3. I Want It All
  4. Open Fire
  5. One For All
  6. Looking to America
  7. Go My Way
  8. Hot Shot
  9. Raise Your Hands
  10. Night of the Snakes
  11. Throwing Her China
  12. We’ll Rise
  13. Freedom
  14. Rock the Block

Krokus "Rock The Block" large album pic